Sometimes simple repetition makes the biggest impact. Sometimes simple repetition makes the biggest impact. SOMETIMES SIMPLE REPETITION MAKES THE BIGGEST IMPACT. Obviously it isn't working for me, but D.C.'s Antelope make something seemingly annoying into a subtle art form. That is, if you're not easily annoyed. Most of the tracks on Reflector accentuate bare bones songwriting. Almost every track is comprised of two or three short lyrical verses backed by two, three at most, guitar parts and a consistent rhythm section. These songs are easily the most interesting thing I've heard all year, drawing me in with their minimalism and angular composition. The vocals border on whine, but with a grace not typically found in indie bands. And that repetition, it becomes trance-like in the span of two minutes. This is also where the album's shortcomings appear. After a few listens the songs become boring. With no dramatic changes in tone or style I lose interest after ninety seconds. Most of the songs peak at two and half minutes, but by then the charm is gone. While Reflector serves as nice background music, something to drive to or talk over, it not exactly an album you devote your senses to. Read more
Path to Misery is a musical-collective from Pittsburgh, PA. The group of individuals involved focuses their attention of raising awareness … Read more
I love Set Your Goals, but the popularity of the band's amalgamation of pop-punk and melodic hardcore has brought forth … Read more
Division Day are a fairly new band from Los Angeles and they are going to turn some heads with their … Read more
Scream and Light Up the Sky has been a long long time coming. Three years have gone by since their … Read more
If you're like me, the state of Minnesota is automatically associated with one of two things: 1) Mall of America … Read more
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Last year White Russian Records made me very happy by releasing Travoltas’ comeback album Until We Hit The Shore, which ended up being my favourite record of last year. Next to a couple of interesting up and coming bands White Russian Records is now releasing another comeback album of another Dutch punk legend: I Against I. Legendary in part because I Against I were the first European band to be signed to Epitaph Records. I Against I released three albums, toured extensively and then called it quits in 2008. As we all know, blood is thicker than water and in 2017 the band got back together. With a different drive though. As they say in their press release: “Back then we were kids, now we have kids of our own. … Read more
The Final Beatdown is a complete discography of New York's kings of beatdown hardcore, thus the title. The release is comprised of a CD, which includes all the band's recorded material and a live set, and a DVD with over an hour of live footage. It's been over ten years since Bulldoze called it quits (they have reformed a number … Read more
Badmouth is the latest in the seemingly never-ending line of pissed off hardcore bands from Southern California. Strikes Again is their debut effort, which is actually their demo but in refurbished form via Ghosthunt Records. Over the course of these nine songs, Badmouth deliver fast-paced hardcore-punk with serious guitar whaling and bitter as hell lyrics. Musically, they remind me quite … Read more
A cassette tape release? This is the third one I've received in the mail recently. I don't even know where you get these pressed anymore. Regardless, Every Day is a cool trip down memory lane to a time when Myspace didn't exist and band's relied on word of mouth to promote themselves. Failing Myself is a one-man musical project from … Read more
The terms "stripped-down," "raw," and "black metal" are certainly no strangers to each other. Musically speaking, some of the best known bands and albums feature less-than-lackluster production and songwriting, a standard set by older bands such as Darkthrone and Burzum, even if unintentionally. Visually and characteristically though, most black metal bands are infamous for being over-the-top, what with all the … Read more
Is a band just as good if they don't have the hype? In today's hardcore scene, I feel like a lot of bands get passed over for lack of glorification and message board fame. Now, it's hard to tell if Bracewar is really one of those bands; I would say they are on the lower end of the fame spectrum, … Read more
How does one measure the influence and impact of a band on music? Sure, you could look at album sales, which in the case of The Beatles is a corollary that works, but then you could see how many albums a band like Godsmack or someone like Kenny Chesney has sold and just throw that idea out the window. Truly, … Read more
Staying certain to an unspoken pattern of two years between releases, Oceansize has returned to us with their third full-length album. Including the bonus track, "Voorhees," Frames clocks in at over a monstrous hour and fifteen minutes, a feat that similar, non-established progressive artists have little courage for testing on the streams of today's steadily decreasing attention spans. Brave you … Read more
Having heard Grizzly Bear's Horn of Plenty when it was first released and liking it quite a lot, I was taken back a bit when I heard Yellow House for the first time and to tell you the truth, I didn't really like it. That was until I saw the entity that is Grizzly Bear live during their tour with … Read more
For those who find Evanescence's Amy Lee too goth and Sarah Brightman not quite goth enough, we have Norway's Andrea Haugen a.k.a. Nebelhexë. Now, "Neb," as we'll call her, is, according to her bio, "a warrior with never-fading energy and she fights with passion for individual and spiritual freedom; animal rights, awareness for ecological food, recognition for ancient goddess worship … Read more
Deathwish Inc. is definitely an interesting label. Their releases span the clearly generic (Damage's Final) to the very progressive (along with Converge's own releases on the label I'll cite The Power and The Glory's Call Me Armageddon). However, their more forward thinking releases tend to fall under the same category of super abrasive, showing a lot of noise rock/crust influence, … Read more
Eleven years! It has been roughly eleven years since 108 last released a studio effort discounting last year's one-oh-eight demo. That is a long time between albums; the really scary aspect of that factoid for me is that I remember purchasing that last record when I was in high school. So much has changed in the landscape of underground music … Read more
Last February, I went to the Blind Pig in Ann Arbor, MI to catch a set by Grizzly Bear, Brooklyn neo-folk indie band. The opener, The Dirty Projectors, I had never heard of and they opened up with a swirling guitar driven jam. Two minutes into the song, the singer/guitarist started belting out the beginning lyrics to Black Flag's "Six … Read more
Applying the finishing touches to a viola-and-recorder composition evocatively recreating the world of Sloppy Joe Riggs-Lattimer (a red-headed scientologist Jew known only to the residents of 1980's Pennsylvania) Sufjan Stevens decides to take a midnight stroll through the brisk fall air. Stopping to gaze lovingly at the moon, he is brutally murdered by a passing hobo who mistakes him for … Read more
a) "Neglected Rejection" b) "Benign Reabsorption" c) "Predicated Malformations" d) "Embryological Teratomas" Okay, here's how it works - you guess which ones are actual titles of songs by the band Malignancy, and which songs were created by me, inebriated after a night of Jäger-bombs using a thesaurus opened randomly to two different pages. Give up? All the titles are songs … Read more
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