Boasting precise mixing and near-flawless musical execution, Code Elektro’s 2015 Superstrings may be one of the best albums of cyberpunk-inspired electronica one would hope to come across. This shouldn’t come as much of a shock considering the album is the product of Danish musician Martin Ahm Nielsen, who makes a living composing music for commercials and television. What did strike me about Superstrings is that the phenomenal sound quality and sharp production simply couldn’t disguise the fact that much of the music here seems ultimately pointless. It’s a well-made album for sure, but it winds up suffering from the same problem that most Ratatat albums do: one must REALLY like the type of music featured to the exclusion of most everything else in order for the album to seem like anything more than a tolerable timewaster.Those who’ve listened to a few synthwaves artists are likely to know exactly what they’re in for here: the album features an overload of arpeggios, pulsating keyboard tones, warbling, airy melodies, and groaning, ominous low end. Kinetic opener “Cyber Dreams” has definite Blade Runner mood to it, gradually applying layers of sound to the relentless, looping sequence at its center. The track makes use of … Read more
On March 31,1994, singer and guitarist Kurt Cobain, frontman for Nirvana and heralded as the spokesman for a generation, escaped … Read more
"secret consciousness of power is far more delightful than open domination"Dostoevsky - The Adolescent. Le Butcherettes came seemingly from out … Read more
Choose a year to view reviews of albums released in that year.
749 reviews
42 reviews
25 reviews
300 reviews
4865 reviews
19 reviews
Spaceman comes to Earth, fronts rock band!It sounds like it might be a Weekly World News headline or the subplot to a ‘60s-era Godzilla film, yet this is allegedly what happened when, in the late ‘70s and early ‘80s, Von LMO, claiming to have been from the planet Strazar, rose to prominence in NYC’s no wave music scene. Following the release of 1981’s well-regarded Future Language, LMO disappeared from the music scene for more than a decade before returning with 1994’s Cosmic Interception, a more punk-oriented album that contained alternate recordings of tracks from his debut album along with a few new ones (including two with keyboardist and audio engineer Otto von Ruggins). After 1996’s Red Resistor, an album that was at times noisier and more experimental than his earlier … Read more
Desaparecidos is the Omaha emo outfit led by Conor Oberst of Bright Eyes fame. Payola is the band’s second album, and it’s been 13 years since they released their first album Read Music/Speak Spanish in 2002. Usually one of two things happens when a band releases an album after a long pause: Often it’s a huge disappointment, but sometimes it’s … Read more
Buying compilation albums are like going to a family reunion. It starts with a sense of misguided obligation and ends with regret for ever having done so in the first place. A Perfect Circle's Three Sixty blessedly proves that ham-fisted metaphor to be all wrong. At first glance, it's a typical chronological affair, beginning with The Hollow from debut album … Read more
Given the never-waning focus among classical music fans on established (and too-frequently, dead) composers, it would seem that the world of modern classical music is one of the most difficult to get a handle on – audiences are left unsure where to even begin, and composers themselves don’t get much attention or many breaks. Meanwhile, except for the occasional article … Read more
It's been 40 years since the world was first introduced to the name of Motörhead. In that 40 years, they have become seemingly invincible. Impervious to the likes of addiction, lineup changes, musical trends and anything else that would have decimated a lesser band. But it would seem that the Motörhead juggernaut may finally be showing signs of slowing. Frontman … Read more
I incorrectly said this band was from North Carolina when I talked about their last record, when in fact they’re from Chicago. So I’d like to take a moment to say I’m sorry to Broken Prayer. (Up until recently I had a tendency to assume that every band on Sorry State was from North Carolina.) Another thing I said about … Read more
These guys know how to start off a record, with the rapid fire “Battered” pummeling with riffage for the first minute and then Jeff Burke’s familiar vocals chime in and the record transitions to melodic and punky pop songs—and not the kind of pop that’s usually attached to that word. While a minute isn’t a long time for an instrumental … Read more
When Ghost first materialized on the scene in 2010 with their debut album Opus Eponymous, they made quite an impression. First there was the image: five "nameless ghouls" performing the music in hooded robes (now silver, horned masks) and vocalist Papa Emeritus, dressed as a sort of anti-pope with a penchant for fog machines and blacklight paint. These aspects of … Read more
There's very few bands that work as hard to bring the music to the masses as Supersuckers. They're like a sleeper cell. Without warning, they'll come out of hiding in Anytown, U.S.A. and blow shit up. They are a band that everyone needs to see live at least once - and when you do, you'll want to see them every … Read more
Upon hearing that legendary northwest garage rockers The Sonics were releasing a new album – their first in (gulp!) nearly fifty years – in 2015, I didn’t know if I should be excited or very, very afraid. Here was a band that helped to invent the signature, rowdy rock and roll sound in the early-to-mid ‘60s and delivered songs such … Read more
Titus Andronicus (+@, as they shorten it) is a punk outfit led by Patrick Stickles, an obvious obsessive who has spent the last three +@ albums cramming barrages of references to Pieter Bruegel, Cheers, Nietzsche, and obscure New Jersey baseball teams into angry punk songs. +@’s most-talked-about work is their second album The Monitor, a grandiose, Civil-War-themed account of what’s … Read more
I came across Infera Bruo a couple of years back when they were releasing their debut album, Desolate Unknown. The perspective of the band on the black metal genre was intriguing, remaining true to the roots of the genre, but also building on top of its traditional outlook. The dissonant quality was overflowing in the record, while the inclusion of … Read more
Covering much of the same ground as a group like Perturbator, Philadelphia’s neon shudder makes dark electronic music inspired by the world of cyberpunk – a genre of sci-fi that’s often described as “future noir” and includes works like Blade Runner and Shadowrun. Though I didn’t say as much in my review of it, Áine O'Dwyer’s Music for Church Cleaners … Read more
Well this was bound to happen. With so many hardcore acts flirting with Oi! for the last few years it’s not surprising that somebody finally came out like, fuck it, we’re just going to be an Oi! band. It’s not the first time by any means—there’s been the PDX crusties’ side project Criminal Damage and the Brendan Radigan-fronted Battle Ruins—but … Read more
It took me 8 minutes to listen, so it should 8 minutes to write it too. Or, something. Really that’s just a bad Futurama reference so I can “cleverly” say that this is a short EP with 5 songs total. The song names are on this EP are “I,” “II,” “Weak Week,” “III,” and “IV.” Speaking of clever.Boilerman are punk … Read more
Looking for the SPB logo? You can download it in a range of styles and colours here:
Click anywhere outside this dialog to close it, or press escape.