When a band releases a live album, there's usually some great importance behind it, whether it be documenting an important performance, showing off some otherwise unreleased material. or just the band sharing a once-in-a-career quality set. Live recordings released for the sake of releasing a live recording otherwise tend to be bland, boring, and unnecessary, and if they're not handled well, can damage the band's reputation by painting them as desperate for record sales.So going into my listen of Lento's 2012 release Live Recording 8-10-11, I was expecting an exemplary high performance from a band I hold in high esteem. Unfortunately, what I got was just a live regurgitation of studio recordings. There's not a whole lot of embellishment or change to the pieces, and though it is a pretty good selection of tracks, the concert just feels like listening to their studio albums on shuffle. Save, of course, the poorer quality inherent in live recordings--and when you're listening to music with as much dynamicism as Lento's, demanding the highest aural clarity possible, the limitations of live recordings have a tendency to become incredibly apparent. Predictably, the recording sounds as if it was taken from underneath the floorboards of the … Read more
There's something generally referred to as a summer record. That elusive album that you can blast out of the windows … Read more
It’s always curious to see a veteran musician team up with their junior. Last year Jimmy Cliff joined with producer … Read more
Doom quartet Samothrace follow up 2008’s widely acclaimed Life’s Trade with the majestic and tragedy filled Reverence to Stone. Comprised … Read more
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Living in California definitely has its perks. There's the near perfect weather, bodacious waves to hang ten upon, killer earthquakes that hella shred, beautiful ladies with even more beautiful brains (JK ON THAT!), and tons of other stereotypes that are all 100% true. But don't get me wrong, chill ass brah, this isn't perfect-land. As evidence of the lack of perfection, I point you in the direction of the East. The East coast accommodates many great things- in residence are wicked pizza slices, crucial history that is like way important, and great bands such as the infamous One Dead Three Wounded! If you're wondering who this "infamous" band is, chances are you are already dead. When I say dead I really mean ignorant to something truly great and worth checking … Read more
If you were a fan of White Lung's debut album, It's The Evil, for it's raw and straight forward approach, then you might be a little taken aback by the sophomore record, Sorry. They've re-evaluated their style of songwriting and have turned it into something more melodic and refined. It was all for the better though. Make no mistake, the … Read more
Hope in Dirt City is the third release from Edmonton, Alberta’s Cadence Weapon. With a smooth flow and an ear for wordplay, Cadence Weapon creates a kind of thumping hip-hop, with big beats that are crafted using sounds that are not traditionally percussive. All that, of course, with a bit of 20-something ironic hipster to it and a focus on … Read more
What I love most about French metaller Alcest's newest release Les Voyages de l'Âme (roughly, The Journeys of the Soul) is how it invites your impressions to shift and change as you listen to it. At first, I picked out mostly the folk elements, comparing it to Opeth, except much more melodic in nature. Then I started hearing the ever-so-slight … Read more
Royal Headache has been gathering some hype lately. Their self-titled record is a twelve track piece of high energy garage-punk, blazing past in twenty-six minutes. It’s clean; it’s crisp; yet, it’s also got a driving rhythm section and more than its share of aggression. While the genredrop isn’t necessarily difficult based on their sound, it feels unfair to pigeonhole them, … Read more
In 1988 Dinosaur Jr. released their third record Bug. Despite it being lead singer/guitarists and band leader J.Mascis’ least favorite outing, it was their most successful album up to that point. While touring in support of it, tension between Mascis and bassist Lou Barlow, who had known each other since high school and played together in hardcore band Deep Wound … Read more
Fiona Apple's brutal honesty can be summed up in one lyric: "Every single night's a fight with my brain." She keeps howling this on "Every Single Night," the introductory song to The Idler Wheel.. (there's more to that album title, but I'm not attempting to type that all out).Because she possesses this honesty and because she is able to express … Read more
There aren't many ways that I can describe the emotions I get from Indian djentlemen Skyharbor's debut album, and part of the reason is that the cumbersomely titled Blinding White Noise: Illusion & Chaos brings with it some incredibly polarizing feelings. On the one hand, it's one of the most pleasurable aural experiences I've had the pleasure to receive. On … Read more
Formed in Nashville, Tennessee during the mid-‘90s American crust punk swell, From Ashes Rise later relocated to their current base in Portland, Oregon, where alongside fellow scene forerunners His Hero Is Gone, Tragedy and Hellshock, they helped cast the prototype for modern-day “epic crust punk”—a big sound that, while still rooted in anarcho-minded lyricism, apocalyptic imagery and D-beat, displays a … Read more
When a band decides (yes, the band, not you and your fanboy mates) to make a little change in their musical approach and try out something new, a couple of things happen. Aforementioned fanboys get up in arms and take to the internet in droves or have the same conversation with different people over and over and over again about … Read more
As far as supergroups go, I could probably count the number of successful ones on one hand. And, quite frankly, that's using as broad and weighted a definition of "successful" as a sufficiently drunk reading of the dictionary could possibly allow. That's because no one wants to hear a group of otherwise successful musicians get together and simply rehash the … Read more
Five years after their first EP was released, English band The Pirate Ship Quintet have finally released their debut album, 2012's Rope for No-Hopers. But how well does it hold up in comparison to the modern post-rock scene?Right from the get-go, it sounds like they're trying to re-create that symphonic-based minimalist sound of the Montréal post-rock scene, mixed with just … Read more
This is the first physical release from Bird Sounds and the four years it took them to put together a 7” has given them time to develop their sound. The songs on their digital EP, Girl Sounds (2008) were rougher and dirtier, while the New 7” has a tighter and more crisp sound and production. Musically, it’s something of a … Read more
I'll admit, I wasn't expecting to enjoy this album quite as much as I did. Though it's not perfect, Lockerbie's 2011 release Ólgusjór is something that pretty much everyone will find something to like about.They have the same kitschy Icelandic appeal and post-rock sound of Sigur Rós combined with the accessibility and songwriting of Coldplay. There are tons of bright … Read more
Philm is not Slayer. Yes, it is a side project of Slayer drummer/legend Dave Lombardo, but it is not Slayer. Lombardo’s other side projects Fantômas and Grip Inc. were not Slayer, either, but for whatever reason whenever this poor bastard does anything outside of Slayer, pissers and moaners alike, shamble out of the woodwork and complain that it isn’t. Grow … Read more
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