Fuelled by intense introspection and the adopting of a more polished sound, Welcome the Worms marries punk rock sensibilities with the radiant bubblegum pop of Southern California. Produced by Joe Chiccarelli (Morrissey, The Strokes, Minus The Bear), Bleached's second album is radio friendly rock with a serrated edge, channelling the likes of Black Flag alongside The Go-Gos. The album's title was taken from a homemade religious pamphlet given to the band by "a freaky couple" in Echo Park, and sets the tone for the meandering and enduring shape of the album. WTW is heavily rooted in Los Angeles, and embodies a frisson of energy that is equal parts menacing (the eerie weaving of "Desolate Town") and buoyant (the bubblegum pop of "Keep On Keepin' On"). The album manages to capture a miasma of disillusionment with the glamourous side of Hollywood that's in stark contrast to the complete immersion into the gritty, off-kilter parts of the city that the album embraces. Jessie Clavin's staggered, trippy guitar playing on "I'm All Over The Place (Mystic Mama)" is the summer haze of the Californian desert, while "Sour Candy" is the swagger of the morning after the night before.The trio hit their stride on … Read more
thisquietarmy is an experimental project helmed by Eric Quach from Montreal. His catalogue is extensive (you could spend hours on … Read more
Alison Chesley (aka Helen Money) is mostly known for her excellent collaborations with a myriad of diverse artists, including Bob … Read more
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Carina Round is too late for the Riot Grrrl movement, the only recent explosion of female artists. Although lo-fi indie princess Liz Phair and crazy Courtney Love of the now-defunct Hole were not considered true riot grrrls, they still benefited from the epiphany that females can rock. The movement has been strangled to death now that Liz Phair has gone Avril on us, and Courtney Love, well, is still Courtney Love; her actions are louder than her music. Carina Round wouldn't fit in with the riot grrrls, but at least she would've benefited from the exposure. Round's album artwork is one of the few that actually reflect the artist. The front cover is a flattering black and white photograph of Carina Round, and the back cover is a gritty and … Read more
I have to admit, I chose to review this album with little knowledge of the band, based solely on the strength of their single, “La Mano De Lucifer,” from their debut album, Something Supernatural. “La Mano De Lucifer” is one of my favorite songs of all time. Listening to it is a semi-religious experience for me, and I am uncomfortably … Read more
It took all of three seconds into Tentative Decisions, about 10 seconds before his unmistakable voice, to ID the record as being made by Mikey Erg. Drummer/guitarist/vocalist in bands ranging including but definitely not limited to The Ergs!, The Dopamines, Worriers, The Slow Death, and so many more. Erg’s work has long been built on a pop-punk foundation, emotional indecision … Read more
Angel Olsen has been very active since the release of her debut cassette Strange Cacti, revealing a very promising work. Her dark indie folk/rock tone had a haunting effect, which peaked with Half Way Home and the excellent Burn Your Fire For No Witness. The delicate folk tones of Olsen were engulfed by a healthy dose of reverb, ample amount … Read more
Starting out as the solo project of Jordan Morrison, All Your Sisters turned into an intriguing duo with the addition of Mario Armando Ruiz on bass and synths. The band draws influence from mainly from the '80s new wave scene, paying tribute to the post-punk and noise rock styles of the era, but with an industrial edge and an ambient … Read more
Carl-Michael Eide (or Czarl) is a legendary figure of Norwegian black metal lore, with his emergence in the scene corresponding with some of its most important bands' first releases. He appeared playing drums in the first Satyricon demo, All Evil, and the first couple demos of Ulver, before initiating some projects of his own.Aura Noir and Inferno with their thrash … Read more
Crybaby are one of those punk bands where you could fill a review with subgenre tags and namedrops and every review would pick a different one to highlight. There’s a lot of stylistic variance, a lot of influence, but it comes together as Crybaby instead of some hyphenated slurry of ‘90s and ’00s bands. Instead, I’ll just say it’s DIY … Read more
A relatively new band, started releasing music around 2010, Nothing display a strong grasp to alternative rock. Their debut album, Guilty of Everything, conjured and presented in great fashion elements such as shoegaze haze and alt-rock grooves, introducing the musical endeavors of the band, but it felt that there was still some way to go for Nothing to achieve their … Read more
The constant presence of Russian Circles in the post-rock domain has raised them to a prestigious status, and rightfully so. The band from Chicago started off about a decade ago, releasing their debut, Enter, in 2006. Their music was heavy and moving, and record by record the craftsmanship of the trio progressed, and especially since Geneva and Empros, they have … Read more
Nobody knows the void like a trans lady does. There is no dark night of the soul that can compare to what most trans women just call “Tuesday.” The toxic combination of societal violence and body dysphoria can really cast a pall over existence—and inspire some incredible art about isolation, body horror, and impending death. From Anna Varney Cantodea to … Read more
Originally formed back in the late '90s, through the years Switchblade have managed to attain a cult status. Flying a bit under the radar, this hybrid drone/sludge band remained very prolific in the fist half of their career, but their output has since become sparser. In 2012 they released another of their self-titled albums, 2012, which is arguably their best … Read more
The progressive thrash band from Pennsylvania is definitely very ambitious with their concept in their latest album, Terminal Redux. Their two previous full-lengths,Black Future and Outer Isolation, have already established this ambition, and the fact that their logo looks suspiciously similar to (both) Voivod used, fuels the fire. Their latest album is coming out through Earache, and will definitely make … Read more
Woman is the Earth aren’t a new prospect, but latest record Torch of Our Final Night is a massive step forward for them in sound and scope and so, quite rightly, they are suddenly gaining traction in the underground. This Place That Contains My Spirit from 2012, and 2014s follow-up, Depths, are tremendous albums, but this new work is infinitely … Read more
The main man of Psalm Zero, Charlie Looker, has been/still is part of some great bands. The avant-garde mentality of Zs, with their merge of neo-classical, noise and free-jazz shows a great allure towards experimental music, while his presence in the mathcore trio Period, reveal a high-level of technicality. Well, Psalm Zero continues to unveil different aspects of Looker's musical … Read more
I recently saw Weiner, a documentary about Anthony Weiner, the New York politician who completely obliterated his career with a sexting scandal, including a dick pic that made international news. Even though Anthony Weiner seemed like a genuine politician with good ideas for the middle class, he never could make a comeback: the media could never past that dick pic, … Read more
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