Xiu Xiu (pronounced “shoo shoo”) is a critically-acclaimed, Los Angeles-based, avant-garde duo. It’s comprised of founder James Stewart and Angela Seo, a member since 2009.Their melancholy, Bowie Low-esque sound can be heard in the music of contemporaries like Majical Cloudz and Grimes.Angel Guts: Red Classroom, Xiu Xiu’s latest release from Polyvinyl Records, makes up for Nina, their horrid, cringeworthy Nina Simone tribute album from 2013. On their ninth full-length, a gloomy 14-song collection named after Ch?sei Sone’s 1979 Japanese erotic film, Jamie Stewart bathes his haunting vocals in hurricanes of static and foggy melodies, resulting in a creepy, art pop stew. Seo and Stewart made Angel Guts solely on analog synths, a drum set, and vintage drum machines, with the musical styles of darkwave legend Scott Walker and EDM pioneers Suicide in mind.The album opens and closes with the harsh noise tracks “Angel Guts:” and “:Red Classroom” respectively. Xiu Xiu experiments with LCD Soundsystem-like electronica on the gloomy, genitalia-themed “Black Dick” and deliberately cheesy electro-bossa nova on “Bitter Melon.” One interesting Angel Guts: Red Classroom trait is the innovative use of white noise, which surprisingly works well as a transition to the choruses of stand-out tracks “Adult Friends” and “Stupid … Read more
Due to its liberal usage around ye olden music-critiquing biz, “garage rock” is one of those dicey descriptors that, should … Read more
It’s safe to say that everyone’s already getting a head start on choosing the song that will be most played … Read more
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Crutches strike again by doing what they do best. Playing d-takt, mangel or crust or whatever you want to call it. 2015 saw the release of FörlOrAD getting praised for its rawness whilst not forgetting to write actual songs. After that Eddie joined the band on guitar, but this didn’t really change the sound. Never change a winning team they must have thought, and I tend to agree with them. This is the kind of music that leaves no room for nuance. It’s all full blast ahead all of the time. Mind you, about half the album has that classic d-beat rhythm, so don’t expect grindcore blasting on here. This rhythm doubles the impact of these songs, so it’s well applied. Såld is a 22 minute assault on the ears, … Read more
Following a couple of excellent 7”s, the confusingly-titled Macrocosm is a Wash is the first full-length LP from this Minneapolis foursome. Spun from the same Mecca-like breeding ground as Wild Child, Total Trash, Varix, and countless others, Much Worse play a non-stop, angry, and poignant style of hardcore punk. While there is an air of reckless abandon in their approach, … Read more
Age makes fools of us all. First it was In Utero releasing all of my hard-found rarities on a single disc, and now comes The Dwarves Are Younger & Even Better Looking a new double-gatefold LP package that combines the group’s 1997 record Young & Good Looking (record one) with Blag Dahlia’s solo EP, some b-sides from the era, and … Read more
Tomorrow We Sail is the perfect title for a band that seemed to have taken me on a journey. From the moment I turned on song one, “The Well & the Tide” I felt like I had been swept on an adventurous trek through mountain and sea. I closed my eyes and imagined myself in places I’d have seen on … Read more
Jazz metal three-piece Les Yeux De La Tête’s (translation: The Eyes Of The Head) second full-length release, Mosca Violenta, is a vicious 11-song steamroller of sludgy riffs, raucous drum patterns, and avant-garde saxophone lines. For a guitarless, sparse album, MV is surprisingly theatrical and fascinating.The trio’s doom jazz masterpiece opens with the demonic ska song “Fubar.” “Soutane Of Swing” is … Read more
When a band consists of only two members tasked with carrying the weight of riff-heavy and sneakily blues-influenced garage rock sounds on two pairs of shoulders, a certain degree of equilibrium needs to be reached. When Maya Miller and Becky Black decided to leave their former band and write and perform as a two-piece it was probably the best decision … Read more
In King Khan & the Shrines, King Khan goes big band. Not in the jazz sense, but in a horn-laden variety a la Memphis rock with some James Brown thrown in for good measure. It’s leg-kicking, camelwalkin’ rock with horns that fill out the sound over a funky groove.While the energetic frontman has a knack for rock ’n’ roll, especially … Read more
I feel like there are a million punk records named No Way Out, but I don’t really care because it’s one of those commonalities that makes punk music, well, punk. And staying within the vein of reiteration, there’s only so many ways to say that a band isn’t trying to reinvent the wheel; so I’ll just stick with that old … Read more
While hardcore and the like have always valued the use of noise rarely has it ever been used in a combination of hardcore as a genre as well as the idea of noise as a genre unto itself. Noise as a genre is a very tough to pin down aesthetic in and of itself, just as hard would be to … Read more
Comprised by members of great acts such as Kayo Dot, Dysrhythmia, Gorguts and While Heaven Wept, Vaura find themselves in a strange territory. Somewhere between post-punk, darkwave and black metal, they unleash their second full-length, entitled The Missing. And just about a year after their debut album, Selenelion. The title track is introducing the band in the most suitable manner. … Read more
Maybe Minnesota is just a long way from Texas, but it seems that Mind Spiders are more of a studio band, releasing a record a year but only hitting my town once in the past three. Or maybe it’s just the 1000 miles in between. That’s really neither here nor there, though, as far as talking about the sound delivered … Read more
Bazooka hail from Greece and their tumultuous current situation has left its mark on the sound of this band. Lo-fi, double drumming, weirdo psych-outs – it all adds up to an assured debut that buzzes with early 90s garage vibes and 70s punk as well as a nice line in indie melody. “Ravening Trip” sounds like it could have come … Read more
Canadian sound artist Tim Hecker is no stranger to the more esoteric side of electronic composition. Continued experimentation with increasingly nuanced ambient soundscapes under said moniker for six full-length releases, as well as countless side appearances, has inevitably led to the creation of something undeniably unique. With the release of Virgins- now Hecker's seventh effort - the bohemian Montreal resident … Read more
Cloud’s Comfort Songs is a collection of downbeat, gloomy works that create an atmosphere of utter desolation while somehow lifting the emotional aspect of the pieces beyond total sadness. There are lovely little hints of hope hidden in the depths of these songs and the young man behind it all, Tyler Taormina has, at heart, blurred the lines between sadness … Read more
Direct Hit! get filed in the Midwest pop-punk scene and, while they deviate throughout the course of Brainless God, that’s definitely a fair starting point. While there are some harder influences at play, the band’s core is in that school of Dear Landlord and The Dopamines. It’s melodic, catchy, and peppy. There’s some Screeching Weasel in there, but it’s more … Read more
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