Some honesty is required with regards to Bold because while I think some of their music is completely ripping, I have always kind of considered the band a bit of a farce or unintentional parody of the “Youth Crew” era of punk and hardcore in the way that in a live setting a bunch of kids (and I do not mean kids like teenagers and young adults who go to shows with friends but rather honest to god kids whose parents have to drive them and their equipment to play the show because they are barely in middle school kids) going off playing music is a pretty awesome sight to see but while on record that curiosity does not translate to the studio; this has always been Bold to me in that they were a cool thing to see live (I mean how can you not be wowed by the unceasing energy of youthful exuberance… you cannot otherwise you would be dead or have no soul and be dead inside anyway) but just never really were that amazing on record, and reading the liner notes to The Search that impression kind of sticks out that the group tried to shake … Read more
“TRUE ‘TILL DEATH!” If you subscribe in any way to the adage that life is about living in the moment, … Read more
Ides Of Gemini probably seem to have come out nowhere to most. Looking at their members there isn't a long … Read more
There's a new hardcore quartet on the rise in The UK named Ruin Everything, and they just released their debut … Read more
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It's been over 5 years since the world has been graced with anything new from Tomahawk, the pseudo-supergroup featuring the triumvirate of Duane Denison, Mike Patton and John Stainer. 2007's polarizing Anonymous was an earnest exploration down the less-travelled dirt roads of the Native American experience. The album saw the group working as a trio since ankling bassist Kevin Rutmanis, with Denison performing all four-string duties and doing a more than capable job with it.Tomahawk's latest opus Oddfellows, however features the addition of bassist Trevor Dunn, an exceptional musician fresh off his stint with the Melvins Lite and who has been the unsung Johnny-on-the-spot for the majority of Patton's projects and whose presence ups the ante significantly. With Dunn, Tomahawk is off the back roads and back on the highway, … Read more
The term emo is an overused and wrongly purposed adjective in today’s music culture, often used to describe overbearing metalcore. To this young writer “emo” music comes from bands of the nineties that are in the vein of Sunny Day Real Estate and The Promise Ring, characterized by a healthy balance of vocal strain and heartfelt lyrics, not sick breakdowns … Read more
Lions Lions are a band you should be listening to, but probably aren’t. Regardless of the years spent developing in the local New England scene in a myriad of other very talented bands (including Vanna and Therefore I Am), Lions Lions continue to fly under the radar amongst the throngs of typical pop-punk bands now clogging up a new generation’s … Read more
On some days, when I'm really brutally honest with myself, I can safely admit that all of my favourite old rock bands from the 1970s have gone completely past the point of no return; they'll never release an album of the same calibre as those from their heyday, they'll never sell out huge stadiums and get the attention they used … Read more
Hailing from Long Island, NY, State Lines come from a long list of notable punk bands who call the area home. They have been quick in establishing themselves as a talented, young band with strong potential. Last year’s Hoffman Manor was a clinic in catchiness with a raw, familiar sound that garnered comparisons to Tigers Jaw and Brand New, but … Read more
After what amounts to a 3 year break the Polish grinders of Antigama are back with a new label and everything. Those familiar with the and know that they have always been outside the norm of their given genre. Whether that means the inclusion of alternate lyrical concepts or even electronic bits. So their return is something to be happy … Read more
Ufomammut are certainly not a new band by any means. The Italian psych-doom trio have been kicking around since the turn of the century and over the past 2 years have managed to catch the eye of Neurosis. The previously noted Neurosis noted their power and signed them to their own label. So now with a proper North American label … Read more
Norway’s Ihsahn (or Vegard Sverre Tveitan if we're being formal) has continued to produce some of the most exciting and progressive music since his days as a member of the influential Emperor. Gradually turning from the black metal aspect of his career, Ihsahn has taken his skills as a songwriter and instantly recognisable vocalist to an entirely different and powerful … Read more
(This excessive treatise is continued from my review of Bath)You can already tell the second album is going to be different from how it opens. Completely abandoning the soft, melodic introduction, "Stones of October's Sobbing" instead begins with an almost dissonant combination of winds and acoustic guitar which begins to build into a massive doom-laden epic, the various brass instruments … Read more
I think I can tell you the exact moment my perception of music changed. It was a complete Gestalt switch, an utter reconception of the possibilities that lay open to the artists I enjoyed so much. Several artists had widened my view and primed me for this change--hearing the pulverizing waves of Isis, the mathematical crunches of Meshuggah, the vast … Read more
Pujol seemed like an odd pairing with Saddle Creek when I first heard of the signing last year. In 2011, the band released X File on Main Street a surprise find that got me interested not only in the band, but in the Nashville scene as a whole, playing lo-fi garage rock with a rough, dirty edge. Well, United States … Read more
The 2 piece "band" A Whisper In The Noise has been kicking around for the better part of the 2000's playing a style of folk that contains elements of shoegaze, dream pop, and ambient electronics. So one may come to the conclusion that the band has an identity crisis of sorts with such a striking mix of sounds. Well it … Read more
In what makes for a numerically confusing artist/album title (and opening sentence,) 2012 is the new record by 1982—the producer/rapper duo Statik Selektah & Termanology.At just 30 years old, DJ/Producer Statik Selektah has enough projects under the flattened brim of his New Era cap to have earned veteran status—utilizing his turntablism skills and signature Golden Era-influenced boom-bap production, he holds … Read more
The prolific post-prison output of Burzum has verged on the slightly more experimental side of the black metal musical spectrum. Taking a more ambient turn after career highlight Filofosem and incorporating a neo-classical edge in Belus (2010), a new sound was forged by Varg Vikernes after his incarceration. Belus encapsulated a purer tone; less cold and frostbitten than previous efforts … Read more
Ab Imo Pectore has come out of Portugal and after 3 years as a band have managed to put together their first demo and get it released by a label. As with many black metal bands that represent themselves as being of the TRVE variety they have released it on cassette as well. The real question is how does this … Read more
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