It may seem a bit unproductive to review an album that came out in the early stages of this year, but that's part of what makes Woods the band they are: silently create an album that is noteworthy, but flies below any conventional form of radar. Just as their debut How to Survive In + In the Woods was filled with lo-fi, unconventional folk music, At Rear House does the same, adding more experimentation and new versions of old songs. Woods is Jeremy and Christian from Meneguar, and the defining aspect of At Rear House is minimalism. The album itself is briefly named At Rear House, where it was recorded, and everything else about the album and layout is done as simply as possible. There is no lyric sheet, a small amount of art, and only the vital information necessary for the album. This is more or less Woods in a nutshell, creating something out of nothing, making something tangible and identifiable with barely any supplies. At Rear House opens up with "Don't Pass on Me" and shows Woods doing what they do best: drawing the listener in, not scaring them away but rather leaving more to be desired. The … Read more
Quo Vadimus is the sophomore effort from Philadelphia's Jena Berlin. Unfortunately, odds are that most of you reading this are … Read more
The Great Deceiver is the long running project of Tomas Lindberg, also of Disfear and formerly of At the Gates, … Read more
Calling The Polyphonic Spree a Flaming Lips knockoff would be lazy and unfair to the Spree's aesthetic, but the similarities … Read more
I don't think I have ever felt as polarized about a record as I feel about Axis of Eden. I … Read more
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This split is completely unexpected but still very appropriate as both A Storm of Light and Nadja seem to be rather complimentary in several different ways, but, quite honestly, the record packaging for this is sure to grab you. A double LP that includes the CD of Primitive North with some rather unique looking artwork, which goes against the grain of what is rather prevalent right now art wise; the LPs themselves are some of the most beautiful looking slabs of vinyl that people will lay their eyes on in recent memory. But enough about record nerd ogling, the real question is how is the music; and damn, if this is not one hell of a record, then I drank someone's kool aid. A Storm of Light is the latest … Read more
Due to this self-produced album's near industry standard professionalism, you'd never know by only listening to it and paying no mind to the liner notes that Jovian Oblivion is mainly just one guy with a few helpers pitching in here and there. Brent Matney is the mad scientist behind this project; he wrote, arranged, performed and mastered these fifteen songs … Read more
Let's be honest about things. Deathwish has hardcore locked down and Shipwreck A.D. is a key part of their commanding roster. After two self-titled 7" releases that have fueled the band with a fair amount of hype - which isn't always a bad thing - Shipwreck A.D. have brought forth their debut full-length, Abyss. Abyss begins with "Squall," a song … Read more
World music is a funny thing. It begins with the purest of intentions: to invite the listener to explore the country of its origin by providing an aural guide to its history, its peoples, its struggles and its victories. The thing is, almost the entire genre has been co-opted by new age douchebags seeking to show their eclecticism by having … Read more
Few of us lead the jet-set life, so when television and tabloid magazines glorify the lives of celebrities it often leaves us feeling ordinary and under whelmed. Could our lives be that anti-climatic? Where does meaning lie in the routine? Is there anything extraordinary about everyday life? John K. Samson wouldn't answer the question straight; instead he'd tell you a … Read more
I knew this was bound to happen. I feel slightly invaded by the fact that it has. I've never been one to shun a good pop-punk record, but I can't remember the last time I found a rock band whose music I can enjoy on the most base level, that being the level where it inspires absolutely nothing except the … Read more
Pulling Teeth have quickly emerged as one of hardcore's most respected groups following their formation a couple years back. With a steady supply of releases coming in their short lifespan - a self-released demo, last year's Vicious Skin, and a split 7" with U.K outfit Frightener earlier this year - they've garnered the attention of just about every individual that … Read more
You either like The Hives or you don't. Yes, it's that simple. The whole shtick, the outfits, the ego, be it embellished or not, the band formation at the behest of never-seen oft-mentioned mysterious "Randy Fitzsimmons." And, oh yeah, the music. It's all part and parcel of The Hives experience, which you dig, or you don't. I dig The Hives. … Read more
Grave in the Sky is a three-piece from Israel that plays thick, but still raw doom-y music. The tempos are slow and the sound is a crawling, bleak wall of sound. Cutlery Hits China: English for the Hearing Impaired is a super raw sounding album. Even though it does not completely sound like them, Grave in the Sky play a … Read more
I don't see myself as a hip-hop expert, but I think it's fair to say that the genre is pretty jaded. Mainstream rap like Chingy or Soulja Boy or whatever is on the radio now has been pegged as "good hip-hop" by the media, which means underground rappers basically have their work cut out for them just to defend their … Read more
There is presumably no one this side of the Mississippi that is more stoked than me on hearing the latest offering from the Long Island hardcore outfit Capital. Bands like Capital, Thieves and Assassins, Agent, and even Crime in Stereo have made many of us older hardcore fans forget about recent "Strong Island" emo superstars like Taking Back Sunday and … Read more
Making themselves known to a national audience by opening for The Flaming Lips and already slated as an opener for Aesop Rock this winter, Black Moth Super Rainbow latest release, Dandelion Gum, was lent to me by a friend. The psychedelic/drone-pop is repetitive and spaced out in all the right ways, but the jams never get in the way of … Read more
With the passing of Lance Hahn, the fragile punk continuum lost one of its all-time greats. Smart, critical, and relentlessly prolific, Hahn's work provided a formidable example of what could be accomplished in DIY music: punk not as a costume contest or stale doctrine, but a design for living. Hahn refused to separate his art and his life, delivering record … Read more
While taking a risk at such a lofty statement, Antlers is the reason to keep listening to independent music. Not that the band are the saviors of sound, but the ideas around what the band is doing are what makes this scene so worthwhile. Take a group of people, all from accomplished bands, and put them together to form a … Read more
The Ramones are finished. Over. Unlike their peers from the 1970's, there will be no reunion tours. Joey, Johnny and Dee Dee have passed on. That's three out of the four original members. Tommy's playing with Uncle Monk, a bluegrass duo bringing full-circle the original mission statement of CBGB's. Marky's in and out of the Misfits. Ritchie's now brought up … Read more
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