New Jersey quartet Evoken have consistently produced genre defining funeral doom throughout their twenty year career and Atra Mors is a grand and huge addition to such a flawless output. How they manage to outdo themselves every time is a mystery that only the band hold the key to and it allows Atra Mors to flow with a stately passion and a monolithic rage against life. Giving each track the space to breathe and intoxicate with its brutal misanthropic edge, Evoken create heady atmospheres of total devastation and suffering by going back to the roots of the scene they were borne from and incorporating a more death metal-esque edge to vocal procedures. Often mentioned in the same breath as legends diSEMBOWELMENT, Thergothon and the majestic Skepticism, Evoken have been a little quiet of late, but this is about to change with the release of their fifth full length (and their first in five years since A Caress of the Void). Atra Mors begins with the title track; the sound of swirling winds and Don Zaros’ gothic keyboard touches coil around a powerful drum (Vince Verkay) line which kicks with a delicious intent and John Paradiso’s deep and gravelly voice bursts … Read more
If there’s anything I love, it’s some fucking metal. And if there’s any band out there that can deliver some … Read more
Steven Wilson and Mikael Åkerfeldt are both two musicians I hold in incredibly high esteem. Wilson’s flabbergasting diversity of styles … Read more
Rolling Stone didn’t do Aaron Freeman any favors in running their interview that announces the end of Ween before I … Read more
To coincide with their romp across Europe, the split 7” from Brendan Kelly And The Wandering Birds and Dan Andriano … Read more
While he’s best known as the front man for Long Island pop-punk juggernauts Bayside, Anthony Raneri has been making a … Read more
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Minneapolis’ P.O.S (aka Stefon Alexander) might not necessarily befit the tastes of most within the punk community, but his music is as heavily indebted to it as it is to hip-hop’s long and storied past. Since his musical beginnings in punk bands from as far back as high school, his music has been predominantly D.I.Y. and its messages of hard work and integrity are ingrained in not only his solo projects, but in the hip-hop collective Doomtree that he co-founded and his many side projects. We Don’t Even Live Here, his 4th studio album, is yet another extension of his varied and experimental roots, dropping messages of dissent and determination with a gritty, expressive flow over wild, driving beats of futuristic electronics. The aggression that drives P.O.S’ latest album is … Read more
New Jersey might get a lot of crap for being such an unlovable state, but Banquets is keeping the Jersey music scene fresh and alive with their debut album Top Button, Bottom Shelf. It’s pretty easy to get lost and washed away in the midst of melodic pop-punk bands, but Banquets sits on the shores by proving themselves to be … Read more
Momentum is a melodic hardcore band from the UK that writes music with a message. Whetting Occam's Razor is a full length that explores many different ideas with smart lyrics. Front man Alex (of Light Bearer and formerly Fall of Efrafa) writes with reason and intent combined with powerful music. At times, this album comes together to be something special. … Read more
In order for me to talk about this album, you're going to need some [CONTEXT].If there's one thing I absolutely hate about Cynic, it's their squandered potential. In 1993, right in the middle of the technical death metal craze that bore the likes of Atheist, Nocturnus and Suffocation, as well as refined the raw sounds of Death, Sarcófago and Meshuggah, … Read more
When a band releases a live album, there's usually some great importance behind it, whether it be documenting an important performance, showing off some otherwise unreleased material. or just the band sharing a once-in-a-career quality set. Live recordings released for the sake of releasing a live recording otherwise tend to be bland, boring, and unnecessary, and if they're not handled … Read more
There's something generally referred to as a summer record. That elusive album that you can blast out of the windows of your car and feel perfectly in that time frame and state of mind. Most of the time these records are otherwise questionable pop albums that may be slightly embarrassing otherwise. Rarely it works out that these records are just … Read more
A year after their dissolution, post-metal powerhouse Isis is preparing to digitally re-release its entire live discography on a fortnightly basis throughout the summer of 2011. The set of five—wait, hold up a moment. I finished those last summer. What's with the new release?Turns out Isis still have a few cards left to play despite, you know, not actually being … Read more
It’s always curious to see a veteran musician team up with their junior. Last year Jimmy Cliff joined with producer Tim Armstrong (Rancid) for the Sacred Fire EP, a pairing that sparked Cliff’s creativity and lead to this follow-up full-length. While it’s easy to note Armstrong’s presence on Rebirth (the album features a reappearance of the EP’s “Ruby Soho” cover), … Read more
Doom quartet Samothrace follow up 2008’s widely acclaimed Life’s Trade with the majestic and tragedy filled Reverence to Stone. Comprised of two tracks, “When We Emerged,” - a reworking of a song found on their 2007 demo - and “A Horse of our Own,” Reverence to Stone is thirty-five minutes of wonder and solemnity. Having disappeared somewhat after Life’s Trade … Read more
Daylight is one of those pop punk bands that run in the same vein as Run for Cover label mates Basement and genre heavyweights Title Fight, characterized by upbeat melodies and catchy riffs while retaining a clean sound. The Difference Between Good and Bad Dreams is the band’s latest release and follows their acoustic EP. The four songs come to … Read more
If you were a fan of White Lung's debut album, It's The Evil, for it's raw and straight forward approach, then you might be a little taken aback by the sophomore record, Sorry. They've re-evaluated their style of songwriting and have turned it into something more melodic and refined. It was all for the better though. Make no mistake, the … Read more
Hope in Dirt City is the third release from Edmonton, Alberta’s Cadence Weapon. With a smooth flow and an ear for wordplay, Cadence Weapon creates a kind of thumping hip-hop, with big beats that are crafted using sounds that are not traditionally percussive. All that, of course, with a bit of 20-something ironic hipster to it and a focus on … Read more
What I love most about French metaller Alcest's newest release Les Voyages de l'Âme (roughly, The Journeys of the Soul) is how it invites your impressions to shift and change as you listen to it. At first, I picked out mostly the folk elements, comparing it to Opeth, except much more melodic in nature. Then I started hearing the ever-so-slight … Read more
Royal Headache has been gathering some hype lately. Their self-titled record is a twelve track piece of high energy garage-punk, blazing past in twenty-six minutes. It’s clean; it’s crisp; yet, it’s also got a driving rhythm section and more than its share of aggression. While the genredrop isn’t necessarily difficult based on their sound, it feels unfair to pigeonhole them, … Read more
In 1988 Dinosaur Jr. released their third record Bug. Despite it being lead singer/guitarists and band leader J.Mascis’ least favorite outing, it was their most successful album up to that point. While touring in support of it, tension between Mascis and bassist Lou Barlow, who had known each other since high school and played together in hardcore band Deep Wound … Read more
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