This is the first collaboration between Monolog, master of Drum n Bass and IDM music, and Subheim, explorer of abstract electronica and admirer of ambiance. The two artists have a steady presence in the experimental scene, with Monolog starting off in the early '00s while Subheim appeared in the scene during the last few years of that decade.What is captivating about Conviction is the richness of its sonic palette within such short duration. The album itself goes a bit over the twenty minute mark, but the amount of guises and the depth of experimentation that the two artists are able to bring to the surface is truly impressive. That is not a big surprise considering the history of these two projects, but put together it becomes a completely different story. Monolog is in charge of building the foundation of this work, creating a spine for the record. His distorted beats and heavy rhythmic structure can become the origin of order, or drag the parts into more unpredictable situations. No matter the case, Subheim always delivers with his vast spectrum of influences, acquiring not only the sound, but also the emotion of genres such as post-rock, drone, techno and trip-hop, enriching … Read more
This is some killer punk out of Madrid, Spain on that throwback tip. If you had told me this was … Read more
Trumpeter Justin Walter is mostly known through his works in experimental jazz/fusion collective NOMO, his collaboration with Brian Case (of … Read more
I’m a fan of a select little niche of pop punk. The cleaner the voices, the more I tend to … Read more
Mystery Date fit that classic mod-power pop sound, with an ear for well-tuned guitars, a hint of fuzz, and more … Read more
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What do you get when you throw Mastodon and Neurosis into a blender? If you answered 'Scott Kelly's over-stroked ego,' then, yes, you're technically correct. But if you're not being a smart-ass, you would have a band with a sound akin to that of Brooklyn-based post-/doom metal band, A Storm of Light.Their debut album, And We Wept the Black Ocean Within (someone should really talk to them about the benefits of concise album titles), was stylistically similar to Oceanic-era Isis, yet somehow turned up a few more notches. It showcased an unprecedented level of bleak, full vastness of sound that I find is still incomparable today. With their subsequent releases, however, A Storm of Light have turned down their true ambient, post-metal tendencies in favour of experimentation with more straightforward … Read more
English record label Drunken Sailor Records released this sweet and short EP. For some reason that made me believe Liquids are an English band. And that’s not only because this EP is released on an English label. The band sounds like they could be from that funny little island. I was wrong though. Dead wrong. Liquids hails from Indiana. And … Read more
Laura Marling was routinely described as being precocious when she first started making her own music as a teenager. She emerged as part of London's early '00s nu-folk scene, alongside the likes of Mumford & Sons and Noah and the Whale, but her music still seemed distinctly different from her peers'. Marling dealt with a preoccupation with death when she … Read more
The word quintessence derives from the Latin “quintus” and the english “essence,” translated roughly to the fifth essence. The reason for the number appearing in this instance comes from medieval philosophy, where quintessence was considered to be the fifth addition to the four classical elements (earth, wind, fire and water,) one that exists in the heavenly bodies, and is inherent, … Read more
Neo-classical music and minimalistic explorations always had a point of convergence. Minimal electronic applications found their way into classical orchestrations, expanding the sound of the orchestra, as well as the emotional scope of the composer. Max Richter is a proud example of this tradition, a composer who has learned as much from Philip Glass and Steve Reich, as he has … Read more
The Obsessed belongs in the category of the legendary American doom acts. Formed during the '70s as Warhorse, they truly kicked things off in the early '90s, with their self-titled debut full-length. Led by Scott “Wino” Weinrich, an iconic figure of the scene, The Obsessed was a powerful vehicle of heavy rock visions and bleak doom worlds. And as a … Read more
Greg Graffin has always been a big influence on the way I approach things. I love punk rock, but there was always a stigma attached to those that partook in the genre. It’s true I was part of a generation that pushed the vision of the '90s slacker kid, but I would like to think it was much more than … Read more
The influence of H.P. Lovecraft in popular culture is undeniable, and its presence in the metal genre is highlighted from classic Metallica tracks, to off-kilter acts like Blind Idiot God. The Great Old Ones, a French post-black metal outfit, proudly embrace this tradition, as their suggests, exploring the themes of cosmicism through the years, starting with their debut album, Al … Read more
Paco Sala is the strange, outsider pop project of producer Anthony Harrison and singer Marie-Pascale Hardy. Having released a series of albums, with their main goal being the tinkering of pop structures and norm, The Silent Season marks their fifth full-length, and is the first of their works to be released through experimental label Denovali.The production of this record is … Read more
When I heard my first Hellmouth record—which I’ve since learned was their second release (Gravestone Skylines, 2010)—it was more of a curiosity than something that really grabbed me. Here was Jay Navarro of Suicide Machines in a metal band. His voice definitely fits the style, but the riff-dominant vitriol was such a transition that it threw me off. I enjoyed … Read more
Pallbearer’s evolution over the last seven or so years has been one that seems natural and organic, with each record building on what came before and giving the Arkansas based band a step forward on the ladder towards greatness. Their demo of 2010 introduced a band indebted to doom greats Black Sabbath, but the inclusion of a cover of Billie … Read more
What is emo? A classicist view may lend itself to sounds like The Promise Ring’s Nothing Feels Good or Weezer’s Pinkerton, which gave way to second-generation icons like Brand New. While The Promise Ring and especially Weezer never really quite built on the successes of their early records, Brand New began as a yawpy pop-punk band that suddenly transformed into … Read more
Haunting, mournful, and soulful, Ash Borer dials in with a killer new slab of music with The Irrepassable Gate; and the band tosses down the gauntlet with a densely layered album that breathes and stretches and smolders and seethes in a gorgeous cacophony that hints at mystic imagery and hidden arcane knowledge. The four members of the band seemingly take … Read more
There has always been a pull in the black metal genre towards a folk interpretation. It is not that far of a leap, and since the first releases in the genre, bands have been crossing borders left and right, be it the early experiments of Ulver, or the big turn of Bathory with Hammerheart and Twilight of the Gods. Agalloch's … Read more
Brian Pyle, the individual behind Ensemble Economique, begun a crazy trip as a member of Starving Weirdos in the mid '00s. This insane musical duo, featuring Pyle alongside Merrick McKinlay, traversed the paths of rock and electronic music, applying deranged psychedelia, resulting in the impossibility of pigeonholing their musical endeavors. After the group disbanded, Pyle was left unsatisfied with the … Read more
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