German titans Ahab and their deep love affair with the sea began with 2005 demo The Oath and continued into their debut The Call of the Wretched Sea in 2006. Self proclaimed as Nautik funeral doom due to this affection for the ocean, Ahab began a journey into the fathomless depths of emotion and despair. Basing their works on Moby Dick in the past, The Giant is a concept founded on Edgar Allen Poe’s The Narrative of Arthur Gordon Pym of Nantucket. The story told of the eponymous “hero” Pym and his adventures and life as a stowaway aboard a ship before being rescued by the crew of the Jane Guy after his time on board the Grampus was fraught with mutiny, terror and cannibalism. The Giant attempts to put this sequence of events to crushing funereal doom and weaves a tale of melancholy beauty and bittersweet heartbreak. Arthur Gordon Pym encountered many a new experience on his voyage and the labyrinthine account of Poe’s only complete novel is wrought with hardship, madness and tragedy. Ahab’s style of funeral doom is not as intensely slow and abyssal as Skepticism or Mournful Congregation and the band have begun to focus on … Read more
Lions Lions are a band you should be listening to, but probably aren’t. Regardless of the years spent developing in … Read more
Hailing from Long Island, NY, State Lines come from a long list of notable punk bands who call the area … Read more
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One of the hardest tasks of rock and roll is possibly the simplest: make a good, consistent, and memorable rock album. That's it. That's all it takes. Yet there are few, very few, who have achieved this. Call Me Lightning, a rock band straight from who-knows-where-Milwaukee-is?, has met this problem with great success with their sophomore release Soft Skeletons. The question now is, what makes a rock album good? Well the dynamics of the album as a whole must be memorable. The songs must be coordinated in a way that doesn't get boring. Soft Skeletons begins with an in your face fist pumper, a very attractive way to start an album. Consistently the guitar keeps the bands over all composure together, which is important, especially in a rock album. Think … Read more
After what amounts to a 3 year break the Polish grinders of Antigama are back with a new label and everything. Those familiar with the and know that they have always been outside the norm of their given genre. Whether that means the inclusion of alternate lyrical concepts or even electronic bits. So their return is something to be happy … Read more
Ufomammut are certainly not a new band by any means. The Italian psych-doom trio have been kicking around since the turn of the century and over the past 2 years have managed to catch the eye of Neurosis. The previously noted Neurosis noted their power and signed them to their own label. So now with a proper North American label … Read more
Norway’s Ihsahn (or Vegard Sverre Tveitan if we're being formal) has continued to produce some of the most exciting and progressive music since his days as a member of the influential Emperor. Gradually turning from the black metal aspect of his career, Ihsahn has taken his skills as a songwriter and instantly recognisable vocalist to an entirely different and powerful … Read more
(This excessive treatise is continued from my review of Bath)You can already tell the second album is going to be different from how it opens. Completely abandoning the soft, melodic introduction, "Stones of October's Sobbing" instead begins with an almost dissonant combination of winds and acoustic guitar which begins to build into a massive doom-laden epic, the various brass instruments … Read more
I think I can tell you the exact moment my perception of music changed. It was a complete Gestalt switch, an utter reconception of the possibilities that lay open to the artists I enjoyed so much. Several artists had widened my view and primed me for this change--hearing the pulverizing waves of Isis, the mathematical crunches of Meshuggah, the vast … Read more
Pujol seemed like an odd pairing with Saddle Creek when I first heard of the signing last year. In 2011, the band released X File on Main Street a surprise find that got me interested not only in the band, but in the Nashville scene as a whole, playing lo-fi garage rock with a rough, dirty edge. Well, United States … Read more
The 2 piece "band" A Whisper In The Noise has been kicking around for the better part of the 2000's playing a style of folk that contains elements of shoegaze, dream pop, and ambient electronics. So one may come to the conclusion that the band has an identity crisis of sorts with such a striking mix of sounds. Well it … Read more
In what makes for a numerically confusing artist/album title (and opening sentence,) 2012 is the new record by 1982—the producer/rapper duo Statik Selektah & Termanology.At just 30 years old, DJ/Producer Statik Selektah has enough projects under the flattened brim of his New Era cap to have earned veteran status—utilizing his turntablism skills and signature Golden Era-influenced boom-bap production, he holds … Read more
The prolific post-prison output of Burzum has verged on the slightly more experimental side of the black metal musical spectrum. Taking a more ambient turn after career highlight Filofosem and incorporating a neo-classical edge in Belus (2010), a new sound was forged by Varg Vikernes after his incarceration. Belus encapsulated a purer tone; less cold and frostbitten than previous efforts … Read more
Ab Imo Pectore has come out of Portugal and after 3 years as a band have managed to put together their first demo and get it released by a label. As with many black metal bands that represent themselves as being of the TRVE variety they have released it on cassette as well. The real question is how does this … Read more
There are some albums that you can just tell everyone can like, and September Malevolence's 2011 album Our Withers Unwrung is one such an album.Prominently, the music features an enjoyable post-rock reminiscent backing, with tons of light, melodic guitars and repetitive themes. However, the overall experience sounds closer to alternative rock; this is mostly a result of the vocals, which … Read more
Clear Heart Full Eyes starts off curiously. Sure, “Apollo Bay” establishes that Finn’s solo debut is a separate project compared with The Hold Steady, but it’s also a minimal and boring song—among the worst and most forgettable on the record. He speaksings over a wandering guitar with some occasional slide that ultimately gets repetitive: something I won’t say about the … Read more
Los Angeles band Æges are a beautiful combination consisting of equal parts post-hardcore and sludge metal, and you can plainly hear this on their 2012 debut The Bridge. It combines weighty and languid guitar churning with fast-paced and frenetic songwriting to create a stunningly vivid result.You can prominently hear the hardcore facet of Æges's sound on the majority of their … Read more
Sick Of It All are easily the longest consistently active New York Hardcore band in existence today (both the Cro-Mags and Agnostic Front have broken up and reformed, although a case might be made for Murphy’s Law but that is it), and this EP from Revelation is ground zero for the recorded works from this hallowed institution of a band … Read more
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