A lot of bands are waving their 90s flags these days. And I don’t blame them. A) they grew up with the stuff and, B) I’ll take the Alternative Nation over the skinny jeans 20-aught set any day. (Yes, I’m an old man.) Sick Sick Birds are a Baltimore group coming out of the punk scene, although their music doesn’t necessarily fit the aggressive, shouty set all that well. Containing one ex-member of The Thumbs (founding member and fellow-Thumb Bobby Borte is no long involved) definitely lumps them in that crowd, and it’s how I first heard about them myself. Regardless, Gates of Home is their second album and it’s time to put the comparisons to old bands to rest. With their newest release they’ve taken another step away from power chords and singalongs, instead looking at measured dynamics, progressions, and tempered aggression. What you get is a DIY, less produced version of 90s rock. The DIY approach takes away some of the bloat that affected a fair shake of 90s bands and the punk background likely plays into their shorter songs (a plus), giving a sloppier, roughshod take on familiar sounds of bands like The Pixies or The Lemonheads, … Read more
For fans of The English Beat this one was a long time coming. Coming in at a whopping 80 tracks … Read more
Seeing Curl Up And Die the first time has always vividly stuck out in my mind if not for the … Read more
Sometimes over the course of a lengthy tenure in being completely absorbed in music in some fashion, certain bands and … Read more
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This collaboration between Horseback and Locrian was a hotly anticipated one in several musical circles (particular if you were a fan of either outfit prior to hearing of this release), and the prospects of what these two projects might create together induced some mind blowing (think the head explosion scene in Scanners) possibilities in the heads of those of us who began salivating at the mere thought of this existing. Let me be completely honest here, after being so completely taken to another place by Locrian with The Crystal World, I was hoping for something along the lines of a quasi religious experience with New Dominions; and with the months of anticipation building since the personal revelation of this collaboration, a certain level of expectations had built up to where … Read more
Some honesty is required with regards to Bold because while I think some of their music is completely ripping, I have always kind of considered the band a bit of a farce or unintentional parody of the “Youth Crew” era of punk and hardcore in the way that in a live setting a bunch of kids (and I do not … Read more
“TRUE ‘TILL DEATH!” If you subscribe in any way to the adage that life is about living in the moment, then no matter where the people may be at in their lives or what they do with themselves, perhaps millions of people have sung along to this line through countless plays of this record and the myriad of covers that … Read more
Ides Of Gemini probably seem to have come out nowhere to most. Looking at their members there isn't a long ex members of list or any long time battling it out with a ton of releases either. The band seemingly came from nowhere last year by self releasing an EP or demo. Said EP The Disruption Writ was a brief … Read more
There's a new hardcore quartet on the rise in The UK named Ruin Everything, and they just released their debut EP, Lioniser. When I read that they're described as, "tech-hardcore" I was a bit wary. Fortunately my doubts were shattered. The first track, "Leave No Man Behind," kicks things off just right with an aggression reminiscent of Defeater, while it … Read more
German titans Ahab and their deep love affair with the sea began with 2005 demo The Oath and continued into their debut The Call of the Wretched Sea in 2006. Self proclaimed as Nautik funeral doom due to this affection for the ocean, Ahab began a journey into the fathomless depths of emotion and despair. Basing their works on Moby … Read more
Following two collaborative efforts already this year alongside his fellow beatsmith and emcee The Alchemist as the duo Gangrene—the Vodka & Ayahuasca LP and the Odditorium EP—the West Coast producer and rapper Oh No returns once more for a solo mission with Ohnomite. Oh No—the younger brother of Madlib and son of singer Otis Jackson—was granted unmatched right of entry … Read more
The term emo is an overused and wrongly purposed adjective in today’s music culture, often used to describe overbearing metalcore. To this young writer “emo” music comes from bands of the nineties that are in the vein of Sunny Day Real Estate and The Promise Ring, characterized by a healthy balance of vocal strain and heartfelt lyrics, not sick breakdowns … Read more
Lions Lions are a band you should be listening to, but probably aren’t. Regardless of the years spent developing in the local New England scene in a myriad of other very talented bands (including Vanna and Therefore I Am), Lions Lions continue to fly under the radar amongst the throngs of typical pop-punk bands now clogging up a new generation’s … Read more
On some days, when I'm really brutally honest with myself, I can safely admit that all of my favourite old rock bands from the 1970s have gone completely past the point of no return; they'll never release an album of the same calibre as those from their heyday, they'll never sell out huge stadiums and get the attention they used … Read more
Hailing from Long Island, NY, State Lines come from a long list of notable punk bands who call the area home. They have been quick in establishing themselves as a talented, young band with strong potential. Last year’s Hoffman Manor was a clinic in catchiness with a raw, familiar sound that garnered comparisons to Tigers Jaw and Brand New, but … Read more
After what amounts to a 3 year break the Polish grinders of Antigama are back with a new label and everything. Those familiar with the and know that they have always been outside the norm of their given genre. Whether that means the inclusion of alternate lyrical concepts or even electronic bits. So their return is something to be happy … Read more
Ufomammut are certainly not a new band by any means. The Italian psych-doom trio have been kicking around since the turn of the century and over the past 2 years have managed to catch the eye of Neurosis. The previously noted Neurosis noted their power and signed them to their own label. So now with a proper North American label … Read more
Norway’s Ihsahn (or Vegard Sverre Tveitan if we're being formal) has continued to produce some of the most exciting and progressive music since his days as a member of the influential Emperor. Gradually turning from the black metal aspect of his career, Ihsahn has taken his skills as a songwriter and instantly recognisable vocalist to an entirely different and powerful … Read more
(This excessive treatise is continued from my review of Bath)You can already tell the second album is going to be different from how it opens. Completely abandoning the soft, melodic introduction, "Stones of October's Sobbing" instead begins with an almost dissonant combination of winds and acoustic guitar which begins to build into a massive doom-laden epic, the various brass instruments … Read more
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