Recent reviews

Our latest album reviews, featuring the records we've most enjoyed (or not) over the past few weeks.

Reviews by score
Browse our album reviews according to score: Highest (9.5/10 or more) or Lowest (2/10 or less)

Celebrity Murders

Time to Kill Space
Chainsaw Safety (2006)

There are a few music "fans" that may be in denial, but I think most schooled individuals can attest that there is a tremendous dearth of great hardcore bands out there. There are a few more bands that could be classified as "good" and then a seemingly infinite number of shitty ones. Celebrity Murders is a great band and Time to Kill Space is without a doubt, one of the best hardcore albums to come around in a long, long time. This could quite possibly be the only band strong enough to mount a resurrection of the NYC hardcore scene that's lain dormant these many years. The band keeps it real with an analog recording of seventeen tracks guaranteed to kick your prick back to 1983 while still managing to sound more vicious and relevant than 96% of their contemporaries. It's always good when a group has a sound that conjures images of where they hail from. Think of any part of New York City's seedy underbelly and you've got the score right here. This is what The Warriors would be listening to on the way back to Coney. Strolling through Clinton or DUMBO (pre-modifications), this is the album that … Read more

Electric Horsemen

Electric Horsemen
Churchtown Deathbed (2006)

Somewhere - where I have no idea - the idea that traditional stoner-rock could get a huge kick in the … Read more

Heresi

Psalm II: Infusco Ignis
Hydra Head (2006)

In my experience, there is no such thing as a bad one-man black metal project. Every single one I have … Read more

Urgehal

Goatcraft Torment
Southern Lord (2006)

God bless Southern Lord Records. For many years the label has been the last bastion for all things sludgey and … Read more

Form of Rocket

Men
Sick Room (2006)

SLC, Utah's Form of Rocket is five dudes, just as humble as they are talented, blasting out some really creative … Read more

Deicide

The Stench of Redemption
Earache (2006)

My only beef is with God. I wake up every day, I curse Him every day, because there is only … Read more

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One from the archives

Go it Alone

Histories
Rivalry (2007)

For the most part I tend to think of hardcore as the last bastion of true emotional outpouring for contemporary music. Hip hop and rap seems to be more concerned with stuff they want or stuff they are going to get. Metal either wants to bellow about goblins or how much their girlfriend sucks. Country music is a running joke that never seems to stop. Indie rock only wants to get laid for their art. Punk is dead. And rock 'n roll just doesn't exist anymore. That leaves us with hardcore, a place where the disenfranchised and the lonely can pick up a guitar and scream their lungs red raw. Hardcore seems to be only place where you can still be heard and can connect with strangers on emotional levels … Read more

More album reviews

The Prize Fighter Inferno

My Brother's Blood Machine
Equal Vision (2006)

There are some things in life that you either love or hate, and one of these are the vocals of Coheed and Cambria frontman and creative mastermind Claudio Sanchez. Much like the notoriously high-pitched Geddy Lee (of Rush), Sanchez has a unique style of singing that is palatable to some, and to others comparable to the wailings of a pre-pubescent … Read more

Emily Haines & The Soft Skeleton

Knives Don't Have Your Back
Last Gang (2006)

Emily Haines is a diva. Okay, maybe not in the traditional sense of the word, but if the modern definition - "an extremely independent and talented female singer" - allows individuals like Christina Aguilera and Beyoncé to be considered divas, then Haines is more than deserving. Haines may be most well known for her work fronting Metric, but she has … Read more

Darling New Neighbors

Every Day is Saturday Night
Independent (2006)

Hailing from Austin, Texas, Darling New Neighbors play indie rock with tinges of country that strays into universal pop and traces of folk. Darlings of the southern underground, Every Day is Saturday Night is their debut full-length. Filled with indie rockers, folk-ballads, and eclectic pop tones, it is tied together through stylistic shifts and lyrics of love gone wrong, which … Read more

Eyes of Ligeia

A Fever Which Would Cling to Thee Forever
Paragon (2006)

Ask the founding member of Eyes of Ligeia about his band history and you're likely to get this response… In the cursed year 1998 of the Common Era (not coincidentally corresponding to the Number of the Beast three times over), a new medium was required for the communication of haunting despair and abject misery through music. It was to this … Read more

Live for Today

Taking it Back
Our Pride/Positive Outlook (2006)

No pun intended, but good Lord, how gosh darn posi can one band be? I know straightedge hardcore is supposed to be a positive outlook on one's life and choices, but how much glee club positivity can one muster up and still consider themselves hard? Everything on Northern California's Live for Today debut EP Taking it Back is not just … Read more

Justin Timberlake

Futuresex/Lovesounds
Jive (2006)

You are the biggest solo star of your generation and your first album since leaving the boy-band that made you famous was one of the biggest sellers of that year and everyone is clamoring for your next album; so what do you do? If you are Justin Timberlake, you spend four years making a follow-up that's so radically different from … Read more

Sabertooth Zombie

Midnight Venom
Twelve Gauge (2006)

After lying in bed with scenery consisting of drifting ceilings and absent eyelids, this year can finally end with a night of sleep soaked "z"s. Over three hundred days spent and not many left to live (for 2006) and FINALLY Sabertooth Zombie drops Midnight Venom: eighteen tracks of metallic hardcore that sound like seventy-two hours of no sleep and snakes … Read more

Switchblade

Switchblade
Cyclop Media/Trust No One (2006)

Switchblade is a completely enigmatic group to me. They do not seem to consistently release records with the same labels. I was first introduced to them via their Icarus Inc. - a division of Deathwish Inc- album a couple of years ago. I liked what I heard. These guys are a mostly instrumental behemoth that usually produces long passages of … Read more

Ghost Mice

Europe
Plan-It-X (2006)

"To speak of money and music in the same sentence is a fucking travesty. I'd rather keep losing money, rather keep scraping by than be a part of a scene constantly talks about sales, guarantees, and marketing prowess... Because this is how simple it should be; music is inside you, boiling, and it needs to get out because it's your … Read more

Bad Astronaut

Twelve Small Steps, One Giant Disappointment
Fat Wreck Chords (2006)

Before the release of Twelve Small Steps, One Giant Disappointment, frontman Joey Cape willingly admitted that the record does not measure up to what it should have been, and not many bands would ever publicly admit something like that, but not many bands have experienced the tragedy that befell Bad Astronaut. The band's co-creator, drummer, and one of Cape's best … Read more

Gorgoroth

Ad Majorem Sathanas Gloriam
Regain (2006)

Disclaimer: Whenever a reviewer has no idea how to end a review - a more common occurrence than the reader might think - the reviewer is forced to employ the cheapest of literary tricks: the disengage. By taking the reader out of the narrative flow with an aside that is thought to be clever, but in reality is fooling no … Read more

Lifetime

2 Songs
Decaydance (2006)

Everyone into hardcore over the age of twenty-five reeled in shock and horror when they found that the newly reunited Lifetime had signed with Decaydance Records, the label that Pete Wentz of Fall Out Boy owns. No, Lifetime, say it isn't so. Fall Out Boy? The marbled-mouth teen pop-punk mega-stars bassist signs the most revered melodic hardcore band of all … Read more

Kingdom

Kingdom
Independent (2006)

After the 90's, it seems that any vegan straightedge band seems hell-bent on pigeonholing itself into being a metalcore or melodic death metal band, with good reason, too. Abnegation's foray into death metal, Verses of the Bleeding, sucked and Earth Crisis's attempts to become like Pantera were lukewarm at best. Kingdom tries their hand at stepping outside of the box … Read more

Girls Aloud

The Sounds of Girls Aloud: The Greatest Hits
Polydor/Universal (2006)

In this day and age of "indie" bands selling to kids and having number ones left, right, and center, one could be forgiven for thinking that pop music in the form we saw for most of the mid 90's and early noughties is a thing of the past. Luckily, with this collection of singles Girls Aloud have reminded us of … Read more

Reviews by score
Browse our album reviews according to score: Highest (9.5/10 or more) or Lowest (2/10 or less)

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