The onesheet drops the term “subversive pop.” While the term may apply lyrically, musically The Julie Ruin is more ‘80s pop in sound. Keyboards lead the melodies and punchy vocals with earworm melodies are at the core, accentuated by a range of percussion accompaniments and funky, danceable bass lines.The Julie Ruin is a continuation of Kathleen Hanna’s 1998 self-titled Julie Ruin record (adding a “the” to signify the addition of a full band whereas the late ‘90s record was Hanna alone). It’s interesting to see a one-off from 15 years ago resurface, and the record is a surprising fit with its predecessor considering the time lapse and additional members. The new members don’t change the sound much other than adding vocal layers and switch-ups, and perhaps there is more prominent guitar and bass and fewer effects on Run Fast, also indicative of the surrounding cast. As a blanket statement: it is pop music, heavily steeped in sweeping and melodramatic ‘80s big tones, but the vocals are pure Hanna: forceful, direct, and political in tone, fitting snuggly between her other projects: Bikini Kill and Le Tigre. While she’s played varied musical styles, her vocals have never strayed far from her signature … Read more
Throughout their relatively short tenure, Sutekh Hexen has produced several thought provoking releases that intrigue from both a sonic and … Read more
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Since forming in the year 2000, Terror has been unleashing a punishing assault of metallic hardcore punk to the masses. From the get-go with their four-song demo the band has delivered an intensity, especially that of frontman Scott Vogel, that is unmatched by any of their peers. The evolution of Terror may seem like nothing dramatic to the casual hardcore music listener, but with a careful ear one can find a shift in style as the band has released album after album over the years. While still maintaining a sound rooted in the metallic hardcore sound (Integrity, Leeway, Cro-Mags), the band has infused more leanings in a strictly metal/thrash direction over the years, never more evident than on this, their fourth full-length, The Damned, The Shamed. Right out of the … Read more
Aeronaut’s Coronal Mass is one hell of recording, but just saying that does not a hint of justice to the overall quality of this release because I would be damned if I did not say that the packaging for this cassette tape is disgustingly awesome, and in truth, what ultimately makes the release is the music that takes up the … Read more
What dream like states can you imagine, and how exactly might you reach such a trance? Do you use illicit and not so illicit substances, or are you maybe touched a bit having brushed wings with delirium one too many times? Regardless of how you might enter a waking dream world, what do you enjoy to use as the soundtrack?Ever … Read more
Pressure is a party. The three-piece band Kitten Forever trade off vocals constantly throughout, and even swap instruments while they’re at it. It starts off with a 43 second intro track of vocal switcheroos and handclaps before shifting into the muddy “Cry Baby” that sets the stage well for their alternating tones of distorted punk and happy-clap sing-song. While the … Read more
Iron Chic are back with their first new music since their split with Pacer. For some, a couple years isn't long, but waiting for new Iron Chic is like waiting for a ride at Disneyland. As soon as you finish the thrill of one, you're automatically anxious to get in line for another, and the wait is unbearable. No matter … Read more
It’s hard to go to an EDM festival without seizuring from strobe lights, going deaf from pulsing beats, or popping too many Mollies. Electronica combusts acres of energy, leaving no breathing room. This genre of trebley arpeggios, never-ending grooves, and overwhelming bass deserves a relaxing vacation.Artists like Actress, Flying Lotus, and Jon Hopkins are soothing alternatives for EDM, infusing jazzy … Read more
It’s been hard to believe that A Wilhelm Scream’s last full length, Career Suicide, was released in 2007. I’ve seen these guys live a handful of times since then, and they are anything but old news. No Idea definitely knew what they were doing by adding this headlining band to their roster. The amount of energy and spirit A Wilhelm … Read more
Do you find that at times you need to change your perspective on something or someone, and if so how exactly do you gain that fresh perspective? For my part, gaining a fresh perspective usually means walking away from something for a period of time and coming back with a regained enthusiasm and excitement to dive back into whatever it … Read more
Take this raging slab of an album and play it on your stereo at loud volumes until your fragile eardrums explode causing you to bleed out of your ear canals because Integrity is back with another record of metal / hardcore anthems that delve the dark side the way that only Dwid and his cohorts can (with this record he … Read more
I nearly died one night in the kitchen of Mexican restaurant I was cooking at. When it came time to clean up the floors at the end of my closing shift, I erroneously (read: stupidly) mixed ammonia and bleach in a mop bucket full of steaming hot water. One breath of that potent mixture and I was seeing stars and … Read more
There's few artists that have been bent over by their record label more than Hank Williams III. That label was Curb, and they fucked the poor man up down and sideways. That blood contract was finally over with the 2010 release of Rebel Within - an album with potential, but the end result was what felt like an understandably rushed … Read more
Those who have had the pleasure of seeing Shelton Hank Williams III perform live know that the man always gives his audience more than their money's worth. A typical show will be 3 full sets - each approximately 45 minutes to an hour long. The first set is a straight-up country set. Set #2 is often the "hillbilly" set - … Read more
This is weirdo garage punk with some surf and new wave-y parts from Nashville, TN. Hard to tell if Useless Eaters are playing guitars that sound like fucked-up keyboards or if there is a keyboard that drowns out the fucked-up guitars. I honestly could care less because I happen to really like it. Sometimes just being a stupid music fan … Read more
I’d call Caves frantic punk rock, if not for the title track on Betterment actually being a casual acoustic affair. Other than that song, though, the eleven songs on the UK’s band’s latest offering are non-stop energy, complemented by vocal trade-offs, relentless percussion, and a whole lot of screaming. The press sheet drops the term “urgent,” and it’s precisely that, … Read more
Try to imagine that two of the most interesting experimental acts out there not only decided to collaborate for a full album, they also wanted to do that in a 19th century stone church. That is right! Mamiffer, featuring Aaron Turner (of ISIS, Old Man Gloom, House of Low Culture and millions other projects) and Faith Coloccia (of House of … Read more
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