It’s always curious to see a veteran musician team up with their junior. Last year Jimmy Cliff joined with producer Tim Armstrong (Rancid) for the Sacred Fire EP, a pairing that sparked Cliff’s creativity and lead to this follow-up full-length. While it’s easy to note Armstrong’s presence on Rebirth (the album features a reappearance of the EP’s “Ruby Soho” cover), this record is Jimmy Cliff through-and-through. His backing band may be of another generation and his producer may hail from Oakland, CA rather than the Caribbean, but the team knows roots reggae and they wisely take a backseat to let Cliff lead his Rebirth.“World Upside Down” is an effective opener, with one of the better beats on the album and a recurring, conscious focus typical of Cliff’s best work: “what is wrong with humanity…what about love, love, love?” he asks. The album explores a number of classic topics, as in ”Reggae Music,” an homage to his favorite musical form as well as a celebration of longevity, and “Children’s Bread” with a dark 99%er tone. Sure, the lyrics of “they took the children’s bread and gave it to the dogs” are a bit heavy-handed, but the song also contains the best … Read more
Doom quartet Samothrace follow up 2008’s widely acclaimed Life’s Trade with the majestic and tragedy filled Reverence to Stone. Comprised … Read more
If you were a fan of White Lung's debut album, It's The Evil, for it's raw and straight forward approach, … Read more
Hope in Dirt City is the third release from Edmonton, Alberta’s Cadence Weapon. With a smooth flow and an ear … Read more
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Formed in 2012, La Luz built their reputation on hypnotic surf-noir, eerie harmonies, and a uniquely supernatural warmth that made them one of Sub Pop’s most consistently compelling bands. Their 2024 full-length News of the Universe marked a major artistic shift. The sound became lush, cosmic, dust-covered, and produced by Maryam Qudus, whose work helped push the band into its most psychedelic and emotionally expansive era yet. Now, with their upcoming release, Extra! Extra!, La Luz return not with new songs, but with new meanings, revisiting five key tracks from that record in stripped-down, close-to-the-bone reimaginations. It’s not a remix EP. It’s a reframing of sorts. A quiet companion piece to an album built on celestial drama. Where News of the Universe sprawled outward like a midnight sky, Extra! Extra! … Read more
Royal Headache has been gathering some hype lately. Their self-titled record is a twelve track piece of high energy garage-punk, blazing past in twenty-six minutes. It’s clean; it’s crisp; yet, it’s also got a driving rhythm section and more than its share of aggression. While the genredrop isn’t necessarily difficult based on their sound, it feels unfair to pigeonhole them, … Read more
In 1988 Dinosaur Jr. released their third record Bug. Despite it being lead singer/guitarists and band leader J.Mascis’ least favorite outing, it was their most successful album up to that point. While touring in support of it, tension between Mascis and bassist Lou Barlow, who had known each other since high school and played together in hardcore band Deep Wound … Read more
Fiona Apple's brutal honesty can be summed up in one lyric: "Every single night's a fight with my brain." She keeps howling this on "Every Single Night," the introductory song to The Idler Wheel.. (there's more to that album title, but I'm not attempting to type that all out).Because she possesses this honesty and because she is able to express … Read more
There aren't many ways that I can describe the emotions I get from Indian djentlemen Skyharbor's debut album, and part of the reason is that the cumbersomely titled Blinding White Noise: Illusion & Chaos brings with it some incredibly polarizing feelings. On the one hand, it's one of the most pleasurable aural experiences I've had the pleasure to receive. On … Read more
Formed in Nashville, Tennessee during the mid-‘90s American crust punk swell, From Ashes Rise later relocated to their current base in Portland, Oregon, where alongside fellow scene forerunners His Hero Is Gone, Tragedy and Hellshock, they helped cast the prototype for modern-day “epic crust punk”—a big sound that, while still rooted in anarcho-minded lyricism, apocalyptic imagery and D-beat, displays a … Read more
When a band decides (yes, the band, not you and your fanboy mates) to make a little change in their musical approach and try out something new, a couple of things happen. Aforementioned fanboys get up in arms and take to the internet in droves or have the same conversation with different people over and over and over again about … Read more
As far as supergroups go, I could probably count the number of successful ones on one hand. And, quite frankly, that's using as broad and weighted a definition of "successful" as a sufficiently drunk reading of the dictionary could possibly allow. That's because no one wants to hear a group of otherwise successful musicians get together and simply rehash the … Read more
Five years after their first EP was released, English band The Pirate Ship Quintet have finally released their debut album, 2012's Rope for No-Hopers. But how well does it hold up in comparison to the modern post-rock scene?Right from the get-go, it sounds like they're trying to re-create that symphonic-based minimalist sound of the Montréal post-rock scene, mixed with just … Read more
This is the first physical release from Bird Sounds and the four years it took them to put together a 7” has given them time to develop their sound. The songs on their digital EP, Girl Sounds (2008) were rougher and dirtier, while the New 7” has a tighter and more crisp sound and production. Musically, it’s something of a … Read more
I'll admit, I wasn't expecting to enjoy this album quite as much as I did. Though it's not perfect, Lockerbie's 2011 release Ólgusjór is something that pretty much everyone will find something to like about.They have the same kitschy Icelandic appeal and post-rock sound of Sigur Rós combined with the accessibility and songwriting of Coldplay. There are tons of bright … Read more
Philm is not Slayer. Yes, it is a side project of Slayer drummer/legend Dave Lombardo, but it is not Slayer. Lombardo’s other side projects Fantômas and Grip Inc. were not Slayer, either, but for whatever reason whenever this poor bastard does anything outside of Slayer, pissers and moaners alike, shamble out of the woodwork and complain that it isn’t. Grow … Read more
It may be safe to say that since the Holy Terror Record label has been revived they have managed to get on quite a roll. The records they have released have all managed to be a bit different while still carrying a certain aesthetic darkness. With label mates such as Sutekh Hexen and Cape of Bats gaining more and more … Read more
I am not the most qualified reviewer when it comes to modern-day Oi! music. Yes, I am familiar with the genre in general—I still spin The 4 Skins, The Business, The Oppressed, Blitz, or Sham 69 from time to time, and Cock Sparrer is the one band that has never been deleted from any of my iPods—but for the most … Read more
PS I Love You, the heartthrob of the Kingston, Ontario’s indie rock scene, had more than just high expectations placed upon them after the unexpected success of 2010’s Meet Me At The Muster Station. With critical praise and a tour schedule that stretched the world wide, the guitar/drum duo of Paul Saulnier and Benjamin Nelson found themselves amongst the few … Read more
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