Titus Andronicus (+@, as they shorten it) is a punk outfit led by Patrick Stickles, an obvious obsessive who has spent the last three +@ albums cramming barrages of references to Pieter Bruegel, Cheers, Nietzsche, and obscure New Jersey baseball teams into angry punk songs. +@’s most-talked-about work is their second album The Monitor, a grandiose, Civil-War-themed account of what’s it like to live in shitty-but-beautiful New Jersey. The Monitor was complete with Abraham Lincoln voiceovers, multiple 8+-minute dynamic epics, and self-deprecating anthemic chants (“You’ll always be a loser” and “They’re all going to be laughing at you,” just to name a couple). Stickles followed The Monitor with Local Business, an intentionally rawer album that deals with, well, Stickles’ local business (the go-to reference being “My Eating Disorder”). After Local Business, Stickles promised us a “30-song rock opera about manic depression,” which some thought was a joke and others desperately hoped it wasn’t. Three years later, The Most Lamentable Tragedy is Stickles’ following through with that promise - and although only 29 songs instead of the rumored 30, it’s totally blown my expectations out of the water, and I had high hopes for this thing.Since The Most Lamentable Tragedy is … Read more
I came across Infera Bruo a couple of years back when they were releasing their debut album, Desolate Unknown. The … Read more
Covering much of the same ground as a group like Perturbator, Philadelphia’s neon shudder makes dark electronic music inspired by … Read more
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I was really into a few folk-bands for a while. But while I enjoy the lo-fi and personable tones, I find a lot of the vocals to be hit/miss. Which, to be honest, is in tune with my feelings on folk too. It’s a genre where voice matters a lot. Some work for me; some don’t. I like Defiance, Ohio a lot. But something about AJJ has never clicked, even if everyone else seems to love ‘em. Who knows what it is, exactly: like any music, taste is subjective. And on that note, I’m going to add Early Riser to a band whose general style I appreciate, but I can’t get into a full-length.This 10-song record covers a lot of ground, often exploring fitting in versus ignoring the haters. It’s … Read more
Newly-formed Vancouver, BC pop-punk trio Grease Thieves boast a vocalist whose snarl makes him sound a bit like vintage Tim Armstrong, and one can almost hear the saliva flinging around on the four songs featured on the group’s 2015 The World This Hour - about as enthusiastic and fun a debut EP as one could hope for. Unfortunate though it … Read more
I've been meaning to check out this Austin, TX-based band for quite some time now (they’ve been active since 2009) but for whatever reason I’ve never gotten around to it. So much punk, so little time I guess. They have released a string of EPs and splits up until this point, but this record is their first official LP. It … Read more
Matt Skiba's latest side project sound like they've been born out of the wave of late-90s American indie that brought us the likes of Weezer and Blind Melon, and with Skiba adopting a Bowie-esque aesthetic on the band's album cover it gives the impression of a band fully embracing the indie sensibilities that they couldn't explore in as much depth … Read more
Without doubt one of the more strange albums released in 2015 (or any year for that matter), Irish-born harpist Áine O'Dwyer’s Music for Church Cleaners is a two LP collection that presents ninety minutes of improvisational music made on the pipe organ at St Mark’s Church, Islington, UK. Aside from being, essentially, a live performance album (where the audience was … Read more
Artistically satisfying and incredibly eclectic, 2015’s The Fragile Idea from Italian electronic artist Sophie Lillienne seems designed to lull a listener into a somnambulistic state. Typically lumped into the trip hop genre, Sophie Lillienne’s music is full of unconventional, quietly haunting melodies, scratchy rhythms, and dramatic vocal performances. I would almost say that the dark and gloomy Fragile Idea is … Read more
Feral Kizzy’s new album Slick Little Girl was easy for me to like. I am a big fan of new wave, glam rock, and dark ‘80s music, so I was easily seduced by our obviously shared tastes. I immediately caught the Lou Reed reference of the title (lyrics from “Make Up” off the Transformer album). I love me some Lou, … Read more
This is some of that rhythmic punk that's making the rounds lately. Kind of like Dawn of Humans (with whom they are currently label mates) but more on the crusty and menacing side than the weird and experimental. Blazing Eye is a quartet out of Los Angeles that share membership with Raw Ponx-affiliated acts like Drapetomania, Tuberculosis, and Sadicos. They … Read more
Though his own catalog has been hit-or-miss since 1996’s classic Endtroducing, I’d place DJ Shadow among the relatively few who have managed to stay ahead of the curve in the rapidly changing world of electronic music. Shadow’s own label, Liquid Amber, was formed in 2014 to provide an outlet for unique sounds, and a year later, they’ve already put out … Read more
Naming a record I Feel Weird is a statement about the psyche of Great Cynics, and an applicable one at that (for the band, not necessarily the members). The band’s third record, it wavers between melodic pop punk with digressions into exploratory indie-alt rock. What that means in real English is that they play punk-ish songs with a lot of … Read more
The experimental black metal outfit from San Francisco has been able to create a veil of mystery around their existence. The origin of Mamaleek is traced back in 2008, and since then, these guys have been quite active. Their first couple of albums, the self-titled debut and Fever Dream, were released on a very limited amount of copies through (I … Read more
Locrian’s approach to metal is to disassemble the core structures, push them further away from their crude beginnings and delve into building them back up again into towering walls of sound and phases of light and dark. Infinite Dissolution is a record that shares small similarities to the genre that it’s born from, mostly in Terence Hannum’s hoarse screams and … Read more
Here's some of that good ol’ raw punk that was en vogue a few years ago. You know, those salad days before everyone started going gaga for the gothic, post-punk, all-weird-all-the-time trend that’s hot right now. (Personally, I like both styles quite a bit so I’ve got no complaints. I’m just having some fun here.) While the intro shows a … Read more
Optimists is the debut LP from Washington D.C. emo/indie-rock outfit Mittenfields. The band’s influences are immediately recognizable: Singer Dave Mann obviously listens to Modest Mouse and Arcade Fire, while the band’s three guitarists draw heavily from 1990s indie and emo classics like Mineral, Built To Spill, and Pavement. If you like those bands and want to hear the same sound … Read more
Getting it right when it comes to extreme doom/death is a very tricky business. It is quite a misconception that as long as a band is able to play really, really slow and have heavy riffs, they can be considered successful and good at what they do. Bell Witch know better. The duo from Seattle is relatively new to the … Read more
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