This review is part of my coverage of the 2013 Progressive Music Awards, on 3 September. Australian quintet Tame Impala (whose name I insisted on pronouncing as "TA·may im·PA·la" for the longest damn time) don't seem very eager to fight off the stereotype about bands from down under. (You know, the one that they're all batshit crazy?) And we should be grateful for their slightly baffling creative spirit; we have them to thank for their excellent latest album, 2012's Lonerism.Now, since this was up for album of the year at this years Progressive Music Awards, I was expecting an album full of quirky explosions of mathy technicality. Instead, showing just how broad the genre is, I got a face full of '60s-influenced madcap psychedelia--and I loved every minute of it. Sure, you can still hear the kitschy indie rock influences, but at the core, this is true, stoner-era psychedelic rock, the kind of stuff to which prog rock owes a great debt of influence. (Can you imagine where we'd be without The Piper at the Gates of Dawn and its ilk?)For a recent release, it does everything in its power to sound as authentically '60s as possible; the music is … Read more
I'm eternally grateful to a close friend of mine for telling me to check out a little Italian quartet called … Read more
The largest requirement of a piece of music, especially from a genre like hardcore, is the intention of creating something … Read more
Unmothered from Austin, Texas have released one of the most promising releases of 2012. The band, featuring members of acts … Read more
I enjoyed King of Jeans. It wasn’t great and it didn’t break much ground, but it was a solid play … Read more
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I’ll admit it; any band that requires key strokes to properly type their name has a good chance of ending up in my review pile. The reason is two-fold: It stems from my days as a Motley Crüe -worshiping adolescent, and the simple fact that I am a sucker for Scandinavian hardcore. Thus we have here the latest vinyl by Stockholm, Sweden’s double dose of umlaut, Passiv Dödshjälp. Production-wise, Fasader has that familiar big-sound-crust-core feel to it—elements of D-beat, thrash punk, and black metal. Think Victims, Disfear, etc. The traditional instruments—bass, drum, and guitar— are orchestrated appropriately, but unfortunately the cracks and crevices are not filled with the ear-piercing levels of white noise I normally prefer. It’s an ok record, but not at all presented in the raw manner that … Read more
In case you’re missing the old Alkaline Trio, the East Bay’s Civil War Rust is calling your name. Not to say the band is strictly derivative of the Matt Skiba-fronted band, but they wear their influences on their sleeve and a number of the songs on The Fun and the Lonely not only recall Alk3’s punkier moments, even the vocal … Read more
If the name Al Cisneros doesn't ring an immediate bell, his impressive résumé no doubt will. In addition to fronting the godliest (and highest) of all stoner metal bands Sleep, Cisneros has gained even more popularity fronting the offshoot stoner/drone rock band Om, as well as appearing in the recent doom metal supergroup Shrinebuilder. If none of that seems impressive … Read more
Everyone's favourite stoner rock band with a flair for the religious Om has been on a roll lately, releasing the incredible Advaitic Songs just last year. But they aren't stopping anytime soon--in addition to a planned single from frontman Al Cisneros to hit later this year, two of the band's tracks from their latest release have been handled by British … Read more
Everyone's favourite stoner rock band with a flair for the religious Om has been on a roll lately, releasing the incredible Advaitic Songs just last year. But they aren't stopping anytime soon--in addition to a planned single from frontman Al Cisneros to hit later this year, two of the band's tracks from their latest release have been handled by British … Read more
This (entirely too long) review is part of my coverage of the 2013 Progressive Music Awards, on 3 September. I fully admit, before I even listened to this album, I actively disliked it. For one, musical sequels are rarely as good as the original (as I've mentioned before). For another, it's a covers album--and we at Scene Point Blank are … Read more
Phamarkon is a deep black pit inviting you to fall in. If you do, you will never want to climb out again. The girl behind the name Pharmakon is Margaret Chardiet, a not so typical 22-year-old from New York, active in the city’s underground diy scene, who embodies the sound of said darkness. According to an interview of hers (http://janepain.wordpress.com/2012/04/0 … Read more
Ken Mode from Canada have been around for quite a while. The band was formed back in 1999, releasing their debut album, Mongrel, in 2003. Since then three more full-lengths followed (Reprisal, Mennonite and Venerable) until Ken Mode reached their absolute peak with the enthralling Entrench. Listening to the album what seems so surreal is that, even though this is … Read more
Well, when it came time to pick the newest fad in metal music, I certainly wasn't expecting post-black metal* to become a genre. And yet, so many bands have been affected by Alcest's sublime, beautiful interpretation of black metal and post-rock that it's really not too surprising to see others taking the genre in a new direction. Cue the debut … Read more
Jonathan Bates is quickly becoming a musician who can't be ignored. Working under the moniker Big Black Delta, Bates has created some incessantly (and confusingly) catchy releases whose quality demands attention. What's more, his latest release, 2013's eponymous Big Black Delta, is his best offering yet.The album is still confusing for a couple of reasons, not the least of which … Read more
The musical scene that was dubbed ‘nu-folk’ appeared quaint almost from its origins, perhaps due to the fact it will be forever associated with MOR stadium fillers Mumford and Sons or perhaps because the concept of folk as ‘new’ seems paradoxical in nature. Indeed, of the artists that have emerged from it and are still talked about, the tag no … Read more
Leprous have an odd claim to fame—they serve as the live backing for fellow Norwegian metalhead Ihsahn (who, in turn, is known for his time as the vocalist for Emperor). But as their own band with a modest discography under their belts, Leprous play a much more subdued, near-rock version of progressive metal, and the stylistic difference is readily recognizable … Read more
If Pain Teens and Jon Spencer Blues Explosion fucked and had a baby and that baby grew up to start a two-piece garage band with Thurston Moore and Kim Gordon's kid and they went into the studio to record with Phil Spector after his release from prison, The Hussy's Pagan Hiss would be the end result. Hailing from Madison, Wisconsin, … Read more
I wasn’t expecting this one to hit like it does. It’s raw, forceful, and honest; personal but socially conscious, and it blends street punk energy and repetition with so-called “beard punk sensibility.” In many ways, it reminds of American Steel’s self-titled debut, putting a rough persona atop more emotionally-driven content.Starting with the gruff vocal tradeoffs of “Choke,” there’s an immediate … Read more
The fourth inclusion in the Profane Existence Single Series arrives via Minneapolis, MN's Rifle Diet, a band comprised of former members of Garmonbozia and In Defence. Up until 2011 the band was known as Thrash Compactor. Along with the name change came a noticeable shift in sound – Rifle Diet is the result of the band moving into a darker … Read more
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