There should have been no way to fuck this up.So imagine you've set out to write a progressive metal album, and your aim is to create a really light, jocular atmosphere while keeping the music heavy as all get out. Naturally, Devin Townsend is the number one choice for such a creation. Now imagine that you have a guest list a dozen or so names long, including big names like Joe Duplantier of Gojria, Michael Åkerfeldt of Opeth, Paul Masvidal of Death and Cynic and Fredrik Thordendal of Meshuggah. Already you're pretty well off for yourself. But throw in both a symphony and a choir for good measure and it should be clear that this potential album could not possibly suck without the artists actively trying to make it an unlistenable mess.And yet, here we are.Let's start with the basics. Devin Townsend is a fantastic musician and writer, and he has the ability to create music that is not only hilarious but doesn't sound forced. His album Ziltoid the Omniscient is a perfect example of this; the album is good, but it is so ridiculous that you can't help but have fun while listening to it. Even his really heavy … Read more
Although the Indie-Emo genre has been getting over-saturated with new artists lately, there are a few that wear the title … Read more
Seabuckthorn is the one-man solo acoustic project of UK guitarist Andy Cartwright. He's listed as similar to artists like Grails, … Read more
After 10 years since their last release, Grey Area returns with 2 new songs. They’ve brought along Go Rydell—the melodic-hardcore … Read more
Much has been said about this project - spanning a vast ocean, two continents and many genres in between - … Read more
This two person project that spans continents has gotten a bit more attention in the past year or so. Having … Read more
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This is the second album from Polish death/doom metallers Death Has Spoken who formed in 2017. Taking inspiration musically from bands such as Paradise Lost, Swallow The Sun, Hallatar and My Dying Bride to name but a few this 7 track album gives us just over 40 minutes of dark, melodic doom metal. I've got to hand it to these guys they are just as accomplished as their contemporaries. This album captures the imagination and emotional responses perfectly. Whilst it does convey elements of depression, bleakness and desolation it really carries you head long into it as an immersive experience rather then just another doom album. Their first album Fade from 2017 is lyrically loosely based on novels written by Edgar Allan Poe and posed the question: Is death an … Read more
Mogwai is a band that is extremely difficult to like. Though they are one of the cornerstone bands of the post-rock genre, their discography lacks a lot of the consistent strength found with acts such as Explosions in the Sky or Long Distance Calling. Don't misunderstand me; they have released some fine albums (Mogwai Young Team and Ten Rapid in … Read more
Taking Back Sunday were once the face of the new alternative underground movement often labeled as “emo” but over the last few years they seemed to have lost their footing. After losing pivotal member in Fred Mascherino and releasing the uninspired New Again, an album that met a negative critical reception, many fans including myself gave up on the band … Read more
Jesuit is the kind of band that your older brother (I would say sister, but women should hate this band now just like they did back then… for more information get a physical copy of this and read the ridiculously humorous liner notes) shows you when he catches you listening to some terrible pop or even the latest trend of … Read more
When The Riverboat Gamblers released their last full length, Underneath the Owl, many fans were put off by the cleaner production and poppier approach. Their newest EP, Smash/Grab, was a return to the raw sound and more aggressive song writing, but offers something different by blending in a bit of Garage-Rock.The first of the 4-song EP is arguably the weakest … Read more
Before your red flag goes up, we are not talking about the "crab-core" group, Attack Attack. Don't worry; I was wary of the same thing. No, Attica! Attica! is the complete opposite. It's the moniker undertaken by De La Hoya and Marathon vocalist, Aaron Scott, for his solo folk-punk project. In September of 2009, he released his second full length, … Read more
Few bands have the creative power, material, and time to put out an album annually since its inception. Portugal. The Man do just this, having released their sixth full length album since their 2006 debut, Waiter: “You Vultures!” For such little time between each release, lack of evolvement is of no concern. P.TM have gradually developed from early rockers with … Read more
My money is on the simple fact that it will take you longer to read this than it will to actually listen to Orphan, the latest album from the estimable grind group Gridlink (their pedigree alone is enough to warrant paying attention to the music this outfit is creating now) and that is not a knock on the album at … Read more
Thievery Corporation has always been a bit of a musical Janus: one face obscured in the revolutionary stylings of Subcommandante Marcos, the other the visage of one of the most commercially successful acts in their scene. Their lyrics and album art all call for an end to the economic slavery of the international monetary system. Yet, they’ll still cash a … Read more
Chalk up another one for the misleading band name file—Something Fierce makes me think violent and brutal, which definitely isn’t what this Houston group is after. The walking bassline and jangly guitars of the opening track on Don’t Be So Cruel establish a mood of calculated cool that relies on bounce and rhythm instead of aggression. To borrow from the … Read more
The Duo of Herra Terra seemed to come out of nowhere when their signing was announced by The Mylene Sheath. Seemingly no prior releases could be found and just the usual myspace was available to see online. What was noted early on is that Herra Terra were going to be the odd band out on the label. Known generally for … Read more
Gifts From Enola should be fairly recognizable to anyone into the post rock scene at this point. The Virginia based band have been putting out music and logging road time for the better part of 6 years at this point. The band have worked hard to progress their dynamics-laden post rock sound. So it comes as little surprise that after … Read more
Hands That Pluck is uncompromising. The final album under the Caïna name for (one man) band leader Andy Curtis-Brignell is intense. Vocally, musically, and lyrically. This is an album dealing with the subject of finality - even more so because it will be the last Caïna release - with ideas of religion and will making numerous appearances."Profane Inheritors" gives you … Read more
Admittedly, I was knocked off my seat when I first heard Iroha (their split with Fragment, Bittersweet was an engaging listen) and immediately began awaiting the release of their first LP; but herein lies the problem, there was waiting and waiting and more waiting until I literally forgot about this record coming out at all (which certainly is a shame). … Read more
This album begins with a short acoustic introduction. With tense melodic vocals leading to background screaming. this song lasts for under a minute and does little to really prepare one for the rest of the record. This California band tends to traffic in semi melodic hardcore blasts. This belies their name for certain as most would attribute the band name … Read more
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