Can I Keep This Pen? is Northern State's third full-length album and it proves that any and all naysayers dismissing the group as a novelty act can just get in that boat and float right to Camden. I admit, I was once one of those aforementioned naysayers. I mean . what can you say about three chicks from suburban Long Island that put out rap albums? Like it or not - you hear about the band, you're going to have preconceived notions. Then you hear the band and guess what? It sounds like three chicks from suburban Long Island that put out a rap album. One notion that you probably didn't have, however - is that it would be good. And that, my friends is why you will feel foolish. Sheepish, in fact. Northern State write good songs. They write fun songs. They write fun songs that could easily be featured in an opening montage of an episode of Grey's Anatomy interspersed with shots of all those cute doctors dancing around in that house they live in before they go to work and bone each other. Reviewer's Note: The preceding portion of the review was written soon after the album's … Read more
It almost seemed like this record would never come out. It's been six years since Iron Flag and 14 since … Read more
In 1993, nine MC's hailing from all over New York City came together to release one of the most influential … Read more
This is my first exposure to Molia Falls, as it may be for some others as well, and I am … Read more
Sometimes I think our beloved editor and all around swell dude, Michael, doesn't even bother giving our promo records a … Read more
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Somehow it seems to me that Travoltas released Until We Hit The Shore only last year or perhaps the year before. But nooooo, it’s been four years already. That record is still on heavy rotation here, especially when the weather is sunny and the temperature is high (but not too hot). So I was so happy to hear a new EP by this Dutch punk powerhouse. This EP kicks off with “Escape The Pressure” which could have been on Until We Hit The Shore. It would have been one of the more synth heavy songs, but it fits the mood on that album well. The second track is the title track and this is where I was surprised. A lot. For a second I thought I was listening to a … Read more
I slept on Manatees' promotional disc for a very long time and I'm extremely sorry I did so. Their untitled release, or the lengthy The Forever Ending Jitter Quest of Slow Hand Chuckie: An Introduction to the Manatee is an ethereal and simultaneously heavy release. Their press sheet sums up the band's sound quite well: "The band name was chosen … Read more
Most within the hardcore and punk community are likely unaware of the existence of Lie and Wait. Sure, they are a fairly new band, but there are plenty of other bands that have been around just as long as them, or even less time, that have already achieved critical praise. The release of Led Astray is going to make it … Read more
Fuck "emo," fuck "screamo." Let's talk about music with intensity and passion. Pyramids' second full-length release, Through the Hourglass, features eight equally brutal and beautiful songs. I was fortunate enough to recently see the band perform at the Lo-Fi Social Club in Baltimore; after their set (prolonged one song by a unanimous call for an "encore"), I couldn't help but … Read more
Similarities define genres, right? You can take a group of musicians, cite some sort of common threads through their records, and coalesce those into a genre. But when there are too many bands in a certain genre, things just get stale. And I feel this way about "technical/progressive death metal." Unfortunately, Illogicist's The Insight Eye is another entry into this … Read more
Although this band shares their name with at least three other groups, this release is pretty solid. The United Kingdom's Jinn brings a little bit of punk and thrash to their metal sound, sounding somewhere between Mind Eraser and At the Gates. It's not too dissimilar from the rise of bands like Isis, in some of its slow, epic parts … Read more
Bridging elements of power/indie pop while harnessing a danceable sound reminiscent of the better radio friendly tracks from the 1950's through the 1970's, Georgie James gives us Places. The Washington D.C. songwriting duo consisting of John Davis, drummer of the disbanded Dischord act Q and Not U, and Laura Burhenn, a locally established solo musician, share vocal duties and instrumentation … Read more
Those familiar with Sufjan Stevens or The Polyphonic Spree might recognize Annie Clark for her accompaniment to their most recent tours and discs. Earlier this year the multitalented indie rock darling released her first solo LP under the stage name St. Vincent. Like the aforementioned bands, Clark pushes forward her fair share of quirks in the triumphant debut that is … Read more
Alternative Press called Sweden's Sounds Like Violence "post-grunge." I don't know what the fuck post-grunge is supposed to sound like, but apparently it's catchy pop-punk "recommended for fans of: My Chemical Romance, Underoath, Refused, [and] The Hives." The music isn't as bubbly as your average pop-punk band, which is definitely a bonus, but the lyrics still drip with angst and … Read more
Fjord are ex-Winter Solstice/The Takeover and have been said to play a brand of metal "for the fans of Converge and Botch." Lives Lives definitely sounds Botch-influenced, but that's not a very unique quality nowadays. The music isn't contrived; it's simply similar to many "metal-core" bands. Thankfully they don't fall into the mold of recycled As I Lay Dying riffs … Read more
Light Yourself on Fire, a four piece from Tampa, Florida, play thrashy hardcore that they call "power death." The seven songs on this EP release are riddled with pinch harmonics and sludgy riffs played at breakneck speeds. The lyrics are unintelligible, but touch on topics such as bullshit on the radio, the ubiquity of neurosis, and global warming. Cover art … Read more
Disillusion sounds like an even more radio friendly version of Slipknot. Actually, I don't know Slipknot well enough to call them that. Let's just call it radio friendly shit, the shit that kids in bondage pants will worship. The beginning of the second track, "Gloria," sounds like the singer of System of a Down trying to talk over a choppy, … Read more
The Fierce Urgency of Now is a record from Philadelphia, PA's Passion. Fans of hardcore and metalcore will appreciate Passion's intensity and technicality; if you're looking for breakdowns and fast-paced music, you will enjoy this album. If you aren't, you'll hate it. "Statistics Show That We Do Not Care" packs a punch, delivering lyrics against child molestation and an ear-catching … Read more
Out of Chicago, Illinois, Scream Poet, Scream play energetic punk. Some songs, like "Trainwwreck," are harsh and dissonant while others - see "I Have Decided to Starve" - have pop sensibilities. They remind me of an opening band... not a specific band, just one of those groups you find yourself paying some attention to as you wait for the other … Read more
This Door to Remain Closed During Work Hours sounds like a jam band who shows their metal influences every once in a while. The repetition of a jam band is there, but there's no soloing. In that case, I'll just call it boring music. Achieve Albeit an Absence could also be an attempt at post-rock; it turned out too mellow … Read more
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