After a few years of anticipatory mixtapes, the debut album by Radom Axe has finally seen the light of day. A multiregional supergroup of sorts, Random Axe is comprised of three men who have cut their teeth in the hip-hop underground: Detroit’s Black Milk and Guilty Simpson and NYC’s Sean Price. Individually, these three carry lavish resumes, but as a clique they offer an even more impressive product. Sean P’s gruff and rugged voice and Simpson’s penetrating off-kilter flow complement each other well. Milk—a formidable MC in his own right—forgoes rapping this time, and instead concentrates primarily on the production and beat-making side of Random Axe. For anyone not already familiar with these fellows, the first song, “Random Call” serves as an adequate introduction. Simpson—coming off an outstanding collaboration with producer Madlib; last year’s OJ Simpson album—gets the first verse. “Find me in the ghetto, puffin’ herb/Motor City madman, stackin’ bills…Talk to me foul and I’ll clap the steel/The type of dude you’ll have to kill.” Price—choosing the subject matter he’s most familiar with—tells you what he’s all about in the second verse. “No love letter rhymes and raps about chicks/Just a whole lotta druggin’ and thuggin’ and that’s it/You … Read more
Separation is not a complicated album nor is it very diverse, yet Balance & Composure have managed to create a … Read more
You may think you know everything there is to know about Cannabis Corpse. Which is two things (maybe three if … Read more
Keith Canisius is a lesser known musician who managed to be born in the USA and move himself out to … Read more
A389 Records announced earlier this year the signing of Homewrecker. The band play a nasty style of hardcore with nods … Read more
40 Watt Sun were borne from the ashes of English band Warning, a band that ceased to exist after only … Read more
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Bad Religion may not need any introduction due to their notoriety in punk, hardcore, and various independent and even some mainstream circles, but there are several impressive facts that New Maps of Hell bring to light with its release to the public. One, Bad Religion is, minus a few break ups in the eighties, closing in on thirty years of existence as a predominately punk rock band. Two, New Maps of Hell is the band's fourteenth proper full-length studio album and at sixteen songs is a large chunk of material. Three, the band is keeping with the current course of sound since Brett Gurewitz rejoined the band following Bad Religion's return to Epitaph Records. The sheer fact that Bad Religion is still releasing politically, socially, and musically relevant albums almost … Read more
Pop structures with gruff vocals? Check.Group singalongs at the chorus?Check.A lyrical focus on being lost in the world while simultaneously abusing alcohol semi-therapeutically?Check.There’s definitely a format at play for Elway, the Colorado band who just issued their debut on Red Scare Industries. Say what you will about the whole “beard punk” sub-subgenre, but I’m a sucker for it and Elway … Read more
Many were intrigued when Tiger Army frontman, Nick 13, first announced he’d be releasing a solo country album. It was a sound that fans were already familiar with from Tiger Army songs like “Outlaw Heart” and “The Long Road.” However, I’m not sure everyone was prepared for the genuine country vibe that Nick 13 managed to execute on this record. … Read more
Mock Orange took me completely by surprise. They only just came to my attention despite having been a band for nearly 2 decades. Although, they didn’t begin to gain some exposure until their third album, Nines and Sixes, in 1998. It’s 2011 now, and they still seem to be Indie’s little secret after the Spring release of Disguised As Ghosts.The … Read more
Heinali and Matt Finney are a meeting of the mind's in a way. Consisting of a spoken word artist (Finney) and a predominantly Ambient composer from the Ukraine (Heinali). The pair have never met and act as an internet only project. This may concern a few as rarely do these sort of projects make their own name, save for a … Read more
Dirge, the self-described 'neurotic post-core' band from France, may have gotten just a bit big for their britches. Ever since Blight and Vision Below a Faded Sun was released in 2000, Dirge have been pushing the limits of how much space they can cram into their music and get away with it. 2004's And the Sky Shall Descend saw this … Read more
A year after their dissolution, post-metal powerhouse Isis is preparing to digitally re-release its entire live discography on a fortnightly basis throughout the summer of 2011. The set of five albums unfortunately does not contain any new material, but for those of you who skipped acquiring them while the band was still active, some of these albums may satiate your … Read more
My Morning Jacket’s latest release titled Circuital, especially because of the first single “Holdin on to Black Metal,” has been called something of a long departure from their previous album, but Jim James and company remain consistent where it counts: in making great, rounded, listenable records. Circuital is chock-full of repetitious, exhaustive lyrics and chord progressions, but it more than … Read more
In a time where the only things that garner a hardcore band’s attention is how heavy they are, it’s hard to find bands with an actual proactive message. Everywhere you turn, the next hype band has little to nothing to say lyrically but are the most talked about based on their music, which is usually beatdown at its most basic … Read more
When music historians look back on the first decade of the 21st century, they'll no doubt highlight the dazzling array of pop musicians daring to innovate. Those producing music which both reinvents and creates, challenging conventions and spinning concepts and long-term constructions around their work. Except, of course, they won't. Pop has been sadly lacking of late, with depressingly little … Read more
There are a lot of names that could be dropped when talking about Amateur Party—in fact, I did so when I reviewed their EP back in 2009. However, the band really stands as a completely different kind of monster than the members’ other work. As such, I’ll delay the biographies until later. Truncheons in the Manor is their first full … Read more
While eventually churning out some less than desirable material late in their career, there is no arguing the impact early Discharge made in both the punk and metal scenes—going so far as to create their own sub-genre in the process. D-beat, as it is aptly titled, signifies thick, lumbering guitars matched with an intensely repetitive drum beat, and shouted vocals, … Read more
Ireland's Altar of Plagues play a style of black metal so atmospheric in nature, that you can't help but be completely taken in by the sounds you're hearing and the thoughts the music conjures in your mind. Mammal is only their second full length offering, and whilst White Tomb was unquestionably fantastic, this new record is on an entirely different … Read more
It’s a great thing when bands can mesh cartoon visuals with their music. It in turn enhances the listening experience, and Gangpol & Mit’s, The 1000 Softcore Tourist People Club, is quite the listening experience. This French duo created these characters that manage to represent their synth-pop music perfectly. Although it’s mostly synthetic, you somehow feel like you’re listening to … Read more
August Burns Red have become the face of American metal over the last few years with their unique brand of metalcore, but Leveler is poised to redefine the genre all together. Tactically bending genres with ease, they’ve crafted a truly ambitious album of unparalleled diversity and precision.Constellations, ABR’s last release, had shown a tremendous amount of growth with a more … Read more
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