3 disc release of their debut, which was 20 years old last year. Remastered by original producer John Leckie and Ian Brown, the original record sounds fantastic. The close to 10 minute "Fools Gold" is tacked on as a bonus track at the end of the first disc. The 2nd CD is demos, with one song-"Pearl Bastard" being the only real rarity here. The DVD is a concert from Blackpool which is professionally shot and covers their whole set at this point. The only minor complaints I have is that the music videos are almost all rehashes of this same concert. Only the "Standing There" video diverts from this formula. The other minor disappointment is that the only band member that does not offer up new liner notes (even though drummer Reni's are nonsensical) is guitarist John Squire. You would think he would like to shed some light on what many consider his finest guitar playing ever, eh? Oh well-still an absolutely essential release. Get this right away, as I don't think a Second Coming reissue is on the way anytime soon. Read more
Now this is a shock, another Hayaino Daisuki release by which to have all of our brains melted in short … Read more
One of the biggest thrills that I still get from music and writing about music is being smacked up side … Read more
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Hope in Dirt City is the third release from Edmonton, Alberta’s Cadence Weapon. With a smooth flow and an ear for wordplay, Cadence Weapon creates a kind of thumping hip-hop, with big beats that are crafted using sounds that are not traditionally percussive. All that, of course, with a bit of 20-something ironic hipster to it and a focus on textual layering that also includes sounds from electronica, indie rock, jazz, and numerous other styles. This time around, the sound is more varied and organic than on its 2008 predecessor, Afterparty Babies.His last record played heavily on electronic beats. The epitome track on this record to reflect a similar usage comes in the form of the aptly titled “Crash Course for the Ravers,” with a driving beat that gives shivers … Read more
Deep Elm has, over the past few years, been relying more on their internet presence rather than being a label that releases records in a physical manner. While this is not a bad thing it is kinda sad. This new dynamic means that less people will be hearing this EP. Ryan Mallot is best known as the frontman of alt … Read more
Having never heard of this band before, I had no idea what to expect. Thankfully I was pleasantly surprised by the music on this EP length release. Taking the best guitar effects from 80's pop and welding it to a fierce backbeat, this one emerges from the morass and rises above. Lyrics you can make out and actual songwriting chops-absolutely … Read more
New release from Rockford IL's finest shows that these guys have not lost a step, and in fact, continue to reach new heights as songwriters. Will this end up on the radio? Probably not, but it certainly should. One song-"When The Lights Are Out" is a previously unreleased song from back in the day. But everything else is fresh off … Read more
Being an objective reviewer, I will try and ignore the grossly overboard hyperbole contained in their press sheet. But this is fairly serviceable post-emo rock release from the mid-west. The guitars have flashes of hooks here and there throughout this record. The lyrics seem to have a very focused target on doctors, drugs, and the lack of healing in this … Read more
We Chase the Waves is the second release from Lawrence Arms singer/guitarist Chris McCaughan. While technically his second solo release, this one is truly an individual effort, with McCaughan handling all the instrumental duties except for a few peripherals. His Lawrence Arms bandmate Neil Hennessy handled the majority of the production. Waves has a more stripped down, personal feel than … Read more
2 disc greatest hits collection of Keene's work over his entire career. Disc #1 focuses on his eighties period of work. The most significant advantage to owning this release is having everything remastered here. The sound update is fantastic. Early crowd favorites like "Places That Are Gone" and "Nothing Can Change You" are here and should keep your stereo speakers … Read more
Digital release available for free off their website. But don't consider this a throw-away. This Brooklyn trio offers up free-wheelin' rock and roll songs that will feel good with a cold Busch in your hand and a breeze blowing your hair back. "Under The Sun" kicks things off with a shuffling backbeat and things only perk up from there. 'Lost … Read more
New record from the band blasts off with the first single "Think I Need It Too" and doesn't look back. Will Sergeant's guitar is prominent throughout, and Ian's vocals still impress after all these years. "Do You Know Who I Am?" may be the hardest rocker on this collection, with driving drums powering the song along. But the quieter moments … Read more
After a long hiatus, the band is back with a stunning new release. Skillfully produced again by Hugh Jones (Echo & The Bunnymen, Dumptruck), this record is the perfect mix of both sides of the band's sound. By this I mean that fans of the more brooding early 4AD material will be pleased, as well as fans looking for new … Read more
Many hardcore bands go one way or the other. Either they play ridiculously heavy to an almost numbing degree. On the other hand there are the overly melodic bands that almost sound too clean or almost like screaming pop punk bands. Yes, these are broad generalizations and I do love hardcore of both types. Most bands do very little to … Read more
Sometimes one can be anticipate something too much. Expect too much from something so as to nullify anything enjoyable from said thing. Sadly Expectations are like that. The Warlocks have had a long career of playing spacey over driven rock songs. It seems only right that they are signed to Tee Pee records. They've always carried a psychedelic vibe couples … Read more
Some bands exist both inside a scene and outside the sound of the given scene. Beaten Alive are one of those bands. They are a band from Ohio identifying with the garage scene of their state sharing friend The Black Keys. This is where most of the normal characteristics end. While there is a touch of garage rock and some … Read more
Psych rock is a mixed up genre. Ok, yeah it is spacey it technically rocks without really being rock per se. The part where i have issue is that sometimes these bands find it more interesting to write songs that don\'t go anywhere. They just stay locked in their moment in time and space never truly building on a riff … Read more
I have to admit that normally I am not a big horns fan. It really has to take the song to another level for it to do anything for me. Unfortunately there is no evidence of that happening on this release. The back-up singers add a bit of texture here and there, but that doesn't help too much when the … Read more
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