Why have children when I can just listen to my music and watch the bands change and grow instead? First they learned to stumble, then to walk, and finally to slow dance. Er, I dunno. This metaphor fell apart before it even hit the page.What didn’t fall apart are Wisconsin duo The Hussy, a guitar and drum two-piece that falls somewhere in the distortion-friendly land of Garage without giving in to all the caricature genre rules along the way. As stated in our year end list, there are far fewer call and response numbers here than on their early work. Instead of echoing rage, these days The Hussy are melodic and relaxed, working a lovely interplay between guitarist Bobby Hussy’s soft vocals and drummer Heather’s harmonies. The two counter each other and come together in the middle where it used to be built on the change-up between.“Not the Weed,” which would make a fitting title for their brand of stoner garage on Galore. The song of said title is a mid-tempo two-stepper with a big guitar lick that repeats in between choral vocals that soothe and float atop the rhythm. In a general sense the whole record is more focused … Read more
See Through Dresses' sound is lathered in squealing, wailing guitars that melt and sway in the sludge of the rawest … Read more
The deliciously gloomy album art on Wall of Water's two-track Promo 2015 features what seems to be a long-abandoned roller … Read more
David Bowie has always stood outside the lines. In the last decade or so, every album release came as a … Read more
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There has been a shift in recent years, in heavy music, and it’s one that has given bands and artists the opportunity to use their platform to speak out, to uplift those who need help and to talk about difficult topics more openly. Heavy music is changing, for the better, and one such band using their space for good is Canadian duo Vile Creature. 2018s Cast of Static and Smoke was a science-fiction based narrative that while still rooted in human emotion, contained some more fantastical elements than might usually be found in the doom/sludge scene. The Vile Creature of 2020 are more experienced, even more open to talking about their collective and personal past, and Glory, Glory! Apathy Took Helm! therefore feels more visceral, raw and more truly honest … Read more
It was just a couple of years back when Corrections House were putting out their debut album, Last City Zero. Comprised of veterans in extreme and experimental music, including Scott Kelly, Bruce Lamont, Sanford Parker and Mike IX Williams, the band ventures forth into the realm of electro-industrial, encompassing elements of metal and noise in the way to reaching their … Read more
Sometimes you follow a musician for years, only to learn something that should have stood out at the start. Today’s lesson is Tymon Dogg, related subject: Joe Strummer & the Mescaleros and The Clash. Apparently Dogg has played frequently with The Mescaleros and been a songwriting partner to Strummer, even appearing on The Clash’s “Lose My Skin” (Sandanista!).With many namedrops, … Read more
Similar to how people said, “Alright, I guess we’re done with the novel now” after James Joyce’s Ulysses, I thought, “Alright, I guess we’re done with the singer-songwriter genre now” after Sun Kil Moon’s Benji, with its overwhelmingly detailed accounts of second cousins’ deaths and watching The Song Remains the Same. When I took a class on Ulysses (God, why … Read more
Back in early 2014 Elder Giants dropped like a bomb in the midst of the black metal scene. The German outfit had previously released a couple of splits (with Earth Chaos and Unru) as well as an EP and a demo, but their debut album found them on a whole different level. Their work managed to encompass different aspects of … Read more
Forming in Brooklyn in 1995 as a collective based around abstract sound, Pas Musique translates to “Not Music” in French, a fact which gives some indication of what the adventurous listener is in store for on limited 2015 release Inside the Spectrum. That being said, much of what is contained in the wild, ten-track album is actually quite musical, though … Read more
Before I get started I’m going to dish out a rare complement. Loud Boyz have a good, fitting name. Even the record title, Tough Love, Hard Feelings is apt of their sound: rough, distant, yet with a clear emotional connection. Sure, the record cover is…let’s say odd, and I kind of hate the whole “z” in place of “s” thing, … Read more
Without doubt, one of my favorite musical discoveries of the past few years has been British singer-songwriter Craig Taylor-Broad. After first unleashing an (apparently, now deleted) EP under the name of the noises we make we no one is around in mid-2014, Taylor-Broad has continued a string of undeniably difficult yet definitively fascinating work – 2014's three-track Suicide Song EP … Read more
When you hear the term "industrial" in regards to music from the likes of Nine Inch Nails, Rammstein or Ministry, Foetus (a.k.a. Jim Thirlwell) is who you have to thank. Making cacophonies of the highest order since the early eighties, Thirlwell's music in all its incarnations has become more and more visual. Visual, that is, in the sense of the … Read more
There appears to be a quite mysterious aura surrounding the existence of PC Worship. The band itself has left a trail of albums and EPs, within just a small margin of time, navigating through the seas of alternative music. It is a really difficult task to give a description of PC Worship's music. On one hand it contains a lot … Read more
How much hatred can be produced within 48 hours? That is how long it took apocalyptic sludge outfit The Body and the main man of black metal sonic force Krieg, Neil Jameson, to record their collaboration. The Body are not new to the field of collaborative albums, which includes works with Braveyoung, Vampillia and Thou. However, there is something much … Read more
Murray/Smith King/Hanneman Tipton/Downing These are just a few of the lead guitar duos from Iron Maiden, Slayer and Judas Priest respectively, that dominated heavy metal music of the 1980s and beyond. Perhaps lesser known, but by no means lesser in all other areas is the guitar duo do Michael Denner and Hank Shermann from Mercyful Fate, the band whose music … Read more
Nice little split 7” here from Dead Tank that I’ve admittedly been sitting on way too long. Technically this is a 2014 release, although I don’t think it started hitting the shops until 2015. Rose Cross is really awesome. One of my favorite discoveries of this past year. They’ve been around for a while but I wasn’t acquainted with them … Read more
Back in 2010, Make Do and Mend were taking over top 10 lists with their debut, End Measured Mile. The band went on to shake things up with, Everything You Ever Loved. They slowed things down and focused on finding the right formula for their songs to burst and bloom. Their newest record, Don't Be Long, takes every chance it … Read more
I can remember very clearly when I first heard of Flotsam and Jetsam. As a young hesher growing up outside of Vancouver, Canada in 1986, some bands were on my radar and some were not. Flotsam and Jetsam were the latter. Until the end of that year, when I heard that their bassist, a certain Mr. Jason Newsted had left … Read more
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