I have to admit, I chose to review this album with little knowledge of the band, based solely on the strength of their single, “La Mano De Lucifer,” from their debut album, Something Supernatural. “La Mano De Lucifer” is one of my favorite songs of all time. Listening to it is a semi-religious experience for me, and I am uncomfortably serious about that. So maybe my bar was set too high. I was hoping for more transcendent moments on Welcome to Fat City, and I didn’t find any. Let me clear: there is absolutely nothing wrong with this album. It’s heavy, fun, melodic, clever. Brandon Yaegley’s vocals are capable, the band is tight. The release is also supported by an insanely funny and surprisingly cute music video, which you should definitely watch. Crobot has crossed all their t’s and dotted all their i’s, but it feels like something’s missing. The first half of the album is front-loaded with hard-rocking head-bangers. Strangely, this is the blandest part of the record for me. The lead single, “Not For Sale,” is probably a big crowd pleaser, but I thought it lacked in dynamics. It felt relentlessly hard and heavy to me, without enough … Read more
Angel Olsen has been very active since the release of her debut cassette Strange Cacti, revealing a very promising work. … Read more
Starting out as the solo project of Jordan Morrison, All Your Sisters turned into an intriguing duo with the addition … Read more
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T.O.M.B. or Total Occultic Mechanical Blasphemy has managed to up the stakes of what can qualify as black noise for over 10 years. The group sounds like distorted occultist activities that are taking place within a tomb. So now that we know how truly appropriate their name is one may question how well this record carries said reputation. The record starts with slowed drums pounding along with a near constant wave of distortion slowly building and fading in tides. this occurs until finally the drums give way to merely a quiet bit of distortion fades out into oblivion. This exercise repeats itself in myriad of different ways for the course of the record. While it would be easy to assume this creates some sense of boredom on the listeners part … Read more
A relatively new band, started releasing music around 2010, Nothing display a strong grasp to alternative rock. Their debut album, Guilty of Everything, conjured and presented in great fashion elements such as shoegaze haze and alt-rock grooves, introducing the musical endeavors of the band, but it felt that there was still some way to go for Nothing to achieve their … Read more
The constant presence of Russian Circles in the post-rock domain has raised them to a prestigious status, and rightfully so. The band from Chicago started off about a decade ago, releasing their debut, Enter, in 2006. Their music was heavy and moving, and record by record the craftsmanship of the trio progressed, and especially since Geneva and Empros, they have … Read more
Nobody knows the void like a trans lady does. There is no dark night of the soul that can compare to what most trans women just call “Tuesday.” The toxic combination of societal violence and body dysphoria can really cast a pall over existence—and inspire some incredible art about isolation, body horror, and impending death. From Anna Varney Cantodea to … Read more
Originally formed back in the late '90s, through the years Switchblade have managed to attain a cult status. Flying a bit under the radar, this hybrid drone/sludge band remained very prolific in the fist half of their career, but their output has since become sparser. In 2012 they released another of their self-titled albums, 2012, which is arguably their best … Read more
The progressive thrash band from Pennsylvania is definitely very ambitious with their concept in their latest album, Terminal Redux. Their two previous full-lengths,Black Future and Outer Isolation, have already established this ambition, and the fact that their logo looks suspiciously similar to (both) Voivod used, fuels the fire. Their latest album is coming out through Earache, and will definitely make … Read more
Woman is the Earth aren’t a new prospect, but latest record Torch of Our Final Night is a massive step forward for them in sound and scope and so, quite rightly, they are suddenly gaining traction in the underground. This Place That Contains My Spirit from 2012, and 2014s follow-up, Depths, are tremendous albums, but this new work is infinitely … Read more
The main man of Psalm Zero, Charlie Looker, has been/still is part of some great bands. The avant-garde mentality of Zs, with their merge of neo-classical, noise and free-jazz shows a great allure towards experimental music, while his presence in the mathcore trio Period, reveal a high-level of technicality. Well, Psalm Zero continues to unveil different aspects of Looker's musical … Read more
I recently saw Weiner, a documentary about Anthony Weiner, the New York politician who completely obliterated his career with a sexting scandal, including a dick pic that made international news. Even though Anthony Weiner seemed like a genuine politician with good ideas for the middle class, he never could make a comeback: the media could never past that dick pic, … Read more
Ithi is a Brooklyn based duo, that had been so far exploring the experimental drone domain. Their 2011 release, The Persistence of Meaning, was based around the big drones, immense feedback and noise elements that they were able to conjure. A slight shift came with their next album, Within, seeing Ithi going into a more abstract, experimental rock tone. Their … Read more
Bands returning after a prolonged hiatus, or re-forming after a break, are rarely able to recapture the essence and/or quality of their earlier existence. When Michael Gira announced the return of Swans it seemed that it would solely be a repeat of the band's earliest style at best. My Father Will Guide Me Up A Rope To The Sky came … Read more
Katatonia’s evolution over their twenty five year career has been one that’s taken in doom, death metal, gothic soundscapes and progressive beats, but more than anything, a deeply felt emotional tie to the music has been found within. Whenever they’ve been moving through difficult moments as a band - with members leaving during last few years – their music hasn’t … Read more
Leave it to Quaaludes to elevate a tape of previously unreleased demos to a work of art. I have to admit, even as a long-time Quaaludes fan (and, full disclosure, someone who personally knows Aimee,) I was a little skeptical about their decision to release these demos, “recorded in Quaaludes practices.” It felt like filler, maybe even like a rip-off, … Read more
Ever wondered what it would sound like if Off With Their Heads and Iron Chic had a baby? Well, even if you haven't, you need to check out Western Settings. With the help of Chicken (Dead to Me), they've produced a release that builds off the melodic punk rock they premiered last year with their LP, Yes It Is. They're … Read more
Sun Worship made a grand, and quite unexpected, appearance in the black metal scene with their debut full-length, Elder Giants. The album was supposed to be released just in digital format and on a limited tape release, but, the quality of this work saw an additional CD release coming later on through Translation Loss Records. The band's grasp on the … Read more
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