At first listen, Panic seems like your stereotypical Bridge Nine band. In a way they are, and in a way they aren't. But I'll get to that in a second. Strength in Solitude is a comprehensive look at everything the band produced in its first two years as a band (2000-2002). This includes the out-of-print Dying For It EP (2001) and self-titled EP (2002), as well as songs from an original demo cassette. Panic doesn't stray far from what you could call "the Bridge Nine sound": raw, energetic old-school hardcore that is a little on the melodic side. But this is one of the better representations of that sound. Months before I ever heard this disc, I happened to buy a Bridge Nine compilation, and I distinctly remember Panic being one of a handful bands that stood out to me. But where Panic stand out from the rest of the hardcore pack are their lyrics. The description that came with my promo says Panic is "an elusive, mysterious band that took the dark vocal imagery of bands like Joy Division and the Smiths and set it to furious hardcore like Slapshot and Negative Approach." A little caption on the back … Read more
The latest Poison Idea record, from the first impression left by the packaging, seems like a somber album rooted in … Read more
If you're looking for a catchy yet simultaneously heavy melodic punk album, look no further than Ryan's Hope's sophomore release, … Read more
I don't really consider myself to be a professional journalist by any means. But in my position as an "in … Read more
I had the privilege of seeing Hope and Anchor on the final show of their tour in D.C.. It was … Read more
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The term "pop-punk" has been really batted around in 2007. It has been used describe every band from Set Your Goals (wrong) to The Ergs (right) and now we have Broadway Calls, an Oregon outfit who straddles the line of pop-punk but strays closer to the power pop side of the equation. When I listen to their self-titled album for State of Mind, I think more Cheap Trick mixed with Green Day's Kerplunk! than I do Screeching Weasel or The Queers. Broadway Calls produce fourteen tracks of poppy almost radio friendly tracks chock full of memorable choruses and huge dancey buildups that can could cause even the most jaded of hardcore fans (moi? yeah) to smile. I can't but bounce around on my bed in my lonely bedroom on this … Read more
It's pretty commendable that a band like Underoath, who easily could be on a major label right now after their extremely successful breakout album They're Only Chasing Safety, chose to stay with their original label Tooth and Nail. Even more impressive however is that their latest outing, Define the Great Line, is significantly more mature in their songwriting style and … Read more
There's a lot of arrogance that floats around the music world, from the self-aggrandized success stories told through the eyes of pop-rappers to the sheer self-belief in the glory and romance of what the neo-punk world is doing. For sheer bombasticism, however, the award surely has to go to the popular-indie set. Full of ignoramuses strutting around and playing songs … Read more
I have never been a huge fan of Atom Goren's past projects. Whether it was his sloppy but albeit fun pop-punk outfit, Fracture, whom existed in the early 90's, or when he used to crisscross the nation with a sequencer he goofily called "His Package." It's not that Fracture wasn't catchy or Atom and His Package wasn't charmingly cute. I … Read more
Well what can you say about a group like Cattle Decapitation? First and foremostââ¬Â¦they're not emo. Secondly, they have a new album out called Karma. Bloody. Karma, and thirdlyââ¬Â¦it's one of the best albums of the year. One of the most criminally underrated bands on the grind/gore-core scene should finally get their due. Underrated because let's face it, the genre … Read more
The first time that I saw Mastodon was at Hellfest 2001, the same year of Earth Crisis' last show. Some friends of mine told me that this would be one of my favorite bands after I saw them. So, I eagerly anticipated their appearance like nothing else. Their set was intense and completely blew me away. They were so intense … Read more
Discography CD's are certainly a weird bunch. Bands nowadays don't generally record three or four records like many bands of yore, instead putting out a slew of seven-inches and compilation tracks (making this format viable and feasible). Or maybe bands of yore put out seven-inches and bands nowadays put out a demo, get signed, put out an EP, a full-length … Read more
A Million Microphones is undoubtedly one of the biggest surprises of the year. Supersystem, minus the drummer, was formerly known as El Guapo. Despite releasing records on Dischord, El Guapo never managed to make an impression on me. So when they changed their name to Supersystem and signed to Touch And Go, I remained vaguely indifferent. "Not the Concept", the … Read more
During one of his spoken word performances, Henry Rollins once noted that it is as if someone freezes Slayer in a block of ice in-between tours and recording; they are completely unaware of the fact it's not 1983 anymore but still continue to make music as if it was. In their twenty-something year career, they haven't really "progressed" (began sucking) … Read more
I realize that we are more than halfway through 2006. I realize that Jena Berlin recently began recording their follow-up to this album. But, I have two solid reasons for reviewing this album so late: 1) I never heard of the band prior to receiving the album in the mail a few weeks back, and 2) Passion Waits as the … Read more
Not many people remember DC melodic hardcore band Affront, whom has the dubious distinction of being one of three bands (J Page and 3 Inches of Blood are the others) to ever shack out on my wooden apartment floors. I wasn't living here at the time but my old roommate took these boys out for a night on the town … Read more
Razzle Dazzle, better known as RZL DZL on this side of the computer screen, is Detroit's latest hardcore export, and yet another Lockin Out exclusive. The appropriately titled Both features their 5" release, 555, as well as their Demo Revisited 7", offering a more accessible way to listen to RZL DZL than hunting down two out-of-print records. RZL DZL plays … Read more
Johnny Cash might as well be an American institution. Many revere him and his recent death following the passing of his beloved wife, June Carter, was marked by much hoopla and circumstance. It was a shame, but by no means a shock. The triumphant and bleak sounding record, American IV: When the Man Comes Around, was a disturbing and wonderful … Read more
It seems almost an old story now. Ailing musician hooks up with a contemporary producer and covers a mixture of contemporary songs. Tom Jones tried it. Rod Stewart tried it. It's an old story that so often ends up looking pathetic. A contrived attempt to mine the last fragments of dying fame, more often than it is a serious artistic … Read more
I like Between the Buried and Me, a lot. But The Anatomy of is a perfect example of a covers album gone bad. I really like the idea of paying homage to the bands that inspired you to play in the first place, but there is a productive way to go about doing that and there is also a filler-creating … Read more
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