OK, here we are dealing with an absolutely stunning collaboration. In a live setting, cellist Okkyung Lee, an excellent improviser who has worked alongside artists such as Jenny Hval, Swans, John Zorn and Cecil Taylor, and Christian Marclay, a visual artist and composer, master of turntablism, meet to create an Amalgam, a combination of the most strange, bizarre metals that the two can unearth.The frantic playing of Lee kicks fiercely comes into view with a sense of urgency. Something is always transpiring when Lee is playing her cello, a feeling that never stops evolving. Continuous and disruptive, describing her playing as free-jazz does not even begin to scratch the surface of what is actually going on here. The performance travels beyond the musical domain, and dwells in an actual, realistic world, where her technique recalls events as diverse as roaring thunders to electric circuits malfunctioning, making it hard to believe that she only has a single instrument at her disposal.On the other hand Marclay's presence opens up a different portal for the duo's investigation, managing to create additional dimensions within the furious improvisations. At times he follows Lee's exhilarating lead, filling the scenery with strange sonic artifacts, before setting out … Read more
Taking Back Sunday accidentally ended up being one of the bands that spearheaded the emo movement that bled into the … Read more
One (of many) differences between indie rock and punk is generally the sense of humor as it relates to self-awareness. … Read more
Amirtha Kidambi is an intriguing musician, an exploratory musics creator and a stellar singer. Having participated in a number of … Read more
It’s nice when your favorite bands surprise you. It took six years for Fambly 42), so I wasn’t ready for … Read more
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Atlanta, Georgia three piece horrorbilly rocksters The Tomb Tones released their debut album "Pumpkin Guts" in 2020 and are now following up with this brand new spooky foodie fable Ghost of Toast! This album tells the gruesome tale of Bill Higgins, a mill worker for the Miracle Bread Company back in the 60s. It was reported that Bill fell into the wheat grinder one night and now little bits of him still exist within the bread mix today, "maybe a little bit of Bill will be in your next sandwich."!!! The Tomb Tones blend quirky novelty rock with influences ranging from The Cramps and Ramones with a rockin' B-52s style vibe that works so very well. Their style is professional yet silly and as spooky as it is campy not … Read more
When it was announced that Nick Cave was releasing a new album Skeleton Tree to accompany the release of his documentary One More Time With Feeling, it felt decidedly unnatural for a couple of reasons – first and foremost, marketing tie-ins don’t really come to mind, when it comes to an artist like Cave. And two, it was all coming … Read more
Drummer Bobby Kapp and pianist Matthew Shipp are legends of free jazz. Improvisation is their arena, and through a series of albums they have proven unique musicians they both are. Strangely enough, the two have not crossed paths in the past when it comes to recoding, apart from Kapp's album Themes 4 Transmutation. In Cactus the two are thrown into … Read more
Sims is something of a firebrand on his early work, spitting political vitriol and pointing fingers outward and in on records like Lights Out Paris and Bad Time Zoo. This time around, the Minneapolis rapper is looking even more inward on the new More Than Ever, a record that pushes expectation beyond the hard-hitting beats and spitfire lyricism with echo-y … Read more
40 Watt Sun hold a special place in the hearts of those who have heard their music and been affected by the honesty within. 2011s The Inside Room was a stunning debut that still garners regular plays from this writer and Wider than the Sky will do the same in the years to come. Having been many years in the … Read more
Written in Paris while the city was still reeling in the aftermath of the November 2015 attacks, Mapping the Rendezvous is an album that brims with escapism and the irrepressible desire to live for the moment. Part of the the band's previous album, 2014's Concrete Love, was also written in the French capital but this time it was different: frontman … Read more
I’ve never met Aaron Freeman and Mickey Melchiondo, the two-headed songwriting duo of Ween, but I have my own speculation about who contributes what based on their output in other projects. That guess is that Gener does the Pink Floyd styled space-prog-pop while Melchiondo, aka Dean Ween aka Deaner, brings on the grimy and oddball guitar rock.The Deaner Record only … Read more
Austin, Texas duo achieve an unholy alliance of industrial music and punk rock in their debut album, End Position. In paper it feels that something like that would not work, and a failed attempt to produce something coherent would only end in hysterical laughter. Thankfully, this is far from the case here, and Leo Ashline and Shaun Ringsmuth unleash one … Read more
Jenny Hval has soared into the experimental scene since the release of Viscera, the first album under her own name. The quality of her work, and the scope of her vision continued to take form through a series of excellent records in Innocence is Kinky and Apocalypse, girl and is now reaching a peak with her newest album. Blood Bitch … Read more
The project of Amalie Bruun has stirred quite drastically the black metal scene, since the release of her debut, self-titled, EP in 2014. M, the first full-length of the project, came in 2015 and it displayed in glorious fashion the extent of Bruun's vision. Comparisons with early days Ulver are to be expected, with Myrkur's style fashioned around the more … Read more
A limited edition split of two not-super-active bands that are Fest staples for this writer, this EP from No Idea Records combines Seattle’s Dead Bars and Tampa’s The Tim Version head to head, or head to ass or however literally one takes the physical conceptualization of a 7”.Dead Bars get the A-side here and it’s not my favorite of their … Read more
The experimental and extreme music scenes today would be completely different, probably for the worse, if it was not for the influence that Neurosis have had on numerous bands through the late '90s and early '00s. Starting off as a hardcore punk band in the late '80s, Neurosis went through a perpetual evolution, acquiring additional elements, revealing a plethora of … Read more
Screens, (2013) was damn near perfect. So what does Low Culture have in store with their second LP? It’s not disappointment, that’s for sure. Places to Hide continues their run of modern garage-punk that’s run through the melody filter and cleaned up of the fuzz and distortion, letting the elemental energy and punk tempo drive the songs while the vocals … Read more
LA has been spoiling us lately: Bleached, Deap Valley and Warpaint are just a few of the bands that have been releasing stellar new material. These bands, like so many other musicians, use the fragments of past relationships as a springboard for putting chords and words on record. They all deliver their seething rebukes with the grittiness and determination necessary … Read more
Kodama (loosely translating to “tree spirit” in Japanese) is a record that follows Alcest’s path of spirituality in music, and while Shelter (2014) was a lovely, warm, summery album, in retrospect it may not have been one of the best outings for the French duo. Kodama strips back to the basics of Alcest’s sound and lifts the mind into new … Read more
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