Over the course of their last few records these Minneapolis crust punk stalwarts have really honed their metal chops. I’ll do my best to avoid any “who put their metal in my punk” type of argument and just say, as someone who prefers my metalpunx leaning more to the punk side, I find Temperaments of War a little less intriguing than any of their previous releases. Aside from a few subtleties they’ve gone pretty much full-on metal this time around.Their evolution into metal shouldn’t come as a surprise to anyone that’s followed WAR//PLAGUE’s string of releases thus far. They have largely eschewed the mucky subterranean type of crust (a style that fellow Minneapoltans Kontrasek do very well) in favor of masterful instrumentation, decipherable vocals, and clean production. That is to say they’re more “punk” in their approach and application (and lifestyle no doubt) than they are in their sound. And this time around they’ve got a really big sound that, sonically speaking, is more fitting for larger stages than tiny basements.Whereas 2013’s Primal flexed a stripped down thrash attack, Temperaments of War shows them embracing longer, more complicated compositions. On “Blood” they take the galloping, space-filling facets typical of epic … Read more
The Banner has always been a band that embraced the darker side of their style. Being a hardcore band that … Read more
You can’t have your middle finger in the air all the time. As such, Isaac Thotz (The Arrivals) has stepped … Read more
I first discovered Atlas Losing Grip after the release of their 2009 EP, Watching the Horizon, and became an instant … Read more
Running nearly 70 minutes in length, the Neonautics v.01 compilation from Russian label skyQode collects sixteen tracks (many of which … Read more
Hailing from Australia, Skye Klein’s project Terminal Sound System is set on an interesting path. The merging of doom, post … Read more
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I had been listening to this record for almost three weeks trying to place the sounds and get some kind of footing for writing about Crucifire. After completing some minor bit of research, I was shocked to learn that this album is the product of members of Yaphet Kotto, Bread and Circuits, and others. Saviours do not sound anything like any of their previous bands. Here we are blasted by pure unadulterated metal. Their lineup is disturbing. The sheer size (in terms of the equipment) of the band on stage must be a sight to behold. To be honest, I was expecting something different sounding from the artwork but after listening to the album quite a bit, I realize just how appropriate is. Saviours' Crucifire absolutely bursts through the speakers … Read more
Offering up an abrasive quintet of hardcore punk that flies by in five minutes, the 2015 self-titled demo from Oakland, California four-piece I WANNA DIE conveys the type of reckless desperation suggested by their name – the hopelessness present in the material is probably the demo’s strongest and most noticeable aspect. An opening trio of 45-50 second punk thrashers gives … Read more
Creating the most welcoming introduction that you're likely to hear this year, S opener "Swimming Pool" features haunting, echoing synthesisers that sound like a distorted church organ, while Wild Beasts' bassist Tom Fleming's vocal timbre compliments the ethereal quality of the song. Musing on the perils of engaging with other people on "Social Halo", Emmy sings "You and your friends … Read more
The Blind Shake have been consistently banging out juicy, syncopatic jams for the better part of a decade now. Breakfast of Failures is their fifth full-length and, with it, continues the evolution. They’ve always been a concise group, focused on big stomping hooks within the confines of a pop structure, and they’ve slowly made their sound less homogenized in the … Read more
Just last year, Kayo Dot were releasing one of their most ambitious and challenging albums, Hubardo. The US based band, led by mastermind singer/songwriter/multi-instrumentalist Toby Driver, has made a career out of their crazy mold of different musical genres. Hubardo was the perfect example of the Kayo Dot vision, encompassing in its two disks elements of avant-garde metal, post-metal and … Read more
In his long, storied, and in this mind, legendary career, Thomas Gabriel Fischer (Tom G. Warrior) has been a man of dark talent and darker vision. Where I think he has always been separated from his peers however, is always being able to show the listener the beauty in that darkness. From Hellhammer to Celtic Frost to Apollonyon Sun to … Read more
For years I was the biggest Rancid fan. The first record I didn’t buy on its release date was B-Sides & C-Sides, and that’s because I already had the songs. I was an unapologetic completest. As the post-2000 records have been coming, I became an apologetic completest. I bought the double album version of Let the Dominoes Fall and spun … Read more
Detailing the history of southern California punk of the late 1970s and early ‘80s and in particular, the scene that revolved around the legendary Cuckoo’s Nest club which hosted live music shows, the 2012 documentary Clockwork Orange County: The Rise of West Coast Punk Rock! (which earlier had been released under the title of We Were Feared) covers a fascinating … Read more
Pharaoh’s debut full-length, Negative Everything, is an absolutely crushing release. The New Jersey three-piece play a blend of doom, sludge, hardcore, and crust that is generally slow, sometimes fast, never predictable, and always heavy. The record’s opening track, “Recease,” starts with a slow, chugging, unaccompanied guitar and effectively sets the pace for the record. Pharaoh has no need for frills, … Read more
Tar has been an insane surprise for me. Even though the album was released back in December, I did not notice Weeping Rat until Handmade Birds announced that they were going to release the album on vinyl with an additional five bonus tracks! Weeping Rat comes from Australia, and even though when you first hear their music you will probably … Read more
Since the first time I heard the dewy-eyed lyric, “I caught you sipping milkshakes in the parlor of the hotel,” I’ve been somewhat smitten with the psychedelic princes behind Foxygen’s screwball absurdum: moody-broody Jonathan Rado and Kevin Barnes incarnate, Sam France. Following the release of their hugely successful breakout album, 21st Century Ambassadors, it seems Rado and France decidedly opened … Read more
With their newest release, Sonic Highways, we aptly find Foo Fighters at an apparent crossroads and no longer content to write and record music in a traditional fashion. Sonic Highways is an album conceived and written as a companion piece to the HBO series of the same name, and directed by Dave Grohl himself. The concept of the show? Go … Read more
The Brokedowns have come a long way. That’s not to say they were torchbearers of suckitude earlier, but early reviews of the band were festivals of namedropping and comparisons to various Midwestern-tinged punk groups. On Life Is A Breeze, those RIYL days of yore can go straight into the Springfield tire fire: The Brokedowns have their own sound and it’s … Read more
The Dead Milkmen were always an idea band. A band who sparkled or fizzled depending on that idea, with some songs brilliant and others that made you dream they’d invent a music format where you could skip to the next song with the simple push of a button. Some things change, others don’t.Pretty Music for Pretty People is the Dead … Read more
The tight and bright 2014 Icarus EP marks the debut of the indie pop quartet that originally recorded as Plumerai under their new name of DRLNG. Despite the group’s billing in some press materials as a shoegaze-inspired project, I noticed much more inspiration coming from the world of cheerful French pop music of the ‘60s, particularly in the almost birdlike … Read more
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