The Uncanny Valley pulses in high concept waves and the mastermind behind it all, Perturbator (composer James Kent), creates visual magic with naught but a synthesiser and a slick, rain-soaked neon palette. Kent has been making music as his electronic alter-ego since at least 2012, but he started out in black metal and the Frenchman carries over similar aesthetics from the underground. Dark themes, the black church splashed across the artwork, Satanic imagery, rebelling against the “norm” and the leather clad vibe the whole project radiates links back to metal, and it’s not surprising that many fans of Perturbator are involved in that scene. The Uncanny Valley is drenched in glossy blackness and the songs push forth with a keen ear for structure, narrative and forward thinking. The story follows on from 2014s Dangerous Days and picks up twenty four years later in the streets of Tokyo with the titular Night Driving Avenger on a mission to disassemble an underground group who have taken it upon themselves to rid the world of machines, alongside an assassin who happens to be an android. It's a huge story arc but never overwhelming and with Perturbator's physical release being accompanied by a graphic … Read more
Davey Havok and Jade Puget (you may recognize them from AFI) are back this year with a new Blaqk Audio … Read more
The Dandy Warhols new release Distortland is a trippy foray into pop that should not only garner new fans but … Read more
Marissa Nadler has been releasing albums since 2004, and her meticulous constructions of dream states has been astonishing since the … Read more
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Some bands are like wine; they only get better with age. Trash Talk's new "full-length" effort is a great example of just that. Trash Talk has been playing shows since late 2005, with a demo, seven inch, and split with Bay Area friends Steel Trap put out in just over a year. But this is what we've really been waiting for. Everything seems to come out right on this record. Clocking in at just over nine minutes, these guys don't give you time to fuck around. Even so, the songs are all ordered fittingly so that as soon as it ends you want to listen to the first song again. Lee's vocals get harsher on every recording, and it's only fitting to the lyrics for these new songs. The lyrics … Read more
Music Band, along with JEFF the Brotherhood and Diarrhea Planet, forms the Infinity Cat triad, the latest representatives of the Nashville indie punk scene. I’ll readily admit to being a big DP fan - I’ve seen them four times, once with JEFF and once with Music Band. I knew these were DP’s buds, so I had high expectations. JEFF was … Read more
It’s been five years since Texas post-rock outfit Explosions in the Sky released Take Care, Take Care, Take Care, which makes this the longest between-album gap for the band. Not that they’ve been sitting on their hands: They’ve been reliving their Friday Night Lights claim-to-fame years, writing three soundtracks for movies you’d probably only watch because Explosions scored them. There’s … Read more
Five song ripper from this quartet out of Maine. If the cover art is any indication these guys wear a lot of Nike. A cartoonish drawing of a baldy wearing both a Nike tee shirt and Nike sneakers adorns the J-card. Anybody who’s seen my recent drawings knows I can get down with that. The artists name is Chris X, … Read more
Line-up changes are a scary thought. When it was first announced that vocalist Charlie Fell and guitarist Ken Sorceron were leaving Lord Mantis, it indeed felt like a devastating blow for the band. And the timing was just so depressing, just a little while after the band had released its most complete work in Death Mask? However, Lord Mantis seamlessly … Read more
The Falcon are a curious band: a collection of rogue Chicagoans (now with Dave Hause as well), lead vocalist Brendan Kelly (The Lawrence Arms) seems to get the most attention but teammates Dan Andriano (Alkaline Trio), Neil Hennessy (also The Lawrence Arms), and now Hause carry some impressive resumes on their own. It’s a loaded band, one that rips out … Read more
Coming out of Miami, Wrong rose from the ashes of hardcore/punk band Capsule, who released a couple of great albums, including their self-titled record and Blue, before calling it quits. Well, Eric Hernandez (guitars and vocals) bounced back brilliantly, forming the new band, with the inclusion of Ryan Haft (previously of Torche) on guitars, Andres Ascanio on bass and Brian … Read more
The future looked very dark for Cobalt, following the release of 2009's Gin. Wunder and McSorley seemed to have perfected their recipe for the black metal outfit, following the release of their debut album, War Metal, and especially their sophomore full-length, Eater of Birds. The band seized activities, and time went by. McSorley left the band, re-joined and left again, … Read more
Since 2001 Tim Hecker has been exploring the more adventurous sides of electronic music. The experimental scope of the artist has moved through dark territories, taking on elements of drone, noise, power electronics, constructing unique soundscapes of immense beauty. Haunt Me, Haunt Me Do It Again, Ravedeath, 1972 and 2013's Virgins are just some of the essential work of Hecker, … Read more
In a past life – OK, like eight years ago - I found myself working at a furniture factory in small town Pennsylvania. While I've found worse methods of employment from time to time, this job was, to put it mildly, not an ideal use of my time and talents, revolving around strenuous manual labor and a generally mind-numbing work … Read more
Endless Mike and the Beagle Club are from Johnstown, PA (about an hour outside of my second home, Pittsburgh), and their album St. Paul (produced by Anti-Flag's Chris Baker, adding some Pittsburgh history) embodies the DIY PA punk aesthetic that I’ve come to love over the years. Around since 2003, the band is more or less lead-singer Mike Miller’s solo … Read more
Even after a decade, Ignite still managed to put out a record that was the logical step forward from Our Darkest Days. While it's not a "reunion" album, it certainly feels like it. Up until the last couple years, Ignite have pretty much been on and off when it came to performing. Front-man, Zoli Teglas, went on to join Pennywise … Read more
When King Diamond's album The Spider's Lullabye, his sixth, was first released in 1995, it was a unique entry in the catalog as it was the first of Diamond's albums since his Fatal Portrait debut that was not a full concept album. It also marked the debut of a whole new band, with the exception of guitarist Andy La Roque, … Read more
Full of Hell remain successful in orbiting the broad domain of hardcore punk without becoming victims of convention or straying from ethic. With the release of Amber Mote in the Black Vault via John Hoffman’s (Weekend Nachos) Bad Teeth Recordings, “stagnation” simply does not appear to be a part of the Maryland/Pennsylvania outfit’s vocabulary. The group grows more and more … Read more
During the early to mid '00s, Graves at Sea had acquired a legendary stature. Their first demo, Documents of Grief, revealed a band that had an exceptional handle on sludge, retaining the weight and extremity of the genre, combined with a sickening perspective. A single, Cirrhosis/Atavist Arise, was released the following year through Southern Lord, and the most revered release … Read more
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