Led by Scott Hull, Agoraphobic Nosebleed is one of the quintessential grindcore acts out there, and probably the most prominent band in the genre to make use of a drum machine, leading to hundreds of followers. Their style is dictated by ferocity and speed, albums filled with bursts of violence and constant pushing of your mental state. From Honky Reduction and Frozen Corpse Stuffed with Dope to Altered States of America and 2009's Agorapocalypse, they made it a point to cause complete chaos with their every release. Arc feels like a triumphant return, coming seven years after their previous full-length and signaling the beginning of an intriguing chapter for the band.As Hull stated, Agoraphobic Nosebleed is in the process of releasing a series of four EPs, with each release representing the musical influences and taste of each band member. Arc is the start of this chapter, and the first thing that will throw you off is the fact that only three songs are included, which results in a brief moment of you trying to calculate if this album (by Agoraphobic Nosebleed's standards) will be longer than a whole minute! The second shock is the duration of the track, with the … Read more
What does it mean when a three-piece band has a spin-off two-piece? While the premonition is that drama is afoot … Read more
Considering that the genre is and probably always will be associated with youth, it's worth noting that there are some … Read more
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So long, 1979. D.F.A. are back without the tag and without the chronological baggage that came along with their previous album, 2014's The Physical World. A ten year gap between that and their debut album was a hard thing to overcome, expectations wise. And Physical, while a very welcome return just felt slightly underwhelming, despite burners like "Right On, Frankenstein!" and "Always On".So it's interesting that in just 3 years time, Sebastien Grainger, and Jesse Keeler, the band's drummer/vocalist and bassist, respectively sound more mature and evolved on their latest, Outrage! Is Now. A sizable chunk of the credit in this instance can go to producer Eric Valentine, who has managed to make the duo sound absolutely massive in much the same way he managed to take Queens of the … Read more
There is a great deal of history that follows Secrets of the Moon. The German extreme metal band emerged from the ashes of the obscure, primal black metal outfit, Martyrium. A series of great albums would follow, with the band showcasing in an excellent manner their doom/black hybrid approach. However, through the years it seems as if a change was … Read more
Amber Asylum has been a force in the post-rock/post-metal domain, since the mid '90s. With their origin found back in 1996 with the release of Frozen In Amber, this intriguing band was able to keep a presence, unfortunately not as constant as we would prefer. The seven year drought leading to the release of 2007's Still Point was the first … Read more
Extreme doom/death is not an easy sound to get right. Despite the fact that most bands in the genre will just play slow and release heavy riffs, that is not enough to get someone's attention. There must something deeper in the band's sound in order to give you that feeling of desolation and despair. Lycus is a band that knows … Read more
The concept of being “existentially wasted” seems somewhat appropriate in the context of increasingly confused (and confusing) modern society. It's a concept that could easily have been born out of something like The Matrix, a process of being burnt out on being. Modern humans are often simply swamped with information, much of which seems utterly useless in the bigger scheme … Read more
Why have children when I can just listen to my music and watch the bands change and grow instead? First they learned to stumble, then to walk, and finally to slow dance. Er, I dunno. This metaphor fell apart before it even hit the page.What didn’t fall apart are Wisconsin duo The Hussy, a guitar and drum two-piece that falls … Read more
Through their career, Baroness has spawned a series of excellent works. From their early Mastodon-ian EPs to the evolution of their own unique sound with Red Album and Blue Record and the adventurous routes that led to the release of their most ambitious work Yellow & Green, the band has remained a constant force in heavy music. A horrendous accident … Read more
Oakeater is a Chicago outfit formed in the mid '00s. I must admit I was not familiar with their work before I saw that the band would be releasing their newest album, Aquarius. However, a listen of their cassette, Intrusion, got me interested so I started digging. Apart from a few standalone releases on cassette format, as well as their … Read more
See Through Dresses' sound is lathered in squealing, wailing guitars that melt and sway in the sludge of the rawest depths of grunge. The frazzled cocoon that is "Everyman" is laced with the threat "Wait 'til father gets home" delivered in a neutral tone while the guitars frantically crash through the song. There's a constant juxtaposition between the vocals and … Read more
The deliciously gloomy album art on Wall of Water's two-track Promo 2015 features what seems to be a long-abandoned roller coaster rotting away in the elements, an image that seems to jive with the downbeat but arresting style of music played by band members Cullen Toner (multi-instrumentalist and vocalist) and Shawn Eldridge (drummer). Keyboard adds to the occasionally almost theatrical … Read more
David Bowie has always stood outside the lines. In the last decade or so, every album release came as a surprise of sorts: no media circus or worldwide promo tour. Each release showed Bowie slipping into his older years with something more stable stylistically. Here on his 69th birthday we get his 25th album, Blackstar. In an almost complete lack … Read more
It was just a couple of years back when Corrections House were putting out their debut album, Last City Zero. Comprised of veterans in extreme and experimental music, including Scott Kelly, Bruce Lamont, Sanford Parker and Mike IX Williams, the band ventures forth into the realm of electro-industrial, encompassing elements of metal and noise in the way to reaching their … Read more
Sometimes you follow a musician for years, only to learn something that should have stood out at the start. Today’s lesson is Tymon Dogg, related subject: Joe Strummer & the Mescaleros and The Clash. Apparently Dogg has played frequently with The Mescaleros and been a songwriting partner to Strummer, even appearing on The Clash’s “Lose My Skin” (Sandanista!).With many namedrops, … Read more
Similar to how people said, “Alright, I guess we’re done with the novel now” after James Joyce’s Ulysses, I thought, “Alright, I guess we’re done with the singer-songwriter genre now” after Sun Kil Moon’s Benji, with its overwhelmingly detailed accounts of second cousins’ deaths and watching The Song Remains the Same. When I took a class on Ulysses (God, why … Read more
Back in early 2014 Elder Giants dropped like a bomb in the midst of the black metal scene. The German outfit had previously released a couple of splits (with Earth Chaos and Unru) as well as an EP and a demo, but their debut album found them on a whole different level. Their work managed to encompass different aspects of … Read more
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