Chicagoan quartet Ormen Lange (probably named after the mightiest Viking longship, not the natural gas field on the Norwegian continental shelf) are far from a unique band--how many lightly progressive sorta instrumental artists can you name off the top of your head? Probably enough to feel as disillusioned as I. But despite my admitted jadedness with the genre, I still found Black to be an enjoyable, if unoriginal, album.Ormen Lange's variety of rock draws a lot from stoner and post-rock, balancing the long instrumental buildups with psychedelia reminiscent solos and a huge, hard rock aesthetic. Every piece on the album drools with grungy power and coarseness, sounding as loud and fresh as the hardest from the classic rock era. Deep, chuggy riffs and hard-hitting intensity, both of which feel hard and powerful up through the very end, are broken up with sparse and effectively mellow interludes (all of which are titled "Lude", which I presume is a shortening of "interlude" and not the slang reference to methaqualone pills). It can't be denied that Ormen Lange know how to write an effective piece of music.The thing is that, on close examination, there's nothing really inventive about Black--a lot of the songs … Read more
Princess Music's members all hail from various chamber orchestras, which would lead you to believe that their debut would be … Read more
For Eddie Spaghetti’s third solo LP, he’s taken a moment to quiet it down and get introspective while seeking answers … Read more
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Caught in a Trap are four, to a certain extent, hefty dudes with beards playing distinctive NYHC styled hardcore which really come as no surprise since they reside in both Brooklyn and Queens. If by some reason you don't know what NYHC sounds like, imagine tough metallic riffs placed over frenetic drumming where everyone in attendance tries to kill each other on the dance floor and then goes have a beer at whatever seedy bar happens to be next door. If Caught in a Trap sounds like anything, it's Built to Last-era Sick of it All with Artie from Indecision handling the vocal chores. There's nothing on Rats Get Fat that I haven't heard before but I'm thankful that Caught in a Trap draws their influences from decent NYHC bands … Read more
S/V\R is the project of S. de la Moth of Menace Ruine and audio explorer/percussionist Chanoine V. The band’s earlier release entitled Celebration Noire, released through Handmade Birds, was excellent and now, after some time spent on meditation and soul searching the noise/industrial duo strikes back with their latest offering, Sur Les Femmes I & II. Split into two parts, … Read more
Ef are an unusual band, and not just for their inexplicable fear of breaking their precious consonant-to-vowel ratio. Their take on the inexorably-expanding post-rock scene is a highly unique one, especially at a time when more and more bands are starting to sound suspiciously homogenous. And as if any more proof of their immense creativity was called for, we have … Read more
All bands have an expiry date; some bands are just more aware of that fact than others. And when an act has been around as long as Marillion has, it's not uncommon for their age to begin to show. Whether or not that is a bad thing is uncertain--some classic rock acts have put out some of their best material … Read more
Every so often bands live up to their buzz. Rumspringer popped onto my radar through the defunct Dangerous Intersections series of 4-way splits from Traffic Street Records. I had one song at home on the comp., but it never got me deeper into the band’s catalog. Here comes 2013 and the band has released Stay Afloat on Dirt Cult Records—a … Read more
I grew up on Rancid and they introduced me, eventually, to a much wider world of punk rock than what I caught on late night Headbangers Ball and 120 Minutes episodes. Or, for those who didn’t get where this is going from that intro sentence: I feel that I have to qualify why I’m listening to In a Warzone, the … Read more
It starts off inconspicuously enough, a series of instrumental swells that set the sombre and dark mood for the rest of the album. And then the growls enter, delivered as if part of a spoken word piece, each individual syllable pronounced as if there was all the time in the world. The swells become broader and more intense, a series … Read more
Heisenberg's uncertainty principle dictates that nothing in this universe has a truly defined position or trajectory and by trying to define it, the momentum of the object becomes even more unstable and unpredictable. The lesser known certainty principle is this: there will never be a Dead Kennedys reunion with Jello Biafra at the helm. Ever. It's not going to happen. … Read more
What-A-Nights are a Japanese four-piece punk group, mostly falling on the pop-punk side of the spectrum, with some tight Buzzcocks sensibility seeping in. Their self-titled full-length, first self-released in Japan and now brought to the larger masses by Drunk Sailor Records, brings ten songs of soaring melody, hooky guitar, and positive vibes.The songs, while labeled as pop-punk, utilize the guitar … Read more
Who needs functioning eardrums anyway? A Secret Policeman’s Ball play post-punk indie music with new wave undertones, and there is only one volume their music should be played at: LOUD. The Tennessee band have a penchant for mixing pop-filled melodies with aggressive guitars and vocals that frequently turn into screams; what initially starts off as a song with sweet vocals … Read more
The gods of weird have unearthed yet another obscure group of misfits and re-unleashed them upon those of us that zealously engross ourselves in all things loud, fast and fucked up. This is the complete discography of Northern California’s short-lived thrashing party punks, Infectious Garage Disease. There is a whopping two-plus hours of material on this double disc collection. It … Read more
Since their split with Warprayer and their debut album Untold Wait there were no illusions that the band from Boston was onto something truly great. Now, two years after the release of their sophomore full-length, Asylum, Morne strike back with their latest sonic compilation with the band’s only purpose being to drag us into the depths of sorrow and misery … Read more
Here at Scene Point Blank we don’t give titles to our work. If I titled my Vacation review, though, it would be named after track ten: “Feedback Got Me High.” Vacation are a punk band but, you know, so were Nirvana (at least on a basic level). The point is this: there’s a lot you can do with those power … Read more
The enigmatic figure of Tristan Shone, a mechanical engineer/metal sculptor, is the driving force behind the Author & Punisher project. By developing custom machines, controllers and speakers (named Drone/Dub Machines) in order to produce an impressive array of different sounds, merging together doom and industrial music, Tristan Shone tried and succeeded in building his own Frankenstein’s monster.The sound of the … Read more
The Enid aren't your average '70s-era progressive legacy act. Far from abandoning experimentation and growth in their age as so many of their peers are wont to do, these guys seem dedicated to upholding a standard of quality that would be the envy of most. And though it's not their best album, their latest release, 2013's Invicta, nonetheless comes as … Read more
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