Since 2010 and the release of their album All The Waters of the Earth Turn to Blood, sludge outfit The Body have really taken off. Originally found back in 1999, the band from Oregon did not seem to be very active, releasing a good debut album in 2004, but it would take six years until their next full-length. However, since 2010 they are really going on overdrive, putting out two excellent albums in Christs, Redeemers and I Shall Die Here, a series of awe-inspiring EPs, with Master, We Perish standing out and intriguing collaborations with Thou (twice),Vampillia, Krieg and an upcoming one with Full of Hell, as well as collaborating in the Wrekmeister Harmonies collective.Finding its way in this series of stellar works in No One Deserves Happiness, and according to the band, their goal here is to produce the most disgusting pop album of all time, mutilating songs of love and loss into their own dystopian and misanthropic scenery. The sludge storm fits perfectly within this idea, unleashing one hell of heavy riffs. The annihilating approach of the opening track breaks into a slow devastation of distortion and chaos, and in a more straightforward method in “Hallow/Hollow”, allows the … Read more
It’s not often a band whose tenure spans as long as Agoraphobic Nosebleed’s makes such a successful effort in redefining … Read more
Led by Scott Hull, Agoraphobic Nosebleed is one of the quintessential grindcore acts out there, and probably the most prominent … Read more
What does it mean when a three-piece band has a spin-off two-piece? While the premonition is that drama is afoot … Read more
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A few names come to mind when you hear the term technical punk: Strung Out, Bigwig, and Propagandhi. These bands started off as scrappy punk rockers whose talents progressed as their members became more and more skilled at their craft. A Wilhelm Scream fit perfectly in this category. Formerly known as the band Smackin' Isaiah, A Wilhelm Scream changed their name in 2003 to reflect a definite change and progression in their sound. Mute Print, the band's first release in 2004 on Nitro Records, was a maelstrom of incredibly catchy melodies, assassin-like guitar work, and an awful lot of aggression. Ruiner completely destroys the foundation set by Mute Print and builds it anew, stronger than ever. The album kicks off with a quiet intro before going full speed ahead into … Read more
When Hinds’ debut Leave Me Alone started with a jamming guitar riff, I was scared that this Spanish (but English-singing) all-girls rock band was going down the same lo-fi indie road that bands like The Lovely Bad Things and Black Lips have already thoroughly pounded into the ground. But almost immediately, the jam dissipates into a chilled-out, nonchalant air reminiscent … Read more
Considering that the genre is and probably always will be associated with youth, it's worth noting that there are some more experienced players working in today's punk scene – and not just in “legacy acts” that play songs first recorded years if not decades ago. Count Gainesville, Florida quartet The Howleez among them. Singer Debra Fetzer, guitarist Hazel Levy, bassist … Read more
There is a great deal of history that follows Secrets of the Moon. The German extreme metal band emerged from the ashes of the obscure, primal black metal outfit, Martyrium. A series of great albums would follow, with the band showcasing in an excellent manner their doom/black hybrid approach. However, through the years it seems as if a change was … Read more
Amber Asylum has been a force in the post-rock/post-metal domain, since the mid '90s. With their origin found back in 1996 with the release of Frozen In Amber, this intriguing band was able to keep a presence, unfortunately not as constant as we would prefer. The seven year drought leading to the release of 2007's Still Point was the first … Read more
Extreme doom/death is not an easy sound to get right. Despite the fact that most bands in the genre will just play slow and release heavy riffs, that is not enough to get someone's attention. There must something deeper in the band's sound in order to give you that feeling of desolation and despair. Lycus is a band that knows … Read more
The concept of being “existentially wasted” seems somewhat appropriate in the context of increasingly confused (and confusing) modern society. It's a concept that could easily have been born out of something like The Matrix, a process of being burnt out on being. Modern humans are often simply swamped with information, much of which seems utterly useless in the bigger scheme … Read more
Why have children when I can just listen to my music and watch the bands change and grow instead? First they learned to stumble, then to walk, and finally to slow dance. Er, I dunno. This metaphor fell apart before it even hit the page.What didn’t fall apart are Wisconsin duo The Hussy, a guitar and drum two-piece that falls … Read more
Through their career, Baroness has spawned a series of excellent works. From their early Mastodon-ian EPs to the evolution of their own unique sound with Red Album and Blue Record and the adventurous routes that led to the release of their most ambitious work Yellow & Green, the band has remained a constant force in heavy music. A horrendous accident … Read more
Oakeater is a Chicago outfit formed in the mid '00s. I must admit I was not familiar with their work before I saw that the band would be releasing their newest album, Aquarius. However, a listen of their cassette, Intrusion, got me interested so I started digging. Apart from a few standalone releases on cassette format, as well as their … Read more
See Through Dresses' sound is lathered in squealing, wailing guitars that melt and sway in the sludge of the rawest depths of grunge. The frazzled cocoon that is "Everyman" is laced with the threat "Wait 'til father gets home" delivered in a neutral tone while the guitars frantically crash through the song. There's a constant juxtaposition between the vocals and … Read more
The deliciously gloomy album art on Wall of Water's two-track Promo 2015 features what seems to be a long-abandoned roller coaster rotting away in the elements, an image that seems to jive with the downbeat but arresting style of music played by band members Cullen Toner (multi-instrumentalist and vocalist) and Shawn Eldridge (drummer). Keyboard adds to the occasionally almost theatrical … Read more
David Bowie has always stood outside the lines. In the last decade or so, every album release came as a surprise of sorts: no media circus or worldwide promo tour. Each release showed Bowie slipping into his older years with something more stable stylistically. Here on his 69th birthday we get his 25th album, Blackstar. In an almost complete lack … Read more
It was just a couple of years back when Corrections House were putting out their debut album, Last City Zero. Comprised of veterans in extreme and experimental music, including Scott Kelly, Bruce Lamont, Sanford Parker and Mike IX Williams, the band ventures forth into the realm of electro-industrial, encompassing elements of metal and noise in the way to reaching their … Read more
Sometimes you follow a musician for years, only to learn something that should have stood out at the start. Today’s lesson is Tymon Dogg, related subject: Joe Strummer & the Mescaleros and The Clash. Apparently Dogg has played frequently with The Mescaleros and been a songwriting partner to Strummer, even appearing on The Clash’s “Lose My Skin” (Sandanista!).With many namedrops, … Read more
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