The preamble about Hard-Fi is something about DIY, self-financing, self-promotion and the dole. There's something about the middle-English wastelands in which the band live. Something else about inner city tower blocks adds weight to the working class credentials about which, no doubt, Virginia Woolf would have something or other to say. Some quasi-pretentious blurb about wanting to sell records in America beefs up what is, essentially, the same preamble that you'd get from The Kaiser Chiefs, or the Arctic Monkeys or whoever. Something in this preamble, however, seems to set Hard-Fi apart from these contemporaries and that is the unfaltering and arrant seriousness with which they take themselves. It is the fact that they seem to claim they are something different to the current cool-set. The fact that they seem to believe that, unlike The Subways or Babyshambles or whoever, their album, Stars of CCTV, is something new and groundbreaking and contains something that needed to be said. Opening with lead single, "Cash Machine," it is immediately obvious that the preamble doesn't match the reality. Beginning with decent dub lines it soon shows its true colors as it descends into the same sub-Clash pap that we're so used to these … Read more
According to Playboy.com, Neko Case is the "Sexiest Babe of Indie Rock." Fortunately for the listening public, such a lofty … Read more
Weak. Shallow. Lame. Insipid. All of these words have been used at some point (by me) to describe country music. … Read more
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The Tim Version’s set at Fest 12 was slower. The songs were drawn out—still loud, and angry—but they were a notch slower, going for expansive and big instead of that 1-2 punch. Was that to be the style on their next album, or was it just the hangover influencing their set list?Ordinary Life is their second LP on No Idea and it took six years since Decline of the Southern Gentleman. A lot changes with the passing of time, but opener “For the Birds” shows the band at their strength, with vocalist Russ Van Cleave’s ripping vocals that culminate in big “nothing’s gonne die*” calls. Follow-up “Hello, Waterface” follows in similar style. The tempo varies a bit, showing subtle influences from a more general rock ‘n’ roll sense, with those … Read more
Lost in Focus is the debut release from a Southern California five-piece know as Apiary. I listen to a lot of music, and have jaded fucking ears that just don't prick up the way they used to. It takes a good shot of aural Viagra to get my attention. My attention was grabbed not long into "Pain Is The Reason" … Read more
Despite featuring ex-members of Combatwoundedveteran and Reversal of Man, Guiltmaker is distinctly less heavy than you might initially assume they would be. In fact the band does a fairly catchy take on the mid 90s emo rock/ post hardcore sound. Reminiscent of both bands like Rival Schools, Jets to Brazil and Jawbreaker, as well as uber popular present day acts … Read more
Initially released late last year on Japanese label Diwphalanx, Pink now finds a worldwide release through Southern Lord. It also see's the band at their scuzzy rock best. Similar in sound in many ways to their 2005 Southern Lord release, Akuma No Uta, but upping the ante considerably with tighter more memorable songs. Tracks like "Regardless it is not Separable" … Read more
Genghis Tron is something of an anomaly in the world of music. On their Myspace site they list themselves as Grind/Electro/Metal, which is a pretty disconcerting declaration to some. It sounds a bit off-putting, like a botched crossbreeding that has yielded mentally handicapped offspring in the form of songs that should have never been written. That's the way it usually … Read more
My initial experience with Casiotone for the Painfully Alone (henceforth referred to as simply 'tones, to save me a fair bit of typing) was not an audio one. Rather, for sometime the only working knowledge that I had of the band was their lyrics which I read through after Soulseek dropped the ball and returned no search results. This, granted, … Read more
Prog-rock is quite an unstable ground to tread upon. One uneven step can send you hurtling into the abyss of ridiculous pretentiousness. As Silence of Another Kind begins, Paatos is already dangerously close to losing their footing. "Shame", while aptly named, does nothing more than give the impression of a rather uninspired band that is simply going through the motions. … Read more
Hate is a tough thing to grasp for many people. They say they hate, but I'm not sure I believe it because the term "hate" is like love. It's thrown about haphazardly and used in offhand comments and that makes it lose it's true, immensely dark and angry feeling. So when a band aims to go for hatred as the … Read more
My buddy Dave said it best: "This shit makes me want to punch a whale." Ridiculous? Perhaps. But Ceremony's first full-length, Violence Violence is completely ridiculous. And I mean that as a compliment in every way. They released their Ruined 7" not too long ago and the hardcore hype train started a-chuggin'. You'd see kids in Ceremony hoodies and tees … Read more
Almost ten years ago the California hardcore band Chain of Strength asked, "Has the edge gone dull?" The edge hasn't lost any of it's sharpness but has transformed from a simple song written by teenagers in Washington D.C. in the early 80's to a positive filled jock rock by the end of the decade. The 90's itself was a scary … Read more
Al Jourgensen doesn't wear his heart on his sleeve; he rips it out of his chest and smothers the bloody, still-beating remains in the face of anyone and everyone he can get his hands on. Since forming the industrial power-house that is Ministry, Jourgensen has been the driving force behind album after album worth of seething, stomping anger. In a … Read more
In hardcore's early '80s halcyon days, the EP became the coin of the realm: a handful of songs, often over before you had a chance to sit down. Many great bands never even recorded full-lengths - a phenomenon that's a lot less common today though by no means extinct. Maybe if Panic hadn't broken up in 2002, they would have … Read more
Islands is the kind of band that has the ability to suck you into their creative vortex and draw from you the emotions that they choose to illicit accordingly, all the while Return to the Sea remains very optimistic and upbeat. How could it not? If you are a follower of Islands leaders Nick Diamond and J'aime Tambeur (who recently … Read more
Casey Jones, for those not in the know, is an unapologetically straightedge hardcore band. Originally a side project of Evergreen Terrace, this Florida based five-piece decided to make this band more "serious." They are more of a modern era hardcore group that has mid-to-fast paced music that sets up the crucial breakdown to mosh to. They do add hints of … Read more
It's been a long wait for the debut album of Mike Patton's Peeping Tom project. About six years to be exact, but let's cut him a little slack, it's not like he hasn't been busy. Between Fantômas, Lovage, Tomahawk, various John Zorn or solo projects and now acting, I don't know how the fuck he even finds time to do … Read more
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