Having produced the energetic low-budget action picture Assault on Precinct 13 in 1976 prior to laying the foundations of the modern slasher movie with 1978's Halloween, film director John Carpenter positioned himself as a master of frightening and just plain exhilarating cinema with the early '80s trio of The Fog, Escape from New York, and The Thing. 1983's Christine (based on the Stephen King novel) was a step backward, but the following year's Starman proved to be a return to form - and one of the most "different" pictures of the director's career. Ready-made cult items appeared in the form of 1986's Big Trouble in Little China and 1988's They Live, both highly enjoyable, and 1987's Prince of Darkness is, in my opinion, an under-appreciated genre shocker. Carpenter's career bottomed out after that point however: his films from the '90s were very hit or miss, and it became painful to watch one of the horror genre's most talented and acclaimed directors slug through a listless remake of Village of the Damned, the comical but mostly ineffective Escape from L.A., and In the Mouth of Madness, which turned out a mildly intriguing mess. After 2001's disastrous Ghosts of Mars, Carpenter retreated … Read more
A studio and touring musician with Nine Inch Nails since the mid '90s and part of the whole Chinese Democracy … Read more
Though there are plenty of composers who've made a name for themselves by crafting the soundtracks to horror films, Italian … Read more
More than five years after the first wave of so-called witch house artists popped up, caused a commotion in the … Read more
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Buildings. Two syllables. Direct and immovable. It seems a fitting name for this Minneapolis three-piece and their second album Melt, Cry, Sleep. Their sound is tough to pin to a genre but, make no bones about it, the dudes are angry and loud. There are a lot of familiar elements at play in their work. The shout-speak vocals and headbanging syncopation in “Born on a Bomb” gives a forceful, constantly driving impression reminiscent of STNNNG and the guitar-bass interplay of “I Don’t Love my Dog Anymore” brings Jesus Lizard to mind. At other points in the album, I found myself thinking of Pissed Jeans and maybe a bit of Future of the Left and FT (The Shadow Government). I’m unsure of the album title’s significance, but it seems a bit … Read more
This is a cool tape sent in by Mr. Food Fortunata, the fine gentleman behind the always enjoyable and reliable Saginaw, MI-based publication Ear of Corn fanzine. A lot of these tracks—and there are a whopping 21 of them, although mostly very short—remind me of early Mudhoney, something for which I am never disappointed. Some of the odder-sounding stuff on … Read more
Named after one of the most dense places in the history of the planet, Kowloon Walled City have been undergoing a transformative process. The band's origin lies within the sludge domain, with the release of Gambling On The Richter Scale revealing the heavy, filled with dirt foundation of the band. Through their debut album there is a sense of demolition … Read more
After dropping their debut album Ratworld earlier this year, Leeds-based Menace Beach have wasted no time in producing an energetic but decidedly more focused follow-up. The five songs on the Super Transporterreum EP exist most obviously in the grunge spectrum, imagining what a less depressive and moody Nirvana would have sounded like. What immediately struck me about the EP was … Read more
Krallice was a band that was working like a Swiss clock watch. They were very punctual with their releases, putting out album after album, with just about one year gaps between each release. That was the case at least until and including the release of Years Past Matter. That was also the first time that the band did not release … Read more
Peace in Our Time is an album that seemed like it was never going to be released. Good Riddance's breakup in 2007 appeared to be final. Younger listeners such as myself, who discovered the band around this time, had to come to terms with never hearing new music from the band nor having the opportunity to see them perform live. … Read more
Known in his lifetime (1685-1750) primarily as an organist, German-born Johann Sebastian Bach has, in the course of the last three centuries, achieved a status as one of the finest composers to have ever lived. The mathematical precision of Bach’s work is one of its most recognized characteristics, but also an element that provoked a love it or hate it … Read more
I’ve reviewed a lot of records now from Lauren Denitzio’s bands. First, The Measure [SA], and then Cruel Optimist, her current band’s first release. Over those records the sound hasn’t changed so much as it’s grown. The songs are now fuller and deeper. With Worriers specifically, though still in a relatively small sample size, the songs also seem less chorus … Read more
Over the past two decades, Phil Elverum has established himself as one of the most consistently outstanding artists working in the indie rock spectrum, yet I could almost be convinced that he purposely tries to slip under the radar at every opportunity. 2001’s The Glow Pt. 2, recorded under the guise of The Microphones, positioned the singer and multi-instrumentalist as … Read more
Deafheaven’s Sunbather was the antithesis of a sophomore slump. The album produced armies of lovers and haters, who debated whether or not the album was “metal” enough to deserve all the media attention proclaiming it as one of the greatest current metal albums. Unfortunately, I don’t think I’ll ever forget waiting in line to see Deafheaven and hearing the couple … Read more
Looking back at Sunbather, Deafheaven's sophomore release, it is very easy to understand how that album was able to become the point of dispute within the black metal realm. The debut album of Deafheaven, Roads To Judah, was easier to come to terms with. Its blend of black metal and post-rock, as well as the shoegaze tendencies were still at … Read more
Though the album might attract some of the same listeners that gravitate towards otherworldly new age music, Summer Homes’s 2015 album Nocturnes actually has a more earthy and less corny sound to it. Written and performed by Massachusetts-based musician Daniel Radin, this album seeks to reimagine the early life of the artist as ambient music works and seems entirely earnest … Read more
Twenty years ago today, Saturday September 26, 2015, the reincarnation of Chris Barnes’ death metal crusade known as Six Feet Under released their debut full length, Haunted. When social media informed me of this fact this morning, I had a moment of reflection relating to the journey of Barnes and his, often unappreciated, creations of two of the most premier … Read more
This is some metalpunx ouf of New Jersey. Superfast and snotty as all hell. Like some spikey-haired snot punk singing for a grind band or something. There’s sweet breakdowns too, which lend it a hardcore vibe. Maybe I’m way off-base, but that’s what I’m feeling. Not always my favorite thing, but I find this rather endearing. Guitars are sick. Especially … Read more
"worker bees can leaveeven drones can fly awaythe queen is their slave"- Chuck Palahniuk, Fight Club When people talk about music (assuming people actually do still talk about music), they'll typically begin by discussing the style or genre they like. If the other person then hasn't begun silently searching for Buzzfeed lists and the conversation continues, it can go in … Read more
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