If you're like me, you've seen the name 'Rotting Christ' thrown around for years, but you never listened to the band because you assumed it was an unremarkable throwback black metal band whose albums suffer from unbearably bad recording quality. But since Earwax in Madison was carrying the band's new album, I figured I'd give them a quick listen, because Earwax rarely carries stuff that isn't good. I was more than a little surprised when the title track from the Rotting Christ's 2010 album, Aealo, started playing on the band's MySpace. It was a total curveball. Given their name, I figured the music would sound something like Judas Iscariot or whatever. But it wasn't remotely kvlt. It wasn't even black metal. The thing that stands out the most is the folk influence. As a Greek band, Rotting Christ implement lots of traditional Balkan sounds that, safe to say, don't show up in almost any other metal contexts. "Aealo" opens with brief acapella female Greek chanting before diving into a series of swarming guitar and drum charges, with the chanting enduring for the length of the intro. It relents into a more paced attack after about 30 seconds, feeling as if … Read more
Blake Judd has had a rough last couple years, missing two of Nachtmystium's biggest breaks as a result of a … Read more
Wow, a new Starkweather album, and so soon after their last one (Croatoan)? Seriously, it is exciting to hear another … Read more
Metalcore may be the most loaded term in modern underground music. For most it means you sound like Hatebreed or … Read more
Being a side project of a member of Neurosis always lends an air of cache to such musical project, and … Read more
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Dream pop as a genre seems to have made a slight comeback in recent years. While this may be due to many factors more bands are embracing the harmonies of The Cocteau Twins and Chapterhouse. This seems to be a good thing as many of these bands bring other little things into their music as well (Atlas Sound, The Pains Of Being Pure At Heart, A Sunny Day In Glasgow, etc.). So while the genre seemed forgotten as of merely five years ago it has been quietly resurrected in a way. [The] Caseworker fit into this reanimation of sorts. The band having been kicking around well before most of the bands that would be called their peers have. Since 2003 the band have been quietly releasing beautifully disarming albums of … Read more
Do you like your hardcore punk raw sounding so that it comes across in absolutely vicious manner? If so, then The Love Below should surely be moved to the front of the line of bands to check out and their latest EP, Reproductive Rights, is a great place to start. This whole release is pretty classic from the packaging, to … Read more
Every once in awhile you try out an album and it becomes a happy accident. These albums become special to you because you just took a chance and found something special. I was hoping for this when I picked this from the promo pile. I had high hopes as this was compared to Ryan Adams primarily. While this comparison fits … Read more
Kristian Matsson, aka The Tallest Man on Earth, wants to sound like Bob Dylan. Who doesn't? Well, I can name a few bands, but I won't go there. Besides, any comparisons to the Rock & Roll Hall of Famer are a waste of time. The Tallest Man on Earth is his own musician with his own goals, even if it … Read more
I wasn't sure what to make of this upon getting it. I had seen it compared to hip-hop, Rage Against The Machine, Whole Wheat Bread, and spoken word. The thing is all of these comparisons fit, sometimes all at once really. This EP acts as a historical documentation of sorts. According to the liner notes this was written, lyrically, by … Read more
After catching their last LP, Broken Wings Lead Arms to the Sun, One Starving Day remains on my radar; so, when their latest album, Atlas Coelestis was announced, an anxious period of waiting immediately followed. Even though the band was heavily indebted to bands like Neurosis, One Starving Day still brought a great deal of panache and style to the … Read more
Sheer brute force is the best way to describe this album from Nails (featuring ex-members of Carry On); Unsilent Death (the second release from this outfit) is a short sharp shock of hardcore crunch that smacks you in the face and then asks if you would like another during the course of its ten blasts. Seriously, it has been a … Read more
There are certain labels as a music fan that I follow wholeheartedly. I could say The Mylene Sheath is one of these labels for me. They have a strong reputation for putting out spacey post-rock with a flair for nice packaging. So I was kind of excited to be able to check out one of the labels most recent signings. … Read more
The Morning After Girls are a band from New York by way of Melbourne. I have to assume their name is more a reference to the haziness that follows a night out, as opposed to the pill bearing a similar name. Musically, they are descendants of the fuzzy psych-rock of bands like Jesus and Mary Chain and My Bloody Valentine, … Read more
Now listen carefully, people I'm only going to say this once. You need to listen to this album. Further to that, most people need to own it. I hate to kick off with such a blatant endorsement that has now leached out all sense of suspense from reading this modest review, but frankly this is the most refreshing and urgent … Read more
Apparently Kickback is from France and is controversial as well as infamous. I'm not trying to doubt these claims but I haven't been able to find any reason why they'd be either of the last two things save for some of their artwork and the music video now streaming on their Myspace page. For a band that is nearing twenty … Read more
Following up the aptly titled Volume One with an album that has equally fitting title of Volume Two, Zooey Deschanel and M. Ward show that She & Him is not a short lived vanity project for Ms. Deschanel, nor a mere dalliance for Mr. Ward. This time around, She & Him have the benefit (and curse) of knowing that people … Read more
The Takers are the latest entry in the country revival coming out of the punk scene over the last few years. What sets The Takers apart from most of these bands is their absolute ability to sound like a normal old school country band. That is to say, there isn't some folk punk nonsense or a punk chorus or even … Read more
Following on from an impressive mini-album, Poison Arrows have now put their talent to use in the full album format, something sought after when Casual Wave was making the spins. Now, with room to expand and with the time to let the songs build up over almost one hour's time and with a crisp recording from Albini's legendary Electrical Audio … Read more
The band is named Okie Dokie. The artwork is simple and to the point. In other words, Okie Dokie doesn't hide the fact that they're a dirty rock band, blending balls to the wall sleaze rock with fast, sloppy surf garage at its heart. The record is only eight songs, and whatever vinyl format it's on (I received a promo … Read more
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