Buying compilation albums are like going to a family reunion. It starts with a sense of misguided obligation and ends with regret for ever having done so in the first place. A Perfect Circle's Three Sixty blessedly proves that ham-fisted metaphor to be all wrong. At first glance, it's a typical chronological affair, beginning with The Hollow from debut album Mer Der Noms and ending with a live version of "Fiddle And The Drum" from the newly released Stone and Echo box set. Disc two also includes a previously unreleased track "By And Down" - a bit more of a progressive number, but nevertheless, a standout on an album of standouts. What makes Three Sixty stand out from most compilation albums is the cohesive nature of what is really a remarkable career. It's not a comp for the listener to cherry-pick. Three-Sixty plays almost as a two-disc concept album. An album full of emotive highs and lows, both the dark and the light. The one-disc version is a truncated version of the same concept, but not quite as fully realized. If you're trying to decide which version to get, the Deluxe is most definitely the way to go. Read more
Given the never-waning focus among classical music fans on established (and too-frequently, dead) composers, it would seem that the world … Read more
I incorrectly said this band was from North Carolina when I talked about their last record, when in fact they’re … Read more
These guys know how to start off a record, with the rapid fire “Battered” pummeling with riffage for the first … Read more
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Burgeoning from a small town called Margate in the United Kingdom, is Unholy Majesty, a metallic hardcore supergroup meant to convey the bleak atmosphere of their city through music. With members of bands such as Sacred Ritual, Cold Snap, Age Of Kali, The Break In and Santa Karla it’s clear that this band has paid it’s dues and are looking to break out even further. The band displays a ferocity that so many bands today just can’t reach and the song writing skills put most of their contemporaries to shame. The band puts together an array of influences to bring about a vicious attack on the listener; imagine a blackened version of Outbreak with a touch of Slayer. The album bursts out of the gates with an introduction that would … Read more
There's very few bands that work as hard to bring the music to the masses as Supersuckers. They're like a sleeper cell. Without warning, they'll come out of hiding in Anytown, U.S.A. and blow shit up. They are a band that everyone needs to see live at least once - and when you do, you'll want to see them every … Read more
Upon hearing that legendary northwest garage rockers The Sonics were releasing a new album – their first in (gulp!) nearly fifty years – in 2015, I didn’t know if I should be excited or very, very afraid. Here was a band that helped to invent the signature, rowdy rock and roll sound in the early-to-mid ‘60s and delivered songs such … Read more
Titus Andronicus (+@, as they shorten it) is a punk outfit led by Patrick Stickles, an obvious obsessive who has spent the last three +@ albums cramming barrages of references to Pieter Bruegel, Cheers, Nietzsche, and obscure New Jersey baseball teams into angry punk songs. +@’s most-talked-about work is their second album The Monitor, a grandiose, Civil-War-themed account of what’s … Read more
I came across Infera Bruo a couple of years back when they were releasing their debut album, Desolate Unknown. The perspective of the band on the black metal genre was intriguing, remaining true to the roots of the genre, but also building on top of its traditional outlook. The dissonant quality was overflowing in the record, while the inclusion of … Read more
Covering much of the same ground as a group like Perturbator, Philadelphia’s neon shudder makes dark electronic music inspired by the world of cyberpunk – a genre of sci-fi that’s often described as “future noir” and includes works like Blade Runner and Shadowrun. Though I didn’t say as much in my review of it, Áine O'Dwyer’s Music for Church Cleaners … Read more
Well this was bound to happen. With so many hardcore acts flirting with Oi! for the last few years it’s not surprising that somebody finally came out like, fuck it, we’re just going to be an Oi! band. It’s not the first time by any means—there’s been the PDX crusties’ side project Criminal Damage and the Brendan Radigan-fronted Battle Ruins—but … Read more
It took me 8 minutes to listen, so it should 8 minutes to write it too. Or, something. Really that’s just a bad Futurama reference so I can “cleverly” say that this is a short EP with 5 songs total. The song names are on this EP are “I,” “II,” “Weak Week,” “III,” and “IV.” Speaking of clever.Boilerman are punk … Read more
On Anxiety’s Kiss, punk veterans Coliseum are back with a heavy, dark, melodic new album. The band’s maturity and experience are evident here even to someone who, like this reviewer, was woefully ignorant of their music until now. If you, like me, have somehow stayed in the dark about Coliseum this long, this album is a fine entry point. Unfortunately, … Read more
Newly-formed Vancouver, BC pop-punk trio Grease Thieves boast a vocalist whose snarl makes him sound a bit like vintage Tim Armstrong, and one can almost hear the saliva flinging around on the four songs featured on the group’s 2015 The World This Hour - about as enthusiastic and fun a debut EP as one could hope for. Unfortunate though it … Read more
I've been meaning to check out this Austin, TX-based band for quite some time now (they’ve been active since 2009) but for whatever reason I’ve never gotten around to it. So much punk, so little time I guess. They have released a string of EPs and splits up until this point, but this record is their first official LP. It … Read more
Matt Skiba's latest side project sound like they've been born out of the wave of late-90s American indie that brought us the likes of Weezer and Blind Melon, and with Skiba adopting a Bowie-esque aesthetic on the band's album cover it gives the impression of a band fully embracing the indie sensibilities that they couldn't explore in as much depth … Read more
Without doubt one of the more strange albums released in 2015 (or any year for that matter), Irish-born harpist Áine O'Dwyer’s Music for Church Cleaners is a two LP collection that presents ninety minutes of improvisational music made on the pipe organ at St Mark’s Church, Islington, UK. Aside from being, essentially, a live performance album (where the audience was … Read more
Artistically satisfying and incredibly eclectic, 2015’s The Fragile Idea from Italian electronic artist Sophie Lillienne seems designed to lull a listener into a somnambulistic state. Typically lumped into the trip hop genre, Sophie Lillienne’s music is full of unconventional, quietly haunting melodies, scratchy rhythms, and dramatic vocal performances. I would almost say that the dark and gloomy Fragile Idea is … Read more
Feral Kizzy’s new album Slick Little Girl was easy for me to like. I am a big fan of new wave, glam rock, and dark ‘80s music, so I was easily seduced by our obviously shared tastes. I immediately caught the Lou Reed reference of the title (lyrics from “Make Up” off the Transformer album). I love me some Lou, … Read more
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