I’m not sure what this says about me, but I like Astpai’s Burden Calls just fine but it takes until they pull a sample from Teenage Mutant Ninja Turtles (the original) to hit that next level. It has little to nothing to do with the actual songs, but somehow it shifts the tone and the energy just picks up at “Death Everywhere” after Master Splinter’s sage words.The band has a strong ‘90s tone. Think melodic hardcore like Good Riddance but with gruff vocals a la No Idea Records bands. There are big melodic hooks with dramatic and sweeping melodies. The vocals are piled atop and hoarse, shouting into a dark void. All in all, without consulting a lyric sheet, there’s a dark feel to this compared with the aforementioned references. The songs are built on plodding progressions and those soaring melodies culminate in a gigantic roar. It’s a technique repeated throughout the record.That reuse of form doesn’t hinder but it does tend to make the songs blur together more than they should. Movie clips serve to break that similarity and it works for a few seconds, but it’s a cheater course of action that doesn’t work over the whole record. … Read more
Musically tight and lyrically inventive, Pittsburgh, PA-based, self-proclaimed “slacker rock” group Girl Scout seems to draw inspiration from various indie … Read more
Proving that Italians can do the doomy, post-metal thing just as well as anyone else, mysterious and methodical five-piece group … Read more
Hour-long songs can be somewhat of a hard sell. For starters, there has to be an audience of listeners who … Read more
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If you're unfamiliar with Rosetta, punch yourself. Seriously, I'll wait. Go ahead and punch yourself if you've never heard of Rosetta. Okay now By now, you're probably asking why you just punched yourself? Punch yourself again for thinking that! After you've finish listening to Wake/Lift, the band's sophomore release, you'll know exactly why. Following the release of their 2005 debut, The Galilean Satellites, and split with fellow Philadelphians Balboa this year Rosetta have a lot to live up. Granted, they weren't proclaimed as "The Next Beatles" or "The Saviors Of Rock," but they definitely garnered some serious praise with their ambitious debut and stunning contribution to the split release. In spite of the watchful eye and eager ear of critics Rosetta has responded with a triumphant sophomore effort, Wake/Lift. The … Read more
Heartbreak in its truest form is one of life's most sobering and unyielding experiences. As the tedious old adage goes: there's a thin line between love and hate. The strength of these emotions can feel like a bizarre tug-of-war. They're not lacklustre, they're arresting, enthralling and all-consuming. If You Wait siphons some of the rawest feelings, left over after picking … Read more
Say what you will about the old “don’t judge a book by its cover” metaphor, but it’s got some credence in the music world too. The Sands’ Hotel & Casino is a case in point. The black vinyl sleeve may have suggested something darker, but the simplicity and attention to precision that marks the cover is befitting of the record … Read more
Total Funeral is the entire anthology-to-date of Electric Funeral, the one-man Swedish raw punk hobbyhorse manned by Jocke D-Takt. And holy crap is it ever unnecessary. We’re talking about 53 songs that, to the untrained ear, are nearly indistinguishable from one another. Southern Lord, as is their wont, reached into their deep-ish pockets to compile material from yet another act … Read more
I had the fortitude to come across GOG’s previous album, Ironworks, and was astonished with what I discovered. On his previous album, Michael Bjella (the man behind GOG) explored the noise and industrial scenes with much precision and no hesitation when it comes to how extreme a musical offering can be. The ability of Bjella to retain the harsh industrial … Read more
Running nearly twenty minutes in length and featuring two tracks, 2014’s Elegy is the second demo from Indonesian five-piece Maur. I’d classify this band as sounding somewhat similar to stoner metal, particularly on Elegy’s fourteen minute title track which unleashes crisp guitar work played at a deliberate, relaxed tempo. There are moments when the instrumental parts didn’t quite match up … Read more
Though the band is not doing anything that the typical punk rock fan wouldn’t have heard dozens of times before, there’s definite energy and excitement in the four rowdy songs featured on Finnish group Van Dammes’ debut EP. Opening track “(Let’s) Go” kicks the album into high gear immediately, with the sort of singalong punk one would expect from The … Read more
Known primarily as the frontman for Black Moth Super Rainbow, Tobacco (the stage name of electronic musician Thomas Fec) has nonetheless carved out a little niche for himself as a solo artist in the electronic music scene with albums like 2010’s Maniac Meat, which featured contributions by the one and only Beck. Four years later, Tobacco has unveiled Ultima II … Read more
Coming to prominence in 2011 on the strength of the almost unanimously praised debut LP Meet Me at Muster Station, PS I Love You (made up of guitarist/vocalist Paul Saulnier and drummer Benjamin Nelson) popped up at precisely the right time to take advantage of a music community all too willing to embrace an unconventional indie rock duo. Though the … Read more
At one point during Kids Like You & Me, the documentary chronicling Atlanta "flower-punks" the Black Lips' 2012 tour through the Middle East, drummer Joe Bradley remarks that it would be easy for the band to go out and book a tour in North America or even Europe really since the band already has a developed audience there. However, for … Read more
Low Forms self-titled 7” is a six minute blast of power-pop defined by clean guitars, rhythmic chops, and traditional format rock ’n’ roll. While it’s not reinventing anything, it’s a solid homage to a timeless style with a nice build-up from opening verse to close, milking the verse-chorus-verse structure to increase urgency as the song progresses without succumbing to dumbed … Read more
This black metal act from Louisiana continues to spread destruction and devastation. Barghest released their debut album back in 2011, unleashing an echoing shout of misanthropy and obliteration. After their self-titled album, the band put out a split EP with fellow black metal act, False, which also marked their first work for Gilead Media. So now the band carries on … Read more
White Reaper is a cool-named trio who are rubber-burning their way out of the Louisville, KY DIY scene. There’s a dude named Tony Esposito who sings and plays the guitar, and twin brothers Nick and Sam Wilkerson who play drums and bass respectively. Their self-titled debut EP will appeal to fans of Wavves, Japandroids, and Jay Reatard. Hate to drop … Read more
This drug influenced, euro-electronic laser beam, drum and bass can be very, VERY repetitive, Anxiety inducing, tough to listen to, and at times I felt like it was going to trigger a panic attack or an audible seizure.An ‘80s pop-locking, track suit wearing dance crew wouldn't touch this album that brings no emotion or anything of value to the table. … Read more
Despite a confrontational name, Versus You are every bit positive punx with songs praising friendship, relationships, and the like. It’s not that they play bubbly music countered with cynical lyrics, but they place peppy rock that’s further emphasized by sunny reflections over a gritty pop punk sound. The band is also pretty guilty of abusing the RIYL tag on a … Read more
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