The term emo is an overused and wrongly purposed adjective in today’s music culture, often used to describe overbearing metalcore. To this young writer “emo” music comes from bands of the nineties that are in the vein of Sunny Day Real Estate and The Promise Ring, characterized by a healthy balance of vocal strain and heartfelt lyrics, not sick breakdowns and heavy growls. Athletics–the debut full length from Wavelets—pays excellent homage to the genre while remaining progressive enough to be both current and a breath of fresh air in a dying scene. Hailing from the notorious Gainesville, Florida (location of The FEST, in case you didn’t know) makes it no easy task for a band to make an impact. The five-piece has self-released a few digital EPs and a split with Senders. They have now been picked up by the newer label Tiny Engines for the release of this full-length, recorded at Black Bear Studios, showing that they are doing something right. The 9 songs only come to a modest 23-and-a-half minutes and, while the overall experience is enjoyable, this record feels as if it is over far too soon – as if the engine is just getting started before … Read more
Lions Lions are a band you should be listening to, but probably aren’t. Regardless of the years spent developing in … Read more
Hailing from Long Island, NY, State Lines come from a long list of notable punk bands who call the area … Read more
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A few short months ago, I was sitting in a dark bar with some friends on a late Friday afternoon, and we started chatting up another group of equally-inebriated compatriots. We went through the standard cycle of introductory conversation topics and one guy mentioned that he was from Buffalo. I asked if he listened to Griselda, the exponentially-rising rap trio from his hometown. “Is that like Conway and his crew? I don’t listen to them, but I know of Conway just from growing up in the neighborhood. Those guys are no joke.” Let’s be clear that my street credit is non-existent, so you can take that story with a grain of salt, but getting a co-sign of an artist from a stranger without even referencing their music is noteworthy, especially … Read more
Norway’s Ihsahn (or Vegard Sverre Tveitan if we're being formal) has continued to produce some of the most exciting and progressive music since his days as a member of the influential Emperor. Gradually turning from the black metal aspect of his career, Ihsahn has taken his skills as a songwriter and instantly recognisable vocalist to an entirely different and powerful … Read more
(This excessive treatise is continued from my review of Bath)You can already tell the second album is going to be different from how it opens. Completely abandoning the soft, melodic introduction, "Stones of October's Sobbing" instead begins with an almost dissonant combination of winds and acoustic guitar which begins to build into a massive doom-laden epic, the various brass instruments … Read more
I think I can tell you the exact moment my perception of music changed. It was a complete Gestalt switch, an utter reconception of the possibilities that lay open to the artists I enjoyed so much. Several artists had widened my view and primed me for this change--hearing the pulverizing waves of Isis, the mathematical crunches of Meshuggah, the vast … Read more
Pujol seemed like an odd pairing with Saddle Creek when I first heard of the signing last year. In 2011, the band released X File on Main Street a surprise find that got me interested not only in the band, but in the Nashville scene as a whole, playing lo-fi garage rock with a rough, dirty edge. Well, United States … Read more
The 2 piece "band" A Whisper In The Noise has been kicking around for the better part of the 2000's playing a style of folk that contains elements of shoegaze, dream pop, and ambient electronics. So one may come to the conclusion that the band has an identity crisis of sorts with such a striking mix of sounds. Well it … Read more
In what makes for a numerically confusing artist/album title (and opening sentence,) 2012 is the new record by 1982—the producer/rapper duo Statik Selektah & Termanology.At just 30 years old, DJ/Producer Statik Selektah has enough projects under the flattened brim of his New Era cap to have earned veteran status—utilizing his turntablism skills and signature Golden Era-influenced boom-bap production, he holds … Read more
The prolific post-prison output of Burzum has verged on the slightly more experimental side of the black metal musical spectrum. Taking a more ambient turn after career highlight Filofosem and incorporating a neo-classical edge in Belus (2010), a new sound was forged by Varg Vikernes after his incarceration. Belus encapsulated a purer tone; less cold and frostbitten than previous efforts … Read more
Ab Imo Pectore has come out of Portugal and after 3 years as a band have managed to put together their first demo and get it released by a label. As with many black metal bands that represent themselves as being of the TRVE variety they have released it on cassette as well. The real question is how does this … Read more
There are some albums that you can just tell everyone can like, and September Malevolence's 2011 album Our Withers Unwrung is one such an album.Prominently, the music features an enjoyable post-rock reminiscent backing, with tons of light, melodic guitars and repetitive themes. However, the overall experience sounds closer to alternative rock; this is mostly a result of the vocals, which … Read more
Clear Heart Full Eyes starts off curiously. Sure, “Apollo Bay” establishes that Finn’s solo debut is a separate project compared with The Hold Steady, but it’s also a minimal and boring song—among the worst and most forgettable on the record. He speaksings over a wandering guitar with some occasional slide that ultimately gets repetitive: something I won’t say about the … Read more
Los Angeles band Æges are a beautiful combination consisting of equal parts post-hardcore and sludge metal, and you can plainly hear this on their 2012 debut The Bridge. It combines weighty and languid guitar churning with fast-paced and frenetic songwriting to create a stunningly vivid result.You can prominently hear the hardcore facet of Æges's sound on the majority of their … Read more
Sick Of It All are easily the longest consistently active New York Hardcore band in existence today (both the Cro-Mags and Agnostic Front have broken up and reformed, although a case might be made for Murphy’s Law but that is it), and this EP from Revelation is ground zero for the recorded works from this hallowed institution of a band … Read more
Burn holds a semi mythical place in the pantheon of the hypothetical New York Hardcore Olympus as they were relatively short lived and only had a couple of recording sessions (releasing at one point only a single four song EP and a couple of compilation appearances) while impacting many with their volatile shows and powerful presence that seemed to surround … Read more
Do You Know Who You Are? is one of the best selling albums that Revelation ever released, and Texas Is The Reason flirted with major label courtship (almost signing to Capitol before splitting up instead) on the strength of their what would ultimately prove to be this their sole album; I remember two things about the band when they were … Read more
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