Brian Pyle, the individual behind Ensemble Economique, begun a crazy trip as a member of Starving Weirdos in the mid '00s. This insane musical duo, featuring Pyle alongside Merrick McKinlay, traversed the paths of rock and electronic music, applying deranged psychedelia, resulting in the impossibility of pigeonholing their musical endeavors. After the group disbanded, Pyle was left unsatisfied with the conclusion of the trip, deciding to further explore the otherworldly sonic landscapes that he had discovered earlier.His vessel in that journey is Ensemble Economique, under which moniker he has released a number of records, the highlight of which is arguably Melt Into Nothing. With this record, and its follow-up, Blossoms In Red, Pyle's concepts begun to open, become more accessible, the abstract world acquiring substance, the dark tones transformed to melancholic notions, and the structures making an attempt to follow the norm. As enticing as that trip felt, In Silhouette, takes a step back, revisiting the more elusive times of Pyle's visions. It is a record of cinematic grandeur, a glorification of the magic of ambient settings. Using a sonic collage technique, Pyle composes having in mind the atmosphere and the tone. This is not necessarily new for the artist, … Read more
They call it prog-rock, art-rock, jazz-rock, they call it tedious and pretentious, they call it heady, too-much, reserved as the … Read more
The Menzingers are a four-piece punk band from Scranton, PA, sharing the same hometown as band sibling Tigers Jaw. Although … Read more
For the past 7 or so years I have been saying that The Menzingers are the best current punk band … Read more
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It has been a busy year for England’s beloved folk-punk troubadour and in lieu of a new album, he’s delivered a new EP to further whet the appetite of his fans. Instead of a set of ‘rock n’ roll’ tracks, this EP is about the notion of Rock & Roll and its power; the excellent mini-essay included in the CD booklet provides further insight. Only one track here is set to make a re-appearance on the next album, the belter of an opener “I Still Believe,” a more refined track than he’s produced before. Whilst making use of the numerous crowds he’s played to in the summer is a great idea in principal, it makes it abundantly obvious that it’s a song best heard live, with you participating.Fellow belter, “To … Read more
Complex, highly technical, unusual time signatures.Staccato and syncopated polyrhythmic guitar melodies.Mathcore.Yawn.Does not sound fun to you?Alright - enter nudity, booze fueled shenanigans and fascinating borderline performance art live incarnations.Enter Totally Unicorn from Wollongong, NSW South Wales, Australia.Dream Life is their first impressive full length, which was released in 2016 and surprised quite a few of their followers: Not that it … Read more
The majority of punk bands seem to have a hard time to stay together for more than a handful of releases. I can see positive sides of this as loads of musicians just go on to form a new band where new sparks of creativity can be released upon an unsuspecting world. Sometimes it hurts a bit when a band … Read more
Reading that Dead Bars never meant to be a band explains a lot of things. They started as a one-off project to go on a tour rather than to share their art. It turned out to be fun and they stuck with it. After a series of 7”s, the Seattle now-band finally releases their first full-length in 2017, titled Dream … Read more
I am guessing that most people are familiar with Botanist and their unique take on black metal, in terms of instrumentation and vibe. The band has released a series of great records through the years, replacing guitars with hammered dulcimer, focusing thematically on, as the name would suggest, flora. This journey has led to a peak with VI: Flora, with … Read more
To my mind Unearthly Trance was the act that truly defined the doom/sludge push of the '00s. Starting off with their debut album, Seasons of Seance, Science of Silence they displayed a claustrophobic, catastrophic drone induced version at a time where the push was towards the more fun side of doom/stoner. Through the years they kept evolving, switching from the … Read more
Belgium’s Emptiness have spent much of their career eschewing traditional approaches and with Not for Music they continue to imbue their singular take on black metal with wholly impure vibrations and ever more intriguing design elements. One such decision is the inclusion of Jeordie White (Marilyn Manson’s Twiggy Ramirez) on production duties and it’s this somewhat unusual choice that gives … Read more
25-year-old English producer and DJ Jack Ritchie, aka Bearcubs, first attracted the attention of the BBC's new music arm, BBC Introducing, after uploading some of his tracks to their website. This piqued the interest of the BBC Introducing team, and saw Ritchie's experimental electronica get praise from the likes of Annie Mac and Huw Stephens. This was followed by the … Read more
Admittedly, I’m a little leery of a press kit that features more band photos than songs. Then again, this is an EP, so it’s probably me yakking about something inconsequential anyway. They’re just attachments. It’s not like they sent me glossies. More is always better, right?Anyway, part of this record review might actually get to the record, which is a … Read more
All Them Witches is a rock band with a psychedelic blues tinge that reflects their southern-but-also-hip hometown of Nashville, Tennessee. Although All Them Witches can really deal in those druggy, heavy-hitting riffs that make you want to knock back a six pack in the desert, they also have a real musicianship that’s too often lacking in the dime-a-dozen bands that … Read more
Do you ever play games where you imagine what would have happened if an artist or a band would have had other influences than they had now? For example: what if Girlschool would have listened to punk instead of New Wave of British Heavy Metal? What would their albums have sounded like? My best guess is it would have sounded … Read more
Lorraine Rath and Jessica Way initiated a mystical journey with Worm Ouroboros, blurring the lines between doom metal, post-rock, neo-folk and dark ambiance, attempting to create music that is as powerful as it is otherworldly. Releasing their debut album in 2010, they were soon joined by drummer Aesop Dekker, whose first contribution came in the band's sophomore record, Come The … Read more
I have the feeling that Burial Hex has been around for a long time. I do not know why I get this impression, and it is true that the project of Clay Ruby has been around for about ten years now, but listening to his music it really gives me this impression of a true veteran, someone who has been … Read more
When John Lennon went into the studio to record the vocals for "Twist and Shout" he had already taken multiple throat lozenges and even gargled some milk to combat the sore throat he was suffering from at the time. The recording, a throat-shredding, rough-edged track that sounded unlike any of the band's other songs, left Lennon's throat feeling like sandpaper … Read more
Sometimes I love the predictable unpredictability of punk. You hear the name Career Suicide and think a certain sound and, well, they’re right in line with that. Here on Machine Response the band mixes ‘80s hardcore, snot-punk and more in a blitz of a record. It’s aggressive and relentless, but mired in a traditional sound that merges melody and anger, … Read more
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