There is a great deal of history that follows Secrets of the Moon. The German extreme metal band emerged from the ashes of the obscure, primal black metal outfit, Martyrium. A series of great albums would follow, with the band showcasing in an excellent manner their doom/black hybrid approach. However, through the years it seems as if a change was lurking at the core of the band. That did not mean a dismissal of the style that the band was following for most of its existence, but rather an expansion, a re-thinking of black metal in general. Their previous album, Seven Bells, was hailed as a black metal record stripped from the pretensions of the genre, a very accurate description. Therefore in a sense, Sun is a continuation of this mentality.Black metal still lurks heavily in Sun, an approach that is fairly obvious when the more aggressive side of Secrets of the Moon rises to the surface. Outbreaks in “No More Colours” signal such moments of anger and anguish, while more melodic instances of the genre occur in tracks such as “The Man Behind The Sun.” Other times it is the eerie essence of black metal that finds its way … Read more
Amber Asylum has been a force in the post-rock/post-metal domain, since the mid '90s. With their origin found back in … Read more
The concept of being “existentially wasted” seems somewhat appropriate in the context of increasingly confused (and confusing) modern society. It's … Read more
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Considering the phalanx of albums due for release, and with previous offering Discovery bringing all the musical vision and ingenuity of a series of polyphonic ring-tones, Human After All found itself rated rather low on my list of desires and expectations for the first half of 2005. Being honest, I expected absolutely nothing of real musical value from this album, to the extent that on its release in mid-March, I ignored it entirely, and I doubt I was the only one that did. It's hardly surprising. Given the weight of expectation that had built up in the four years between Homework and Discovery, and the apparent let down many felt by the latter's absence of substance and / or merit, the run in to Human After All was nothing but … Read more
Oakeater is a Chicago outfit formed in the mid '00s. I must admit I was not familiar with their work before I saw that the band would be releasing their newest album, Aquarius. However, a listen of their cassette, Intrusion, got me interested so I started digging. Apart from a few standalone releases on cassette format, as well as their … Read more
See Through Dresses' sound is lathered in squealing, wailing guitars that melt and sway in the sludge of the rawest depths of grunge. The frazzled cocoon that is "Everyman" is laced with the threat "Wait 'til father gets home" delivered in a neutral tone while the guitars frantically crash through the song. There's a constant juxtaposition between the vocals and … Read more
The deliciously gloomy album art on Wall of Water's two-track Promo 2015 features what seems to be a long-abandoned roller coaster rotting away in the elements, an image that seems to jive with the downbeat but arresting style of music played by band members Cullen Toner (multi-instrumentalist and vocalist) and Shawn Eldridge (drummer). Keyboard adds to the occasionally almost theatrical … Read more
David Bowie has always stood outside the lines. In the last decade or so, every album release came as a surprise of sorts: no media circus or worldwide promo tour. Each release showed Bowie slipping into his older years with something more stable stylistically. Here on his 69th birthday we get his 25th album, Blackstar. In an almost complete lack … Read more
It was just a couple of years back when Corrections House were putting out their debut album, Last City Zero. Comprised of veterans in extreme and experimental music, including Scott Kelly, Bruce Lamont, Sanford Parker and Mike IX Williams, the band ventures forth into the realm of electro-industrial, encompassing elements of metal and noise in the way to reaching their … Read more
Sometimes you follow a musician for years, only to learn something that should have stood out at the start. Today’s lesson is Tymon Dogg, related subject: Joe Strummer & the Mescaleros and The Clash. Apparently Dogg has played frequently with The Mescaleros and been a songwriting partner to Strummer, even appearing on The Clash’s “Lose My Skin” (Sandanista!).With many namedrops, … Read more
Similar to how people said, “Alright, I guess we’re done with the novel now” after James Joyce’s Ulysses, I thought, “Alright, I guess we’re done with the singer-songwriter genre now” after Sun Kil Moon’s Benji, with its overwhelmingly detailed accounts of second cousins’ deaths and watching The Song Remains the Same. When I took a class on Ulysses (God, why … Read more
Back in early 2014 Elder Giants dropped like a bomb in the midst of the black metal scene. The German outfit had previously released a couple of splits (with Earth Chaos and Unru) as well as an EP and a demo, but their debut album found them on a whole different level. Their work managed to encompass different aspects of … Read more
Forming in Brooklyn in 1995 as a collective based around abstract sound, Pas Musique translates to “Not Music” in French, a fact which gives some indication of what the adventurous listener is in store for on limited 2015 release Inside the Spectrum. That being said, much of what is contained in the wild, ten-track album is actually quite musical, though … Read more
Before I get started I’m going to dish out a rare complement. Loud Boyz have a good, fitting name. Even the record title, Tough Love, Hard Feelings is apt of their sound: rough, distant, yet with a clear emotional connection. Sure, the record cover is…let’s say odd, and I kind of hate the whole “z” in place of “s” thing, … Read more
Without doubt, one of my favorite musical discoveries of the past few years has been British singer-songwriter Craig Taylor-Broad. After first unleashing an (apparently, now deleted) EP under the name of the noises we make we no one is around in mid-2014, Taylor-Broad has continued a string of undeniably difficult yet definitively fascinating work – 2014's three-track Suicide Song EP … Read more
When you hear the term "industrial" in regards to music from the likes of Nine Inch Nails, Rammstein or Ministry, Foetus (a.k.a. Jim Thirlwell) is who you have to thank. Making cacophonies of the highest order since the early eighties, Thirlwell's music in all its incarnations has become more and more visual. Visual, that is, in the sense of the … Read more
There appears to be a quite mysterious aura surrounding the existence of PC Worship. The band itself has left a trail of albums and EPs, within just a small margin of time, navigating through the seas of alternative music. It is a really difficult task to give a description of PC Worship's music. On one hand it contains a lot … Read more
How much hatred can be produced within 48 hours? That is how long it took apocalyptic sludge outfit The Body and the main man of black metal sonic force Krieg, Neil Jameson, to record their collaboration. The Body are not new to the field of collaborative albums, which includes works with Braveyoung, Vampillia and Thou. However, there is something much … Read more
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