On Anxiety’s Kiss, punk veterans Coliseum are back with a heavy, dark, melodic new album. The band’s maturity and experience are evident here even to someone who, like this reviewer, was woefully ignorant of their music until now. If you, like me, have somehow stayed in the dark about Coliseum this long, this album is a fine entry point. Unfortunately, my outsider status means I can’t comment on how long-time fans might find this release. It's hard for me to imagine that they would be displeased. Anxiety’s Kiss is a taut, no-filler kind of album. Every song makes a solid impression. The sound is a blend of post-hardcore with post-punk, and while the ratio of each varies from track to track, there’s a nice consistency in how the album explores the space between these two genres. The first four tracks lean more to the Fugazi-esque side, with lots of powerful riffs, bouncy bass, and earnest shouting. “Wrong Goodbye” might be the best of this bunch. Lean and super hooky, it’s a bass showcase with restrained guitar and arrestingly distorted vocals. At tracks five and six, the album takes an abrupt turn for the gothic. “Dark Light of Seduction,” with its … Read more
Newly-formed Vancouver, BC pop-punk trio Grease Thieves boast a vocalist whose snarl makes him sound a bit like vintage Tim … Read more
Matt Skiba's latest side project sound like they've been born out of the wave of late-90s American indie that brought … Read more
Without doubt one of the more strange albums released in 2015 (or any year for that matter), Irish-born harpist Áine … Read more
Artistically satisfying and incredibly eclectic, 2015’s The Fragile Idea from Italian electronic artist Sophie Lillienne seems designed to lull a … Read more
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Small Pleasures is the first proper full-length from Cornwall, England trio Bangers. To shortcut straight to the point, it’s fitting that this record is released in the US on Kiss of Death, as it fits in well with artists such as New Bruises and Mayflower. They bring straight forward, mid-tempo punk to the forefront, with a focus on melodic gang choruses, slightly gruff vocals, and a lyrical approach that eschews consumerism in favor of celebrating positive experiences. Behind many of the songs are personal reflections with larger social connotations. “The Love Nest” starts out with “Remember the first house/ we both lived in/ wasn’t a home to anyone.” It reflects on a personal relationship but, at the same time, taking a more universal angle that appeals to learning experiences over … Read more
Feral Kizzy’s new album Slick Little Girl was easy for me to like. I am a big fan of new wave, glam rock, and dark ‘80s music, so I was easily seduced by our obviously shared tastes. I immediately caught the Lou Reed reference of the title (lyrics from “Make Up” off the Transformer album). I love me some Lou, … Read more
This is some of that rhythmic punk that's making the rounds lately. Kind of like Dawn of Humans (with whom they are currently label mates) but more on the crusty and menacing side than the weird and experimental. Blazing Eye is a quartet out of Los Angeles that share membership with Raw Ponx-affiliated acts like Drapetomania, Tuberculosis, and Sadicos. They … Read more
Though his own catalog has been hit-or-miss since 1996’s classic Endtroducing, I’d place DJ Shadow among the relatively few who have managed to stay ahead of the curve in the rapidly changing world of electronic music. Shadow’s own label, Liquid Amber, was formed in 2014 to provide an outlet for unique sounds, and a year later, they’ve already put out … Read more
Naming a record I Feel Weird is a statement about the psyche of Great Cynics, and an applicable one at that (for the band, not necessarily the members). The band’s third record, it wavers between melodic pop punk with digressions into exploratory indie-alt rock. What that means in real English is that they play punk-ish songs with a lot of … Read more
The experimental black metal outfit from San Francisco has been able to create a veil of mystery around their existence. The origin of Mamaleek is traced back in 2008, and since then, these guys have been quite active. Their first couple of albums, the self-titled debut and Fever Dream, were released on a very limited amount of copies through (I … Read more
Locrian’s approach to metal is to disassemble the core structures, push them further away from their crude beginnings and delve into building them back up again into towering walls of sound and phases of light and dark. Infinite Dissolution is a record that shares small similarities to the genre that it’s born from, mostly in Terence Hannum’s hoarse screams and … Read more
Here's some of that good ol’ raw punk that was en vogue a few years ago. You know, those salad days before everyone started going gaga for the gothic, post-punk, all-weird-all-the-time trend that’s hot right now. (Personally, I like both styles quite a bit so I’ve got no complaints. I’m just having some fun here.) While the intro shows a … Read more
Optimists is the debut LP from Washington D.C. emo/indie-rock outfit Mittenfields. The band’s influences are immediately recognizable: Singer Dave Mann obviously listens to Modest Mouse and Arcade Fire, while the band’s three guitarists draw heavily from 1990s indie and emo classics like Mineral, Built To Spill, and Pavement. If you like those bands and want to hear the same sound … Read more
Getting it right when it comes to extreme doom/death is a very tricky business. It is quite a misconception that as long as a band is able to play really, really slow and have heavy riffs, they can be considered successful and good at what they do. Bell Witch know better. The duo from Seattle is relatively new to the … Read more
Sick/Tired don’t mess about. They’re angry, and they want you to know about it and they do so via the medium of fast, raw grindcore. The Chicago band pound through fifteen short, but certainly not sweet, tracks in a delirious sub-twenty five minutes with guest collaborates Merzbow and Lasse Marhaug adding more noise bases compositions to the furious mix of … Read more
It was not that far ago that I was listening to the previous S/V\R album, Sur Les Femmes and I was thinking just how intense their music was. Separating their previous album into two halves, the first saw them taking on their most chaotic and punishing form, rendering their soundscapes completely indecipherable. On the second part though, they seemed to … Read more
I really like Dirtnap Records, but they can’t all be winners. The Splits start off II with a really positive vibe in “Rotten Me,” with a powerful and familiar rock ‘n’ rollin’ base behind music that’s emphatic and emotional. I really like the enunciation by singer Helena throughout this song.Unfortunately, the majority of the record doesn’t hold up to the … Read more
As far as indie-rock goes, Friend Roulette’s sophomore album I See You. Your Eyes Are Red. is pretty gothic. I don’t mean “gothic” as in Bauhaus and bats, but more in the sense of classic literature imbued with feelings of terror and longing. This six-piece band from Brooklyn is both bold and bizarre, featuring violin, clarinet and two percussionists along … Read more
I had always found it amazing how both Scott Kelly and Steve Von Till were able to separate the different musical modes that defined. Obviously at the top of the pyramid, for both guys, stands Neurosis, being the focal point of the experimental mindset. But both Kelly and Von Till had other projects throughout the years that would allow them … Read more
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