8 years. Jesus. That’s the same length of time as Barack Obama’s two-term administration. That’s the entire lifespan of an 8 year old child. That’s too goddamn long between albums, is what it is. Yes, Hetfield, Ulrich, Hammett and Trujillo have finally returned with a new album – Hardwired…to Self Destruct. We all know, given their rarity of appearance on the new release rack* that a new Metallica album is somewhat of an event – the hype for this album appears to be off the charts. So much so that even the online haters seem to have disappeared for the most part – one can only assume that they’ve all died from syphilis. The pre-album singles have been coming fast and furious for almost two months now, and the last 24 hours in particular (it is 5pm on November 17 as of this writing) has seen a particularly strong Blitzkrieg of activity with a video for each song on the album being released every few hours. It was a curious decision, but hey – we’re here to review the album, not the marketing strategies. So the question that immediately pops into your bulbous little heads is “is it worth the … Read more
Given that it's a split release between a well-established group and one making its U.S. debut, the best thing about … Read more
Midtempo punk sounds like such a boring idea.And sometimes it really is.But when it works, it’s hard to top. The … Read more
Starting off with an unusual combination of crust, hardcore and black metal, Oathbreaker have evolved significantly since their debut album, … Read more
Collaborations in the experimental music domain always bring something interesting to the table. Oneida is a great experimental rock band, … Read more
The Icelandic composer has risen magnificently in the last few years due to his works within the film domain. A … Read more
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After their introduction to the more mainstream world Make Your Mark a few years ago Living With Lions went through a few things. This includes losing a bass player and vocalist and signing a deal with Adeline. In the meantime the band regrouped and recorded a new album. The big question is after losing members, especially a vocalist, how does the band come back after such a loss? Well surprisingly the band have embraced a more rock and roll influence. This is not to say that they are now slinging guitar solos and screeching through songs. Instead there is a higher attention paid to melodic parts and less time spent on playing fast. The real issue one could take from the style of the album is it is very much … Read more
For a Marillion fan, a new album isn’t just a release – it’s an event. And as far as events go, on an ascending scale from a co-workers 30 day alcohol-free chip celebration, to a close cousin’s Harry Potter themed wedding, to the birth of your new baby, FEAR is more of a birth. A birth of ideas in a … Read more
I’ve covered The Blind Shake for most of their career so far. Over that time it’s been a steady growth often focused on syncopated and rhythmic rock: forceful, punchy, and precise. The kind of rock that you can set your watch to, while still angry and striking a deeper chord. They’ve taken some turns along the way: their collaborations with … Read more
OK, here we are dealing with an absolutely stunning collaboration. In a live setting, cellist Okkyung Lee, an excellent improviser who has worked alongside artists such as Jenny Hval, Swans, John Zorn and Cecil Taylor, and Christian Marclay, a visual artist and composer, master of turntablism, meet to create an Amalgam, a combination of the most strange, bizarre metals that … Read more
As much I knew I’d like this record after spending some time with Almost Famous and seeing the band live a few times, I was hesitant to review it. There are certain sounds I have trouble describing. So while I enjoyed Almost Famous, it had this hard to summarize element where I felt vocalist Kait Eldridge’s lyrics blended into guitar … Read more
Taking Back Sunday accidentally ended up being one of the bands that spearheaded the emo movement that bled into the mainstream in the early noughties, a label that the band aren't entirely comfortable with. More recently, frontman Adam Lazzara got into an argument with the organisers of an LA club night that catered to the nostalgic whims of former emo … Read more
One (of many) differences between indie rock and punk is generally the sense of humor as it relates to self-awareness. Considering that other reviews namedrop Built to Spill frequently in the RIYL section for Pinned in Place, it’s a nice touch to start the record with the song “Built to Chill.” It’s both self-referential and a sweet name that describes … Read more
Amirtha Kidambi is an intriguing musician, an exploratory musics creator and a stellar singer. Having participated in a number of projects, including Mary Halvorson's Code Girl, Seven Teares and Tongues, with Elder Ones we see her for the first time acting as the band leader. Around her is an excellent cast, comprising of saxophonist Matt Nelson, bassist Brandon Lopez and … Read more
It’s nice when your favorite bands surprise you. It took six years for Fambly 42), so I wasn’t ready for Sentimental Ward yet (though apparently it’s already been another four years). Fambly 42 acted like no time had passed and the same holds true here, on Toys That Kill’s fifth full-length release. The four-piece continues playing off kilter pop punk … Read more
When it was announced that Nick Cave was releasing a new album Skeleton Tree to accompany the release of his documentary One More Time With Feeling, it felt decidedly unnatural for a couple of reasons – first and foremost, marketing tie-ins don’t really come to mind, when it comes to an artist like Cave. And two, it was all coming … Read more
Drummer Bobby Kapp and pianist Matthew Shipp are legends of free jazz. Improvisation is their arena, and through a series of albums they have proven unique musicians they both are. Strangely enough, the two have not crossed paths in the past when it comes to recoding, apart from Kapp's album Themes 4 Transmutation. In Cactus the two are thrown into … Read more
Sims is something of a firebrand on his early work, spitting political vitriol and pointing fingers outward and in on records like Lights Out Paris and Bad Time Zoo. This time around, the Minneapolis rapper is looking even more inward on the new More Than Ever, a record that pushes expectation beyond the hard-hitting beats and spitfire lyricism with echo-y … Read more
40 Watt Sun hold a special place in the hearts of those who have heard their music and been affected by the honesty within. 2011s The Inside Room was a stunning debut that still garners regular plays from this writer and Wider than the Sky will do the same in the years to come. Having been many years in the … Read more
Written in Paris while the city was still reeling in the aftermath of the November 2015 attacks, Mapping the Rendezvous is an album that brims with escapism and the irrepressible desire to live for the moment. Part of the the band's previous album, 2014's Concrete Love, was also written in the French capital but this time it was different: frontman … Read more
I’ve never met Aaron Freeman and Mickey Melchiondo, the two-headed songwriting duo of Ween, but I have my own speculation about who contributes what based on their output in other projects. That guess is that Gener does the Pink Floyd styled space-prog-pop while Melchiondo, aka Dean Ween aka Deaner, brings on the grimy and oddball guitar rock.The Deaner Record only … Read more
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