Existing purely on the periphery of my personal aural hemisphere due to their touring with and collaborating with several artists and bands that I avidly follow but never getting around to actually listening to their records, Thisquietarmy has eluded my attentions for far too long and Resurgence seemed like the perfect opportunity to check out this prolific artist; but maybe it is because of my assumptions of just who I have associated this act with, I was initially unprepared for but pleasantly surprised by the sounds found on this album. Resurgence certainly has great aspects and qualities that make an album a great listening experience like the thick atmospheres and glorious and lush drones, but what really draws me to this record is the way in which Thisquietarmy seems to make their songs infectious like a good pop record can be; and, what is even better about this quality, is the subtle and unassuming way that you realize it the first time that this element hits you, right about when the throbbing boss and post punk beat of “Revival” seamlessly transitions from “Rebirth.” The seamless nature of Resurgence continues to be a recurring motif as song after song drifts by … Read more
The Great Old Ones hail from Bordeaux, France, and fuse a deep love and interest in the H.P. Lovecraft universe … Read more
Swedish purveyors of crust Anatomi-71 return with their latest injection into the overly congested genre that is D-beat—Från Primat till … Read more
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I almost don’t want to write a review for experimental rap outfit Death Grips, because I feel like I’d be giving them exactly what they want: attention. Their overly abrasive attitude – from no-show live shows to perpetually shitting on their record label via publicity stunts – comes off as an immature gimmick begging for press. But it would be a lot easier to just ignore Death Grips and not give them the attention they so obviously crave if they didn’t put out such interesting music. Their latest album, Jenny Death, is just like the rest of Death Grips’ career: Extremely gimmicky but nonetheless unique and interesting.Let’s start with the gimmicks. Technically, Jenny Death is part of a double album called The Powers That B, with the first half called … Read more
The saying goes "the good ones always leave too soon". When it comes to the world of music usually the reverse is applicable. Most times bands hang on way too long after their supposed peak and tend to try doing everything they can to sound modern or artistic and thereby leavi9ng whatever made them special in the wake. For either … Read more
Both Alpinist and Masakari have made alot of progress in becoming well known within the hardcore scene in a rather short period of time. Alpinist hail from Germany and over the course of 5 years have managed 2 full lengths and this split. While Masakari come out of Cleavland and have managed to release 2 EPs as well as a … Read more
Whoa, is it 1994 again and someone didn't tell me? Much in the way Teenage Bottlerocket appropriated the early to mid-‘90s Lookout bands like Screeching Weasel and the Groovie Ghoulies, which were puréeing the Ramones, Beach Boys and macabre cinema, you can't really credit Portland, OR's Mean Jeans for bringing anything new to the pop punk landscape whatsoever. In fact, … Read more
Playing rock and roll, and playing it well, isn’t easy these days. So much has been produced and rehashed of the genre, its best days having existed mostly in the 60’s and 70’s. Don’t get me wrong; rock and roll is still very much alive. It’s the distinction between the plethora of bands playing for an audience of head scratchers, … Read more
Municipal Waste is a crossover band from Richmond, Virginia who has captivated audiences from all different scenes. Whether you’re into punk, metal, hardcore or any of the diluted sub genres concocted in the past decade, you probably have a vein that’s been pinched by Municipal Waste. “The Fatal Feast” is the 5th Full length release for Municipal Waste but it … Read more
I’ve never thought of Brendan Kelly as much of a singer. Sure, I’ve followed his career—hell, Slapstick played at the first real DIY show I ever saw—but he’s always been in that category of “punk vocalist,” who relies on attitude far more than vocal chops. As such, I had pretty mixed feelings coming into his solo project Brendan Kelly & … Read more
Okay, I'll just come out and say it--I like DragonForce.I know, I know; just saying 'DragonForce' is a one-liner joke in of itself. Whether its the plague of terrible performances that prevailed during the Inhuman Rampage tour, or the observation that the band can only play at two speeds: metal and ballad, or simply the fact that fantasy-based power metal … Read more
Ever notice the similarity between Jack White III and the modern-day Willy Wonka, portrayed by Johnny Depp? Put a top hat on Jack White and suddenly to the eye he appears to be this musical magician. Pulling stunts like launching 1000 helium balloons tied to flexi-discs containing the Blunderbuss highlight, “Freedom At 21”, to his left-field performances with the likes … Read more
California’s High On Fire let loose an album of gargantuan proportions with De Vermis Mysteriis, the follow up to 2010’s massive Snakes For The Divine. Similarly huge, De Vermis Mysteriis is a much dirtier affair; pummeling riffs and absolutely gigantic swells of sound make up this mystical journey into darkness. Based loosely on a grimoire written by Robert Bloch (the … Read more
*Reviewers disclaimer – This is the most Meshuggah I have ever heard, so here you get two viewpoints – a fan perspective and, well, mine. Sweden’s Meshuggah (literally meaning “crazy” in Hebrew/Yiddish) have been the backbone of the extreme/technical/progressive death metal scene since their inception way back in 1987 and are usually credited with coining the term “djent” to describe … Read more
Liverpool's Anathema are a curious entity. Starting life as a death-infused doom band full of intense lamentation and a deep-seated despair they struck a path that no-one could see coming. Eternity heralded a change in direction for Anathema in 1996 and ultimately led them to the stratospheric height of We're Here Because We're Here in 2010, a record of loss-filled … Read more
Black Breath came out of the depths of the Seattle hardcore scene about 6 years ago and released a sole demo before getting the eyes and ears of the infamous Southern Lord. Since then they have managed to make a name for themselves playing a well thought out mix of hardcore and classic metal (in this case meaning Motorhead and … Read more
Meshuggah is one of those bands I have an unnatural reverence for. Ever since I first heard Nothing, I've been in perpetual awe of their musical virtuosity and incredible technicality. Needless to say, when I heard they had a new album out, I emerged from my room, boldly risking such dangers as human interaction and contact with direct sunlight to … Read more
Pick Your Side came out last year seemingly out of nowhere. The band was merely touted by many as the return of Beckman. The man best known as the throat that drove the infamous Haymaker. While this alone doesn't make the band It still is basically a who's who of the Toronto area metal and hardcore scenes. So when their … Read more
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