The history behind Ringfinger's Decimal is rather interesting. Tracy Wilson, whom some of you may remember from Dahlia Seed, started the project shortly after the demise of her former group. Wilson originally wrote and recorded rough versions of these songs before seeking out many close friends to add, tweak, dismantle, and/or reassemble the songs with their own artistic insights. Now, nearly a decade later we have the final product. Decimal is a twelve-song adventure into the world of ambient indie rock, which is accented with various aspects of numerous sounds - shoegaze, drone, emo, post-rock, etc "Typewriter Tourist" is the first song and its sound is a generalized blueprint for what you will hear throughout the entire album. Wilson wrote this song, like she did every one on the album, but she then passed them along to her friends to do as they pleased. On the opening number, Cam DiNunzio and Jonathan Fuller of Denali offer their musical services as they deliver an upbeat indie pop number. "Waving Good-Bye" follows and ventures in a slightly different direction; things are a bit more eerie and offbeat - think Post-era Björk. "Joy Lingers" is the first of several collaborations with Steven Brodsky, … Read more
There's no way around this but to say it straight: I heard the first track from Attack in Black's Marriage, … Read more
Bitter River is the most bipolar release of 2007, hands down. Members of Pygmy Lush were once in groups such … Read more
Can I Keep This Pen? is Northern State's third full-length album and it proves that any and all naysayers dismissing … Read more
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Kayo Dot is still creating music that's "eerie as fuck," but that comes as no surprise. The band seems to follow no set of guidelines when it comes to writing music. Toby Driver's voice is the only certain thing that can be heard over the sounds Kayo Dot makes. Not to say that the music is uncertain, but it is usually incomprehensible and extremely free flowing. Blue Lambency Downward continues Kayo Dot's legacy as an esoteric musical endeavor. Without a doubt, the band has improved from their previous release, Dowsing Anemone with Copper Tongue. The title track, "Blue Lambency Downward," defines the rest of the album perfectly; it can only be described as some kind of free-form space jazz. No other vocals would fit over this bizarre and satisfying music … Read more
It almost seemed like this record would never come out. It's been six years since Iron Flag and 14 since 36 Chambers revolutionised hip hop, and in that intervening period, the genre has seen the rise of the shallower side of the performers, with quality production often sidelined in favour of bold statements and styles without the musical muscle to … Read more
In 1993, nine MC's hailing from all over New York City came together to release one of the most influential hip hop albums of all time. With incredibly gritty production and razor sharp, kung-fu inspired lyricism, Enter the Wu-Tang; the 36 Chambers took the hip hop world by storm and rap as we knew it would never be the same. … Read more
This is my first exposure to Molia Falls, as it may be for some others as well, and I am not sure what to expect at all from the CD that sits here. The packaging tells me little or rather, gives no impression of the type of music that may be hiding on this EP and that gives me pause. … Read more
Sometimes I think our beloved editor and all around swell dude, Michael, doesn't even bother giving our promo records a listen. Case in point: Awake and Alert's Devil in a Lambskin Suit. So Michael sees a plain CD with the name "Awake and Alert" and he thinks to himself, "This is probably another positive melodic straight edge hardcore band that … Read more
I slept on Manatees' promotional disc for a very long time and I'm extremely sorry I did so. Their untitled release, or the lengthy The Forever Ending Jitter Quest of Slow Hand Chuckie: An Introduction to the Manatee is an ethereal and simultaneously heavy release. Their press sheet sums up the band's sound quite well: "The band name was chosen … Read more
Most within the hardcore and punk community are likely unaware of the existence of Lie and Wait. Sure, they are a fairly new band, but there are plenty of other bands that have been around just as long as them, or even less time, that have already achieved critical praise. The release of Led Astray is going to make it … Read more
Fuck "emo," fuck "screamo." Let's talk about music with intensity and passion. Pyramids' second full-length release, Through the Hourglass, features eight equally brutal and beautiful songs. I was fortunate enough to recently see the band perform at the Lo-Fi Social Club in Baltimore; after their set (prolonged one song by a unanimous call for an "encore"), I couldn't help but … Read more
Similarities define genres, right? You can take a group of musicians, cite some sort of common threads through their records, and coalesce those into a genre. But when there are too many bands in a certain genre, things just get stale. And I feel this way about "technical/progressive death metal." Unfortunately, Illogicist's The Insight Eye is another entry into this … Read more
Although this band shares their name with at least three other groups, this release is pretty solid. The United Kingdom's Jinn brings a little bit of punk and thrash to their metal sound, sounding somewhere between Mind Eraser and At the Gates. It's not too dissimilar from the rise of bands like Isis, in some of its slow, epic parts … Read more
Bridging elements of power/indie pop while harnessing a danceable sound reminiscent of the better radio friendly tracks from the 1950's through the 1970's, Georgie James gives us Places. The Washington D.C. songwriting duo consisting of John Davis, drummer of the disbanded Dischord act Q and Not U, and Laura Burhenn, a locally established solo musician, share vocal duties and instrumentation … Read more
Those familiar with Sufjan Stevens or The Polyphonic Spree might recognize Annie Clark for her accompaniment to their most recent tours and discs. Earlier this year the multitalented indie rock darling released her first solo LP under the stage name St. Vincent. Like the aforementioned bands, Clark pushes forward her fair share of quirks in the triumphant debut that is … Read more
Alternative Press called Sweden's Sounds Like Violence "post-grunge." I don't know what the fuck post-grunge is supposed to sound like, but apparently it's catchy pop-punk "recommended for fans of: My Chemical Romance, Underoath, Refused, [and] The Hives." The music isn't as bubbly as your average pop-punk band, which is definitely a bonus, but the lyrics still drip with angst and … Read more
Fjord are ex-Winter Solstice/The Takeover and have been said to play a brand of metal "for the fans of Converge and Botch." Lives Lives definitely sounds Botch-influenced, but that's not a very unique quality nowadays. The music isn't contrived; it's simply similar to many "metal-core" bands. Thankfully they don't fall into the mold of recycled As I Lay Dying riffs … Read more
Light Yourself on Fire, a four piece from Tampa, Florida, play thrashy hardcore that they call "power death." The seven songs on this EP release are riddled with pinch harmonics and sludgy riffs played at breakneck speeds. The lyrics are unintelligible, but touch on topics such as bullshit on the radio, the ubiquity of neurosis, and global warming. Cover art … Read more
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