Though the band is not doing anything that the typical punk rock fan wouldn’t have heard dozens of times before, there’s definite energy and excitement in the four rowdy songs featured on Finnish group Van Dammes’ debut EP. Opening track “(Let’s) Go” kicks the album into high gear immediately, with the sort of singalong punk one would expect from The Ramones, while follow-up track “Daniel” blends Misfits-like chord progression with the type of sparkling and grandiose chorus Danzig would never have pulled out of the hat. “Lisbon, I Promise You” is an ode to the European capital, boasting nifty harmonic backing vocals during a chorus ripped straight out of late '70s punk, and the final track “Sexy Apartment” has a sleazy sound more rooted in the excess of the ‘80s. Though it changes up the mood considerably, I’m not sure this louder but more deliberate last track is a fitting conclusion to an EP that positively rip-roars through its first three tunes. Regardless, it’d be difficult not to dig into this catchy material. Clocking in at barely eight minutes, I might have liked The VD EP to be longer but it’s worth checking out. Read more
Coming to prominence in 2011 on the strength of the almost unanimously praised debut LP Meet Me at Muster Station, … Read more
At one point during Kids Like You & Me, the documentary chronicling Atlanta "flower-punks" the Black Lips' 2012 tour through … Read more
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When I reviewed The Very Best of Men's Recovery Project recently, I thought that there couldn't be a band less suited for a "greatest hits" release. Obviously, I had forgotten about Oxbow. To put it simply, Oxbow is one of the most intense and challenging bands in America today. Oxbow sounds like an uneasy mix of the delta blues at its most unhinged and spectral, noise at its most throbbing and fetid, and rock-n-roll at its most debauched. It's possible to eke out thin points of reference: The Jesus Lizard or The Birthday Party, maybe even Neurosis. But Oxbow is an island that no planes fly over. The focal point of Oxbow is lead vocalist Eugene Robinson. Onstage Robinson is a mountain of seething, tattooed muscle and slippery menace, moaning … Read more
White Reaper is a cool-named trio who are rubber-burning their way out of the Louisville, KY DIY scene. There’s a dude named Tony Esposito who sings and plays the guitar, and twin brothers Nick and Sam Wilkerson who play drums and bass respectively. Their self-titled debut EP will appeal to fans of Wavves, Japandroids, and Jay Reatard. Hate to drop … Read more
This drug influenced, euro-electronic laser beam, drum and bass can be very, VERY repetitive, Anxiety inducing, tough to listen to, and at times I felt like it was going to trigger a panic attack or an audible seizure.An ‘80s pop-locking, track suit wearing dance crew wouldn't touch this album that brings no emotion or anything of value to the table. … Read more
Despite a confrontational name, Versus You are every bit positive punx with songs praising friendship, relationships, and the like. It’s not that they play bubbly music countered with cynical lyrics, but they place peppy rock that’s further emphasized by sunny reflections over a gritty pop punk sound. The band is also pretty guilty of abusing the RIYL tag on a … Read more
Versus You's album Moving On is short and sweet, but not with out its flaws. It's heartbreak music at its semi finest and the simple yet meaningful lyrics and fun brand of melodic, emotional pop punk establishes itself well with the opening track “When It All Goes Down.” Don't be fooled by the opening track, there's a lot this album … Read more
Hotel Books' I'm Almost Happy Here But I Never Feel At Home is well-versed prose that at times can be a bit repetitive. Each verse has elements that are thought provoking and heartfelt which helps carry the album to make up for the repetition. The tone sets in almost immediately with the opening song, “Lose One Friend,” and quickly gets … Read more
Daniel Pujol is prolific and ever changing. The leader of Pujol continues to release records at a rapid pace, successfully switching up his backing sounds in the process. While early material was a lot more garage in style, the overall tone on Kludge is quirky and rock-based, but it ranges from sauntering slower material (“Spooky Scary”) to minimalist electropop (“Small … Read more
Moloch returns a second time for 2013 while Meth Drinker join them this time. Moloch remain relatively the same in that what they do is play a deep dark style of doom that embraces the blacker elements of the genre. New Zealand's Meth Drinker return the favor by playing something that can at one point resemble trudging doom and at … Read more
This is a record resembling Clash Of The Titans. Both Canada's Ensorcelor and England's Moloch have been lurching in the darkest reaches of the metal underground for a few years. While some bands err to the side or fluid hooks in their riffs and others slink towards creating the most noise possible, somewhere in between lie these two.On one side … Read more
Combining throbbing electronic music with scratchy and crackly noise elements, Providence, Rhode Island’s Container has been getting more and more notice in recent years. Perhaps one reason for this is the fact that musician/producer Ren Schofield (who essentially is Container) has continued to improve, pumping out almost industrial-oriented tracks using conventional techno beats even as many electronic artists have been … Read more
I became familiar with Ensemble Economique back in 2010 when they released their album Psychical, with Bryan Pyle (formerly of Starving Weirdos) combining world music with a very intriguing soundtrack type of feeling. Even though the original incarnation of the band with their fascinating influences was monumental, Ensemble Economique has crossed into darker territories. Pyle has reduced this act to … Read more
An old, black-and-white photo depicts five dilapidated homes slowly crumbling away on an island in the middle of a vast, dismal ocean; the sea's endlessness and archaicness adds a sense of sentimentality to the picture. With such a glum album cover, it’s a dazzling surprise once the effervescent, action-packed “New Tracy (I Will Learn To See)” - opening song on … Read more
According to Mike "McBeardo" McPadden's Heavy Metal Movies, Stanley Kubrick's 1968 film 2001: A Space Odyssey"profoundly influenced" a yet-to-be-named Black Sabbath. Fifty pages later on in the book, and the reader learns about the night in 1969 in Birmingham, England when Ozzy Osbourne, Geezer Butler, Tony Iommi and Bill Ward were getting ready to take the stage as blues rock … Read more
The UK is a miserable place at times, more often than not in fact, and artists such as Benjamin Shaw fully embrace that misery and spin it out in stories of hopelessness, rejection and the knowledge that pretty much everything is complete shit. Luckily, Goodbye, Cagoule World isn't complete shit and instead takes all the rubbish that life throws out … Read more
Indie Cindy is the first new Pixies full-length since 1991 (Trompe le Monde). After the band reunited a few years back for the tour circuit the rumors of new material started to flow, the band continued to tour, and nothing came out. Eventually, shortly after the departure of original bassist Kim Deal (The Breeders), the band put out three EPs … Read more
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