Black metal and obscene, blasphemous imagery are like peanut butter and jelly"¦they were essentially made to go together. Of course in a sea of peanut butter as huge as the black metal scene is, it's usually hard for one band to spread on enough jelly to really stand out amongst the crowd. In 1991 Sweden's Marduk took this into account and released their first demo, Fuck Me Jesus with a cover that portrayed a naked woman penetrating herself with a crucifix. The rest is pretty much history, as Marduk is now one of the largest black metal groups around. That isn't to say they are all style over substance; their catalog, now ten full-lengths long with the addition of Rom 5:12 and a handful of EP's, live albums and DVD's, is a solid one that features black metal ranging in speeds from fast to breakneck to time travel. Think somewhere along the lines of Immortal or Dissection snorting a concoction of steroids and meth. Rom 5:12 showcases the band's ability to play at ridiculous speeds, but also has them throwing in a few slower beats to offer a bit more dynamics than some of their previous albums have featured; I'm … Read more
Surely by now, almost everyone within the underground music community has heard of Napalm Death. If you have not yet … Read more
Back in 2006, a small post-punk quartet from Newmarket, Ontario hit the club scene and blew people away with their … Read more
First things first, where the bloody hell is the Roman numeral? This is Tiger Army IV: Music from Regions Beyond, … Read more
It has been a long time since I've heard a pretty singer-songwriter record reminiscent of Bruce Springsteen and Van Morrison's … Read more
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A lot of albums are released during the course of a year. Hell, even if you rule out all the albums that you know you have no interest in at all, there will still be some that you just don't get around to fully checking out until much after the fact. So while everyone else is focusing on the next big thing, I turned my attention on Codeseven's latest release, Dancing Echoes / Dead Sounds. To begin, forget all you know about Codeseven's previous material. It's really irrelevant to talk about the band's chaotic metalcore past, or their evolution into a spacey-rock act. Those days, while extremely awesome, are nothing more than a faded memory. The majority of the music that Codeseven plays theses days could be termed experimental indie/pop. … Read more
Sometimes a record comes along that just floors me and it's hard to find words to put to paper. I've had a couple of records do this to me lately and Dead Hearts most recent effort, Bitter Verses, is one of them. If I had to choose three words, and three words only, to describe this release, they would be … Read more
The Ergs are self-proclaimed dorks. The great thing is that they are dorks that can write some great hooks. Upstairs/Downstairs is simply The Ergs latest example to demonstrate their ability to write infectious songs about girls and other pop-punk staple subjects. Upstairs/Downstairs delivers where their debut full length, dorkrockcockrod, set the stage for and where last year's EP, Jersey's Best … Read more
The Underground is a Dying Breed is a surprising comeback for Hot Rod Circuit. It appeared that even diehard fans were left disappointed with 2004's Reality's Coming Through. The album's blandness was an especially hard blow considering that their 2002 Vagrant Records debut, Sorry About Tomorrow, was on par with their much-loved Triple Crown Records material. Hot Rod Circuit had … Read more
People around here at Scene Point Blank like to joke and rib me about being the token melodic hardcore guy. It's all in jest and like with most stabs of humor they never stray to far away from the truth. However, there is a dark secret I would like share with everyone. Towards the end of the 90's and into … Read more
About two months ago, I had the pleasure of seeing Altered Beast play a quick, understated, but totally badass set in my friend Paul's basement. Being the swamped college kid that I am, I am just now able to sit down and write a few words about the demo they passed out to everyone in attendance. If I hadn't been … Read more
On The One A.M. Radio's 2004 full-length, A Name Writ in Water, songwriter Hrishikesh Hirway surprised critics and listeners alike with his apprehensive brand of esoterically compact and personal lo-fi composition. Falling somewhere in the dark crevice between electronica and singer/songwriter melancholia, Hirway demonstrated an almost uncanny ability to be both rhetorically personable and musically reserved. The vaguely metropolitan musical … Read more
Init Records is one of the most underappreciated record labels releasing music today. Documenting some of the Midwest's most important punk bands, from The Spirit of Versailles to The Vidablue, the label is consistently on point. I know Steven Init through the great invention of Internet message boards, and the guy is an absolute stand up person. So it still … Read more
Complacency is one of the greatest threats to hardcore's continued vitality. Many bands fail to grasp the importance of taking risks to produce a fresh sound. Even more frustrating are lyricists who allow hardcore to become insular. On their Tramps Like Us demo, Ramparts make certain they are committed to fighting stagnation. What struck me first about Ramparts was how … Read more
Disclaimer: Don't read this review if you are offended by four letter words and genital slang. Thank you. Some bands strive to enlighten their listeners with intelligent, philosophical lyrics. Other groups promote vegetarianism, veganism, or the straight edge lifestyle through their music. Then there's Johnny Vomit: five guys dedicated to getting sloshed and playing music. After looking over their album … Read more
Although Sky Blue Sky is their sixth full-length studio record, it wasn't long ago that I hadn't actually heard of Wilco, and thus their stellar reputation was something I hadn't quite expected. The album's superbly striking artwork told me to expect some frosty post-rock atmospherics, but I was pleasantly underwhelmed by the clear-headed (but not quite sunny) alt-rock that didn't … Read more
A guitarist who died too soon, going by the name of Rust Epique, once said: "Bad art is still art." These words came back to me when listening to CocoRosie, and brought back the memories of when I was a young kid that listened to shitty music, like Crazy Town, which featured Rust Epique. Anyway, as I was listening to … Read more
Andrew W.K. is the latest Renaissance man in the world of music. Like others before him, John Lennon and Henry Rollins among others, W.K.'s influence has flourished beyond the boundaries of his musical output. And while many may still see W.K. as "the party guy," his stature in the public eye is much more than that of a one-hit-wonder. He … Read more
It is not often that a band is willing to revisit prior recorded works in a new musical style. With Hibernaculum, the lauded Earth do just that. However, they do more than just rehash old material. Dylan Carlson and company instead breathe new life into the songs and gives listeners, fans, and interested parties a striking bridge between the "louder," … Read more
There's an awkward goofiness to the Start Today album, or any of the first fifteen Revelation releases, that will always make them powerfully classic. None of the bands at the time really knew what they were doing both musically and culturally. These were just a bunch of bored kids, mostly in middle and high school, who felt alienated by their … Read more
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