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Vivabeat

Interviews • September 6, 2026

LA’s Art-Punk Pioneers Who Bridged Continents and Genres In 1978, Vivabeat emerged from Los Angeles with a sound that defied easy categorization. As I spoke with Marina and Mick years later, it became clear that this was a band always slightly out of step with the local scene -- East Coast transplants mixing with an Angeleno native, chasing a vision that leaned toward art-rock and electronic experimentation even as punk and new wave roared around them. Signed to the UK label Charisma Records after a fateful encounter with Peter Gabriel, Vivabeat created music that resonated in disco clubs, the early MTV generation, and underground art-rock circles. In this interview, they reflect candidly on their formation, influences, recordings, and the unusual path that set them apart. Scene Point Blank: You formed in Los Angeles in 1978, but parts of the lineup had East Coast roots. Did you feel fully embedded in the LA scene, or slightly outside of it? Marina: Personally, as a native Angeleno, I felt deeply immersed in the LA scene. The fact that we were signed to a UK label, however, and that more than half our band members were from the East Coast made Vivabeat seem like an outsider. We had no problem booking shows, but we never had a local scene vibe. Part of it was that we were signed to a record deal with Charisma so quickly that we didn’t have time to cultivate a local following. It would have been far better to spend … Read more

Lethal Limits

Music Therapy

Interviews / Don't Quit Your Day Job • September 5, 2026

There are a lot of misconceptions about the life of a musician. Most musicians have day jobs – and not … Read more

UK Subs

Interviews • August 23, 2026

50 Years of Chaos: Charlie Harper and the U.K. Subs More than five decades after the first sparks of punk … Read more

Commerce or Amusement? #2

Green Noise Records

Regular Columns / Commerce or Amusement? • August 22, 2026

Are You In The Music Business? Or Just Involved In Music? Interview Series #2. Featuring Martin Winch of Green Noise … Read more

Latest album reviews browse all

Professor and the Madman

Dreamworld
FullerTone Records (2026)

ALBUM HIGHLIGHTS – “Brand New World”, “12 Strings and Tambourines”, “Adams Street”, “Temple of Madness” It’s rare to find these days. A band (or maybe supergroup, in this case) that defies all genre boundaries and just…creates. Alfie Agnew (Adolescents, D.I.) and Sean Elliott (D.I., Mind Over Four) are familiar names from Orange County’s early 80s hardcore and psych-punk scenes, but … Read more

Chat Pile

Who Loves The Sun
Flenser (2026)

If Chat Pile were a film, they would be a dark thriller. The kind that builds tension until the end and, once we reach the third act, still might not ever show the killer. It's plodding and intense and, while I just pulled out a genre reference, the best thing about the band is how much they defy conventional musical … Read more

Generacion Suicida

Hombre Nuevo
Vitriol (2026)

On the tail end of Autogramm’s 2018 tour of Mexico (what little I remember of that week now is a lot of pulque and not a lot of sleep) I visited the one punk record store in CDMX that I found via googling where to buy bootleg punk t-shirts. I’d already visited Venas Rotas Discos earlier on the trip and … Read more

Karen Dió

Fugaz
Hopeless (2026)

Six songs. That's all Karen Dió needs on this EP. Considering the title translates roughly to fleeting, brief, or transient in Portuguese, maybe that's exactly the point. Dió's second EP doesn't hang around long enough to overstay its welcome. It arrives, makes a hell of a lot of noise, throws some gigantic hooks at you, and disappears. But there's considerably … Read more

Additional album reviews

Real Numbers

Was It Always This Way
Slumberland Records (2026)

I feel like this may be the first 12", 10-song release in my collection from Real Numbers, a dreampop meets jangle-indie rock band from Minneapolis. I'm not going to fact … Read more

Alien Nosejob

How A Mosquito Operates
Anti Fade, Iron Lung (2026)

The one-man band of Alien Nosejob continues to crank out short, angry hardcore in quick bursts. I've lost count of how many records Jake Robertson has now released under the … Read more

Cancer Bats

Give Me Dirt
Marshall Amplification PLC, New Damage records (2026)

ALBUM HIGHLIGHTS – “Bright Eyes of Gold”, “Give Me Dirt”, “Long Tooth”, “Fools Like You” Almost exactly two years ago, on 8th August 2024, Cancer Bats played Conne Island in … Read more

Tyler Sonnichsen

The Dead Milkmen
J-Card Press (2026)

When I saw The Dead Milkmen at Toronto’s Diamond Club back in the late 1980s, the floor was a volatile, beautiful mess of colliding subcultures. It was like different species … Read more

Opus Kink

The Sweet Goodbye
So Recordings (2026)

ALBUM HIGHLIGHTS – “Come Over, Do Me Wrong”, “The Sweet Goodbye”, “I Have to Shine My Sunday Shoes”, “Crucify!” Opus Kink sound like nobody else. To call them “jazz punk” … Read more

Sludgeworth

Second Time Around
Red Scare Industries (2026)

I never got very into Screeching Weasel and the extended family tree. Ignoring the politics of the matter, the music never really hit that sweet spot for me either. But … Read more

Social Distortion

Born to Kill
Epitaph (2026)

Rating: 🍸🍸🍸🍸🍸🍸🍸🍸🚬 / 10 (8 Tipped Martini Glasses and a Cigarette) Remember that movie Fantastic Voyage, where a miniaturized submarine gets inserted into a person's bloodstream on a mission to … Read more

Big Circle

Big Circle
Independent (2026)

There are plenty of supergroups that exist largely because of the names on the marquee. Big Circle feels different. While Glenn Mercer (The Feelies), Mike Watt (Minutemen, fIREHOSE), Dave Weckerman … Read more

News headlines browse all

SPB featured stream: Sliimo

Posted in Records on September 4, 2026

Sliimo returns to earth with a brand new record, a self-titled (2026) effort that expands on the band’s sludge/stoner space metal. Described as “a sci-fi space metal band from the moon of Nar Shaddaa, but way of Providence, RI,” the mission is “to show that goofy freaks have a place … Read more

The new 2026 Charger

Posted in Records on September 17, 2026

East Bay hard rock band Charger just shared "Breakout," the lead single from a new EP called Last Call, out on Oct. 23 via Pirates Press Records. The band, which … Read more

Go Forward In Flames and listen to "No Sunlight"

Posted in Records on September 17, 2026

Post-rock band Go Forward In Flames will release a debut album, Liminal Spaces, next month on Oct. 23. The album features 7 tracks, including the recently shared "No Sunlight." Read … Read more

Descendents' Bonus Fat reissue

Posted in Records on September 17, 2026

Org Music is continuing its reissue series of older Descendents material, announcing Bonus Fat as the latest -- available Nov. 13 on vintl, cd, and cassette. The release features the … Read more

Wraith issues "Final Warning"

Posted in Records on September 16, 2026

Wraith, a hodgepodge of heaviness classified as "Indiana-based blackened thrash/speed metal" has announced Descent Into Darkness, a new album on Prosthetic Records on Nov. 13. We threw in the Indiana … Read more

The unheard songs of The Unheard Ones

Posted in Records on September 15, 2026

The Unheard Ones' lost recordings from 1990 are coming to the masses on Sept. 18. The band will release Stories and Songs this Friday via Handstand Records. The mid '90s … Read more

popfree and Overt

Posted in Records on September 15, 2026

Orange County, CA emo band popfree just announced their upcoming Overt, a new 7-song record via New Morality Zine. The band released Spring EP on the label last year, building … Read more

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