Pallbearer’s evolution over the last seven or so years has been one that seems natural and organic, with each record building on what came before and giving the Arkansas based band a step forward on the ladder towards greatness. Their demo of 2010 introduced a band indebted to doom greats Black Sabbath, but the inclusion of a cover of Billie Holiday’s “Gloomy Sunday” served to stand them apart from the crowd and on debut Sorrow and Extinction the band that we see now began to truly form. The Pallbearer of today is a band that proudly display their influences (the aforementioned Black Sabbath, the prog majesty of Pink Floyd, the spaced out vibrations of Hawkwind) yet they are so distinctly themselves at the same time – a hard trick to pull off but one that works effortlessly for this quartet.Heartless is not without heart; in fact it’s so full of emotion and longing that to listen to it is to take the journey into the unknown and leave only when completely broken down. “I Saw the End” begins the voyage on weighty bass lines that crunch through the guitars yet it’s Brett Campbell’s voice that soars above all – a … Read more
What is emo? A classicist view may lend itself to sounds like The Promise Ring’s Nothing Feels Good or Weezer’s … Read more
There has always been a pull in the black metal genre towards a folk interpretation. It is not that far … Read more
Brian Pyle, the individual behind Ensemble Economique, begun a crazy trip as a member of Starving Weirdos in the mid … Read more
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I like the idea of certain types of metal paralleling the thought patterns of jazz. Whether it is the twitchy renderings of a Meshuggah beat, the sprinkle of jazz-like tendencies of an Intronaut record, or the experimental coo-coo of Fantomas. The immediacy, expansive sound, and improvisation can certainly draw comparison to a Miles Davis or John Coltrane offering. Those two individuals could be just as intense without all the distortion. And I like to bring the Japanese overlord snow-capped, glacial movements of Boris into that conversation as well. There are some who could argue that the experimental nature of Boris transcends either genre encompassing one all its own. Their wall of sound has been mimicked, copied, but, like a Warhol, you can tell a real Boris from a fake Boris. … Read more
They call it prog-rock, art-rock, jazz-rock, they call it tedious and pretentious, they call it heady, too-much, reserved as the best time to get a drink at the bar or shop the merch table….White Willow’s record Future Hopes assists in refuting that argument.I like when a musician takes an idea to its very end, and when it’s done right, time … Read more
The Menzingers are a four-piece punk band from Scranton, PA, sharing the same hometown as band sibling Tigers Jaw. Although not musically the same, The Menzingers have a similar lyrical purpose to The Smiths: to tell detailed, emotional narratives about everyday people. Except, instead of about middle-aged well-read women and ambiguously gay recluses, it’s about 20-somethings sporting tattoos of high … Read more
For the past 7 or so years I have been saying that The Menzingers are the best current punk band around. Not only do they put on a hell of a live show, but their records resonate weeks, months, years after listening to them. A punk band that manages to stay relevant, it's impressive. The Menzingers are a band that … Read more
After a promising start to a career that began in earnest with the release of debut A Spell for the Death of Man in 2008 and continued through to 2013s Withdrawal, Woe’s fate took a turn soon after that many bands find themselves encountering – real life happened and the music took a backseat for founder Chris Grigg and his … Read more
Complex, highly technical, unusual time signatures.Staccato and syncopated polyrhythmic guitar melodies.Mathcore.Yawn.Does not sound fun to you?Alright - enter nudity, booze fueled shenanigans and fascinating borderline performance art live incarnations.Enter Totally Unicorn from Wollongong, NSW South Wales, Australia.Dream Life is their first impressive full length, which was released in 2016 and surprised quite a few of their followers: Not that it … Read more
The majority of punk bands seem to have a hard time to stay together for more than a handful of releases. I can see positive sides of this as loads of musicians just go on to form a new band where new sparks of creativity can be released upon an unsuspecting world. Sometimes it hurts a bit when a band … Read more
Reading that Dead Bars never meant to be a band explains a lot of things. They started as a one-off project to go on a tour rather than to share their art. It turned out to be fun and they stuck with it. After a series of 7”s, the Seattle now-band finally releases their first full-length in 2017, titled Dream … Read more
I am guessing that most people are familiar with Botanist and their unique take on black metal, in terms of instrumentation and vibe. The band has released a series of great records through the years, replacing guitars with hammered dulcimer, focusing thematically on, as the name would suggest, flora. This journey has led to a peak with VI: Flora, with … Read more
To my mind Unearthly Trance was the act that truly defined the doom/sludge push of the '00s. Starting off with their debut album, Seasons of Seance, Science of Silence they displayed a claustrophobic, catastrophic drone induced version at a time where the push was towards the more fun side of doom/stoner. Through the years they kept evolving, switching from the … Read more
Belgium’s Emptiness have spent much of their career eschewing traditional approaches and with Not for Music they continue to imbue their singular take on black metal with wholly impure vibrations and ever more intriguing design elements. One such decision is the inclusion of Jeordie White (Marilyn Manson’s Twiggy Ramirez) on production duties and it’s this somewhat unusual choice that gives … Read more
25-year-old English producer and DJ Jack Ritchie, aka Bearcubs, first attracted the attention of the BBC's new music arm, BBC Introducing, after uploading some of his tracks to their website. This piqued the interest of the BBC Introducing team, and saw Ritchie's experimental electronica get praise from the likes of Annie Mac and Huw Stephens. This was followed by the … Read more
Admittedly, I’m a little leery of a press kit that features more band photos than songs. Then again, this is an EP, so it’s probably me yakking about something inconsequential anyway. They’re just attachments. It’s not like they sent me glossies. More is always better, right?Anyway, part of this record review might actually get to the record, which is a … Read more
All Them Witches is a rock band with a psychedelic blues tinge that reflects their southern-but-also-hip hometown of Nashville, Tennessee. Although All Them Witches can really deal in those druggy, heavy-hitting riffs that make you want to knock back a six pack in the desert, they also have a real musicianship that’s too often lacking in the dime-a-dozen bands that … Read more
Do you ever play games where you imagine what would have happened if an artist or a band would have had other influences than they had now? For example: what if Girlschool would have listened to punk instead of New Wave of British Heavy Metal? What would their albums have sounded like? My best guess is it would have sounded … Read more
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