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Our latest album reviews, featuring the records we've most enjoyed (or not) over the past few weeks.

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Browse our album reviews according to score: Highest (9.5/10 or more) or Lowest (2/10 or less)

Nevermen

Nevermen
Ipecac (2016)

The list of people that Mike Patton has collaborated with over the years is as long as it is diverse. Not so diverse however, that any of the co-conspirators were a surprise, be they Dan the Automator, Melt Banana, Rahzel or untold others.So when the Nevermen album was announced, featuring Patton, Anticon founder Adam ‘Deosone’ Drucker and Tunde Adebimpe from TV on the Radio, I’ll admit I was a bit taken aback. With what little I knew of TV on the Radio and the even less I had heard from the band, it seemed like an odd choice. I had more than enough time to do some research until the album came out, so I did some digging and found that not only had I erred in assuming this was a mismatch, I was ashamed that I wasn’t more familiar with Adebimpe and his works like the entire Return To Cookie Mountain album. Had I not been so ignorant, I would have wished for this collaboration years ago.Frequently, finding adequate descriptives for an Ipecac release is a challenge for a mono-syllabic literate wannabe such as myself. Hip/Trip hop would certainly apply but with wonderfully clean vocals from the trio, it … Read more

Magrudergrind

II
Relapse (2016)

Fucking finally. It’s been six long years since we’ve heard from the Brooklyn via D.C. grind-brigade. This month marks the … Read more

Wolvserpent

Aporia: Kala: Ananta
Relapse (2016)

When it comes to mystical vibes, few can challenge the music of Wolvserpent. The duo consisting of Blake Green and … Read more

Various Artists

Radon/Worthwhile Way - split 7"
No Idea/Eager Beaver (2015)

Radon has never really done a lot for me. The melodies are nice but it really never strikes a chord … Read more

Oranssi Pazuzu

Värähtelijä
Svart Records/20 Buck Spin (2016)

Värähtelijä marks Oranssi Pazuzu’s fourth foray into the outer reaches and the Finnish band pull no punches in creating a … Read more

Bunnygrunt

Vol. 4
Happy Happy Birthday To Me (2015)

St. Louis indie pop band Bunnygrunt will probably always be stuck with the 90s cuddlecore label, as much as they … Read more

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One from the archives

Rations

Martyrs and Prisoners
86'd records (2013)

Released on 86’d Records, I came to Rations with a blank slate. Thirty seconds of research tells me the band is a four-piece from Long Island and includes, among others, 86’d Records’ own Wells as a member. Trivia aside, most folks don’t buy a piece of vinyl based on any of that info above. They buy it because it’s good (or because it’s some gimmicky limited release). Rations are good. The record starts with the winding punk “Leaves of Grass,” which plays on stifled anger rather than cathartic burst, and the tension bears just beneath the surface as winding guitars define the song. Follow-up “Occasion for War,” continues on the path but it mixes a slow-paced gang vocal, almost of a barroom chantey tempo instead of a “whoa-oh” punk rock … Read more

More album reviews

Emmy The Great

Second Love
Bella Union (2016)

Finding an anchor in your life is one of those inevitabilities that is constantly chattering away in the back of your head; you're trying to figure out where you should be and where you should stay. If your 20s are there to discover what you're doing with your life and which space on this planet is most homely to you, … Read more

Iggy Pop

Post Pop Depression
Loma Vista Recordings (2016)

When Iggy pop parted ways with The Stooges in the mid-seventies, no one really knew what to expect from the man next. If they had been taking bets in Vegas, the highest odds would have gone to: Moving to Berlin to collaborate with David Bowie. Nevertheless, that's exactly what happened, and the result was his first solo release, The Idiot. … Read more

The Body

No One Deserves Happiness
Thrill Jockey (2016)

Since 2010 and the release of their album All The Waters of the Earth Turn to Blood, sludge outfit The Body have really taken off. Originally found back in 1999, the band from Oregon did not seem to be very active, releasing a good debut album in 2004, but it would take six years until their next full-length. However, since … Read more

Agoraphobic Nosebleed

Arc
Relapse (2016)

It’s not often a band whose tenure spans as long as Agoraphobic Nosebleed’s makes such a successful effort in redefining their sound without conjuring notions of desired mass appeal. More importantly, it’s not often a band as influential to heavy music as Agoraphobic Nosebleed creates what is easily their most accessible effort without sacrificing their abrasive integrity. We see an … Read more

Agoraphobic Nosebleed

Arc
Relapse (2016)

Led by Scott Hull, Agoraphobic Nosebleed is one of the quintessential grindcore acts out there, and probably the most prominent band in the genre to make use of a drum machine, leading to hundreds of followers. Their style is dictated by ferocity and speed, albums filled with bursts of violence and constant pushing of your mental state. From Honky Reduction … Read more

Kindling

Galaxies
No Idea Records (2016)

Debuting in 2014 and quickly releasing the surprisingly outstanding Spike & Wave 7”, Easthampton, Massachusetts-based Kindling has undergone a substantial metamorphosis over the past few years. The original duo of Stephen Pierce (he of Ampere) and Gretchen Williams have been joined by drummer Andy Skelly and bassist Andrew Farr, allowing the group's initially rather sparse material to be fleshed out … Read more

Shadow in the Cracks

Shadow in the Cracks
Goner (2015)

What does it mean when a three-piece band has a spin-off two-piece? While the premonition is that drama is afoot for member number three, that’s probably overthinking it. At least in the case of Shadow in the Cracks, a side project of The Blind Shake where brothers Blaha split off from their main gig for a more ambient approach at … Read more

Hexvessel

When We Are Death
Century Media (2016)

Mat McNerley is sure keeping himself busy. A few months back the new Grave Pleasures (ex-Beastmilk) album came along, and soon enough a Hexvessel album would follow. That would mark the third full-length record that Hexvessel would release, coming after Dawnbringer and No Holier Temple, and following an excellent EP in Iron Marsh.When We Are Death carries on the psychedelic … Read more

Hinds

Leave Me Alone
Lucky Number (2016)

When Hinds’ debut Leave Me Alone started with a jamming guitar riff, I was scared that this Spanish (but English-singing) all-girls rock band was going down the same lo-fi indie road that bands like The Lovely Bad Things and Black Lips have already thoroughly pounded into the ground. But almost immediately, the jam dissipates into a chilled-out, nonchalant air reminiscent … Read more

The Howleez

No Shame
Independent (2015)

Considering that the genre is and probably always will be associated with youth, it's worth noting that there are some more experienced players working in today's punk scene – and not just in “legacy acts” that play songs first recorded years if not decades ago. Count Gainesville, Florida quartet The Howleez among them. Singer Debra Fetzer, guitarist Hazel Levy, bassist … Read more

Secrets Of The Moon

Sun
Lupus Lounge (2015)

There is a great deal of history that follows Secrets of the Moon. The German extreme metal band emerged from the ashes of the obscure, primal black metal outfit, Martyrium. A series of great albums would follow, with the band showcasing in an excellent manner their doom/black hybrid approach. However, through the years it seems as if a change was … Read more

Amber Asylum

Sin Eater
Prophecy Productions (2015)

Amber Asylum has been a force in the post-rock/post-metal domain, since the mid '90s. With their origin found back in 1996 with the release of Frozen In Amber, this intriguing band was able to keep a presence, unfortunately not as constant as we would prefer. The seven year drought leading to the release of 2007's Still Point was the first … Read more

Lycus

Chasms
Relapse (2016)

Extreme doom/death is not an easy sound to get right. Despite the fact that most bands in the genre will just play slow and release heavy riffs, that is not enough to get someone's attention. There must something deeper in the band's sound in order to give you that feeling of desolation and despair. Lycus is a band that knows … Read more

Ali Muhareb

Existentially Wasted
Making New Enemies label (2016)

The concept of being “existentially wasted” seems somewhat appropriate in the context of increasingly confused (and confusing) modern society. It's a concept that could easily have been born out of something like The Matrix, a process of being burnt out on being. Modern humans are often simply swamped with information, much of which seems utterly useless in the bigger scheme … Read more

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Browse our album reviews according to score: Highest (9.5/10 or more) or Lowest (2/10 or less)

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