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The Body

No One Deserves Happiness
Thrill Jockey (2016)

Since 2010 and the release of their album All The Waters of the Earth Turn to Blood, sludge outfit The Body have really taken off. Originally found back in 1999, the band from Oregon did not seem to be very active, releasing a good debut album in 2004, but it would take six years until their next full-length. However, since … Read more

Agoraphobic Nosebleed

Arc
Relapse (2016)

It’s not often a band whose tenure spans as long as Agoraphobic Nosebleed’s makes such a successful effort in redefining their sound without conjuring notions of desired mass appeal. More importantly, it’s not often a band as influential to heavy music as Agoraphobic Nosebleed creates what is easily their most accessible effort without sacrificing their abrasive integrity. We see an … Read more

Agoraphobic Nosebleed

Arc
Relapse (2016)

Led by Scott Hull, Agoraphobic Nosebleed is one of the quintessential grindcore acts out there, and probably the most prominent band in the genre to make use of a drum machine, leading to hundreds of followers. Their style is dictated by ferocity and speed, albums filled with bursts of violence and constant pushing of your mental state. From Honky Reduction … Read more

Kindling

Galaxies
No Idea Records (2016)

Debuting in 2014 and quickly releasing the surprisingly outstanding Spike & Wave 7”, Easthampton, Massachusetts-based Kindling has undergone a substantial metamorphosis over the past few years. The original duo of Stephen Pierce (he of Ampere) and Gretchen Williams have been joined by drummer Andy Skelly and bassist Andrew Farr, allowing the group's initially rather sparse material to be fleshed out … Read more

Shadow in the Cracks

Shadow in the Cracks
Goner (2015)

What does it mean when a three-piece band has a spin-off two-piece? While the premonition is that drama is afoot for member number three, that’s probably overthinking it. At least in the case of Shadow in the Cracks, a side project of The Blind Shake where brothers Blaha split off from their main gig for a more ambient approach at … Read more

Hexvessel

When We Are Death
Century Media (2016)

Mat McNerley is sure keeping himself busy. A few months back the new Grave Pleasures (ex-Beastmilk) album came along, and soon enough a Hexvessel album would follow. That would mark the third full-length record that Hexvessel would release, coming after Dawnbringer and No Holier Temple, and following an excellent EP in Iron Marsh.When We Are Death carries on the psychedelic … Read more

Hinds

Leave Me Alone
Lucky Number (2016)

When Hinds’ debut Leave Me Alone started with a jamming guitar riff, I was scared that this Spanish (but English-singing) all-girls rock band was going down the same lo-fi indie road that bands like The Lovely Bad Things and Black Lips have already thoroughly pounded into the ground. But almost immediately, the jam dissipates into a chilled-out, nonchalant air reminiscent … Read more

The Howleez

No Shame
Independent (2015)

Considering that the genre is and probably always will be associated with youth, it's worth noting that there are some more experienced players working in today's punk scene – and not just in “legacy acts” that play songs first recorded years if not decades ago. Count Gainesville, Florida quartet The Howleez among them. Singer Debra Fetzer, guitarist Hazel Levy, bassist … Read more

Secrets Of The Moon

Sun
Lupus Lounge (2015)

There is a great deal of history that follows Secrets of the Moon. The German extreme metal band emerged from the ashes of the obscure, primal black metal outfit, Martyrium. A series of great albums would follow, with the band showcasing in an excellent manner their doom/black hybrid approach. However, through the years it seems as if a change was … Read more

Amber Asylum

Sin Eater
Prophecy Productions (2015)

Amber Asylum has been a force in the post-rock/post-metal domain, since the mid '90s. With their origin found back in 1996 with the release of Frozen In Amber, this intriguing band was able to keep a presence, unfortunately not as constant as we would prefer. The seven year drought leading to the release of 2007's Still Point was the first … Read more

Lycus

Chasms
Relapse (2016)

Extreme doom/death is not an easy sound to get right. Despite the fact that most bands in the genre will just play slow and release heavy riffs, that is not enough to get someone's attention. There must something deeper in the band's sound in order to give you that feeling of desolation and despair. Lycus is a band that knows … Read more

Ali Muhareb

Existentially Wasted
Making New Enemies label (2016)

The concept of being “existentially wasted” seems somewhat appropriate in the context of increasingly confused (and confusing) modern society. It's a concept that could easily have been born out of something like The Matrix, a process of being burnt out on being. Modern humans are often simply swamped with information, much of which seems utterly useless in the bigger scheme … Read more

The Hussy

Galore
Southpaw (2015)

Why have children when I can just listen to my music and watch the bands change and grow instead? First they learned to stumble, then to walk, and finally to slow dance. Er, I dunno. This metaphor fell apart before it even hit the page.What didn’t fall apart are Wisconsin duo The Hussy, a guitar and drum two-piece that falls … Read more

Baroness

Purple
Abraxan Hymns (2015)

Through their career, Baroness has spawned a series of excellent works. From their early Mastodon-ian EPs to the evolution of their own unique sound with Red Album and Blue Record and the adventurous routes that led to the release of their most ambitious work Yellow & Green, the band has remained a constant force in heavy music. A horrendous accident … Read more

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