When I first came across Castevet’s debut album I was hooked with their sound. The hybrid post metal/black metal band was very innovative with their musical structures and their complex, outside of the box thinking when it came to their technical side were just some of the highlights of Mounds of Ash. Unfortunately back then; the other release of the band that was available was the Stones/Salts EP, leaving you with the anticipation of listening to some new material from them. Fortunately three years after their debut album, Castevet return with their even better sophomore release,Obsian. Joined by Nicholas McMaster of Bloody Panda and Krallice (that makes sense, doesn’t it?) on bass, the band from New York has hit yet another peak with this one. What is so intriguing about the band is the way that they are able to structure their songs. It is very interesting how they are able to implement a math rock and post metal basis on top of which they are able to encompass their black metal nature. The result is an album that is multi-layered, creating a very dense sound and at the same time a very challenging listen. The opening track of the … Read more
Tape Deck Heart is a transition album for Frank Turner. Not only for his music career, but it seems like … Read more
Coleman Hell is a three-piece Canadian band from Northern Ontario. It consists of vocalist Coleman Hell along with Rob “La+ch” … Read more
Gogol Bordello, on their earlier releases, were one of those rare bands that everybody agreed was a must-see live band … Read more
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If one were to define post-punk as the departure from the musical rawness and simplicity of punk rock and the adoption of dancey rock elements, Brooklyn-based The Black Black would fit the bill quite well. Their third long-player spans eight tracks, which sonically traverse bass-centric territory between 1980s sentiments left in the wake of Joy Division and the groovy end of what the advent of the independent rock at the dawn of the new millennium had to offer – think a dirtier version of The Faint. Gloomy and atmospheric in their approach, The Black Black have certainly found their lane and deliver competently their brand of energetic, fuzzy dance punk. While the records sounds like from one cast in terms of coherence and production, over the distance of a full-length … Read more
Crusty hardcore is making a sort of renaissance as of late. With more and more bands playing the basics and still more adding the style to their more broad repertoire it can make it harder and harder to pick a truly great example of the genre as opposed to a band that merely does it well.2 years ago Vancouvers' Baptists … Read more
The history of A.M.S.G. (or Ad Majorem Satanae Gloriam, or For The Greater Glory Of Satan) is one that is filled with darkness and the actions of vocalist/guitarist Angelfukk Witchhammer are dubious to say the least (Mr. Witchhammer has spent some time in prison and wrote this album during a period of incarcaration) and yet the duo have found ways … Read more
What do you do with a record that you just cannot place, and how do you express what you think about such an album when words escape you? This is the dilemma before me as I listen to Apocryphal Stories from Utarm for about the tenth time because I just am at a loss as to what is actually going … Read more
With an impressive line up including Scott Kelly of Neurosis, Bruce Lamont of Yakuza, Sanford Parker of Minsk and Buried At Sea, and Mike IX Williams of EyeHateGod, the debut album of Corrections House is met with some high expectations. And thankfully the four musicians are able to deliver. It is quite intriguing to hear what these guys can bring … Read more
Ottawa-native Joel Martin is back with his twelfth album entitled The Tipping Point. For someone who has spent the majority of his career experimenting with sound and innovative ways and techniques to strike his audience, it’s safe to say he has succeeded in showcasing his creativity and talent with this interesting collection of songs which best represent him as an … Read more
If you haven’t heard of The Slow Death by now, you probably aren’t as depressed as the majority of us. Luckily their new album No Heaven hits the spot for the more cynical listener. Which, lets face it, punk rock has never been about sugar coating the bullshit that comes with life. If it wasn’t the album cover with a … Read more
If there's anyone who can make the mundane interesting, it'd have to be progressive rockers The Tangent. As evidence, I cite their newest album, Le Sacre du Travail (The Rite of Work), which is a five-movement, hour-long piece of music encapsulating the variety of emotions in the typical Westerner's work day.And it certainly succeeds at that project--bland concepts and trivial … Read more
On Happy B-Day Mike, the latest self-release from math rockin’ boys What’s Fluffy, the Bloomfield, NJ quartet fires out six sonic anecdotes of hypnotic guitar lines, swaying time signatures, sparkling saxophonic blows, and never-ending feelings.The EP, running at just over 18 minutes, opens up with “I Really Hate Cats”. The track isn’t something PETA should be worried about: it’s meant … Read more
It’s easy to read a posthumous reissue as a mining of a band’s demos and outtakes. Nirvana saw the deluxe treatment of Nevermind a few years back and now, celebrating 20 years since its release, they get the same treatment on In Utero. For a band that only released three proper full-lengths, yet received accolades beyond what I care to … Read more
Some anniversary reissues are like tapas. Small, manageable servings of exactly what you want and you wind up leaving utterly satisfied. Others are like going to Country Buffet. More food than you could ever need or want and you end up gorging on shit you never asked for in the first place and when you finish you ask yourself "Why … Read more
Do you love tossing on a record that is just crushing from start to finish? I mean regardless of dynamics where even the quiet parts make you feel that the heaviness could simply collapse in around your ear drums while the record spins because Bloodlands is definitely one of those records, and with it, Ash Borer is certainly staking their … Read more
When you go travelling for a while (be it physically or mentally), sometimes there is this ache or longing to return to more familiar surroundings where the memories of comfort and solace both act as a salve and additional salt for the wound of being away; and in the midst of such feelings perhaps more work from Justin K. Broadrick’s … Read more
With one fell swoop Highness manage to confirm suspicions and completely avoid them. When a band made up of more than a few well known underground acts get together there is bound to be a few ideas as to what they should or will sound like when the finished product is available. When your band consists of members of such … Read more
Motörhead have the blues. Sure, they've worn their influences on their sleeves for the entirety of their 40 year career. But on Aftershock, the band's 21st studio release, the ghosts of Chuck Berry, Robert Johnson and Little Richard come home to roost like never before.This doesn't mean that they've slowed down, of course. From beginning to end, Aftershock is an … Read more
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