Coffinworm has been terrorizing the world since the release of their debut demo, Greater Bringer of Night. From that point on the black/doom/sludge sickening horror that they unleashed continues to haunt us. Their excellent debut album, When All Becomes None, would certainly seal the deal, and their split with Fistula would only increase the anticipation for a follow-up album.So here it is, IV.I.VIII, making us all silently scream in awe with the brutality that the band has been able to reach. What is so remarkable about Coffinworm is their ease to bring together black metal and sludge. “Instant Death Syndrome” is the ultimate testament of the unique duality of the band. In one end you get the eerie black metal leads, accompanied by the fast drums, and alternatively on the other end you get the pure weight of doom/sludge at its very best. It is quite impressive to behold, to be fair.What is even more astonishing is how many different methods of sonic manifestation the band is able to take on. “Lust Vs Vengeance” brings out the heavier side of Coffinworm with the slow tempo overwhelming your very existence as the huge riffs slowly take over. However what lies within … Read more
Merzbow is noise music. While this may seem like an overstatement, Masami Akita is the forebear of the genre itself … Read more
It is quite difficult to define what Barren Harvest is offering in Subtle Cruelties. The duet of Jessica Way of … Read more
Tweak Bird is the Los Angeles sludge-pop duo of Caleb Benjamin and Ashton Leech. Their stoner/garage rock crossover sound has … Read more
WAR//PLAGUE always come a little different each time out. Primal is their fifth release (and the seventh single in the … Read more
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In 2005 we saw the amount of instrumental bands coming out rise significantly. Most of these bands either sounded too soft and sparkly (resembling Explosions in the Sky too much) or too over the top and heavy (sharing too much in common with the likes of Isis and Pelican). The Brooklyn quartet, New Electric has found a medium between the heavy and soft in the instrumental realm on this self-titled debut EP. Formed from the ashes of former bands, New Electric features the principle songwriter of Nakatomi Plaza, Oscar Rodriguez, on guitar. The other three members were students of jazz in college along with Rodriguez, and played in numerous jazz-influenced bands before New Electric. The jazz influence is hardly noticeable, as New Electric plays fuzzed out rock-n-roll more akin to … Read more
Whole genres are made off the backs of originators. Sometimes these genres become forgotten for awhile or just bogged down with repetition and simplicity. Every once in awhile a band sheds mere aping to become something interesting, yet familiar. Something clearly within genre stereotypes but with their own sense of interpretation. The Bellicose Minds are one of those on the … Read more
I haven't been following Architecture in Helsinki too much since the underwhelming, Places Like This. In 2011 they released, Moment Bends, which almost completely flew under my radar. I once again almost missed another album cycle with their new record, Now + 4EVA. Following their sophomore output, In Case We Die, the group began to lean more towards synth-pop and … Read more
Often when a critic writes of a band not changing its sound it’s meant in the negative light: art should be about exploring new boundaries and punching the listener in the face with something new. But sometimes it’s not.Banner Pilot have been kicking out raspy pop-punk jams for the better part of a decade now—since 2005—and in that time they’ve … Read more
Five years removed from a self-titled debut released on the legendary Slumberland Records label that to many, signaled the return of sugary indie pop and shoegaze, New York City-based group The Pains of Being Pure at Heart return with 2014’s Days of Abandon, an album that demonstrates that lead singer and guitarist Kip Berman has all but perfected his songwriting … Read more
Self-released in November of 2013, Roaming Herds of Buffalo’s Alien Canyons is the band’s second release to date. The Seattle-based group has described this outing as a “collaborative project” in their web-based press kit, although I’m not sure what to conclude from this vague statement. Maybe everyone played everything and everyone got songwriting credits? Maybe the band considers these types … Read more
I hate to simplify the role of the split 7”—they’re about way more than this, in truth—but one of the greatest purposes the split 7” plays is in introducing yourself to new bands. Most of the time, the pairings are based on similar sounds or friendships and it’s a good way to branch out and find new groups. This split … Read more
It’s 11 o’clock on a Saturday night. You’re lying in your bed, craving some late night music. You want something dreamy, but not Panda Bear dreamy; something minimal, but not Bonnie ‘Prince’ Billy minimal; something that comfortably sits in the middle of it all. Try out Chad VanGaalen.The Calgary singer/songwriter has been making awesome psych folk since 2001. After a … Read more
Though many have tried to position singer/songwriter Meg Myers as the latest in the line of angsty female singers that includes the likes of Fiona Apple, the alarming level of bitterness and near hostility found in the lyrics of theMake a Shadow EP, the second release from the ferocious former Jehovah’s Witness, almost puts her in a different league entirely. … Read more
All good stories need an emphatic storyteller to bring the characters to life. Beyond one dimensional storyboards where all film ideas begin and draft-upon-draft of song lyrics harbouring a vision, the most important part of any creative endeavour is when these ideas are brought out of their enshrouded beginnings, and the storyteller tells us why these characters should matter to … Read more
Southern Californias' Bl'ast are certainly not new by any stretch but possibly forgotten by most to the annals of time. Hardcore is a scene that attempts to treasure the past while forgetting certain standard bearers and originators as suits the times. Southern Lord has managed to unearth a forgotten chapter of hardcore history with this record of forgotten and remastered … Read more
La Dispute’s 2011 post-hardcore masterpiece Wildlife was not only the highlight release of that year, but one of the finest records that I myself have humbly observed. Personal accolades aside, this opinion is one shared by many others, and not without due reason. Wildlife represented at the time of it's release not only an extended display of unbridled emotionality, but … Read more
Oh, to be a fly on the wall during one of Toronto-based The Bare Miniumum's practices. It's generally an added bonus to discover that a band has a sense of humor about themselves, but with these guys it's seemingly the only thing they're concerned with. In interviews, the band presents themselves as lots of things. At times, they're an unconcerned … Read more
In the darkest recesses of some of our minds lies an unspeakable and unknowable terror, and some artists have brushed against that darkness throughout time (some recent examples might be H.P. Lovecraft, Francis Bacon, and a select few others) and Cacophony is a perfect illustration for the madness induced by such brushes with our inner demons; although nowhere near as … Read more
I’ve sat on this review for a while, waiting for that easy-to-describe-it moment to hit me. With Signals Midwest, I don’t know if that’s going to happen. The Cleveland band uses their Midwestern sensibility in their sound—it’s gritty, honest, and non-showy—but it’s also too distinct to tie to a geographic area. The band uses a punk influence throughout while playing … Read more
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