Last year's self titled record from Pinkish Black was a distinctly (un)pleasant surprise from a duo that have been making music together for a substantial length of time. Pinkish Black took the critical world by storm with their debut and the record was, quite rightly, considered a breath of fresh air within the darker confines of the musical spectrum. Pinkish Black was an album of mystery and intrigue and the band threw many of their influences into the mix as well as imbuing the whole ordeal with a hue of hazy dirt. Razed to the Ground continues in that vein but pushes the band further into their own minds, rather than that of their peers. "She Left Him Red" rumbles into view on disturbing drum beats and swaying electronic pulses which dip in and out of sight before the track kicks into life and the sinister loops wrangle with Daron Beck's clouded voice for control. It's almost like a horror film soundtrack in tone, with sickening edges of sound cloying the mind and Beck's vocal approach fighting to come up over the abyss and into view - it never does though, and the frustration you feel is real and torturous … Read more
It's encouraging that after releasing one of the best records of 2010, Janelle Monáe wasn't rushed into releasing the follow-up … Read more
Each time I write the phrase “garage-punk” I like it less and less. Still, how else to describe a band … Read more
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It's been an interesting road for Lords since their formation by Chris Owens about five years ago. Initially boasting members of underrated The National Acrobat and other notable Louisville groups, from the get-go the band delivered an unrelenting concoction of noisy hardcore that the city's scene is often noted for. Along the way members have come and gone, most recently picking up former members of Coliseum and Lickgoldensky for their latest incarnation while Owens has been the one mainstay. After some recent label difficulties - which are evident once you pop this CD in and listen to the first track - Lords return with their second full-length. And on their latest release the Louisville-based outfit continues to develop the plan set forth on their first EP's as well as the … Read more
Heading over to their Last.fm account, the light hearted description ‘Australian for Deafheaven’ doesn’t exactly seem to serve as an appropriate designation for Brisbane based black metal troupe Hope Drone. Sure, the atypical approach towards standard genre fare is evident, and the lush, wide production on this 4 track release certainly draws parallels. Though it is likely more of a … Read more
The press blurb that accompanies Texas-based indie folk duo Papermoons' sophomore album No Love claims that "the idea that you can say a whole lot more without screaming or shouting" is solidified in this LP. No Love is 10 tracks of smouldering, cleverly composed melodies with occasional gushes of shimmering electric guitars. Written during the five years after Papermoons' debut … Read more
Sometimes calling something the “[insert record label]” sound is meant in a derisive way. Before the clichés came home, however, it was also used to complement a label’s stable for having some unique defining qualities. That’s where Steve Adamyk Band fits with their Dirtnap Records home. The general style that SAB plays can be summed up in a few distinct … Read more
When I first came across Castevet’s debut album I was hooked with their sound. The hybrid post metal/black metal band was very innovative with their musical structures and their complex, outside of the box thinking when it came to their technical side were just some of the highlights of Mounds of Ash. Unfortunately back then; the other release of the … Read more
Tape Deck Heart is a transition album for Frank Turner. Not only for his music career, but it seems like a transition album for himself too. When asked about the theme of this album, Turner said, “This album is about self-examination, running through your own faults, about change, and about ending. Something like that”.Turner starts with his most adverse yet … Read more
Bangers are a punk band from Cornwall, but they don’t play to expectations in their second full-length Crazy Fucking Dreams. Instead, the record starts with the mid-to-slow tempo “A Curious Mix,” with speak-sing vocals and a trumpet. Singer Roo Pescod’s voice remains confrontational and direct, and that’s the most “punk rock” thing about “A Curious Mix.” From there, of course, … Read more
Coleman Hell is a three-piece Canadian band from Northern Ontario. It consists of vocalist Coleman Hell along with Rob “La+ch” Benvegnu and Michah “Dustbuster” Dowbak. Along with being a band, it is a project that experiments with sound and also consists of their “behind-the-scenes” engineer Brendon “Stretch” McDonald, whom all together help to create, produce and perfect the beats and … Read more
It turns out that in the time I decided to write about this record (approx one million months ago*) and actually writing about this record, that Seagraves have chosen to call time on the band. Which is a massive shame because Weight of the World is really great and I feel terrible about being so tardy with this review. Sorry … Read more
Gogol Bordello, on their earlier releases, were one of those rare bands that everybody agreed was a must-see live band that and was able to capture a reasonable facsimile of that imperative on record. Later releases, in particular the band's 2010 release Trans-Continental Hustler, were not as successful capturing that live energy in the studio.Pura Vida Conspiracy is a step … Read more
Crusty hardcore is making a sort of renaissance as of late. With more and more bands playing the basics and still more adding the style to their more broad repertoire it can make it harder and harder to pick a truly great example of the genre as opposed to a band that merely does it well.2 years ago Vancouvers' Baptists … Read more
The history of A.M.S.G. (or Ad Majorem Satanae Gloriam, or For The Greater Glory Of Satan) is one that is filled with darkness and the actions of vocalist/guitarist Angelfukk Witchhammer are dubious to say the least (Mr. Witchhammer has spent some time in prison and wrote this album during a period of incarcaration) and yet the duo have found ways … Read more
What do you do with a record that you just cannot place, and how do you express what you think about such an album when words escape you? This is the dilemma before me as I listen to Apocryphal Stories from Utarm for about the tenth time because I just am at a loss as to what is actually going … Read more
With an impressive line up including Scott Kelly of Neurosis, Bruce Lamont of Yakuza, Sanford Parker of Minsk and Buried At Sea, and Mike IX Williams of EyeHateGod, the debut album of Corrections House is met with some high expectations. And thankfully the four musicians are able to deliver. It is quite intriguing to hear what these guys can bring … Read more
Ottawa-native Joel Martin is back with his twelfth album entitled The Tipping Point. For someone who has spent the majority of his career experimenting with sound and innovative ways and techniques to strike his audience, it’s safe to say he has succeeded in showcasing his creativity and talent with this interesting collection of songs which best represent him as an … Read more
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