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Our latest album reviews, featuring the records we've most enjoyed (or not) over the past few weeks.

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Browse our album reviews according to score: Highest (9.5/10 or more) or Lowest (2/10 or less)

Bunnygrunt

Vol. 4
Happy Happy Birthday To Me (2015)

St. Louis indie pop band Bunnygrunt will probably always be stuck with the 90s cuddlecore label, as much as they may hate it. The lovable duo Matt Harnish (guitars/vocals) and Karen Ried (drums/vocals) specialize in fun, disposable - and dare I say cute - punk rock, Bunnygrunt reliably delivers the ephemeral sound of what their label Happy Happy Birthday to Me describes as “the brief-lived Great Indie Pop Scare of the mid-1990s.” And you know what, this isn’t a bad thing. Bunnygrunt may be immortalized as an item in a list of bands that summarize a short-lived genre, but - to put it tautologically - their music will always have its place in history. Vol. 4 is the first release in five years (and the fourth since their revival in 2004), and with 16 tracks it’s a hodgepodge of songs that Bunnygrunt has been meaning to put out for a while. The first half of Vol. 4 is filled with to-the-point fun songs, while the second half is populated by covers and other odds and ends. This is the music of goofy, awkward kids who listened to T. Rex and Dinosaur Jr. growing up (because dinosaurs are so cool!!) This … Read more

Emmy The Great

Second Love
Bella Union (2016)

Finding an anchor in your life is one of those inevitabilities that is constantly chattering away in the back of … Read more

Iggy Pop

Post Pop Depression
Loma Vista Recordings (2016)

When Iggy pop parted ways with The Stooges in the mid-seventies, no one really knew what to expect from the … Read more

The Body

No One Deserves Happiness
Thrill Jockey (2016)

Since 2010 and the release of their album All The Waters of the Earth Turn to Blood, sludge outfit The … Read more

Agoraphobic Nosebleed

Arc
Relapse (2016)

It’s not often a band whose tenure spans as long as Agoraphobic Nosebleed’s makes such a successful effort in redefining … Read more

Agoraphobic Nosebleed

Arc
Relapse (2016)

Led by Scott Hull, Agoraphobic Nosebleed is one of the quintessential grindcore acts out there, and probably the most prominent … Read more

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One from the archives

Of Faith and Fire

Battleborn
Helicopter (2005)

Nevada is one of the last states I think of when it comes to hardcore. This is odd because the state produced one of hardcore's all-time greats in 7 Seconds and is also home to one of my favorite hardcore bands of all-time, Faded Grey. When I think of hardcore my mind tends to think of Southern California or the entire East Coast, as sad as that may seem because hardcore isn't just relative to the coasts, it's a worldwide scene filled with so many great bands coming out of every corner of the globe. Not one inch of the world should be overlooked including the state where what happens there stays there. Of Faith and Fire is a new band that recalls their more recent past than the halcyon … Read more

More album reviews

Kindling

Galaxies
No Idea Records (2016)

Debuting in 2014 and quickly releasing the surprisingly outstanding Spike & Wave 7”, Easthampton, Massachusetts-based Kindling has undergone a substantial metamorphosis over the past few years. The original duo of Stephen Pierce (he of Ampere) and Gretchen Williams have been joined by drummer Andy Skelly and bassist Andrew Farr, allowing the group's initially rather sparse material to be fleshed out … Read more

Shadow in the Cracks

Shadow in the Cracks
Goner (2015)

What does it mean when a three-piece band has a spin-off two-piece? While the premonition is that drama is afoot for member number three, that’s probably overthinking it. At least in the case of Shadow in the Cracks, a side project of The Blind Shake where brothers Blaha split off from their main gig for a more ambient approach at … Read more

Hexvessel

When We Are Death
Century Media (2016)

Mat McNerley is sure keeping himself busy. A few months back the new Grave Pleasures (ex-Beastmilk) album came along, and soon enough a Hexvessel album would follow. That would mark the third full-length record that Hexvessel would release, coming after Dawnbringer and No Holier Temple, and following an excellent EP in Iron Marsh.When We Are Death carries on the psychedelic … Read more

Hinds

Leave Me Alone
Lucky Number (2016)

When Hinds’ debut Leave Me Alone started with a jamming guitar riff, I was scared that this Spanish (but English-singing) all-girls rock band was going down the same lo-fi indie road that bands like The Lovely Bad Things and Black Lips have already thoroughly pounded into the ground. But almost immediately, the jam dissipates into a chilled-out, nonchalant air reminiscent … Read more

The Howleez

No Shame
Independent (2015)

Considering that the genre is and probably always will be associated with youth, it's worth noting that there are some more experienced players working in today's punk scene – and not just in “legacy acts” that play songs first recorded years if not decades ago. Count Gainesville, Florida quartet The Howleez among them. Singer Debra Fetzer, guitarist Hazel Levy, bassist … Read more

Secrets Of The Moon

Sun
Lupus Lounge (2015)

There is a great deal of history that follows Secrets of the Moon. The German extreme metal band emerged from the ashes of the obscure, primal black metal outfit, Martyrium. A series of great albums would follow, with the band showcasing in an excellent manner their doom/black hybrid approach. However, through the years it seems as if a change was … Read more

Amber Asylum

Sin Eater
Prophecy Productions (2015)

Amber Asylum has been a force in the post-rock/post-metal domain, since the mid '90s. With their origin found back in 1996 with the release of Frozen In Amber, this intriguing band was able to keep a presence, unfortunately not as constant as we would prefer. The seven year drought leading to the release of 2007's Still Point was the first … Read more

Lycus

Chasms
Relapse (2016)

Extreme doom/death is not an easy sound to get right. Despite the fact that most bands in the genre will just play slow and release heavy riffs, that is not enough to get someone's attention. There must something deeper in the band's sound in order to give you that feeling of desolation and despair. Lycus is a band that knows … Read more

Ali Muhareb

Existentially Wasted
Making New Enemies label (2016)

The concept of being “existentially wasted” seems somewhat appropriate in the context of increasingly confused (and confusing) modern society. It's a concept that could easily have been born out of something like The Matrix, a process of being burnt out on being. Modern humans are often simply swamped with information, much of which seems utterly useless in the bigger scheme … Read more

The Hussy

Galore
Southpaw (2015)

Why have children when I can just listen to my music and watch the bands change and grow instead? First they learned to stumble, then to walk, and finally to slow dance. Er, I dunno. This metaphor fell apart before it even hit the page.What didn’t fall apart are Wisconsin duo The Hussy, a guitar and drum two-piece that falls … Read more

Baroness

Purple
Abraxan Hymns (2015)

Through their career, Baroness has spawned a series of excellent works. From their early Mastodon-ian EPs to the evolution of their own unique sound with Red Album and Blue Record and the adventurous routes that led to the release of their most ambitious work Yellow & Green, the band has remained a constant force in heavy music. A horrendous accident … Read more

Oakeater

Aquarius
Sige (2015)

Oakeater is a Chicago outfit formed in the mid '00s. I must admit I was not familiar with their work before I saw that the band would be releasing their newest album, Aquarius. However, a listen of their cassette, Intrusion, got me interested so I started digging. Apart from a few standalone releases on cassette format, as well as their … Read more

See Through Dresses

End of Days EP
Tiny Engines (2015)

See Through Dresses' sound is lathered in squealing, wailing guitars that melt and sway in the sludge of the rawest depths of grunge. The frazzled cocoon that is "Everyman" is laced with the threat "Wait 'til father gets home" delivered in a neutral tone while the guitars frantically crash through the song. There's a constant juxtaposition between the vocals and … Read more

Wall Of Water

Promo 2015
Independent (2015)

The deliciously gloomy album art on Wall of Water's two-track Promo 2015 features what seems to be a long-abandoned roller coaster rotting away in the elements, an image that seems to jive with the downbeat but arresting style of music played by band members Cullen Toner (multi-instrumentalist and vocalist) and Shawn Eldridge (drummer). Keyboard adds to the occasionally almost theatrical … Read more

Reviews by score
Browse our album reviews according to score: Highest (9.5/10 or more) or Lowest (2/10 or less)