Sims is something of a firebrand on his early work, spitting political vitriol and pointing fingers outward and in on records like Lights Out Paris and Bad Time Zoo. This time around, the Minneapolis rapper is looking even more inward on the new More Than Ever, a record that pushes expectation beyond the hard-hitting beats and spitfire lyricism with echo-y and dreamlike tracks interjected through the more traditional beat-heavy songs.The album is an interesting experience between his more traditionally structured “OneHundred” or “What They Don’t Know” mixed in with the ambient tones of “Spinning Away” or the dreamy “Gosper Island.” He twists tongues and drops observant and descriptive rhymes through it all but it’s a new tone that gets heavy and hard before drifting into a no man’s land, sort of the hip-hop equivalent of Scott Pilgrim vs. the World’s mind subspace (for all you Bryan Lee O’Malley fans out there). The record feels like a journey, but not one with an ending -- more of a snippet from a winding road along an epic. There are struggles, highs and lows, but no real resolution. The onesheet notes the festive moments of the record, but I hear more introspection than … Read more
40 Watt Sun hold a special place in the hearts of those who have heard their music and been affected … Read more
Written in Paris while the city was still reeling in the aftermath of the November 2015 attacks, Mapping the Rendezvous … Read more
I’ve never met Aaron Freeman and Mickey Melchiondo, the two-headed songwriting duo of Ween, but I have my own speculation … Read more
Austin, Texas duo achieve an unholy alliance of industrial music and punk rock in their debut album, End Position. In … Read more
Jenny Hval has soared into the experimental scene since the release of Viscera, the first album under her own name. … Read more
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It's been four and a half years since Mr. Zombie last released an album of new material. That album was The Sinister Urge and I didn't like it. It sounded like an album of Hellbilly Deluxe (Zombie's vastly superior debut solo album) b-sides. A group of orphaned songs that was never quite good enough to be adopted into a real record. The time in between albums was not to be spent idly, however, with the release of the Past, Present and Future compilation as well as Zombie's second directorial feature film, The Devil's Rejects. In interviews over the last few years, Mr. Zombie has repeatedly stated how disillusioned he had gotten in the musical aspect of his career - particularly the group infighting that was happening during and after the … Read more
The project of Amalie Bruun has stirred quite drastically the black metal scene, since the release of her debut, self-titled, EP in 2014. M, the first full-length of the project, came in 2015 and it displayed in glorious fashion the extent of Bruun's vision. Comparisons with early days Ulver are to be expected, with Myrkur's style fashioned around the more … Read more
A limited edition split of two not-super-active bands that are Fest staples for this writer, this EP from No Idea Records combines Seattle’s Dead Bars and Tampa’s The Tim Version head to head, or head to ass or however literally one takes the physical conceptualization of a 7”.Dead Bars get the A-side here and it’s not my favorite of their … Read more
The experimental and extreme music scenes today would be completely different, probably for the worse, if it was not for the influence that Neurosis have had on numerous bands through the late '90s and early '00s. Starting off as a hardcore punk band in the late '80s, Neurosis went through a perpetual evolution, acquiring additional elements, revealing a plethora of … Read more
Screens, (2013) was damn near perfect. So what does Low Culture have in store with their second LP? It’s not disappointment, that’s for sure. Places to Hide continues their run of modern garage-punk that’s run through the melody filter and cleaned up of the fuzz and distortion, letting the elemental energy and punk tempo drive the songs while the vocals … Read more
LA has been spoiling us lately: Bleached, Deap Valley and Warpaint are just a few of the bands that have been releasing stellar new material. These bands, like so many other musicians, use the fragments of past relationships as a springboard for putting chords and words on record. They all deliver their seething rebukes with the grittiness and determination necessary … Read more
Kodama (loosely translating to “tree spirit” in Japanese) is a record that follows Alcest’s path of spirituality in music, and while Shelter (2014) was a lovely, warm, summery album, in retrospect it may not have been one of the best outings for the French duo. Kodama strips back to the basics of Alcest’s sound and lifts the mind into new … Read more
Fuelled by intense introspection and the adopting of a more polished sound, Welcome the Worms marries punk rock sensibilities with the radiant bubblegum pop of Southern California. Produced by Joe Chiccarelli (Morrissey, The Strokes, Minus The Bear), Bleached's second album is radio friendly rock with a serrated edge, channelling the likes of Black Flag alongside The Go-Gos. The album's title … Read more
The Hussy keeps changing on me. That’s cool, though. Bands are like babies: they grow and change and…eventually abandon you in the old folks’ home. Er, whatever. The point is that over the Wisconsin duo’s lifetime they’ve shifted from abrasive noisy garage-punk to more melodic but tonally challenging garage-punk, which comes across really well here, where they take those fuzzed … Read more
thisquietarmy is an experimental project helmed by Eric Quach from Montreal. His catalogue is extensive (you could spend hours on bandcamp) gut each release has a life of its own, and a story to tell. The New Testament is a commentary on the rise of the smartphone as a foundation for life, with the cover art simplifying that idea down … Read more
WIFE is the solo electronic project of James Kelly, who is probably best known as the mainman of (unfortunately disbanded) insane, post-black metal band Altar of Plagues. WIFE started out with the release of the Stoic EP, an excellent specimen of the experimental electronic path, which Kelly would follow on his debut full-length, What's Between, released through Tri Angle Records. … Read more
I have a type, and it’s short and fast. I’m partial to it and probably less picky. It fills a need that my constantly fidgeting digits and bottomless coffee mug cannot. Besides, short and fast is just better. Duh.Spokenest are seemingly built on that same concept, playing finger-bleedingly fast guitar and drum in this husband-wife two-piece from California. On Gone, … Read more
Alison Chesley (aka Helen Money) is mostly known for her excellent collaborations with a myriad of diverse artists, including Bob Mould, Mono, Russian Circles and Agalloch. A classical cellist herself she has become an experimental music savant, releasing great records on her own, with 2013's Arriving Angels standing out, as did her collaborative album with Jarboe. On her newest album, … Read more
I have to admit, I chose to review this album with little knowledge of the band, based solely on the strength of their single, “La Mano De Lucifer,” from their debut album, Something Supernatural. “La Mano De Lucifer” is one of my favorite songs of all time. Listening to it is a semi-religious experience for me, and I am uncomfortably … Read more
It took all of three seconds into Tentative Decisions, about 10 seconds before his unmistakable voice, to ID the record as being made by Mikey Erg. Drummer/guitarist/vocalist in bands ranging including but definitely not limited to The Ergs!, The Dopamines, Worriers, The Slow Death, and so many more. Erg’s work has long been built on a pop-punk foundation, emotional indecision … Read more
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