During the early to mid '00s, Graves at Sea had acquired a legendary stature. Their first demo, Documents of Grief, revealed a band that had an exceptional handle on sludge, retaining the weight and extremity of the genre, combined with a sickening perspective. A single, Cirrhosis/Atavist Arise, was released the following year through Southern Lord, and the most revered release of the band would come on their split release with Asunder. That was 2005, and when it felt that the time was prime for the debut full-length of the band, they disbanded… The return was announced in 2012, and the first taste came two years later with This Place Is Poison, an excellent EP that was followed up by another great split with Sourvein. And then, the time had finally come, with Graves at Sea finally releasing, their fourteen years in the making, debut album, The Curse That Is.This record it is all about sludge. That is what Graves at Sea feel comfortable in. Heavy riffs fill this album with their constant ominous presence, as the slow pace unfolds. Melodic lines are added alongside them, enhancing the sinister tone of the record rather than offering solace. The parts become more … Read more
John Erik Kaada and Mike Patton. Two great tastes that taste great together. It's been twelve long years since the … Read more
Spanning the country’s geography north and south, this split from Fargo, ND’s Crab Legs and Fort Worth, TX’s Not Half … Read more
Fucking finally. It’s been six long years since we’ve heard from the Brooklyn via D.C. grind-brigade. This month marks the … Read more
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Steven Wilson and Mikael Åkerfeldt are both two musicians I hold in incredibly high esteem. Wilson’s flabbergasting diversity of styles covered with Porcupine Tree or his various solo projects and Åkerfeldt’s amazingly thoughtful and moving compositions with Opeth both continue to astound me no matter how often I listen to them. It should go without saying they are both gifted musicians of the highest calibre. It also turns out that they’re both huge fans of each others’ work, which led to their collaborative project Storm Corrosion, who released their self-titled debut in 2012.So what exactly happens when you take the two of them, throw them in a room, and have them write music together? If you were expecting merely some progressive rock supergroup, then you’d be about as far off … Read more
When it comes to mystical vibes, few can challenge the music of Wolvserpent. The duo consisting of Blake Green and Brittany McConnell in the past six years has been putting out a series excellent works. From their debut, Blood Seed, their drone/doom vision started coming into view, a concept that felt finalized with the release of their latest album, Perigaea … Read more
Radon has never really done a lot for me. The melodies are nice but it really never strikes a chord one way or the other. In “Headaches and Bullshit,” it’s 2:29 of their traditional sound, melodic and emotional, delivered via Dave Rohm’s Greg Attonito-styled (Bouncing Souls) vocals over melodic hardcore with an emphasis on the melodic. It does feature a … Read more
Värähtelijä marks Oranssi Pazuzu’s fourth foray into the outer reaches and the Finnish band pull no punches in creating a record that melds tripped out cosmic rhythms with the distinct aesthetics of modern black metal. Oranssi Pazuzu aren’t your typical Finnish black metal band and with their music they set out to push the boundaries of what the genre should … Read more
St. Louis indie pop band Bunnygrunt will probably always be stuck with the 90s cuddlecore label, as much as they may hate it. The lovable duo Matt Harnish (guitars/vocals) and Karen Ried (drums/vocals) specialize in fun, disposable - and dare I say cute - punk rock, Bunnygrunt reliably delivers the ephemeral sound of what their label Happy Happy Birthday to … Read more
Finding an anchor in your life is one of those inevitabilities that is constantly chattering away in the back of your head; you're trying to figure out where you should be and where you should stay. If your 20s are there to discover what you're doing with your life and which space on this planet is most homely to you, … Read more
When Iggy pop parted ways with The Stooges in the mid-seventies, no one really knew what to expect from the man next. If they had been taking bets in Vegas, the highest odds would have gone to: Moving to Berlin to collaborate with David Bowie. Nevertheless, that's exactly what happened, and the result was his first solo release, The Idiot. … Read more
Since 2010 and the release of their album All The Waters of the Earth Turn to Blood, sludge outfit The Body have really taken off. Originally found back in 1999, the band from Oregon did not seem to be very active, releasing a good debut album in 2004, but it would take six years until their next full-length. However, since … Read more
It’s not often a band whose tenure spans as long as Agoraphobic Nosebleed’s makes such a successful effort in redefining their sound without conjuring notions of desired mass appeal. More importantly, it’s not often a band as influential to heavy music as Agoraphobic Nosebleed creates what is easily their most accessible effort without sacrificing their abrasive integrity. We see an … Read more
Led by Scott Hull, Agoraphobic Nosebleed is one of the quintessential grindcore acts out there, and probably the most prominent band in the genre to make use of a drum machine, leading to hundreds of followers. Their style is dictated by ferocity and speed, albums filled with bursts of violence and constant pushing of your mental state. From Honky Reduction … Read more
Debuting in 2014 and quickly releasing the surprisingly outstanding Spike & Wave 7”, Easthampton, Massachusetts-based Kindling has undergone a substantial metamorphosis over the past few years. The original duo of Stephen Pierce (he of Ampere) and Gretchen Williams have been joined by drummer Andy Skelly and bassist Andrew Farr, allowing the group's initially rather sparse material to be fleshed out … Read more
What does it mean when a three-piece band has a spin-off two-piece? While the premonition is that drama is afoot for member number three, that’s probably overthinking it. At least in the case of Shadow in the Cracks, a side project of The Blind Shake where brothers Blaha split off from their main gig for a more ambient approach at … Read more
Mat McNerley is sure keeping himself busy. A few months back the new Grave Pleasures (ex-Beastmilk) album came along, and soon enough a Hexvessel album would follow. That would mark the third full-length record that Hexvessel would release, coming after Dawnbringer and No Holier Temple, and following an excellent EP in Iron Marsh.When We Are Death carries on the psychedelic … Read more
When Hinds’ debut Leave Me Alone started with a jamming guitar riff, I was scared that this Spanish (but English-singing) all-girls rock band was going down the same lo-fi indie road that bands like The Lovely Bad Things and Black Lips have already thoroughly pounded into the ground. But almost immediately, the jam dissipates into a chilled-out, nonchalant air reminiscent … Read more
Considering that the genre is and probably always will be associated with youth, it's worth noting that there are some more experienced players working in today's punk scene – and not just in “legacy acts” that play songs first recorded years if not decades ago. Count Gainesville, Florida quartet The Howleez among them. Singer Debra Fetzer, guitarist Hazel Levy, bassist … Read more
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