Following a handful of shorter releases, San Francisco three-piece The Bilinda Butchers (named after the guitarist/vocalist from My Bloody Valentine and made up of Michal Palmer and Adam Honingford who alternate on vocals, bass, guitar and synth, as well as drummer Ryan Wansley) released their full length debut in mid 2014 and in doing so, followed through on the potential shown in their earlier work in a big way. A concept album centered around the fictitious diary of a married Japanese woman named Nakajima Ume who finds new meaning to her life after falling in love with a young poet, Heaven captures the feelings of adoration between these two characters, and eventually details a tragic set of circumstances (namely the death of the poet and the woman’s subsequent suicide) that bring the doomed lovers back together. While revealing details of this story, the band also puts forth a gorgeous and lush variety of compositions that frequently are built around downright catchy melodies. To put it simply, Heaven is the neo-shoegaze album that fans of the genre will have been waiting for for quite some time.Made in collaboration with various other performers who provide guest vocals on several of the tunes, … Read more
Having piqued the interest of Jack White while handing out demos at a Dead Weather show in Detroit, Olivia Jean … Read more
THIS IS A FAKE REVIEW!! Old Man Gloom sent out a fake version of the album to the reviewers in … Read more
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When the news of Max Bemis (Say Anything) and Chris Conley (Saves the Day) collaborating to create Two Tongues was announced, many were expecting stellar results from the duo. We all know how hard it is to live up to the hype, especially when your resume includes making some of the best pop-punk albums of the new millennium, which applies to both artists respectively. This supergroup's self-titled debut album does have it's shining moments, but overall, it shows that they both work best in their separate bands. The album gets off to a very good start with the powerful "Crawl" and the emotional "If I Could Make You Do Things." Both tracks make great use of Bemis and Conley's "call and answer" style of trading-off vocals. Bemis' rough vocals counter … Read more
Nai Harvest released this four song EP earlier on this year and I've been meaning to listen to it for a while now and man I wish I hadn't waited. It is a powerful record with soaring guitar work and vocals to match compliments of Ben Thompson who is ably backed up on drums by Lew Currie. The band's roots … Read more
Black metal is cool now right? Not to complain. I enjoy the genre, generally speaking, and the statement isn't a cut on Black Anvil as a band. It does seem like there are millions of BM bands coming out of the woodwork at this point. The skill or adherence to the genre are always up in the air. Black Anvil, … Read more
Full of Hell paved their way with their two previous albums, Roots of Earth Are Consuming My Home and Rudiments of Multilation, establishing the band as a force to be reckoned with in the grindcore scene. Their mixture of the hardcore/crust with their grind core has proven golden so far, and now they are unleashing their third full-length, and their … Read more
Coming out of Spain, this group can come up with some seriously good tunes. Mourn started out as a duo act by Jazz Rodriguez Bueno and Carla Perez Vas, but it soon grew into a quartet with the inclusion of drummer Antonio Postius and bassist Leia Rodriguez. The really crazy part of all this: these guys are teenagers. Three of … Read more
Though I’ve been familiar with the name Grouper for some time, perhaps it’s not entirely coincidental that the solo project from Portland, Oregon-based artist and musician Liz Harris has never quite made an impression on me. While many of today’s groups strive to work their way into a listeners head, Grouper almost seems to be trying to achieve the opposite, … Read more
Recording under the guise of Alexeï Kawolski, Montreal-based composer and producer Alexis Langevin-Tétrault walks the line between making harsh and abstract material and more noticeably melodic compositions. Kawolski has built up quite a library of releases since the late 2000s and was nominated in 2013 for a Quebec Indy Award for best experimental album. That fact alone should provide some … Read more
Summarizing The Smith Street Band is a bit difficult. While I want to lump them in with folk-punk, that’s only true in song structure. There’s far too much electric guitar to drop that name on them—and maybe too much to just label it “punk.” Think Against Me! without the shouting. The roots are in a louder version of folk-punk, but … Read more
The soundtrack for the 2013 film Prince Avalanche, created by instrumental rock group Explosions in the Sky in collaboration with David Wingo, has to be considered one of the most strange and potentially divisive albums in the band’s repertoire. Though the group gained notoriety when they were featured extensively on the soundtrack to 2004’s Friday Night Lights, the music used … Read more
The idea for Shade Themes From Kairos started when Belgian filmmaker Alexis Destoop asked Ambarchi and O’Malley to provide the score for his short film Kairos. The two musicians travelled to Belgium and started working on the score for the film, and after they finished with the soundtrack they returned to Randall Dunn’s Aleph Studios in Seattle to further explore … Read more
Sometime around the mid-2000’s, I began to realize just how much I missed having new music by Richard D. James, who typically records under the name of Aphex Twin. I’d been spoiled in the 1990’s: starting off the decade with a pair of outstanding and other-wordly ambient releases (the positively sublime Selected Ambient Works discs), James continued to regularly produce … Read more
Christopher Mevel, one of the founding members of the Dale Cooper Quartet & The Dictaphones, set up his solo project, Pan & Me, in order to step outside of the jazz based sound of the main band and to explore other sonic domains. Ambient music and drone are the key aspects of Pan & Me and their main focus of … Read more
Just last year Pharmakon was putting out Abandon, tearing our brains apart. Margaret Chardiet (the artist behind Pharmakon) was collecting aspects of industrial, noise and power electronics, filtering all that through her mind and producing one of the most intense listens of (at least) 2013. Now how can you top something like that? Inspiration usually comes from personal experience and … Read more
It’s kind of remarkable how vaguely similar the debut album by Philadelphia’s Mannequin Pussy is to that of another of 2014’s breakout artists, Perfect Pussy. Both these similarly-named, female-fronted bands utilize rough sound production to create a listening experience that’s raw, ragged, and jarring, but while Perfect Pussy’s churning Say Yes to Love almost borders on being unlistenable (at least … Read more
If Daft Punk were commissioned to score a cyberpunk horror film of the likes of Hardware, the resulting work may sound something like what Paris musician James “Perturbator” Kent has come up with on 2014’s Dangerous Days, the latest of his four albums. Utilizing vintage synthesizer sound straight out of the Miami Vice era, Perturbator lets loose with aggressive arpeggios … Read more
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