Mauser
End Of The Line
Vinyl Rites (2011)
While eventually churning out some less than desirable material late in their career, there is no arguing the impact early Discharge made in both the punk and metal scenes—going so far as to create their own sub-genre in the process. D-beat, as it is aptly titled, signifies thick, lumbering guitars matched with an intensely repetitive drum beat, and shouted vocals, usually void of any proper range—it all makes for an acutely ripping yet mind-numbing affair. D-beat is both the blight and the boon of extreme music. There are countless contemporary groups—often called “Dis bands” because they use the “Dis” prefix in their name—that do little for the genre other than offer obtuse Discharge imitations. But occasionally a band comes along, tendering a much-needed dose of adrenaline and spirit in all the right places. Mauser seems hell-bent on falling in with the latter. In terms of underground punk, there has been a noticeable trend lately towards a less-produced sound—a focus more on rawness and distortion, than on cleanliness. Such is the case with this Gainesville, FL four piece’s impressive new 7”. There is an obstinate noisiness present throughout End of the Line—blown-out, screaming vocals, guitars and bass dripping with reverb, and … Read more
Altar Of Plagues
Mammal
Profound Lore (2011)
Ireland's Altar of Plagues play a style of black metal so atmospheric in nature, that you can't help but be … Read more
Gangpol & Mit
The 1000 Softcore Tourist People Club
Ipecac (2011)
It’s a great thing when bands can mesh cartoon visuals with their music. It in turn enhances the listening experience, … Read more
August Burns Red
Leveler
Solid State (2011)
August Burns Red have become the face of American metal over the last few years with their unique brand of … Read more
