Truly happy yet honest albums are in short supply. If they’re happy they’re usually over-the-top and use cringe-worthy lyrics, but if the album’s songs are bathed in sadness then there’s a risk that it will sound whiny and dull. On Let It All In I Am Kloot have struck a beautiful balance; the album can be best described as giving an insight into melancholic happiness.Produced by Guy Garvey and Craig Potter of well-loved Manchester band Elbow the tracks on Let It All In flow naturally with an easy air. Even at some of its saddest points, such as on "Hold Back the Night" when front man John Bramwell sings “Turn on the light/I can’t see where I’m running/Future keeps coming”, there’s still something undeniably uplifting about the song. Every song is believable, no lyric or chord sounds forced or laboured. Bramwell’s lyrics take on the part of storytelling in "Shoeless", as he sings “Shoeless in your favourite dress/You walk the shore/The waves caress your feet” you can almost hear the waves and feel the sand in between your toes as you walk along the coast. In a nod to The Beatles "Some Better Day" sounds like it could be a … Read more
After a run from 1992-1998, Plow United reformed in 2011 and they return with new material in the form of … Read more
German rockers Long Distance Calling have always occupied an interesting musical space—though they started out unabashedly as a post-metal act, … Read more
After nearly everyone has finally stopped paying attention, the Bouncing Souls put out a new album. And holy shit is … Read more
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It’s no secret to long-time site readers that I’m a fan of The Blind Shake. The Minneapolis trio has released a run of albums now, both on their own and with psychedelic luminary Michael Yonkers. All the while, their distinct sound continues to evolve. Starting as, to coin a term, a power-crunch band, it’s moved more heavily into distortion and somewhat sprawling garage rock, ultimately hitting its new peak with Key to a False Door on Castle Face Records.All this talk of evolution and changing sound, though, suggests that The Blind Shake is a changed band. They are not. Jams like “Garbage on Glue” and “Viva la Misery” would fit will with their back catalogue, and closing stomper “555 Fade” could easily have been on the Cold Town/Soft Zodiac release. … Read more
Santa Barbara four-piece Tommy & The High Pilots first formed five years ago in 2008. In that space of time they have released two albums (with Only Human being their third) and an EP. Most of Tommy & The High Pilots' songs are, at their core, slices of catchy pop with sun kissed Californian guitar licks. But like every pop … Read more
I glorious little EP fell into my lap, thanks to my editor. It’s the Time & Pressure EP from The Shell Corporation. It’s a beautiful little set of fast melodic punk songs in the same vein as Bigwig and The Explosion. They don’t mind throwing in surprises as well.The first track, “Shit Just Got Real, Son” is a fast paced … Read more
Shell Shag put it all on the line in opener “Face to Face.” It’s an autobiographical song, about the two-piece band, their y-shaped microphone, and their art and their travels. When the record continues into the second track “Sweet Hoodie,” there’s a feeling that recalls 1980s pop, but the honesty overrides the hokiness of some of the reference material. Okay, … Read more
A cold wave/goth group made up of members of dark, black, sludgy metal bands? Huh? Sounds wild right? But hey, don't knock 'til you've tried it! Because Liar In Wait are absolutely the gloomiest band around right now that aren't French maestros Soror Dolorosa and you probably (definitely) should be listening to them. Comprising of Adam Clemans (vocals, Wolvhammer, ex-Iron … Read more
Torontonians The Heights like Angels & Airwaves. They really, really like Angels & Airwaves, which is the most readily apparent characteristic of “Soldier”, the opening track on their Drag Race on the Moon EP. Thankfully there’s enough tweaking and little digressions on the rest of this EP that make it possible to recognise a distinct sound, but it doesn’t happen … Read more
If there was ever an album to challenge Altar of Plagues recent Teethed Injury and Glory for most divisive black metal record of the year, then Deafheaven’s sophomore effort Sunbather is surely the strongest challenger. The band split opinion in almost every circle – black metal fans, shoegaze fans, awful hipsters, critics – no one seems to know what to … Read more
As far as modern progressive rock goes, Spock's Beard are probably the most fun band around. Flippantly named after that one episode of Star Trek that gave us the frighteningly barbate Leonard Nimoy, the band have become known for releasing album after album of high quality, if not exactly original, music. Their most recent studio album, Brief Nocturnes and Dreamless … Read more
Swedish heavy metal/doom band Ghost (who I adamantly refuse to call "Ghost B.C.", vague American "legal reasons" be damned) made quite a splash on the heavy metal scene with the well-received (and confusingly-titled) debut Opus Eponymous in 2010. Between the band's very obvious interest in subversive Christian themes, unexpectedly ostentatious stage presentation, and oddly dedicated insistence on their members' anonymity, … Read more
The djent movement is still the "next big thing" in metal music, meaning that there are a lot (and I mean a LOT) of new bands coming up from the woodwork every day. However, in sifting them through, it's always been a safe bet to check out the new releases from Basick Records, who have a pretty good track record … Read more
"David Bowie, Justin Timberlake, Madonna; pop culture is no stranger to reinvention. When the public tire of a persona or an artist wishes to make a change, the old looks, personality or profession can be remade and resold in the same climate. That said, it's a process which can chew up and spit out- just ask Amanda Bynes's cheek piercings." … Read more
There are really only a couple of formulas that music documentaries take: the overdone Behind the Music drama style and the self-serving rehashing-our-glory-days/let’s-sell-some-soundtracks docs. Director/producer Gorman Bechard has added a third style: that of the fanboy. Axing convention, Bechard has put together a two-hour film about the Replacements that doesn’t only skip talking with the band’s members, it doesn’t play … Read more
Sitting down with Glinter forces me to ask why loveliescrushing is not more of a go to “band” for my listening habits given the theoretical confluence of sounds that people ascribe to this long running creative duo, but then it just hits me, loveliescrushing has just never hit me at the right time or been fortuitous before with the timing … Read more
Herra Terra has released a new EP entitled Hyperborean with the title taken from ancient Greek mythology about a race of people from Hyperborea who reportedly lived for 1000 years in complete happiness. The band members include John Paul Tonelli (Lead Vocals, Synths) Gregg Kusumah-Atmadia (Guitar, Synths) Shawn Pelkey (Percussion) and Adrian Bettencourt Andrade (Bass, Synths).Their sound has been compared … Read more
With the recent resurgence in the archetypal screamo sound popularized by Gravity Records in the late '90s, few bands remain as true-to-form as Loma Prieta. Grandiose post-rock guitar lines, the relentless abrasion of grind, and the unbridled display of emotion captured on hardcore and emo records can all be found on this succinct five song, seven minute split from Loma … Read more
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