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Totally Slow

The Darkness Intercepts
Refresh Records (2024)

I find Totally Slow a hard band to categorize. Their brand of melodic, hard punk is familiar and comforting -- rooted in ‘80s hardcore, ‘90s skatepunk, and post-something guitar-driven rock. The press release namedrops Dag Nasty and Hot Snakes, among others, which I think are good starting points. But while it’s familiar, it’s absolutely not a carbon copy. Like their forebearers, the songs … Read more

Steamachine

City of Death
Records Workshop (2023)

City Of Death is the third album from Polish noise makers Steamachine. Having dabbled in a few metal styles over their career, City Of Death has a heavy carnival influence to it which I have to say I really like. It's interesting just how much more sinister things sound when you pump eerie, jingly circus sounds amongst very dark, heavy, … Read more

Faulty Cognitions

Somehow, We Are Here
Cercle Social Records (2024)

The opening track on Somehow, We Are Here is a statement. Yes, Faulty Cognitions is a punk band with members of Low Culture, Shang-A-Lang, Nocturnal Prose,and more. Yes, this shares a lot of commonalities, but it’s also a new band with a new sound. The band humbly says they were going for an early, jangly R.E.M. vibe but self-confess that it has more of a Replacements thing going on … Read more

Lussuria

Under Crumbled Stairs
Hospital Productions (2024)

Jim Mroz is no stranger to the darkest dungeons of the human mind. These locked doors of the psyche are a common destination for his project Lussuria, through which Mroz has quietly amassed an impeccable discography. And so another immersive chapter of harrowing music sprouts forth with Under Crumbled Stairs, with Lussuria extending their phantom limbs to touch upon numerous sonic … Read more

Pearl Jam

Dark Matter
Monkey Wrench, Republic (2024)

When Pearl Jam dropped Gigaton in 2020 - a mere two weeks after the world shut down, there was a lot of fear and uncertainty about what track we were on as a society, and even as a species. We clung to whatever north star could guide us through those dark times. So it really says something that still, four long years … Read more

Dog Date

Zinger
Pop Wig Records (2024)

The first song on this album is named “Nirvana.” It’s a fitting nod to an obvious influence, though a Mudhoney reference might honestly be more apt. Going into this record, based solely on the lead single (“Nuff Said), I was expecting more of a brash, garage-punk sound with Dog Date. My first impressions weren’t totally off base, but add a big dose … Read more

Spiritual Cramp

Spiritual Cramp
Blue Grape Music (2023)

Some bands are visual, yeah? You need to see them live, in person, to truly experience them. You need to see the costumes, the theatrics, the flashing lights and, yes, the sweat running down their faces. Spiritual Cramp are like this, but, uh, not? Not the costumes, not the theatrics, not the flashing lights (I’ll stay mum about the sweat). But you … Read more

Planet B

Fiction Prediction
Three One G (2024)

Justin Pearson. The only person who you could hear Mike Patton say “Goddamn, that guy’s in a lot of bands”. And it’s true. The list of groups Pearson has been a part of reads longer than his lyric sheets. But within the myriad of music the man has released, Planet B is somewhat of an anomaly. There are synths. There … Read more

Vial

Burnout
Get Better Records (2024)

They’re calling Vial indie-punk on the press releases I’m seeing. That’s probably as fair a description as any, as the DIY punk band covers a lot of sonic ground. What’s impressive is that on burnout, their second record, that varied sound all feels unified. The 10 songs here go from indie rock to angry punk to grungy to bouncy but, however … Read more

The Jesus And Mary Chain

Glasgow Eyes
Fuzz Club Records (2024)

What I enjoy most about the Jesus and Mary Chain is arguably also their biggest flaw. The band’s slacker energy meets wall of feedback with a surprisingly melodic twist has always worked for me, but it kind of blurs together after a while. It’s kind of rainy day music – hence the classic “Happy When It Rains” off 1987’s Darklands. The … Read more

Kim Gordon

The Collective
Matador (2024)

Since the demise of Sonic Youth in 2011, Kim Gordon has stayed active through multiple outlets, through all of which she has rejuvenated her experimental outlook. Alongside Bill Nace in Body / Head, they have explored the no-wave aesthetic in its full glory, through minimalism and noise. But, it is also her solo project that has found Gordon at her finest. Her debut … Read more

Viva Belgrado

Cancionero De Los Cielos
Fueled By Salmorejo (2024)

Somehow I never reviewed Viva Belgrado before, even though I have followed them since their debut album Flores, Carne. Somehow I was always a bit late to the show and thought: ok, this time I am too late, but next time I will catch this release on time! Well, the band just released their fourth full length and guess what? I found out … Read more

DWNKILL

Time Will Tell
Street Noise Production (2023)

DWNKILL are a band born of the monotony of the Covid pandemic which gave the band plenty of time to write, rehearse and perfect their sound. Hailing from Houston, Texas, DWNKILL are the brain child of identical twin brothers, Jesse (vocals) and Josh (drums) Rodriguez. Recruiting childhood friends Connor Clements (guitar) and Dylan McEwan (bass) their line up was complete … Read more

Chelsea Wolfe

She Reaches Out To She Reaches Out To She
Loma Vista Recordings (2024)

Since the 2010 release of her debut album, The Grime and The Glow, Chelsea Wolfe has steadily become one of the prominent figures in the dark intersection between gothic, doom, and folk. Not only has she amassed a discography without any true blemishes, but she has also transcended to other genres (in her collaboration with Converge in Bloodmoon: I) but also to other mediums … Read more

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