Due to its liberal usage around ye olden music-critiquing biz, “garage rock” is one of those dicey descriptors that, should you choose to follow it, can lead you down a multitude of avenues. It can walk you knowingly into a crotch punching at the hands of the Candy Snatchers, leave you pleasantly surprised and smiling thanks to the likes of Koko Beware, or unexpectedly drop you off smack dab in the middle of downtown Boringsville; which in this case happens to be San Francisco. I Need You Bad is a compilation documenting the present day San Francisco garage rock scene. Curated by one of its most dynamic members, Sonny Smith, it features established bands like Sonny & The Sunsets, The Sandwitches, and Warm Soda alongside a handful of lesser-knowns. Cool idea, but the downside is this is a collection that will send even the most over-caffeinated, coked-up, bicycle cap-wearing scenesters deep into a hibernation-like slumber. Out of the 15 bands compiled here, there’s only four that contribute songs that stand apart from a what is an otherwise completely morose affair. “Thine Eyes” by Pure Bliss recalls ‘80s favorites like Echo & The Bunnymen and Frankie Goes To Hollywood, with a … Read more
It’s safe to say that everyone’s already getting a head start on choosing the song that will be most played … Read more
Following a couple of excellent 7”s, the confusingly-titled Macrocosm is a Wash is the first full-length LP from this Minneapolis … Read more
Age makes fools of us all. First it was In Utero releasing all of my hard-found rarities on a single … Read more
Tomorrow We Sail is the perfect title for a band that seemed to have taken me on a journey. From … Read more
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I don’t know much about Billy Liar, but Red Scare has rarely turned out a bad release so I picked Some Legacy out of the pile with some hope -- and it delivers. Liar is a Scottish musician who has been playing under the moniker since 2006. Sometimes he tours solo, sometimes with a band.On Some Legacy there are shades of solo musicians like Billy Bragg or Frank Turner (perhaps I just think that way because of the solo, sociopolitical bent along with a UK accent) but on this record Billy Liar is a full band with a variety of tempos. It’s not strictly folk music, as listening reminds me of groups such as The Smith Street Band and labelmates Sincere Engineer as well. When Liar slows it down I … Read more
Jazz metal three-piece Les Yeux De La Tête’s (translation: The Eyes Of The Head) second full-length release, Mosca Violenta, is a vicious 11-song steamroller of sludgy riffs, raucous drum patterns, and avant-garde saxophone lines. For a guitarless, sparse album, MV is surprisingly theatrical and fascinating.The trio’s doom jazz masterpiece opens with the demonic ska song “Fubar.” “Soutane Of Swing” is … Read more
When a band consists of only two members tasked with carrying the weight of riff-heavy and sneakily blues-influenced garage rock sounds on two pairs of shoulders, a certain degree of equilibrium needs to be reached. When Maya Miller and Becky Black decided to leave their former band and write and perform as a two-piece it was probably the best decision … Read more
In King Khan & the Shrines, King Khan goes big band. Not in the jazz sense, but in a horn-laden variety a la Memphis rock with some James Brown thrown in for good measure. It’s leg-kicking, camelwalkin’ rock with horns that fill out the sound over a funky groove.While the energetic frontman has a knack for rock ’n’ roll, especially … Read more
I feel like there are a million punk records named No Way Out, but I don’t really care because it’s one of those commonalities that makes punk music, well, punk. And staying within the vein of reiteration, there’s only so many ways to say that a band isn’t trying to reinvent the wheel; so I’ll just stick with that old … Read more
While hardcore and the like have always valued the use of noise rarely has it ever been used in a combination of hardcore as a genre as well as the idea of noise as a genre unto itself. Noise as a genre is a very tough to pin down aesthetic in and of itself, just as hard would be to … Read more
Comprised by members of great acts such as Kayo Dot, Dysrhythmia, Gorguts and While Heaven Wept, Vaura find themselves in a strange territory. Somewhere between post-punk, darkwave and black metal, they unleash their second full-length, entitled The Missing. And just about a year after their debut album, Selenelion. The title track is introducing the band in the most suitable manner. … Read more
Maybe Minnesota is just a long way from Texas, but it seems that Mind Spiders are more of a studio band, releasing a record a year but only hitting my town once in the past three. Or maybe it’s just the 1000 miles in between. That’s really neither here nor there, though, as far as talking about the sound delivered … Read more
Bazooka hail from Greece and their tumultuous current situation has left its mark on the sound of this band. Lo-fi, double drumming, weirdo psych-outs – it all adds up to an assured debut that buzzes with early 90s garage vibes and 70s punk as well as a nice line in indie melody. “Ravening Trip” sounds like it could have come … Read more
Canadian sound artist Tim Hecker is no stranger to the more esoteric side of electronic composition. Continued experimentation with increasingly nuanced ambient soundscapes under said moniker for six full-length releases, as well as countless side appearances, has inevitably led to the creation of something undeniably unique. With the release of Virgins- now Hecker's seventh effort - the bohemian Montreal resident … Read more
Cloud’s Comfort Songs is a collection of downbeat, gloomy works that create an atmosphere of utter desolation while somehow lifting the emotional aspect of the pieces beyond total sadness. There are lovely little hints of hope hidden in the depths of these songs and the young man behind it all, Tyler Taormina has, at heart, blurred the lines between sadness … Read more
Direct Hit! get filed in the Midwest pop-punk scene and, while they deviate throughout the course of Brainless God, that’s definitely a fair starting point. While there are some harder influences at play, the band’s core is in that school of Dear Landlord and The Dopamines. It’s melodic, catchy, and peppy. There’s some Screeching Weasel in there, but it’s more … Read more
On one end of an (unscientific) scale of popular male singer-songwriters sits Ed Sheeran, perched comfortably at the top of the charts while still maintaining an air of authenticity, and at the other end is pop supremo Bruno Mars, master craftsman of insuppressible earworms. Somewhere between these two sits Mark McCabe's brand of insular emoting, not quite hooky enough to … Read more
On first listen of The Ruins of Beverast new record Blood Vaults – The Blazing Gospel Of Heinrich Kramer (Cryptae Sanguinum – Evangelium Flagrans Henrici Institoris) you pretty much fall in love. On repeated listens however, you find much to dislike about it. It’s too long, there’s too much happening, there’s too much weird stuff going on. While weirdo black … Read more
In what amounts as no surprise whatsoever, the Profane Existence Single Series just keeps on delivering the goods.Broken Waves is the sixth P.E.S.S. release now and comes via Midwestern eardrum assassins Krang.A few years ago I saw these guys at a sports bar in Wisconsin. At the start of their set the singer spewed something undecipherable about “ancient religions,” then … Read more
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