Since the 1980s, Vancouver, B.C. has always had a thriving punk scene, but the new millennium came in like a reaper and scythe, decimating live music venues until there was virtually nothing left. So, in true DIY fashion, performances began in the underground parking garage of the Emily Carr Institute of Art and Design, that became known as The Emergency Room.One of the bands that grew from the ER scene was White Lung, who came in like a hurricane with 2010's It's The Evil. A true slab of brilliance.Well, the quick-tempo brilliance continues with Paradise, the band's 4th release and their best to date. Vocalist Mish Way-Barber continues to exude her charismatic badassery throughout the proceedings, Particularly on tunes like "Dead Weight" and "Kiss Me When I Bleed". White Lung came along at the exact right time - to save both a struggling scene and to save all of us - filling in the void left by bands like Pretty Girls Make Graves. Whatever the ailment, White Lung is most assuredly the antidote. Read more
Sometimes I want to add a lot of back story, my own perspective coming into a record. While that certainly … Read more
A lot of the bands I listen to have gotten older and slowed their productivity so it’s nice to realize … Read more
American Football are the sort of band that shouldn't have attracted so much attention. When they first properly emerged in … Read more
Taking their name from a well-known Danish fairytale, the trio from Brighton entered with confidence the alternative rock world. A … Read more
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Every once in a while, there are albums that are born from such gut wrenching emotional outpouring as a form of personal therapy or personal journey of recovery for the artist or artists responsible for the work. It is a rare opportunity to glimpse such pain and catharsis, and G. Stuart Dahlquist (Burning Witch, Goatsnake) and a cast of co-conspirators (including fellow Burning Witch alum B.R.A.D. as well as former Faith No More and Mr. Bungle guitarist Trey Spruance) give listeners just such a peak. What You Don't Know is Frontier is the second album from Asva and is the result of Dahlquist's musing over the grief of his brother's demise. In his words, "What You Don't Know is Frontier is about rebirth about that light at the end of … Read more
8 years. Jesus. That’s the same length of time as Barack Obama’s two-term administration. That’s the entire lifespan of an 8 year old child. That’s too goddamn long between albums, is what it is. Yes, Hetfield, Ulrich, Hammett and Trujillo have finally returned with a new album – Hardwired…to Self Destruct. We all know, given their rarity of appearance on … Read more
Given that it's a split release between a well-established group and one making its U.S. debut, the best thing about 2016's Fatso Jetson / del-Toros 7” may be how well its two tracks play alongside one another. Self-proclaimed “godfathers of the desert rock scene,” California's Fatso Jetson kick off the record with the churning “Dream Homes.” Conveying a sense of … Read more
Midtempo punk sounds like such a boring idea.And sometimes it really is.But when it works, it’s hard to top. The chords are still powerful and concise, the frustration and fury still present, but it’s more tempered when the tempo drops down a bit and more powerful when it rises to the top. The vocals need to sneer and snarl instead … Read more
Starting off with an unusual combination of crust, hardcore and black metal, Oathbreaker have evolved significantly since their debut album, Maelstrom. The follow-up album, Eros/Anteros saw a further evolution of their sound, with post-metal elements beginning to populate their palette. This slightly eased the connection between hardcore and black metal, and resulted in a more expansive vision. Rheia comes now … Read more
Collaborations in the experimental music domain always bring something interesting to the table. Oneida is a great experimental rock band, encompassing elements of noise rock, psychedelia and krautrock, as a method of crafting a diverse sound. Having released a plethora of records, mostly through Jagjaguwar, they are now putting out their first collaborative full-length with Rhys Chatham. Chatham is a … Read more
The Icelandic composer has risen magnificently in the last few years due to his works within the film domain. A prolific artist, Johannsson has contributed with scores for some excellent recent movies, including The Theory of Everything, as well as his frequent collaborations with visionary director Denis Villeneuve, in Prisoners, Sicario and the upcoming Arrival. Johannsson returns now with Orphee, … Read more
For a Marillion fan, a new album isn’t just a release – it’s an event. And as far as events go, on an ascending scale from a co-workers 30 day alcohol-free chip celebration, to a close cousin’s Harry Potter themed wedding, to the birth of your new baby, FEAR is more of a birth. A birth of ideas in a … Read more
I’ve covered The Blind Shake for most of their career so far. Over that time it’s been a steady growth often focused on syncopated and rhythmic rock: forceful, punchy, and precise. The kind of rock that you can set your watch to, while still angry and striking a deeper chord. They’ve taken some turns along the way: their collaborations with … Read more
OK, here we are dealing with an absolutely stunning collaboration. In a live setting, cellist Okkyung Lee, an excellent improviser who has worked alongside artists such as Jenny Hval, Swans, John Zorn and Cecil Taylor, and Christian Marclay, a visual artist and composer, master of turntablism, meet to create an Amalgam, a combination of the most strange, bizarre metals that … Read more
As much I knew I’d like this record after spending some time with Almost Famous and seeing the band live a few times, I was hesitant to review it. There are certain sounds I have trouble describing. So while I enjoyed Almost Famous, it had this hard to summarize element where I felt vocalist Kait Eldridge’s lyrics blended into guitar … Read more
Taking Back Sunday accidentally ended up being one of the bands that spearheaded the emo movement that bled into the mainstream in the early noughties, a label that the band aren't entirely comfortable with. More recently, frontman Adam Lazzara got into an argument with the organisers of an LA club night that catered to the nostalgic whims of former emo … Read more
One (of many) differences between indie rock and punk is generally the sense of humor as it relates to self-awareness. Considering that other reviews namedrop Built to Spill frequently in the RIYL section for Pinned in Place, it’s a nice touch to start the record with the song “Built to Chill.” It’s both self-referential and a sweet name that describes … Read more
Amirtha Kidambi is an intriguing musician, an exploratory musics creator and a stellar singer. Having participated in a number of projects, including Mary Halvorson's Code Girl, Seven Teares and Tongues, with Elder Ones we see her for the first time acting as the band leader. Around her is an excellent cast, comprising of saxophonist Matt Nelson, bassist Brandon Lopez and … Read more
It’s nice when your favorite bands surprise you. It took six years for Fambly 42), so I wasn’t ready for Sentimental Ward yet (though apparently it’s already been another four years). Fambly 42 acted like no time had passed and the same holds true here, on Toys That Kill’s fifth full-length release. The four-piece continues playing off kilter pop punk … Read more
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