Considering that the genre is and probably always will be associated with youth, it's worth noting that there are some more experienced players working in today's punk scene – and not just in “legacy acts” that play songs first recorded years if not decades ago. Count Gainesville, Florida quartet The Howleez among them. Singer Debra Fetzer, guitarist Hazel Levy, bassist Naheed Mojadidi and drummer Dave Ruckstahl (the only male of the bunch) cut their teeth in a variety of projects over the years, but their latest makes a brand of raw garage punk which harkens back to a time when the vast majority of genre musicians had little thought of or interest in crossing over to the mainstream. Fetzer's coarse and raspy vocals seem ideal for this type of rather raunchy material, and the 2015 EP No Shame stands as a mostly worthwhile debut effort.Pounding drums and snarling guitar dominate the background of opener “Girl Friday,” which slides from its straightforward verse and chorus set-up into a downbeat interlude that captures the menacing feel of classic punk rock. The stomping “Tight” is slightly more relaxed, with Fetzer's vocal entering into back and forth exchanges with Levy's guitar at several points, … Read more
There is a great deal of history that follows Secrets of the Moon. The German extreme metal band emerged from … Read more
Amber Asylum has been a force in the post-rock/post-metal domain, since the mid '90s. With their origin found back in … Read more
The concept of being “existentially wasted” seems somewhat appropriate in the context of increasingly confused (and confusing) modern society. It's … Read more
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You might be asking yourself, "who the Hell is Give Up the Ghost?" If you are, you missed out on the hardcore scene's answer to the OJ trial, in which some shitty band from Nantucket sued hardcore favorites American Nightmare over the copyright of that band name. AN had no choice but to change their name to Give Up the Ghost, or GUTG for short. I'm not bringing this up to give some kind of backstory for this review, I'm bringing this up because everytime I see "GUTG", I read it as a word, not an acronym, so for the remainder of this review, I will refer to this band as "Gutguh". Gutguh had a lot to prove with their second full-length record. With their previous LP, Background Music, two … Read more
Through their career, Baroness has spawned a series of excellent works. From their early Mastodon-ian EPs to the evolution of their own unique sound with Red Album and Blue Record and the adventurous routes that led to the release of their most ambitious work Yellow & Green, the band has remained a constant force in heavy music. A horrendous accident … Read more
Oakeater is a Chicago outfit formed in the mid '00s. I must admit I was not familiar with their work before I saw that the band would be releasing their newest album, Aquarius. However, a listen of their cassette, Intrusion, got me interested so I started digging. Apart from a few standalone releases on cassette format, as well as their … Read more
See Through Dresses' sound is lathered in squealing, wailing guitars that melt and sway in the sludge of the rawest depths of grunge. The frazzled cocoon that is "Everyman" is laced with the threat "Wait 'til father gets home" delivered in a neutral tone while the guitars frantically crash through the song. There's a constant juxtaposition between the vocals and … Read more
The deliciously gloomy album art on Wall of Water's two-track Promo 2015 features what seems to be a long-abandoned roller coaster rotting away in the elements, an image that seems to jive with the downbeat but arresting style of music played by band members Cullen Toner (multi-instrumentalist and vocalist) and Shawn Eldridge (drummer). Keyboard adds to the occasionally almost theatrical … Read more
David Bowie has always stood outside the lines. In the last decade or so, every album release came as a surprise of sorts: no media circus or worldwide promo tour. Each release showed Bowie slipping into his older years with something more stable stylistically. Here on his 69th birthday we get his 25th album, Blackstar. In an almost complete lack … Read more
It was just a couple of years back when Corrections House were putting out their debut album, Last City Zero. Comprised of veterans in extreme and experimental music, including Scott Kelly, Bruce Lamont, Sanford Parker and Mike IX Williams, the band ventures forth into the realm of electro-industrial, encompassing elements of metal and noise in the way to reaching their … Read more
Sometimes you follow a musician for years, only to learn something that should have stood out at the start. Today’s lesson is Tymon Dogg, related subject: Joe Strummer & the Mescaleros and The Clash. Apparently Dogg has played frequently with The Mescaleros and been a songwriting partner to Strummer, even appearing on The Clash’s “Lose My Skin” (Sandanista!).With many namedrops, … Read more
Similar to how people said, “Alright, I guess we’re done with the novel now” after James Joyce’s Ulysses, I thought, “Alright, I guess we’re done with the singer-songwriter genre now” after Sun Kil Moon’s Benji, with its overwhelmingly detailed accounts of second cousins’ deaths and watching The Song Remains the Same. When I took a class on Ulysses (God, why … Read more
Back in early 2014 Elder Giants dropped like a bomb in the midst of the black metal scene. The German outfit had previously released a couple of splits (with Earth Chaos and Unru) as well as an EP and a demo, but their debut album found them on a whole different level. Their work managed to encompass different aspects of … Read more
Forming in Brooklyn in 1995 as a collective based around abstract sound, Pas Musique translates to “Not Music” in French, a fact which gives some indication of what the adventurous listener is in store for on limited 2015 release Inside the Spectrum. That being said, much of what is contained in the wild, ten-track album is actually quite musical, though … Read more
Before I get started I’m going to dish out a rare complement. Loud Boyz have a good, fitting name. Even the record title, Tough Love, Hard Feelings is apt of their sound: rough, distant, yet with a clear emotional connection. Sure, the record cover is…let’s say odd, and I kind of hate the whole “z” in place of “s” thing, … Read more
Without doubt, one of my favorite musical discoveries of the past few years has been British singer-songwriter Craig Taylor-Broad. After first unleashing an (apparently, now deleted) EP under the name of the noises we make we no one is around in mid-2014, Taylor-Broad has continued a string of undeniably difficult yet definitively fascinating work – 2014's three-track Suicide Song EP … Read more
When you hear the term "industrial" in regards to music from the likes of Nine Inch Nails, Rammstein or Ministry, Foetus (a.k.a. Jim Thirlwell) is who you have to thank. Making cacophonies of the highest order since the early eighties, Thirlwell's music in all its incarnations has become more and more visual. Visual, that is, in the sense of the … Read more
There appears to be a quite mysterious aura surrounding the existence of PC Worship. The band itself has left a trail of albums and EPs, within just a small margin of time, navigating through the seas of alternative music. It is a really difficult task to give a description of PC Worship's music. On one hand it contains a lot … Read more
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