You can’t accuse Swingin’ Utters of phoning it in. Here, Under Protest is the band’s first studio record in eight years and, unlike some of their contemporaries who release at a similar rate, the record shows notable growth and attention to songwriting nuance. While the San Fran band started out with a strong bent toward street punk anthems, they’ve gradually shifted the focus away from repetitive power chords and, like Social Distortion before them, reached for the internal aspects of the punk lifestyle instead of relying on speed, aggression, and sloganeering. The new record continues on this path, with few burners but a lot of heart.Swingin’ Utters have walked a line between a defined gritty, street punk influence alongside more traditional musical styles ranging between Americana, folk, and country. While they gnash teeth and raise a middle finger with the best of them, they’re equally comfortable pulling up a chair and an acoustic guitar. With the new record they maintain this divide. Songs such as “Brand New Lungs,” “Taking the Long Way,” and “Lepers, Thieves and Whores” are classic Utters, taking that Streets of San Francisco ‘77-fueled sound with a coarse melodic sensibility. As the band ages, though, the fast-to-slow … Read more
By definition, a goblin is an ugly, evil creature of legend; a lowly monster of sin and filth, and represents … Read more
After Oblivion have an extremely modest discography under their belt—a debut EP and that same EP repackaged in a split … Read more
Pulling teeth have always taken the term metalcore to an almost literal degree. Much like Integrity has done in the … Read more
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More hardcore from across the pond. This time it's The Netherlands. Neat. All for Nothing sound like they want to rewrite the first Comeback Kid album in five tracks. You know the sound - fast hardcore, silly breakdowns, and shouted vocals. Oh yeah this time the vocals are handled by a lady. She sort of reminds me of Mike Ski from Brother's Keeper, but less muppet-like. Solitary is hardcore for the kids that finally realized that metalcore isn't cool anymore and want the real thing...yet have to clue to start. So they start with All for Nothing. Solitary is good for what it is and I have no complaints. I've already heard this band a million times before under a grip of different names. Chick singer or not, I just … Read more
Pala are a band that went seemingly unnoticed upon release of their debut EP. While the band did have some growing to do they managed to have the pieces to make an interesting sound overall. This growth was embraced a little more on their follow up split with In The Hollows. While both releases did seem to drift under the … Read more
Allison Mosshart is one sassy bitch (meant only as an endearing term… honestly). What, you doubt this statement or just flat out refuse to believe it? Go get Blood Pressures from her less known and, in my opinion, much better outfit The Kills (you may better know her as the lead singer of the Jack White group The Dead Weather). … Read more
As is common place whenever the Beastie Boys release an album, there is cause for celebration—usually the popular music of the time has grown stagnant, and, on average, it’s been at least three years since the last Beasties’ release. This time jubilation is even more warranted, as this record almost didn’t see the light of day. Scheduled to be released … Read more
Khuda are extremely good at making me feel uncomfortable in new and interesting ways. For only two people, Tom Brooke and Steve Myles have done a lot to take the standard post-metal formula and twist some new life into it. And though the result is a bit confusing at first, it's certainly an interesting and rewarding listen.The first thing that … Read more
Since the release of 2009’s Unforgivable, Weekend Nachos has been taking the hardcore scene by storm with their signature blend of modern down-tuned hardcore and old-school powerviolence. Signing on to work with A389 Records, run by Pulling Teeth guitarist Dom Romero, the band has crafted the four-song EP, Black Earth. The album wastes no time with the title track, creating … Read more
This may not come as a shock to anyone, but West Virginia isn’t exactly the breeding ground for heavy music. Anyone that has crossed into the state’s border would know that it’s the estranged son of the south. However, sometimes a shock will come in the form of a band emerging from the most unexpected of places and ripping your … Read more
After taking some nighttime cold medicine and falling asleep to Lawrence of Arabia, you awaken bleary-eyed alongside an endless stretch of desert highway, the endlessly distant horizon broken up only by the vague figures of far off mesas. Stumbling to your feet, you lurch past the desiccated remains of an antique cantina just as a dirt-crusted radio sputters to life … Read more
They say if it ain't broke, don't fix it but I wish someone hadn't told Silverstein that. Rescue is the definition of a generic post hardcore album, which at this point in their career is a little disappointing. Though old fans will feel right at home with Rescue, those looking for more of the progress we heard on A Shipwreck … Read more
I first came across The Phantom Carriage whilst browsing bandcamp for new things to hear. I tag searched black metal, saw the cover and clicked download. I wasn't quite prepared for what happened next. This record does have some black metal elements, but there's also hardcore, some mathcore, some jazz. Yes, jazz. New Thing is one of the maddest albums … Read more
Atmosphere’s MC, Slug has made a career, literally, out of exploiting and exercising his own personal demons as well as of those around him. He has an uncanny knack for telling a deeply personal story—sometimes his, sometimes someone else’s—all while moving the crowd. In short, he’s the heart-on-his-sleeve guy who rocks the party. Though, as Slug gets older, there’s a … Read more
Synergy is a tough sell I know because the concept is completely abstract for some, but when I first heard about Mothhunting, I was immediately intrigued and excited by just how this release was described to me; being told that the music and the artwork and how they work together just fits so well is exciting to me (being jaded … Read more
The folk scene doesn’t get enough appreciation these days. Luckily, Mumford and Sons earned it some recognition when they performed at The Grammys. Now is the perfect time for Brandon Kinder, also know as The Wealthy West, to break out with his new EP simply entitled, Volume One.The EP opens with, “Love is Not Enough,” which is like the antithesis … Read more
Technical prowess and hardcore usually do not go hand in hand. It seems that many bands in the genre succumb to the generic characteristics of heavy music, both musically and lyrically. However, on rare occasions there are bands that come along and throw out all modern convention and really think outside of the mosh pit. Sharon, Pennsylvania’s Old Accusers is … Read more
Considering that Underground Railroad to Candyland was formed, in large part, to be a party band, and combining that with the So. Cal. sun that’s been beating down on Todd Congelliere for all these years, it somehow makes sense that URTC has a number of surf elements bubbling through the surface on the band’s sophomore record. Still, surf is only … Read more
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