Omen Ex Simulacra is a difficult record - one that twists and forms new shapes as it progresses, one that falls into an unfathomable abyss and crawls back out again. It’s dark, overwhelming and grossly pregnant with malevolence and the base duo of Ævangelist are masters of noise control, giving their record a cacophony of sounds to work with and creating a coherent sphere for them to sit in. It’s worth spending some ample time getting under Omen Ex Simulacra’s skin in order to pry little moments of disgust out from under the heavier shrouds of filth.Opener “Veils” comes on like a bastardised industrial work; stomping mechanical beats interact with synthesised, almost human female voices – their choral aspect taking on a deeply sinister tone and warping into screams at times – while vocalist Ascaris dredges the very depths of his own hell with a performance that sits at the very end of the guttural, death metal scale. It’s wholly terrifying and the atmosphere that Ævangelist conjure is one that is oppressive, cruel and woefully bleak and this sickness writhes through Omen Ex Simulacra from desolate beginning to foul end.“Mirror of Eden” fires into unholy life on swarming levels of … Read more
We all have our dark places and those journeys to and through and from those midnight shores in the bleak … Read more
Much like the recently-reunited Owls, the unfortunately short-lived American Football was a group formed from the remnants of seminal Midwest-based … Read more
You know the saying: “Third time’s the charm?” Well it could not be more suitable for the latest Lord Mantis … Read more
It’s almost at the point where Chuck Ragan has reinvented himself. Sure, he’s always had the voice and he’s done … Read more
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With the state of pop music looking more and more depressing with every year, it is always nice to hear a band whose influences reach a bit deeper than the latest craze. In the case of Glasgow, Scotland's Camera Obscura (not to be confused with the San Diego band of same name), cues are taken as much from the British Invasion as they are from The Field Mice and more contemporary indie-pop gems such as Belle & Sebastian and Saturday Looks Good to Me. In recent years many bands playing this style of twee-pop have surfaced with mixed results and seemingly incomplete-sounding albums. Thankfully for Camera Obscura, they don't suffer from this same curse, as Underachievers... is solid all the way through and flows quite well from one track to … Read more
With roots in Orlando, Florida but now touching down in Philadelphia, members of hardcore outfit Direct Effect have presumably fallen victim to the general awfulness that is otherwise known as traveling up and down I-95 for extended periods of time. A slow crawl on a good day, traffic on this expanse of east coast highway has been actually known to … Read more
Considering that many of the group’s earliest albums were sometimes described as being unlistenable, it’s odd that Swans have garnered increasing critical acclaim and notoriety some thirty years on in their history. Led by Michael Gira, the only player remaining from the group’s earlier incarnation that was declared as “dead” following 1996’s outstanding Soundtracks for the Blind (an album I … Read more
Listen, I will fully admit that I am a hopeless Swans fan boy and might even listen to a record filled with sounds of the members defecating and giggling to each other while doing such a dirty deed; so imagine my immense surprise that not only did To Be Kind not immediately blow me away with its intense two plus … Read more
A post-rock review is always a challenge. If you think it’s tough to capture the attention of an audience and carry them on your journey, musically, for 45 minutes without lyrics or choruses then try writing about that action. The successes and failures of the genre come in the ebb and flow, the storytelling, atmosphere, and ability to pull away … Read more
Many people don't realize it, but Green Day released a trio of albums throughout the fourth quarter of 2012. However, due to some personal problems and a public breakdown at a festival from frontman, Billie-Joe, promotion for the albums was put on hold. Those albums, Uno!, Dos!, and Tre!, had their share of lackluster songs, but they also contained some … Read more
Portland, Oregon (and beyond) and Agalloch have long been held in high regard as being at the forefront of the much-loved Cascadian black metal movement. With bands like Wolves In The Throne Room, Skagos and the oft-cited as hugely influential, Weakling as peers and a curiously under-appreciated record in 2010s Marrow of the Spirit, Agalloch have much to prove with … Read more
Coffinworm has been terrorizing the world since the release of their debut demo, Greater Bringer of Night. From that point on the black/doom/sludge sickening horror that they unleashed continues to haunt us. Their excellent debut album, When All Becomes None, would certainly seal the deal, and their split with Fistula would only increase the anticipation for a follow-up album.So here … Read more
Merzbow is noise music. While this may seem like an overstatement, Masami Akita is the forebear of the genre itself not to mention the most well known name in said genre. So i would have a hard time believing anyone involved in noise in even the most perfunctory way would pass up the opportunity to work on a project with … Read more
It is quite difficult to define what Barren Harvest is offering in Subtle Cruelties. The duet of Jessica Way of Worm Ouroboros and Lenny Smith of Atriarch and Trees has found an intriguing way to present a neo folk album. But, it seems like there is always something underlying the initial folky sound of the album with its majestic melancholic … Read more
Tweak Bird is the Los Angeles sludge-pop duo of Caleb Benjamin and Ashton Leech. Their stoner/garage rock crossover sound has enabled them to share the stage with acts ranging from art metal quartet Tool to cheeky indie poppers Best Coast.The duo’s latest release, Any Ol’ Way, combines the gritty metal of Kyuss with the indie psychedelia of Tame Impala. The … Read more
WAR//PLAGUE always come a little different each time out. Primal is their fifth release (and the seventh single in the Profane Existence Single Series) and one that shows the Minneapolis quartet stripping away the evolved crust and blackened characteristics of their previous material in favor of a sound that is more, well, primal. Jamming an airtight metal-punk attack into its … Read more
I heard about Tweens as a Vacation side project. Well, they’ve dwarfed that band’s popularity already, so it’s the last I’ll use that term. The Cincinnati three-piece released their self-titled debut earlier in April on French Kiss Records, and they’ve been hitting the supporting tour scene hard, including dates on the Breeders’ recent Last Splash tour.So how does a band … Read more
Whole genres are made off the backs of originators. Sometimes these genres become forgotten for awhile or just bogged down with repetition and simplicity. Every once in awhile a band sheds mere aping to become something interesting, yet familiar. Something clearly within genre stereotypes but with their own sense of interpretation. The Bellicose Minds are one of those on the … Read more
I haven't been following Architecture in Helsinki too much since the underwhelming, Places Like This. In 2011 they released, Moment Bends, which almost completely flew under my radar. I once again almost missed another album cycle with their new record, Now + 4EVA. Following their sophomore output, In Case We Die, the group began to lean more towards synth-pop and … Read more
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