It's a Saturday afternoon and I'm at present stuck at work flipping through a copy of the latest Alternative Press magazine. Good literature it isn't, an easy read between calls it is. This particular issue sitting in my lap contains a feature on the hundred bands that are going to be "taking over" in '06; i.e. rammed down my unwilling throat. Your average AP reader (my sedate Saturday afternoon self included) is not interested in lots of big words and fancy linguistic turns of phrase; we want new bands to listen to and we want them now. To aid myself and my lazy brethren, AP provides a handy "For Fans of..." along with each band in their top one hundred list. In my present state this appeals to me a great deal, however the problem with it becomes glaringly obvious from the start: I like Wire but detest The Rakes, Refused used to frequently blow my mind but I can think of few hardcore bands more drab than The Warriors, and as for Big Black and Selfish Cunt being mentioned within the same breathe!? Get to fuck. None the less, the concept itself has grabbed me by the cranium and … Read more
The Eagles of Death Metal are back in action and are kicking all notions of a sophomore slump to the … Read more
Have you ever heard a record for the first time and immediately received a feeling of comfort that you would … Read more
When I started to write this review I wasn't really sure what direction this introduction was going to take. So … Read more
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Brooklyn's Smother Party come armed with an intriguing name and an interesting sound. Apparently gaining the band name from an old English custom of literally covering bedridden family members with mattresses and, well, smothering them. This loving ritual was deemed "a smother party." How perfectly morbid. It's the fascinating nom de plume that piqued my interest in the band, and combined with that trippy cover art I prepared myself for a journey in the unknown. This New York three-piece combine increasingly off-kilter riffs with supreme dissonance to create a work that's both somehow compelling yet inaccessible. The twin guitars (Mike Eber and Kirk Schoenherr) don't sound like any other guitars you've come across. Utilising odd time signatures and curious tuning, Smother Party are safely on the avant side of garde. … Read more
The Crown was a good band; Angel Blake, not so much. Guitarist Marko Tervonen's decision to record a solo album seemed like an interesting move at the time. Writing all the music and performing all the instruments offered him the chance to really show what he was made of. Unfortunately, what he's apparently made of is the same milquetoast mediocrity … Read more
Finally. This record has taken forever to actually see the light of day. Rainer Maria is normally consistent (at least that is the way it seemed) with their time between releases. For those who are unfamiliar with the band, Rainer Maria is a three-piece based out of Brooklyn, New York by way of Wisconsin, and they play poppy indie rock. … Read more
D-Beat hardcore is becoming a quite liked genre even outside of the shower-once-a-month hardcore cretins. Hell even one those little pukes in From First to Last was recently seen in a Tragedy shirt in a promo photo for their latest album entitled I Killed my Girlfriend with my Spiky $500 Dollar Haircut and then Pouted about it. D-Beat hardcore, for … Read more
This review is an open letter to all the hardcore bands from the United States, consider yourselves called out. The next big thing in hardcore does not come to from the land of the free. Instead, Human Demise calls The Netherlands home. But these are not the quaint Dutch folk you see portrayed in cartoons. These guys are pissed off, … Read more
When it comes to jocking, there's no place better to be jocked than Northern California. This magical place is blowing up like an infirmary the day Ebola hits the streets. Their roster includes bands like Hella and Xiu Xiu, bands like Ceremony and Look Back and Laugh, bands like Funeral Diner and Bullets In, bands like Sabertooth Zombie and Burial … Read more
It must have been over a decade on since I picked up Grace, the debut and what would be the last full-length from California's Mean Season. Out here on the east coast, they have been discussed in low voices and hushed whispers almost as if the band was some well kept secret. You see, Mean Season were around when Unbroken … Read more
So here we are, NOFX's 10th studio album, 3 years on from 2003's War On Errorism. Bush got re-elected, so anyone not expecting more political-themed punk rock is probably in need of urgent brain surgery. At 44 minutes, with 18 official tracks, it's one of the band's longest releases to date and could probably benefit from being trimmed of its … Read more
At this point, NOFX know where they stand in their musical career. That much is obvious not only when you see them play a show, but also when you listen to the final track of Wolves In Wolves' Clothing, "60% (Reprise)". There's no dancing around the subject with ambiguous or pretentious lyrics that make you think "Yeah, I'm pretty sure … Read more
I initially prefixed the heading of this review as "Neil vs. Cannibal Corpse"; such was my preemptive assumption that I would hate Kill. I set myself ready for war. God knows from the off I was handed a plethora of ready material to systematically destroy the band. I mean, just look at any of their promo photos. Fucking fruits. A … Read more
Do you remember when pop-punk wasn't sung by guys with swooping black'n bleached haircuts wearing button-up shirts and girl pants? Do you remember when pop-punk didn't have over-produced, mirror-polished, fake-as-hell vocals? Remember when pop-punk had some attitude? Yes, I also remember Screeching Weasel, and more recently, Dillinger Four. Now here's another band that gets it right. Pink Razors are a … Read more
Changing Face's debut EP, Our Last Chance demonstrates a side of hardcore that is most commonly looked down upon. The side of hardcore that has been left in the frying pan for far too long, and flipped one too many times by tough guys in camo-gear. However, Changing Face keeps these seven songs nice and short, and put in more … Read more
In 1998, Catch 22's first, and defining album, Keasbey Nights was released by Victory Records. The release was a departure for the label, as they were known at the time for releasing mainly hardcore records. Earth Crisis, Integrity, Snapcase; these were bands Victory was known for releasing landmark records from. Catch 22 shifted the momentum of the label, as a … Read more
Deje vu. Nearly two years ago I was writing a review of the original release of this EP. I closed that review stating that the band could "either stay close to home and continue on as local sensations or keep pursuing their dreams and make the jump to the inevitable stardom that is within their grasp." They opted for the … Read more
Growing up on a steady diet of Sabbath, the darker aspects of music always held so much appeal to me. Yeah, I liked punk rock, still do, but I was looking for something heavier, darker, and as cheesy as it sounds, more evil. I am not talking about Slayer's fake evil. I am talking about visceral scare the shit out … Read more
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