This is a Neurosis record through and through. Given to the Rising ultimately destroys any notion that this long running, innovative band are getting soft. Recorded in a very brief six days with long time recording collaborator Steve Albini, this album is an experiment of sorts for the band. Neurosis continues to take steps forward in the evolution of their sound, but this record is heavy like previous albums Times of Grace and Through Silver in Blood. This brings the level of visceral emotion even higher. Given to the Rising is not a consistent bludgeoning. Neurosis continues to play with dynamics, and, I might be crazy, but this record seems much noisier than they have been as of late. The album hits hard to start. "Given to the Rising" has a sweeping opening that threatens to take the listener almost immediately. Neurosis breaks with their normal opening formula of an instrumental and, instead, leads off with an intriguing opening track that plays opposites both in the emotional sound of dynamics and in the heaviness and softness. They employ these contrasts to great effect. The keyboard sound is good and draws my ears to it frequently over the course of the … Read more
Growing up, Ben Weasel was the total embodiment of punk rock to me. Sure, NOFX was the band that hooked … Read more
Two Gallants have left many critics, myself included, dumbfounded for a means of describing their music. Those less talented have … Read more
Everyone in the known universe that's ever listened to music has heard at least one (but more likely three-to-ninety) Beastie … Read more
Kings of Leon: the South's answer to rock and roll. Their dirty, sometimes bluesy, sometimes alternative rock can get even … Read more
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There’s a fine line between crossover thrash that feels dangerous and crossover thrash that just feels like a party. Global Urination doesn’t bother choosing because it does both loudly and without apology. St. Louis’ Sewer Urchin have been grinding since 2019, and on their latest full length they double down on everything that makes the genre work. They give us speed, riffs, and a complete disregard for good taste. Twelve tracks fly by in a blur of crunchy guitars, shouted vocals, and rhythms that feel tailor made for chaotic pits and questionable decisions. The band’s self-described identity is “too metal for punks, but too punk for metal-heads” which of course lands right in that classic crossover pocket. You can hear the influence of Suicidal Tendencies in the groove and bounce, … Read more
The first Shellac record that I bought was Terraform in college. I popped it onto my record player and shortly thereafter fell oddly in love with Shellac's minimalist crushing sound. Todd Trainer (drums) and Robert Weston (bass) provide a heavy tight rhythm while Steve Albini (guitar) lays over a tin can like tone, or lack there of some might say, … Read more
Reviews of music this insular, personal, and weird usually end up talking about other artists. Something along the lines of: "Cho sounds like that one guy, but with a hint of that other guy. A complex ratatouille of influences including..." but I can't write that review for a couple of reasons. The first is that I don't spend a whole … Read more
"Ecky Thump," a Lancashire colloquialism, is most commonly described as slang for an exclamation of surprise, disbelief, or in recognition of something amazing. Icky Thump, The White Stripes sixth studio album, definitely lives up to it's name. The band released a statement on their official website explaining that: The White Stripes have completed the recording and mixing of their sixth … Read more
Elliott Smith's tragic death is seemingly unavoidable when talking about his music. It seems so interlinked with the subject matter of his songs that one must always connect the two; many of his lyrics seem to prophesize his untimely death, referencing his unhappiness and growing drug addiction, and it's this that seems to draw many people to Smith's music. In … Read more
As I sit on my bed and listen to Songs from a Mean Season, I am twenty hours removed from having all four of my wisdom teeth removed. The pain really isn't all that bad, but I can still taste blood when I swallow, and my cheeks are pretty bruised. Then I start to really listen to the music entering … Read more
Some of the most memorable albums were created in the strangest fashion, The Doors' L.A. Woman comes to mind. Although not exactly a legendary album, the same goes for Crayven's debut EP Colosseum. Guitar and bass were recorded straight to the computer, vocals in the studio of a local radio station and the drums into a mic before going into … Read more
Over the years, Queens of the Stone Age have managed to carve a deep niche into the hard stubbornness of mainstream music. Like his previous band Kyuss before, Josh Homme has created in Queens of the Stone Age a unique sound and style that sticks out like crazy on a milquetoast landscape. While the albums individually aren't always the most … Read more
For the most part I tend to think of hardcore as the last bastion of true emotional outpouring for contemporary music. Hip hop and rap seems to be more concerned with stuff they want or stuff they are going to get. Metal either wants to bellow about goblins or how much their girlfriend sucks. Country music is a running joke … Read more
Punk has always been international. When public intellectuals like Thomas L. Friedman began to trumpet the interconnectedness of a globalized world, American punks had already been booking tours, trading records, and making friends with their international brethren for years. It's a shining example of how the right cultural formation can dissolve political borders with ease - just as earlier rock … Read more
Despite the abrasive nature of U.K. garage, Dizzee Rascal has performed the extraordinary task of achieving eminence in various circles of British music, from his immediate contemporaries in grime and hip-hop to the less approximate in metal and indie. The Arctic Monkeys have gotten in on some mutually reciprocal sampling, and Dizzee was an unexpected highlight of 2004's Carling Festival; … Read more
Yeah, the guys in Pelican are busy dudes. City of Echoes is the band's third full-length and seventh record released since 2001. I admire their work ethic. For those of the initiated, Pelican is an instrumental outfit that tends to get lumped into the "Post"¦" categories (see post-metal, post-rock) along with bands like Isis and their ilk. To be honest, … Read more
Jason Schwartzman was first known for being the drummer of the alternative rock band Phantom Planet. But Schwartzman left the band in the middle of their third album to try his luck as an actor. Since then he has made his mark on the film industry in movies such as "I Heart Huckabees" and "Marie Antoinette." Now he is back … Read more
I've been hoodwinked. Hornswaggled, if you will. Lied to for years. About what, you ask? Well, I'll tell you, you nosey sons of bitches. Porcupine Tree. For years I've had people tell me "Dude, (yes, dude is their preferred nomenclature) you need to check out Porcupine Tree. I know you hate prog, but check these guys out". Prog. Pfffft. You … Read more
Like the Bible's steadfast conviction in the second coming of Christ, I knew this day would someday come. And goddamnit, it's here! Pop punk - real pop punk - has returned. While far too many bands are priding themselves convoluted songwriting, a whole new batch of bands - some old, some new - are popping up and proving that all … Read more
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