John Erik Kaada and Mike Patton. Two great tastes that taste great together. It's been twelve long years since the pair released Romances - a sometimes lush sometimes harsh always beautiful collection of soundscapes.Bacteria Cult is the sum total of two artists that have grown into their own and are completely at ease with what they each can bring to the table. Both are now coming into the collaboration with much more soundtrack experience and it shows in the cinematic scope of the album.Whereas Romances consisted of ambient ideas, Bacteria Cult has more defined themes with each song painting their own crystal-clear visage.Rarely quotes in promo materials are accurate, but Kaada has described the album as residing "in the twilight zone where spooky and seductive meet". This serves as a much better accurate descriptive than this addled mind could come up with.As with much of Kaada's solo work and even his work with Cloroform, there's a playfulness to his compositions that fit well with Patton's aesthetic, bringing to mind his work with Fantômas. Though lighter in tone than Director's Cut and not as manic as Suspended Animation.For Patton, using his voice as an instrument was once a new and experimental … Read more
Spanning the country’s geography north and south, this split from Fargo, ND’s Crab Legs and Fort Worth, TX’s Not Half … Read more
Fucking finally. It’s been six long years since we’ve heard from the Brooklyn via D.C. grind-brigade. This month marks the … Read more
When it comes to mystical vibes, few can challenge the music of Wolvserpent. The duo consisting of Blake Green and … Read more
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Ottawa-native Joel Martin is back with his twelfth album entitled The Tipping Point. For someone who has spent the majority of his career experimenting with sound and innovative ways and techniques to strike his audience, it’s safe to say he has succeeded in showcasing his creativity and talent with this interesting collection of songs which best represent him as an artist.The album starts off with the single entitled “Discount Sugar Daddy,” Martin’s favorite song off the album which immediately captivates the audience with the light-hearted and mellow sounds of an acoustic guitar, followed by soothing vocals. The unique collaboration of lyrics makes it a great choice as an introduction to the album. As the song progresses, you can hear the sounds of interestingly composed guitar riffs and power chords that … Read more
Radon has never really done a lot for me. The melodies are nice but it really never strikes a chord one way or the other. In “Headaches and Bullshit,” it’s 2:29 of their traditional sound, melodic and emotional, delivered via Dave Rohm’s Greg Attonito-styled (Bouncing Souls) vocals over melodic hardcore with an emphasis on the melodic. It does feature a … Read more
Värähtelijä marks Oranssi Pazuzu’s fourth foray into the outer reaches and the Finnish band pull no punches in creating a record that melds tripped out cosmic rhythms with the distinct aesthetics of modern black metal. Oranssi Pazuzu aren’t your typical Finnish black metal band and with their music they set out to push the boundaries of what the genre should … Read more
St. Louis indie pop band Bunnygrunt will probably always be stuck with the 90s cuddlecore label, as much as they may hate it. The lovable duo Matt Harnish (guitars/vocals) and Karen Ried (drums/vocals) specialize in fun, disposable - and dare I say cute - punk rock, Bunnygrunt reliably delivers the ephemeral sound of what their label Happy Happy Birthday to … Read more
Finding an anchor in your life is one of those inevitabilities that is constantly chattering away in the back of your head; you're trying to figure out where you should be and where you should stay. If your 20s are there to discover what you're doing with your life and which space on this planet is most homely to you, … Read more
When Iggy pop parted ways with The Stooges in the mid-seventies, no one really knew what to expect from the man next. If they had been taking bets in Vegas, the highest odds would have gone to: Moving to Berlin to collaborate with David Bowie. Nevertheless, that's exactly what happened, and the result was his first solo release, The Idiot. … Read more
Since 2010 and the release of their album All The Waters of the Earth Turn to Blood, sludge outfit The Body have really taken off. Originally found back in 1999, the band from Oregon did not seem to be very active, releasing a good debut album in 2004, but it would take six years until their next full-length. However, since … Read more
It’s not often a band whose tenure spans as long as Agoraphobic Nosebleed’s makes such a successful effort in redefining their sound without conjuring notions of desired mass appeal. More importantly, it’s not often a band as influential to heavy music as Agoraphobic Nosebleed creates what is easily their most accessible effort without sacrificing their abrasive integrity. We see an … Read more
Led by Scott Hull, Agoraphobic Nosebleed is one of the quintessential grindcore acts out there, and probably the most prominent band in the genre to make use of a drum machine, leading to hundreds of followers. Their style is dictated by ferocity and speed, albums filled with bursts of violence and constant pushing of your mental state. From Honky Reduction … Read more
Debuting in 2014 and quickly releasing the surprisingly outstanding Spike & Wave 7”, Easthampton, Massachusetts-based Kindling has undergone a substantial metamorphosis over the past few years. The original duo of Stephen Pierce (he of Ampere) and Gretchen Williams have been joined by drummer Andy Skelly and bassist Andrew Farr, allowing the group's initially rather sparse material to be fleshed out … Read more
What does it mean when a three-piece band has a spin-off two-piece? While the premonition is that drama is afoot for member number three, that’s probably overthinking it. At least in the case of Shadow in the Cracks, a side project of The Blind Shake where brothers Blaha split off from their main gig for a more ambient approach at … Read more
Mat McNerley is sure keeping himself busy. A few months back the new Grave Pleasures (ex-Beastmilk) album came along, and soon enough a Hexvessel album would follow. That would mark the third full-length record that Hexvessel would release, coming after Dawnbringer and No Holier Temple, and following an excellent EP in Iron Marsh.When We Are Death carries on the psychedelic … Read more
When Hinds’ debut Leave Me Alone started with a jamming guitar riff, I was scared that this Spanish (but English-singing) all-girls rock band was going down the same lo-fi indie road that bands like The Lovely Bad Things and Black Lips have already thoroughly pounded into the ground. But almost immediately, the jam dissipates into a chilled-out, nonchalant air reminiscent … Read more
Considering that the genre is and probably always will be associated with youth, it's worth noting that there are some more experienced players working in today's punk scene – and not just in “legacy acts” that play songs first recorded years if not decades ago. Count Gainesville, Florida quartet The Howleez among them. Singer Debra Fetzer, guitarist Hazel Levy, bassist … Read more
There is a great deal of history that follows Secrets of the Moon. The German extreme metal band emerged from the ashes of the obscure, primal black metal outfit, Martyrium. A series of great albums would follow, with the band showcasing in an excellent manner their doom/black hybrid approach. However, through the years it seems as if a change was … Read more
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