It's pretty commendable that a band like Underoath, who easily could be on a major label right now after their extremely successful breakout album They're Only Chasing Safety, chose to stay with their original label Tooth and Nail. Even more impressive however is that their latest outing, Define the Great Line, is significantly more mature in their songwriting style and contrary to an expected watered down poppy follow up. Define the Great Line is sincere, heavy, and damn good. The album begins with "In Regards to Self" which easily could be a track from a Norma Jean release if it had been without the brief singing moments. The next track "A Moment Suspended in Time" follows suit with heavy, technical guitars, soaring vocals, and it also features one of the sickest breakdowns I've heard in a long time. The next couple tracks are also equally great, and the Norma Jean/Botch influences are very apparent. After listening to the first four tracks, I would say that they are reason enough to buy this album. Artistically, Underoath has grown a lot as shown by the back-to-back epics "Returning Empty Handed" and "Casting Such a Thin Shadow." Both tracks exude great melodies and … Read more
There's a lot of arrogance that floats around the music world, from the self-aggrandized success stories told through the eyes … Read more
Well what can you say about a group like Cattle Decapitation? First and foremostââ¬Â¦they're not emo. Secondly, they have a … Read more
Discography CD's are certainly a weird bunch. Bands nowadays don't generally record three or four records like many bands of … Read more
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Closing in on twenty years as a band, Lagwagon presents us with new songs, perhaps aiming to revive that nearly defunct Fat/Epitaph sound. Having grown up on this band, I was giddy to hear they were releasing new material for the first time since 2005's Resolve, but found myself bummed after learning it was only an eight-song EP. Couple this with their lackluster U.S. touring schedule, which sees them routing the country maybe once a year, and I wonder if the band even cares anymore. With a title like I Think My Older Brother Used to Listen to Lagwagon, they clearly know that they are the dinosaurs of the genre, poking fun at the fact they've been doing this longer than some of the newer punks have been alive. With … Read more
A Million Microphones is undoubtedly one of the biggest surprises of the year. Supersystem, minus the drummer, was formerly known as El Guapo. Despite releasing records on Dischord, El Guapo never managed to make an impression on me. So when they changed their name to Supersystem and signed to Touch And Go, I remained vaguely indifferent. "Not the Concept", the … Read more
During one of his spoken word performances, Henry Rollins once noted that it is as if someone freezes Slayer in a block of ice in-between tours and recording; they are completely unaware of the fact it's not 1983 anymore but still continue to make music as if it was. In their twenty-something year career, they haven't really "progressed" (began sucking) … Read more
I realize that we are more than halfway through 2006. I realize that Jena Berlin recently began recording their follow-up to this album. But, I have two solid reasons for reviewing this album so late: 1) I never heard of the band prior to receiving the album in the mail a few weeks back, and 2) Passion Waits as the … Read more
Not many people remember DC melodic hardcore band Affront, whom has the dubious distinction of being one of three bands (J Page and 3 Inches of Blood are the others) to ever shack out on my wooden apartment floors. I wasn't living here at the time but my old roommate took these boys out for a night on the town … Read more
Razzle Dazzle, better known as RZL DZL on this side of the computer screen, is Detroit's latest hardcore export, and yet another Lockin Out exclusive. The appropriately titled Both features their 5" release, 555, as well as their Demo Revisited 7", offering a more accessible way to listen to RZL DZL than hunting down two out-of-print records. RZL DZL plays … Read more
Johnny Cash might as well be an American institution. Many revere him and his recent death following the passing of his beloved wife, June Carter, was marked by much hoopla and circumstance. It was a shame, but by no means a shock. The triumphant and bleak sounding record, American IV: When the Man Comes Around, was a disturbing and wonderful … Read more
It seems almost an old story now. Ailing musician hooks up with a contemporary producer and covers a mixture of contemporary songs. Tom Jones tried it. Rod Stewart tried it. It's an old story that so often ends up looking pathetic. A contrived attempt to mine the last fragments of dying fame, more often than it is a serious artistic … Read more
I like Between the Buried and Me, a lot. But The Anatomy of is a perfect example of a covers album gone bad. I really like the idea of paying homage to the bands that inspired you to play in the first place, but there is a productive way to go about doing that and there is also a filler-creating … Read more
I fear it may happen one day; someone will slip up, let the cat out of the bag, and give the game away. Someone may, one day, tell Erase Errata that it isn't 1981 any longer. Basquiat is dead, Sonic Youth isn't so youthful anymore and John Hinckley Jr. was a rubbish shot. Step forward, Ladies, 2006 has much to … Read more
When Radio 4 released Gotham, it instantly became one of my favorite albums of all time. It was packed full of great songs that were great to dance to and also contained a message. But the band faltered with the distinctly average Stealing of a Nation. It wasn't so much that Stealing of a Nation was a bad album, it … Read more
Scott Walker - to those who know and love his music - is one of those towering figures of American culture that is as much the stuff of legend as an actual person, like Roky Erickson or Thomas Pynchon. Walker spent the late '60s recording four astonishing LPs of lush, overwrought continental melodrama, entitled Scott through Scott 4. These are … Read more
There's not a whole lot you can say about Angel Eyes that hasn't already been said about Isis. If Isis were an actual person, Angel Eyes would be its impressionable, suppler younger brother. The latter always gazing starry-eyed at the former with a love and devotion to rival the strongest of bonds. Ok, that's a stretch, but they really do … Read more
The members of Baltimore based Slumlords have been around the proverbial block a few times and know their niche. On their previous releases the band wrote street punk influenced hardcore songs. The songs tackled both serious topics as well as everyday topics that could be joked about. On the Stremph!, is comprised of, you guessed it, a combination of street … Read more
There are three things that make me like this band. One, they have a ton of Star Wars references in their music. Actually, besides having a song named with a semi-obscure line from the original movie, there is an entire song about Darth Vader - shame on you if you are so culturally unaware as to who that is. Two, … Read more
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