I don't have a good history with Periphery. Their debut album, though it had a few good moments, left a very sour taste in my mouth. Given that a lot of the issues I had with it could be chalked up to growing pains of a new band, however, I decided it was only fair to give their second album, Periphery II: This Time It's Personal, a sporting chance, with the hopes that they may have gotten over some of the problems that beleaguered them before. How very, very wrong I was.The main problem with Periphery isn't their musicianship—even I'll admit that's fine enough. What's irksome about them is found in their entire misguided aesthetic. Periphery take a semi-humourous and questionably-ironic “heylookatme!” approach to writing music, and it's seriously to their detriment. They try so hard to be eyebrow-raising and ironic that, instead of funny or endearing, their music just sounds off-putting. It's like listening to someone going through his mid-life crisis and trying to force himself into identifying with the younger generation, except the younger generation he's trying to relate to grew up in the Internet era, and he somehow managed to reach middle-age at age 24.It's not that … Read more
If there’s anything I love, it’s some fucking metal. And if there’s any band out there that can deliver some … Read more
Steven Wilson and Mikael Åkerfeldt are both two musicians I hold in incredibly high esteem. Wilson’s flabbergasting diversity of styles … Read more
Rolling Stone didn’t do Aaron Freeman any favors in running their interview that announces the end of Ween before I … Read more
To coincide with their romp across Europe, the split 7” from Brendan Kelly And The Wandering Birds and Dan Andriano … Read more
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Over their twelve years together as a band New Found Glory has pretty much encountered it all. They started at the beginning on a fledgling indie label just playing shows wherever they could and enjoying the fact that they got to play music. Then came the glory and the fame, the major label deal and the huge touring opportunities. This was ultimately followed by the fallout with a major label and a return to their roots in the independent music world, where they once again had complete artist control over their sound. It has been a tumultuous ride, but it is the ups and downs that have made New Found Glory who they are today. Not Without a Fight is a fitting title given the road they have traveled, never … Read more
While he’s best known as the front man for Long Island pop-punk juggernauts Bayside, Anthony Raneri has been making a name for himself as a solo artist for some time. Participating in the inaugural Where’s The Band tour a few years back, Raneri charmed crowds with acoustic renditions of Bayside songs and select covers of Death Cab For Cutie, Bad … Read more
New Jersey might get a lot of crap for being such an unlovable state, but Banquets is keeping the Jersey music scene fresh and alive with their debut album Top Button, Bottom Shelf. It’s pretty easy to get lost and washed away in the midst of melodic pop-punk bands, but Banquets sits on the shores by proving themselves to be … Read more
Momentum is a melodic hardcore band from the UK that writes music with a message. Whetting Occam's Razor is a full length that explores many different ideas with smart lyrics. Front man Alex (of Light Bearer and formerly Fall of Efrafa) writes with reason and intent combined with powerful music. At times, this album comes together to be something special. … Read more
In order for me to talk about this album, you're going to need some [CONTEXT].If there's one thing I absolutely hate about Cynic, it's their squandered potential. In 1993, right in the middle of the technical death metal craze that bore the likes of Atheist, Nocturnus and Suffocation, as well as refined the raw sounds of Death, Sarcófago and Meshuggah, … Read more
When a band releases a live album, there's usually some great importance behind it, whether it be documenting an important performance, showing off some otherwise unreleased material. or just the band sharing a once-in-a-career quality set. Live recordings released for the sake of releasing a live recording otherwise tend to be bland, boring, and unnecessary, and if they're not handled … Read more
There's something generally referred to as a summer record. That elusive album that you can blast out of the windows of your car and feel perfectly in that time frame and state of mind. Most of the time these records are otherwise questionable pop albums that may be slightly embarrassing otherwise. Rarely it works out that these records are just … Read more
A year after their dissolution, post-metal powerhouse Isis is preparing to digitally re-release its entire live discography on a fortnightly basis throughout the summer of 2011. The set of five—wait, hold up a moment. I finished those last summer. What's with the new release?Turns out Isis still have a few cards left to play despite, you know, not actually being … Read more
It’s always curious to see a veteran musician team up with their junior. Last year Jimmy Cliff joined with producer Tim Armstrong (Rancid) for the Sacred Fire EP, a pairing that sparked Cliff’s creativity and lead to this follow-up full-length. While it’s easy to note Armstrong’s presence on Rebirth (the album features a reappearance of the EP’s “Ruby Soho” cover), … Read more
Doom quartet Samothrace follow up 2008’s widely acclaimed Life’s Trade with the majestic and tragedy filled Reverence to Stone. Comprised of two tracks, “When We Emerged,” - a reworking of a song found on their 2007 demo - and “A Horse of our Own,” Reverence to Stone is thirty-five minutes of wonder and solemnity. Having disappeared somewhat after Life’s Trade … Read more
Daylight is one of those pop punk bands that run in the same vein as Run for Cover label mates Basement and genre heavyweights Title Fight, characterized by upbeat melodies and catchy riffs while retaining a clean sound. The Difference Between Good and Bad Dreams is the band’s latest release and follows their acoustic EP. The four songs come to … Read more
If you were a fan of White Lung's debut album, It's The Evil, for it's raw and straight forward approach, then you might be a little taken aback by the sophomore record, Sorry. They've re-evaluated their style of songwriting and have turned it into something more melodic and refined. It was all for the better though. Make no mistake, the … Read more
Hope in Dirt City is the third release from Edmonton, Alberta’s Cadence Weapon. With a smooth flow and an ear for wordplay, Cadence Weapon creates a kind of thumping hip-hop, with big beats that are crafted using sounds that are not traditionally percussive. All that, of course, with a bit of 20-something ironic hipster to it and a focus on … Read more
What I love most about French metaller Alcest's newest release Les Voyages de l'Âme (roughly, The Journeys of the Soul) is how it invites your impressions to shift and change as you listen to it. At first, I picked out mostly the folk elements, comparing it to Opeth, except much more melodic in nature. Then I started hearing the ever-so-slight … Read more
Royal Headache has been gathering some hype lately. Their self-titled record is a twelve track piece of high energy garage-punk, blazing past in twenty-six minutes. It’s clean; it’s crisp; yet, it’s also got a driving rhythm section and more than its share of aggression. While the genredrop isn’t necessarily difficult based on their sound, it feels unfair to pigeonhole them, … Read more
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