Though his own catalog has been hit-or-miss since 1996’s classic Endtroducing, I’d place DJ Shadow among the relatively few who have managed to stay ahead of the curve in the rapidly changing world of electronic music. Shadow’s own label, Liquid Amber, was formed in 2014 to provide an outlet for unique sounds, and a year later, they’ve already put out something wild.A collaboration between Shadow himself and fellow west-coast producer G. Jones, Night School Klik makes sounds similar to yet more grandiose than what was heard on SD Laika’s 2014 album. Their 2015 self-titled EP situates itself most comfortably in the world of grime and trap electro, with three tracks (two originals and a remix) that are vaguely hip-hop oriented, revolving around throbbing bass, harsh synthetic rhythms, and intricate patterns of skittering noise. Higher-pitched sounds and sampled vocals swirl and screech atop the frequently thunderous low end, yet despite the dark and menacing atmosphere (and this is downright scary at times), it’s outstanding in terms of its audio production. Without doubt, Nite School Klik won’t appeal to those strictly interested in melody, but listeners who can appreciate experimental electronica will likely find this fascinating to listen to. Read more
Naming a record I Feel Weird is a statement about the psyche of Great Cynics, and an applicable one at … Read more
Here's some of that good ol’ raw punk that was en vogue a few years ago. You know, those salad … Read more
Optimists is the debut LP from Washington D.C. emo/indie-rock outfit Mittenfields. The band’s influences are immediately recognizable: Singer Dave Mann … Read more
Choose a year to view reviews of albums released in that year.
750 reviews
42 reviews
25 reviews
300 reviews
4935 reviews
19 reviews
Being an acquired taste is a blessing for some bands as they get to be as adventurous as they could ever want to be and their “fan” base usually will go along with them, and Nadja is most definitely one such band that truly benefits from such an underground status or descriptor (what have you). In any case, listening to the re-issue of Corrasion really hits home how when Nadja is on their game, the music that this two piece can create is an awesome listening experience; and while this is the third separate time that this album has been released (or just re-recorded altogether), Corrasion is certainly one of the best examples of the band’s work and deserves to be in print for people to hear.Without a doubt, at … Read more
Getting it right when it comes to extreme doom/death is a very tricky business. It is quite a misconception that as long as a band is able to play really, really slow and have heavy riffs, they can be considered successful and good at what they do. Bell Witch know better. The duo from Seattle is relatively new to the … Read more
Sick/Tired don’t mess about. They’re angry, and they want you to know about it and they do so via the medium of fast, raw grindcore. The Chicago band pound through fifteen short, but certainly not sweet, tracks in a delirious sub-twenty five minutes with guest collaborates Merzbow and Lasse Marhaug adding more noise bases compositions to the furious mix of … Read more
It was not that far ago that I was listening to the previous S/V\R album, Sur Les Femmes and I was thinking just how intense their music was. Separating their previous album into two halves, the first saw them taking on their most chaotic and punishing form, rendering their soundscapes completely indecipherable. On the second part though, they seemed to … Read more
I really like Dirtnap Records, but they can’t all be winners. The Splits start off II with a really positive vibe in “Rotten Me,” with a powerful and familiar rock ‘n’ rollin’ base behind music that’s emphatic and emotional. I really like the enunciation by singer Helena throughout this song.Unfortunately, the majority of the record doesn’t hold up to the … Read more
As far as indie-rock goes, Friend Roulette’s sophomore album I See You. Your Eyes Are Red. is pretty gothic. I don’t mean “gothic” as in Bauhaus and bats, but more in the sense of classic literature imbued with feelings of terror and longing. This six-piece band from Brooklyn is both bold and bizarre, featuring violin, clarinet and two percussionists along … Read more
I had always found it amazing how both Scott Kelly and Steve Von Till were able to separate the different musical modes that defined. Obviously at the top of the pyramid, for both guys, stands Neurosis, being the focal point of the experimental mindset. But both Kelly and Von Till had other projects throughout the years that would allow them … Read more
Punk rock veterans, Lagwagon, had been missing from the scene for quite some time. Sure, they had a tour here and there as well as reissues of their 90s classics, but it's been years since we've heard some fresh new music from the band. They released an EP in 2008, but most of that material had previously already been featured … Read more
I feel like I’ve seen a lot of bands forcing genres together - black metal and shoegaze (Deafheaven), indie rock and hip-hop (Why?), jazz fusion and rap (Flying Lotus’ You’re Dead) - and I could go on and on. Often genre mashing can be a bit gimmicky, but if it’s done right, it can be a recipe for some of … Read more
Though many people – even those who weren’t around when the system was - could probably rattle off several of the more popular NES titles of the 8-bit era, there was a whole world of games existing outside the realm of the familiar gray plastic cartridge. Developed by independent publishers, unlicensed NES games appeared in misshapen, strangely colored plastic housing … Read more
As much as I like the “what if?” scenarios, at the same time I hate them. It is always nice to theorize about what could have happened if x has taken place instead of y. In the case of Warhorse that is a big “what if?” and at the same time an unavoidable one. The band from Massachusetts started off … Read more
Christian Dubé’s project has certainly blossomed over the years. Originating back in 2000, Rei Rea started off as a software-based musical outlet based in Dubé’s basement (that must be one fucking dark basement), releasing a number of split collaborations throughout the years as well as standalone albums, such as Hate Hand And Hate and Slug Launching Stinction. As time progressed, … Read more
If Nic Cage from Leaving Las Vegas had cut an album, it might sound something like Mishka Shubaly’s Coward’s Path. Dealing with such upbeat subjects as alcoholism, death, alcohol, loneliness, drugs, failure, and alcohol, these tunes were originally written in 2008 during a particularly out-of-control patch in the author’s life, and it doesn’t take a listener long to realize just … Read more
I wasn’t sure what to make of Underground Railroad to Candyland when I first saw them. They were a very new band, but the style was off-kilter and different than what I expected of a Todd Congelliere (Toys That Kill,F.Y.P) band. But along the way it’s clicked, both for me and the band. Where they first seemed slogany and weird, … Read more
There is not much one can say about Prurient, the project of Dominick Fernow. Throughout the years Prurient have produced an extensive discography that sees them creating a cartography of the dark ambient and noise genres with their own experimental mindset. The project has been going on for about twenty years now, but it seems that the focus that Fernow … Read more
Looking for the SPB logo? You can download it in a range of styles and colours here:
Click anywhere outside this dialog to close it, or press escape.