Khlyst, being comprised of James Plotkin (formerly of Khanate and involved in a multitude of other projects) and Runhild Gammelsaeter (formerly of Thorr's Hammer), could easily be expected to produce some of the most unsettling music out there. But Chaos is My Name is almost too avant-garde for its own good. Chaos is My Name has an ebb and flow to it: alternating between tracks of Gammelsaeter's demented shrieks accompanied by free-form, almost pain-inducing, guitar shredding and tracks of eerie ambient soundscapes. Not to discredit either member, but I think the album would be better if it left out the random bursts of guitar and focused on the ambient bits, which are, after all, some of the creepiest sounds that were committed to tape last year. Even though I like at least 90% of what Hydra Head releases, I'm still starting to get the impression that the head honchos have realized they can put out just about anything and people will eat it up just because of its association with Hydra Head. Again, I'm not saying this is a bad album. It has its own unique sound and it definitely accomplishes the task of sending shivers up the spine, which … Read more
Reasoning with Time is the follow-up offering to Protagonist's debut effort, Hope and Rage, which was put out by Blackout! … Read more
Nevermind the seeming monopoly that John Pettibone has on vocals for metal and hardcore bands in the Seattle area. The … Read more
Most of the materials I get in for review usually goes on at least one bus ride with me. It's … Read more
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One of the many exciting acts introduced through The Flenser, Sprain delivered an impressive work with their debut record, As Lost Through Collision. Introduced during the dark times between lockdowns in 2020, the album is a tour de force through noise rock and post-hardcore. With an off-kilter element and an allure for both the chaotic and depressing nature of no wave, Sprain seemed not only a promising but, already, a remarkable act. This feeling now becomes reality as the California band releases their sophomore work, The Lamb As Effigy. First things first. This work is the very definition of an ambitious. Its duration is double that of As Lost Through Collision. But, this is not where Sprain stop. No, they have not only extended the time but also the depth … Read more
My first impression of Cassius is "Oh no, not another metalcore band." As time wears on, I hope that a lot of the kids in these bands wake up and stop perpetuating a mostly tired genre. Cassius at least does a solid job of playing in the genre. They also bring refreshing brevity to their songwriting and arrangements. I must … Read more
How many Swedish bands do you listen to? Wouldn't your friends think you're way indie if you told them you're diggin' on this sick Swedish band that produced their album on a laptop? You guessed it, my obscure band-loving friends, Tar...Feathers is straight out of Göteborg, Sweden and yes, they recorded Make Way for the Ocean Floor to Fall to … Read more
Two years ago when reviewing Time for Change's debut EP, Profound, I made it known that while the band delivered some quality music, they hadn't yet found their own voice. Well, it seems as though time was all they needed. Wasting Away is a brand new 7" with four new tracks from the Southern California hardcore outfit. Time for Change … Read more
I remember this band; a few years ago I picked up Live Forever or Die Trying with false promises of sweet melodic hardcore. We all know how much I love sweet melodic hardcore. Unfortunately, I was rewarded with another bland disc of substandard metallic somewhat fast hardcore. The only redeeming factor on Live Forever or Die Trying was a good … Read more
I guess I'm really spoiled living in New England and all. Being so close to Massachusetts, and not a far cry from New York City, it's almost impossible not to catch any up and coming hardcore act. Hell I don't even have to leave my home state of Connecticut to see a fair number of the heavy weights that reside … Read more
As seems to be common in the electronic scene, Assemblage 23 (A23) is the product of one man - Tom Shear. According to the bands official biography, the embryo of A23 was conceived on one fateful night in 1988, when Shear heard an industrial-dance DJ open for Depeche Mode. Staying true to this conception, Shear has made his name by … Read more
When Cave In went on hiatus, who would have thought that the principal players would all decide to throw down "solo" records? Steve Brodsky had been doing it for a while, but with Caleb Scofield's Zozobra and now Adam McGrath's Clouds, they are turning out a bunch of material apart from each other. Clouds is completely confounding. If you ever … Read more
It's quite an interesting experience to hear the whole of Cave In broken down into its different parts, in a manner of speaking that is. Since the band has gone on hiatus, the members of Cave In have continued their musical outfit through a variety of sources. Vocalist Stephen Brodsky has been continuing to release material under his solo name … Read more
For those of you unfamiliar with Trap Them (or Trap Them and Kill Them or 77+K7, I'm not sure which moniker stuck) you have to be familiar with Backstabbers, Inc. right? Well, if for some reason you aren't, this is dirty, dirty crust-grind. The distortion is through the roof, and none of that polished metal sound that you get from … Read more
Damn... Burning Skies has a ton of grind influence as well as some good old death metal influence to boot. I guess Misery Index and Dying Fetus would be good reference points. Regardless, this is a pleasant enough surprise. The production on Desolation is crisp, clean, and heavy; it definitely gives the band a brutal sound. Desolation is pretty crazy. … Read more
Australian-bred power-pop/indie-rock band Youth Group has returned with their second U.S. release, and third overall, with Casino Twilight Dogs and damn is it good. The dark and haunting lyrics matched with shimmering guitar chords and vocalist Toby Martin's smooth, pop-perfect delivery made 2004's Skeleton Jar a strange disc to behold as it didn't seem like it should have been so … Read more
Dälek have the ability to produce an album that's so distinctively different from anything that have done before and yet still sounds characteristically like a Dälek album. As soon as you hear a song by this group, you know it's them. Not only have they consistently been able to do this album after album, but while doing so the quality … Read more
I have to admit, Years from Now do shed a tiny bit of warm sunlight into the dank black empty soul of this jaded hardcore scenester in more ways than one. It's nice to see a bunch of rapscallions play melodic hardcore in a quite a way that I can imagine the members of this Floridian band having a record … Read more
Those of you who read my "Top 5 Awesome Bands SPB Got Into in 2005" feature in the end of the year recap, might remember my mention of Years from Now. Out of Daytona Beach, Florida, Years from Now play infectious melodic hardcore with pop-punk flourishes. Think New Found Glory meets Fastbreak. A melodic hardcore fan can't want much more … Read more
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