On his seventh album it sounds like Ghostface is handing over the reins to the less noted, giving more of his name and less of his talent, allowing the up and comers to ride on his success. The overall presentation of the album seems rushed and halfhearted; perhaps he assumes that people will purchase the album solely on the premise that his picture is on the cover. Compared to the beats on Fishscale the production isn't sub-par, but lackluster. Consequently the delivery on this album sounds timid, lacking the tenacity heard on the previous releases, as if Ghost himself is unsure of his rhymes. The number of guest appearances heightens this uncertainty, with almost every track featuring guest appearances from other rappers. The sparse verses Ghostface Killah gives leaves me feeling something between shock and disturbance. His celebration of violence, drugs, and promiscuity on The Big Doe Rehab punches a few more notches in his bravado belt but it also dethrones him from being the king of hip-hop. On one track he states, "If you're fat I may have to take one for the team, but I gotta be drunk first y'all know what I mean." I'm not completely disgusted … Read more
There is a parenthetical addition to this album's title that states "This Might Take More Than You Can Brave." Ironically, … Read more
The term "pop-punk" has been really batted around in 2007. It has been used describe every band from Set Your … Read more
Lets paint a picture. After weeks of midterms and presentations in combination with 'seasonal' weather, I couldn't decide if I … Read more
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First off, I have to say, "wow." This is really on Saddle Creek? That is totally unexpected. Being unfamiliar with what Ladyfinger (ne) is capable of musically, I am totally surprised. Heavy Hands is the debut album from these guys. It is a more than interesting offering by the description that I have been given for them. Most people have compared them in some way or another to The Jesus Lizard. Right from the start, "Smuggler" lays down an infectious rhythm. The musical arrangement pulses and hums to an unconventional but still kind of familiar beat. The vocals take a bit of getting used to, as they are different, very different. Still, the music almost forces the listener to tap their toes. There is an interlocking relationship between the vocals … Read more
I was lucky enough to see Zs live on tour with The Locust, and I must first mention how badly my ears hurt during their set. I felt for a moment that I might fall apart right where I was standing. But upon the conclusion of their set I realized that this was more than just something that made my … Read more
Attempting to mix hardcore, d-beat, and riff heavy rock, Sweet Cobra does each with authority but sound unfocused when fusing them all at once. Credit is due though for attempting to splice genres, making a hybrid of crushing music. At times Forever sounds like a From Ashes Rises record, worthy of the crust title but still accessible enough to appeal … Read more
Romans is the latest band to be sprung forth from Vermont's underground music scene - the last two that I recall are My Revenge! and Drowningman. So, these four gentlemen from Burlington are in fairly good company in that regard. On their debut release, All Those Wrists, the band unleashes a mixture of caustic, gritty, and noisy mathcore, streamlined post-hardcore, … Read more
One-man black metal projects certainly have become overabundant in the past couple of years. I'm not exactly sure what brought on their increased presence in music, but nevertheless, their popularity has grown exponentially in recent years. Xasthur, which is the project of Malefic, has been releasing material under this moniker since 1995. Defective Epitaph is his sixth full-length release and … Read more
After the release of their debut full-length last year, Intronaut return with an EP containing three new songs and some added bells and whistles. The Challenger kicks off with the title-track and the members of Intronaut pick up where they previously left off with a fairly straight-forward display of metal, oftentimes reminiscent of High on Fire. "Whittler of Fortune" sees … Read more
Don't Mess with Texas is my first exposure to any artist from the country of Croatia. Despite reading through their one-sheet, I was a little skeptical of what I might hear - some crazy gypsy folk perhaps? Nevertheless, Los Dias de Junio made its way into my CD player and I was rewarded for my lack of abandoning hope. Los … Read more
The Flatliners hail from Toronto, Canada and The Great Awake is their second full-length. By the Fat Wreck Chords connection, you can certainly expect this, in the most general of descriptions, to be punk music. And sure enough, The Flatliners offer up twelve punk anthems to cause a ruckus to on this album. However, The Flatliners aren't your run-of-the-mill punk … Read more
This split 7" features two up-and-comers from the hardcore punk scene of Richmond, VA: The Catalyst and Brainworms. Brianworms is up first with two cuts. "Winnie Cooper" takes to the less caustic sound we heard on the band's previous release. The song is a lot more indie rock than hardcore or punk; at times it reminds me of The (International) … Read more
I know I've said this before, but sometimes a randomly received album can be a pleasant surprise. The Flash Attacks latest 7" release, Revenge of the Fruit Flies arrived at my door unsolicited, but you won't hear me complaining. Over the course of these four songs, the New Jersey three-piece unleashes a high-octane onslaught of hardcore punk with some thrashy … Read more
This Louisiana/Tennessee metal conglomerate has a fairly funny yet juvenile name that is likely a huge hit with the faux-hardcore kids. But rather than live off of namesake alone, The Tony Danza Tapdance Extravaganza can actually write a good song or two. Danza II: The Electric Boogaloo is the band's second full-length and third overall release. Since releasing their self-titled … Read more
The Narrows have been a band for nearly nine years and yet this is my first exposure to them. And its not like they haven't been trying; the three-piece outfit from Bellingham, WA have released an EP or LP for nearly every year they've been a band. Benjamin is the band's fifth full-length and clocks in at just under fifty … Read more
Hmmmmmm. That's the sound inside my head when I popped in New Atlantic's The Streets, the Sounds, and the Love. That is the sound of deep contemplation on what exactly New Atlantic is trying to accomplish with their first full-length. Hmmmmmm. The sound continues as I make my way through the ten songs that comprise this album. I hear pop-driven … Read more
There seems to be an unhealthy amount of metalcore originating from the usually respectable country of Germany. And they all seem to be on Lifeforce. Out of these bands, Fall of Serenity is one of the better ones, or at least one of the least annoying of the bunch. The worldwide metalcore herd needs some serious thinning out, but Fall … Read more
Deadsoil is another one of those by the numbers German metalcore acts that I have come to expect from Lifeforce Records. But instead of being a Heaven Shall Burn ripoff, Deadsoil is more of a Hatebreed/Bury Your Dead ripoff, except with obnoxious singing parts and typical guitar harmonies. To their credit, the band does have considerably more musical chops than … Read more
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