Full of Hell paved their way with their two previous albums, Roots of Earth Are Consuming My Home and Rudiments of Multilation, establishing the band as a force to be reckoned with in the grindcore scene. Their mixture of the hardcore/crust with their grind core has proven golden so far, and now they are unleashing their third full-length, and their first album under Profound Lore. What is the catch here? Oh, they just have one of the legendary figures of the noise scene collaborating with them, Merzbow. This is a dream, or nightmare, come true, especially considering the tendency of Full of Hell for nosier paths. Let’s face it, the merge of noise and grindcore makes perfect sense when we are talking about sonic extremity. Merzbow manages to add more depth and substance to the structures of Full of Hell with his performance. The introductions in the album are imminent with Full of Hell coming straight in for the first few seconds of “Burst Synapse” before passing the torch to Merzbow, who shows the ugliest face possible for his noise. As the album goes on, Merzbow finds a variety of ways to contribute to the music, mostly staying at bay … Read more
Recording under the guise of Alexeï Kawolski, Montreal-based composer and producer Alexis Langevin-Tétrault walks the line between making harsh and … Read more
Summarizing The Smith Street Band is a bit difficult. While I want to lump them in with folk-punk, that’s only … Read more
The soundtrack for the 2013 film Prince Avalanche, created by instrumental rock group Explosions in the Sky in collaboration with … Read more
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Last week I completed a short review of this 7" from Last Lights to be posted on the site. It was short and to the point but just didn't emit what makes this record so good. And then over the weekend the band's vocalist, Dominic Mallary, passed away at the age of twenty-four after performing at a local show. The tragedy of his death is a hard pill to swallow; death is scary enough as it is, but when it's someone this young it's even harder to wrap your head around. Over the past several months Dominic and I had corresponded in regards to happenings with Last Lights. By no means were we close friends, merely two individuals that crossed paths with a shared passion for music and a mutual … Read more
The idea for Shade Themes From Kairos started when Belgian filmmaker Alexis Destoop asked Ambarchi and O’Malley to provide the score for his short film Kairos. The two musicians travelled to Belgium and started working on the score for the film, and after they finished with the soundtrack they returned to Randall Dunn’s Aleph Studios in Seattle to further explore … Read more
Sometime around the mid-2000’s, I began to realize just how much I missed having new music by Richard D. James, who typically records under the name of Aphex Twin. I’d been spoiled in the 1990’s: starting off the decade with a pair of outstanding and other-wordly ambient releases (the positively sublime Selected Ambient Works discs), James continued to regularly produce … Read more
Christopher Mevel, one of the founding members of the Dale Cooper Quartet & The Dictaphones, set up his solo project, Pan & Me, in order to step outside of the jazz based sound of the main band and to explore other sonic domains. Ambient music and drone are the key aspects of Pan & Me and their main focus of … Read more
Just last year Pharmakon was putting out Abandon, tearing our brains apart. Margaret Chardiet (the artist behind Pharmakon) was collecting aspects of industrial, noise and power electronics, filtering all that through her mind and producing one of the most intense listens of (at least) 2013. Now how can you top something like that? Inspiration usually comes from personal experience and … Read more
It’s kind of remarkable how vaguely similar the debut album by Philadelphia’s Mannequin Pussy is to that of another of 2014’s breakout artists, Perfect Pussy. Both these similarly-named, female-fronted bands utilize rough sound production to create a listening experience that’s raw, ragged, and jarring, but while Perfect Pussy’s churning Say Yes to Love almost borders on being unlistenable (at least … Read more
If Daft Punk were commissioned to score a cyberpunk horror film of the likes of Hardware, the resulting work may sound something like what Paris musician James “Perturbator” Kent has come up with on 2014’s Dangerous Days, the latest of his four albums. Utilizing vintage synthesizer sound straight out of the Miami Vice era, Perturbator lets loose with aggressive arpeggios … Read more
Starting back in the early ‘90s, Blut Aus Nord exists in two intersecting realities. Their earlier releases, which includes the first part of the Memoria Vetusta trilogy (a trilogy so far, I guess it might be extended), showcased an atmospheric black metal band, in the vein of acts such as Norwegian black metal legends Emperor. But soon enough, Blut Aus … Read more
Even though Mamiffer started off as a studio project of Faith Coloccia, throughout the years it has blossomed into something much more. The atmospheric experimental band of the former mastermind behind Everlovely Lightningheart, and Aaron Turner (also of Old Man Gloom and previously of ISIS) released a couple of full-lengths and a number of splits and collaborations with other amazing … Read more
The moment I heard Scott Walker would be collaborating for a full album with Sunn O))), I assumed I was dreaming. That was just too good to be actually true. In the past Sunn O))) have had great collaborations with bands such as, Boris, Nurse With Wound and Ulver, all of which really fitted their style. But this goes beyond … Read more
Tahliah Barnett, who looks something of an art-school alien, first descended into the tellurian realm as a Grimes incarnate: girl with space-cadet aesthetics turned one-woman powerhouse. twig’s status as Robert Pattinson’s new beau, her paint-smeared, caricatured album cover, and inclination for the grotesque have a way of garnering the important questions. Who is she? Is the breadth of her facial … Read more
Following the group’s ambitious 2010 debut The Great Prophecy of a Small Man, Dutch group Modest Midget returns with 2014’s Crysis, an album that’s equally as sprawling, eclectic, and generally cheerful as its predecessor. Admittedly, it took me a few listens to really get into what Modest Midget had to offer on their first album, and this second effort is … Read more
Somewhere among the snowy and otherworldly environs of Reykjavik, Jón Björn Árnason and Leifur Kristinsson created Ourlives. They've been together for nine years, having already released two albums in their native Iceland. Their second album Den of Lions has now been released stateside, and neatly displays the band's penchant for minimalist, atmospheric songs. Think early-00s Coldplay, but with more weight.Den … Read more
The Tim Version’s set at Fest 12 was slower. The songs were drawn out—still loud, and angry—but they were a notch slower, going for expansive and big instead of that 1-2 punch. Was that to be the style on their next album, or was it just the hangover influencing their set list?Ordinary Life is their second LP on No Idea … Read more
Burial Hex, the project of multi-instrumentalist Clay Ruby has put out a plethora of releases, with their excellent debut, self-titled album and Book of Delusions really standing out. Now with his latest release, Ruby takes the project even further in terms of how dark his sound can get and how interestingly his music has evolved. Ruby is a great molder … Read more
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