Starting life as a one-man instrumental outfit by M.Lehto in 2001, October Falls soon began to incorporate other members as well as a more metallic approach to the black metal genre and in 2007 The Streams of the End signalled a huge step for the band in terms of musical stance. Their music is steeped in the history of their country (Finland) and a deep love for nature. October Falls speak of the forest and the blood of the land and The Plague of a Coming Age is a majestic and epic addition to a near perfect catalogue. The Plague of a Coming Age is a sweeping and melancholy work; the words and atmosphere swirl with a darkness that is palpable and wholly true.October Falls are a band to take you on a journey through the very heart of that darkness, and whilst there is a multitude of uplifting moments this is a record of sadness and loss. Beginning with “At the Edge of an Empty Horizon” which is a beautiful instrumental piece, the album sets out its stall almost immediately. Great despondency sits beneath the building passages of sound and October Falls deliver a woe-filled composition that’s more than … Read more
There are a few formats I almost go out of my way to avoid, namely cassettes and digital EPs. However, … Read more
After the release of an EP and two split albums, Sadgiqacea managed to land a deal with Candlelight Records under … Read more
As a disclaimer, I am not in any way an expert on bands whose primary genre tag ends in '-core'. … Read more
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For a band that immerses themselves in creating such an uncompromising and complicated sound, The Mars Volta is a very prolific bunch of musicians. One album released each year shows a very strong work ethic and a determination to never stagnate in their evolution. Not to mention a strong passion for all kinds of music. The Mars Volta sound like they are genuine music lovers first and foremost, and there is no other way to explain how most of the time it sounds like they're playing three songs at once. These guys do not seem capable of putting a restraint on themselves and in this instance I mean that as a compliment. The second song, "Metatron" in particular has a slight, and slightly puzzling delay that makes it sound like … Read more
"I blow my load over the status quo - here we go".A reading from the book of Homme. It has been 6 since Queens of the Stone Age released their album Era Vulgaris. An album this reviewer gave a favorable rating, but admittedly didn't fully understand at the time of reviewing for this site. I couldn't fully grasp what the … Read more
For a band whose onesheet opens with the pointed “[includes former] member of …And You Will Know Us by the Trail of Dead during that band’s peak,” one would expect a band with some fire at their core. Instead, LVMRKS are an exercise in banality. The nine songs here trudge along at the same pace without any expression from vocalist … Read more
One of the many reasons historians will condemn the early 21st century is the rise of glametalcore. Purveyed by groups such as Steel Panther and Asking Alexandria, this sound blends the abrasive vocals and breakdowns of metalcore with the flamboyance and catchiness of glam metal. Escape The Fate have been torchbearers of the sub-genre ever since they ditched Ronnie Radke … Read more
Emma Louise described the cover art for her debut album Vs Head Vs Heart as expressing "the beauty that can come out of vulnerability". The cover art fittingly reflects the songs on Vs Head Vs Heart, vulnerability is seeping through every song in a flurry of initially guarded lyrics, before being torn down note by note to reveal the real … Read more
If you had asked me two years ago if I’d rather hear another Wartorn song or be kicked in the crotch by a Clydesdale that’s wearing a pair ice climbing cleats, I probably would have picked the option that left me crying in the fetal position with bloody underpants and no chance of ever having children. But with arrival of … Read more
Seattle is made out to be such a dreary place. Big Eyes released a largely positive-sounding debut in Hard Life and the reviews basically talked about the band’s relocation from Brooklyn to Seattle. Now, with the release of sophomore full-length Almost Famous, the press sheet says things like “a bit of Seattle seeps in,” no doubt referring to some of … Read more
Nick Cave is an uncaring bastard.He doesn't care if you buy his new album Push The Sky Away, nor does he care if you like it. Of course, this is not what makes him a great artist. What makes him a great artist is the uncompromising nature of his work. The man does whatever the hell he wants to, and … Read more
The Man Who Died in His Boat (released February 2013) is a collection of songs by Grouper, a.k.a. Liz Harris, one-woman ambient/noise/folk/dream-pop impresario of Portland, Oregon. Harris has been active since 2005, the year of her first full-length release, and projects since then have included numerous collaborations, EPs, splits, etc. on multiple labels. Her latest work (from Kranky Records) is, … Read more
Feral Kings' self-titled EP comes from a couple of guys that know how to do what they're doing and do it pretty damn well, and it is not necessarily anything new. If you're familiar with the band members’ previous efforts what they do on this record should come as little shock. Containing members of Spitfire and The Takeover (among others), … Read more
Maybe it’s because I caught Off With Their Heads live recently and maybe it’s because on Home, their third official full-length, the theme is something that songwriter Ryan Young has been hinting at all along. Either way, the songs here are familiar and powerful and they continue to deliver in a similar vein as to the rest of their output, … Read more
After enjoying the light, acoustic stylings of Seabuckthorn, I started checking out Bookmaker records for some similarly oriented artists. That's how I found myself stumbling upon the French musician Valentin Féron (aka Henryspenncer, hopefully not as a reference to Eraserhead). And while Féron is of course true to Bookmaker's heavily folk-influenced sound, he brings in so much more, all of … Read more
OK let the namedropping begin: Agalloch, Worm Ouroboros, Hammers of Misfortune, Amber Asylum, YOB, and more. That was probably enough to get your attention, right? So Vhol first came into this world by the twisted ideas of John Cobbett and Aesop Dekker and their aim was to create a band in the vein of the unbelievable Ludicra after they ceased … Read more
It makes sense that this is Paramore’s self-titled album, even though it’s their fourth full-length. Everything you know or have heard about Paramore, put all of those pre-conceived notions in your time capsule for 2009, because that’s not them anymore. This is the two remaining original members’ (Taylor York joined the band after the Farro departure) time to show everyone … Read more
Old school hardcore punk has really found its feet in the last few years. Bands like Creem, Raw Nerve and Violent Reaction have brought innovation to the scene by utilising lesser heard influences ranging from street punk to crust, whilst reducing the songs to their bare bones; short, pissed-off and raw. With its vibrant artwork and blistering intensity (11 tracks … Read more
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