This is the second 7” from this new-ish congruence of Richmond, VA old-timers. The band flexes a pedigree that includes Wasted Time, Government Warning, Direct Control and a whole bunch of others. Eight minutes in total of bulldozer USHC in the most straightforward sense. No fucking about whatsoever; just head down, get the fuck out of the way hardcore punk. As predicted, there are some pretty blazing albeit brief guitar leads, a few moshy breakdowns, and vocals that are appropriately gruff and angry. I’ve been listening to this for several months now but can’t seem to come up with more words to describe it other than the few I just used. I wish I could tell you that this was unlike anything you’ve ever heard before but truth is if you’re into this punk shit then you own a million EPs just like this one. That doesn’t mean it’s terrible—and to be clear, it’s not—but it probably won’t be making many of those year-end best-of lists that us stupid record reviewers love to throw into the black hole that is internet-based music criticism. The way I see it a band like this has two options: churn out a few more … Read more
The musical collective led by J.R. Robinson has always been inventive when it came to the subjects of their sonic … Read more
At a point in the late '90s and early-to-mid 2000s, it seemed like every major artist had at least one … Read more
Every so often I go through a phase where I’m listening to a lot of pre-Independent Wormhole Saloon era Butthole … Read more
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All I keep hearing these days is that Rock is dead, the ever popular Gene Simmons schooled us with this factoid in an interview he did with Esquire (Esquire WTF??) last month. Well friends let me assure you Mad the Martian, a band we interviewed here on Scene Point Blank recently, are here to save Rock and Roll. The band has a great new release out entitled Blast Off and from start to finish this record is a sonic collection of powerful up tempo old school Rock and Roll gems. The band is made up of brothers Bob and Jack Marsh, on guitars and keyboards respectively rounded out by Anthony J. Resta on drums and other sounds. First off let me say, the record is packed with tunes delivered with … Read more
The name Dan Barrett is well known to anyone following projects such as Have a Nice Life, Giles Corey and Enemies List (and quite a few more.) In his latest project, Black Wing, Barrett sets on a digital-only path. While the motto of his other project, Giles Corey, has been: “only acoustic instruments allowed,” Black Wing features only digital instruments. … Read more
Back in 2010, Beastmilk were on the rise with the release of their demo White Stains On Black Tape. The band from Finland, with an impressive line-up featuring Kvohst (Hexvessel, ex-Code and ex-Dodheimsgard), Valtteri Arino, Linnea Olsson (ex-The Oath), Johan “Goatspeed” Snell and Paile, was putting together a disturbing vision of apocalyptic post-punk. The result of this concept was the … Read more
The Necks is an experimental jazz band from Australia, which has been outputting record after record since their inception back in the '80s. Following the release of their previous full-length, Open, this trio of excellent musicians embarked on a journey towards their next release, Vertigo. Where Open features a more minimalistic mindset, Vertigo is a cinematic piece placed against a … Read more
Gloriously unpolished and perhaps one of the outright loudest and gnarliest records I've heard all year, 2015's I Saw My Soul Leaving is a sort of greatest hits album released to commemorate the first US tour by Italian garage rocker Panda Kid (a.k.a. Alberto Manfrin). This album combines two new tracks with eight from the artist's back catalog in a … Read more
The Blind Shake have honed their sound over the years, always identifiable yet always moving it forward and with a keen difference between records. It’s pretty impressive considering they write 2-3 minute stomp-garage tracks with a big emphasis on beat and hook—a style where repetition and sameness run rampant.Where Fly Right stands out is its variation from that tradition. The … Read more
Though composer Chuck Cirino is not a name that most movie fans – even those who like B-movies – would instantly recognize, there's a decent chance cult film aficionados have heard some of his work. First breaking into movie soundtrack work on 1980's Gypsy Angels, a film best known for featuring a then-unknown Vanna White in various states of undress, … Read more
Having produced the energetic low-budget action picture Assault on Precinct 13 in 1976 prior to laying the foundations of the modern slasher movie with 1978's Halloween, film director John Carpenter positioned himself as a master of frightening and just plain exhilarating cinema with the early '80s trio of The Fog, Escape from New York, and The Thing. 1983's Christine (based … Read more
Since their founding almost a decade and a half ago, Pittsburgh, Pennsylvania duo Zombi (made up of bassist Steve Moore and drummer A.E. Paterra, both of whom contribute synthesizer sound) have positioned themselves among the best contemporary groups inspired by the world of vintage horror soundtracks. Following a string of releases from 2002 through 2011 that found the band utilizing … Read more
A studio and touring musician with Nine Inch Nails since the mid '90s and part of the whole Chinese Democracy saga for Guns 'n' Roses, guitarist Robin Finck has clearly learned a few tricks from NiN mastermind Trent Reznor over the years. Capable of working in almost any field he became involved in, Reznor went beyond his NiN recordings to … Read more
Though there are plenty of composers who've made a name for themselves by crafting the soundtracks to horror films, Italian progressive rock group Goblin stands as one of the few legitimate bands known more or less exclusively for their work in this field. A revolving door-type project built around guitarist Massimo Morante, keyboardist Claudio Simonetti, and bassist Fabio Pignatelli, Goblin's … Read more
More than five years after the first wave of so-called witch house artists popped up, caused a commotion in the independent music scene, and then soon faded into the ether, Mater Suspiria Vision remains one of the few still actively releasing material. Much of the appeal of witch house came from the fact that the musicians making the material were … Read more
Lycia was a band that always seemed to me like they were flying a bit under the radar. With a career spanning for almost thirty years now, the act from Arizona released a series of excellent full-length albums, with A Day In The Stark Corner and Cold particularly standing out. What is more, their presence in the scene was constant … Read more
This is a cool tape sent in by Mr. Food Fortunata, the fine gentleman behind the always enjoyable and reliable Saginaw, MI-based publication Ear of Corn fanzine. A lot of these tracks—and there are a whopping 21 of them, although mostly very short—remind me of early Mudhoney, something for which I am never disappointed. Some of the odder-sounding stuff on … Read more
Named after one of the most dense places in the history of the planet, Kowloon Walled City have been undergoing a transformative process. The band's origin lies within the sludge domain, with the release of Gambling On The Richter Scale revealing the heavy, filled with dirt foundation of the band. Through their debut album there is a sense of demolition … Read more
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