Mock Orange took me completely by surprise. They only just came to my attention despite having been a band for nearly 2 decades. Although, they didn’t begin to gain some exposure until their third album, Nines and Sixes, in 1998. It’s 2011 now, and they still seem to be Indie’s little secret after the Spring release of Disguised As Ghosts.The album opens with the mid-tempo number, “Grow Your Soul Away.” Although it lacks in being a very captivating opener—it’s a good set-up for the rest of Disguised as Ghosts. “Silent Motion” follows and keeps the same pace. The track almost feels like a “part 2” to its predecessor. Both songs bear the same formula and rhythm. Mock Orange change things up on the third song entitled, ”My Car.” A twangy guitar leads us through the verses of lazy lyrics, while synths and the band jam out what should have been choruses. “Sidewalk” takes a more folk approach—resulting in the most enthralling song thus far. Things get even better with “I Can Sing.” This indie-rock number picks up the tempo and features the most riff laden melodies on the record.Kicking off the second half of Disguised as Ghosts is “Feel It … Read more
Heinali and Matt Finney are a meeting of the mind's in a way. Consisting of a spoken word artist (Finney) … Read more
My Morning Jacket’s latest release titled Circuital, especially because of the first single “Holdin on to Black Metal,” has been … Read more
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There is definitely an incredibly creeped out vibe coming out of my speakers right now, and I mean that in only the best possible way because the tension building dark ambience of this inspired collaboration is a work of what could be a singular artist as the music is so spot on in its execution and delivery that the idea that this is a collaboration is almost mind blowing; in many collaborations one might hear where one collaborator’s “voice” is and where the counterpart collaborator’s sound is and that is certainly not the case with this work by Locrian and Christoph Heemann (save for the last track, “The Drowned Forest”, which contains some obviously Locrian elements). While there is certainly an element of creepy feelings that do emanate from the … Read more
When music historians look back on the first decade of the 21st century, they'll no doubt highlight the dazzling array of pop musicians daring to innovate. Those producing music which both reinvents and creates, challenging conventions and spinning concepts and long-term constructions around their work. Except, of course, they won't. Pop has been sadly lacking of late, with depressingly little … Read more
There are a lot of names that could be dropped when talking about Amateur Party—in fact, I did so when I reviewed their EP back in 2009. However, the band really stands as a completely different kind of monster than the members’ other work. As such, I’ll delay the biographies until later. Truncheons in the Manor is their first full … Read more
While eventually churning out some less than desirable material late in their career, there is no arguing the impact early Discharge made in both the punk and metal scenes—going so far as to create their own sub-genre in the process. D-beat, as it is aptly titled, signifies thick, lumbering guitars matched with an intensely repetitive drum beat, and shouted vocals, … Read more
Ireland's Altar of Plagues play a style of black metal so atmospheric in nature, that you can't help but be completely taken in by the sounds you're hearing and the thoughts the music conjures in your mind. Mammal is only their second full length offering, and whilst White Tomb was unquestionably fantastic, this new record is on an entirely different … Read more
It’s a great thing when bands can mesh cartoon visuals with their music. It in turn enhances the listening experience, and Gangpol & Mit’s, The 1000 Softcore Tourist People Club, is quite the listening experience. This French duo created these characters that manage to represent their synth-pop music perfectly. Although it’s mostly synthetic, you somehow feel like you’re listening to … Read more
August Burns Red have become the face of American metal over the last few years with their unique brand of metalcore, but Leveler is poised to redefine the genre all together. Tactically bending genres with ease, they’ve crafted a truly ambitious album of unparalleled diversity and precision.Constellations, ABR’s last release, had shown a tremendous amount of growth with a more … Read more
A year after their dissolution, post-metal powerhouse Isis is preparing to digitally re-release its entire live discography on a fortnightly basis throughout the summer of 2011. The set of five albums unfortunately does not contain any new material, but for those of you who skipped acquiring them while the band was still active, some of these albums may satiate your … Read more
Yes, please peel my face off with the punishing blackened hardcore (that only Integrity can provide), please because life might be too comfortable otherwise! A new record from Integrity is both unexpected and completely welcome; so, having Detonate VVorld’s Plague (and the compilation CD that includes Detonate VVorld’s Plague as well as a collection of compilation, singles, and split release … Read more
The United Sons of Toil probably won’t ever receive the distinguished honor of a 7.1 rating from Pitchfork, but anyone who has seen them live will tell you all you need to know. These guys are something to see. The ’Sons sound like a more aggressive Unwound, giving a sort of mathy post-punk vibe with some hints of chaos thanks … Read more
When I initially read about San Francisco’s Deafheaven, I didn’t expect to be surprised by their recordings. Anytime I see the “black metal” label, even when citing a slight influence on a band, I instantly believe that the label is misused and have no interest in checking the band out. Unfortunately I am guilty of this with Deafheaven, and their … Read more
With a prolific band like Bellingham, Washington’s Death Cab for Cutie, (Codes and Keys being their seventh studio album release), it’s impossible for fans not to speculate how their newest album is going to sound. “Maybe it’ll sound like Transcendentalism with some Postal Service influence!” “Maybe it’ll be like Narrow Stairs... but better!” “What The Open Door EP started, Codes … Read more
A year after their dissolution, post-metal powerhouse Isis is preparing to digitally re-release its entire live discography on a fortnightly basis throughout the summer of 2011. The set of five albums unfortunately does not contain any new material, but for those of you who skipped acquiring them while the band was still active, some of these albums may satiate your … Read more
Pygmylush have certainly put their time in their scene their ex members list is extensive and well documented. Knowledge of their past endeavors would do little to really prepare one for what you will get upon listening to their music. Know for playing a mix of thrashing punk and hardcore not dissimilar to some of their past bands coupled with … Read more
The Reptilian come with little to no notice. The Michigan band has been around for almost 4 years now with only a handful of releases. Taking a page from the older school of angular screamo similar to current bands such as Touche Amore and La Dispute. Focusing more on feeling than just sounding "nice". The four piece keep each song … Read more
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