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Spokenest

Gone, Gone, Gone
Drunken Sailor (2016)

I have a type, and it’s short and fast. I’m partial to it and probably less picky. It fills a need that my constantly fidgeting digits and bottomless coffee mug cannot. Besides, short and fast is just better. Duh.Spokenest are seemingly built on that same concept, playing finger-bleedingly fast guitar and drum in this husband-wife two-piece from California. On Gone, … Read more

Helen Money

Become Zero
Thrill Jockey (2016)

Alison Chesley (aka Helen Money) is mostly known for her excellent collaborations with a myriad of diverse artists, including Bob Mould, Mono, Russian Circles and Agalloch. A classical cellist herself she has become an experimental music savant, releasing great records on her own, with 2013's Arriving Angels standing out, as did her collaborative album with Jarboe. On her newest album, … Read more

Crobot

Welcome To Fat City
Wind-Up (2016)

I have to admit, I chose to review this album with little knowledge of the band, based solely on the strength of their single, “La Mano De Lucifer,” from their debut album, Something Supernatural. “La Mano De Lucifer” is one of my favorite songs of all time. Listening to it is a semi-religious experience for me, and I am uncomfortably … Read more

Mikey Erg

Tentative Decisions
Don Giovanni (2016)

It took all of three seconds into Tentative Decisions, about 10 seconds before his unmistakable voice, to ID the record as being made by Mikey Erg. Drummer/guitarist/vocalist in bands ranging including but definitely not limited to The Ergs!, The Dopamines, Worriers, The Slow Death, and so many more. Erg’s work has long been built on a pop-punk foundation, emotional indecision … Read more

Angel Olsen

My Woman
Jagjaguwar (2016)

Angel Olsen has been very active since the release of her debut cassette Strange Cacti, revealing a very promising work. Her dark indie folk/rock tone had a haunting effect, which peaked with Half Way Home and the excellent Burn Your Fire For No Witness. The delicate folk tones of Olsen were engulfed by a healthy dose of reverb, ample amount … Read more

All Your Sisters

Uncomfortable Skin
Flenser (2016)

Starting out as the solo project of Jordan Morrison, All Your Sisters turned into an intriguing duo with the addition of Mario Armando Ruiz on bass and synths. The band draws influence from mainly from the '80s new wave scene, paying tribute to the post-punk and noise rock styles of the era, but with an industrial edge and an ambient … Read more

Virus

Memento Collider
Karisma Records (2016)

Carl-Michael Eide (or Czarl) is a legendary figure of Norwegian black metal lore, with his emergence in the scene corresponding with some of its most important bands' first releases. He appeared playing drums in the first Satyricon demo, All Evil, and the first couple demos of Ulver, before initiating some projects of his own.Aura Noir and Inferno with their thrash … Read more

Crybaby

Drag Me Under
Square of Opposition (2016)

Crybaby are one of those punk bands where you could fill a review with subgenre tags and namedrops and every review would pick a different one to highlight. There’s a lot of stylistic variance, a lot of influence, but it comes together as Crybaby instead of some hyphenated slurry of ‘90s and ’00s bands. Instead, I’ll just say it’s DIY … Read more

Nothing

Tired Of Tomorrow
Relapse (2016)

A relatively new band, started releasing music around 2010, Nothing display a strong grasp to alternative rock. Their debut album, Guilty of Everything, conjured and presented in great fashion elements such as shoegaze haze and alt-rock grooves, introducing the musical endeavors of the band, but it felt that there was still some way to go for Nothing to achieve their … Read more

Russian Circles

Guidance
Sargent House (2016)

The constant presence of Russian Circles in the post-rock domain has raised them to a prestigious status, and rightfully so. The band from Chicago started off about a decade ago, releasing their debut, Enter, in 2006. Their music was heavy and moving, and record by record the craftsmanship of the trio progressed, and especially since Geneva and Empros, they have … Read more

The Bedroom Witch

My Mother Grows Plants With Her Eyes
Independent (2016)

Nobody knows the void like a trans lady does. There is no dark night of the soul that can compare to what most trans women just call “Tuesday.” The toxic combination of societal violence and body dysphoria can really cast a pall over existence—and inspire some incredible art about isolation, body horror, and impending death. From Anna Varney Cantodea to … Read more

Switchblade

Switchblade (2016)
Denovali (2016)

Originally formed back in the late '90s, through the years Switchblade have managed to attain a cult status. Flying a bit under the radar, this hybrid drone/sludge band remained very prolific in the fist half of their career, but their output has since become sparser. In 2012 they released another of their self-titled albums, 2012, which is arguably their best … Read more

Vektor

Terminal Redux
Earache (2016)

The progressive thrash band from Pennsylvania is definitely very ambitious with their concept in their latest album, Terminal Redux. Their two previous full-lengths,Black Future and Outer Isolation, have already established this ambition, and the fact that their logo looks suspiciously similar to (both) Voivod used, fuels the fire. Their latest album is coming out through Earache, and will definitely make … Read more

Woman is the Earth

Torch of Our Final Night
Init (2016)

Woman is the Earth aren’t a new prospect, but latest record Torch of Our Final Night is a massive step forward for them in sound and scope and so, quite rightly, they are suddenly gaining traction in the underground. This Place That Contains My Spirit from 2012, and 2014s follow-up, Depths, are tremendous albums, but this new work is infinitely … Read more

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