When Pretty Girls Make Graves released their 2003 album The New Romance, I didn't think there was any way for it to not make the majority of critics' top 10 lists. It made some, but an album that cracked a window long painted shut and let the air flow through the tomb of modern music deserved better. There were many factors that made it a great album. Having a great, fresh sound was one of them due in large part to their guitarists Jay Clark and Nathan Thelen. So believe me when I say that when Pretty Girls Make Graves were in the position of having to replace a guitarist - Thelen left in 2004 - and decided to do so with a keyboardist, I was equally torn between worry for the sound that I had come to know and love and admiration for the balls it must have took to make such a drastic change. Mix that with a sprinkling of "Are you fucking nuts???" and you have my colorful plethora of emotions on the subject. The first listen and every subsequent listen of Élan Vital will always remind me that I am an overreactive pussy that needs to … Read more
First off, the packaging on this limited release is top notch. It's a screen-printed, foil stamped, cardboard "case" that is … Read more
Though I'm sure none of you indie elite need to be reminded, but allow me to assert that Paris Hilton … Read more
In 1955, photographer Robert Frank received a grant from the John Simon Guggenheim Memorial Foundation to travel the country photographing … Read more
Calling All Creeps! is the debut EP from The Neon Hookers. Okay, so the band's choice in name isn't the … Read more
According to guitarist Adam Fischer, "The Always Open Mouth is the person in the crowd who, when you say something, … Read more
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I remember The Postman Syndrome; their lone full-length, Terraforming is a hidden gem chock full of references to the landmark Japanese anime Neon Genesis: Evangelion and intricate songs which contain equal parts fret board gymnastics and melody. Day Without Dawn is the product of that band minus one member and quite a bit of a challenge, which a band can face during their tenure. This band picks up the pieces just enough to put out what will be their lone full-length (following a self-financed self-released and self-titled EP), Understanding Consequences. Understanding Consequences contains a variety of music, some of which is very good and other that is a little too technical (in The Mars Volta version of "prog-rock") for my taste. "The Wake" is a bit melodramatic sounding with busy … Read more
Very few bands, after putting out two records that made me cringe, put out a record that moves me. Not very few, make that zero bands, except for Fear Before the March of Flames. Odd How People Shake and Art Damage were both unappetizing attempts to reach some sort of plateau where they could rain down shit on everyone around … Read more
A quick warning before you read this review: This will be the most biased review I've written for Scene Point Blank. Remove from the equation the fact that I have business relations with one band. Remove from the equation the fact that both bands I consider to be some of the best friends I've ever made in the hardcore "scene." … Read more
The vast majority of hardcore that's described as "heartfelt" comes off sounding "cheesy," "uninspired," and "contrived." The "emotive" vocals as "whiny." You get the idea. Southern California and Northern California's respective Final Fight and Life Long Tragedy are two vital exceptions, pioneering their own brand of modern hardcore. With their debut full-lengths in 2005, Under Attack and Destined for Anything, … Read more
When the Big River Floods sounds like Circles recorded it in a basement while drunk. Rough and ragged, the influences that are melted together to form the seven song mini-album slur their way along through confused drum-rhythms, low mix horns and a hell of a lot of rock, country, folk, and jazz. But not in a way that's ever really … Read more
I have been following Hammock's short career so far and have enjoyed everything that they have put out. Their 2004 effort Kenotic and the 2005 release of Stranded Under Endless Sky were enjoyable listens that found their way into my rotation once every couple months or so. With their signing to Darla, Raising Your Voice...Trying to Stop an Echo is … Read more
Premise: An album comprised of five tracks. -Five tracks, man? Pffft, how long could it be? -Like, you know... longer than that Locust joint. -No way? Which Locust joint? -Any of them, and yeah way. -Kayo Dot's on Robotic Empire. So, this album's a combination of spazzy drumbeats, everywhere guitar parts, and harsh vocals - that I love, of course … Read more
A few months ago in Scene Point Blank's Mid Year feature I mentioned that Paramnesia Records had been the record label of the year up to that point, and that I was looking forward to their next release by In First Person. That release is now here, and with it comes the solidification of my belief that Paramnesia is the … Read more
I don't know about anyone else but when I get a new album I don't listen to it right away at first. I usually check out the song the titles, then I look at the thank-you list, and then read over some lyrics just I can get a feel for the band before I actually listen to the music. Sometimes … Read more
Born from Pain's fourth full-length, War, is the next logical step for the Dutch masters of hardcore. The music still draws heavily from the 90's New York hardcore scene as well as hints of late 80's thrash metal. But in addition to what you'd expect from Born from Pain, the band has thrown in a few surprises to spice up … Read more
Ok, first things first, let's get this straight: I hate The Killers. I wish The Bravery would go back to being a ska band because, hey, at least no one thought they were cool then. And as for the last A.F.I. album, well, the less said about that the better. The point that I'm trying to get at here is … Read more
This album is a devastating wake up call if you put it on before your 7:00 AM morning commute. I almost swerved in surprise when it first came forth from the car speakers. A Haunting Curse is the third album from this New Orleans four-piece and marks their debut for Metal Blade. Erik Rutan of Hate Eternal and Morbid Angel … Read more
Gaza's debut full length I Don't Care Where I Go When I Die is stark and uncompromising. When there are too many black metal bands gaining notoriety with gimmicky "evil," Gaza's work exposes the dark, cancerous, masochistic underbelly of America and by extension, human nature. But this isn't some subversive highbrow "art-core" with subtle references to Neitschzean melodrama - this … Read more
When I saw Lord of the Rings: The Two Towers, I was in major awe. The scene in which The Ents - the walking trees - hurl rocks was the ruckus I had been searching for my entire life. Giant trees fucking shit up. As kick ass as the scene could've been, we were treated to what can be simplified … Read more
Your mom probably told you one or two billion times in your life that you should never judge a book by its cover. She also might have told you that the first impression you make is a lasting one. Sometimes, even moms can be wrong. Take Lawndale, CA's Looking Up for example. If one came across this CD in the … Read more
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