Masters of the Dark Arts marks the return of La Coka Nostra, a rap supergroup who were last heard from in ’09 on their then long-awaited debut album A Brand You Can Trust. LCN had originally assembled sometime in ’05 as a much larger entity than they are today. With a large contingent of Caucasian members in tow, the original crew showcased the paler side of underground hip-hop at time—boasting members of Nonphixion, Special Teamz, and a reunited House of Pain. Over a series of mixtapes and singles, the group would swell in size to accommodate guests from the likes of Soul Assassins, Psycho Realm, Cypress Hill, the Arsonists, and Jedi Mind Tricks, as well as misdirected “rappers” from DMS; the NYC crew associated with thug-ish metalcore acts like Skarhead, Crown of Thornz and Madball, among others. Since then, they have trimmed the fat so to speak—Everlast has departed, presumably to go back to making less than mediocre acoustic-guitar-folk-blues-rap or whatever, and Big Left’s (of DMS) contribution is limited to a singular verse. That is not to say there aren’t an few key guest spots (Vinne Paz, Sean Price, and Thirsten Howl III all make appearances) but it’s primarily the … Read more
So, here we have Split Cranium an interesting project band formed by some of the people behind the acclaimed Circle … Read more
With a name like Ace High Cutthroats, it doesn’t take a lot of imagination to determine what the band is … Read more
I don't really know where to begin with this EP. Its groovy rock sensibilities throw back to 70's glam rock, … Read more
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It's safe to say that indie music is the new "pop" and bands like Bloc Party and Arcade Fire have gained a considerable amount of success taking advantage of the genre's newfound appeal. The irony of course is that the very definition of "indie" clashes with what the style means today, and its popularity created over saturation. Thus, less than exemplary acts are weeded out in Darwinian fashion. The following is a journey through the arctic, a cold, mediocre path towards indie music plainness. Unfortunately Morgan Freeman can't guide us along on this voyage with his wonderful narration, but there is a suitable replacement in Chicago's The Narrator. All that to the Wall isn't really a fitting title for the album because its overall tone suggests the opposite, emitting a … Read more
Joe Jackson’s love of Jazz is no secret; with his new album being a tribute to the Jazz king Edward Kennedy “Duke” Ellington simply titled The Duke. Joe has been on the scene now for over thirty years putting out hits like his early pop work “Is She Really Going Out With Him” and “Sunday Papers” from the album Look … Read more
I remember distinctly the first time I was introduced to Horseback. It was by their 2012 album Half Blood, and I'm told that my experiences were pretty standard. For the uninitiated, your first few seconds of listening to Horseback will inevitably go something like this:"Hm. This is some pretty interesting post-rocky stuff. Oh, hold on, something's messed up with this … Read more
It's not hard to figure that Vision Of Disorder were one of two Long Island Hardcore bands (along with Glassjaw) that have managed to influence a ridiculous number of current bands while remaining relatively dismissed outside of their scene during their original time as a band. The first 2 Vision of Disorder records had a sound all their own at … Read more
Planet Destroyer, the debut EP from Toronto-based post-rock band Inspire Influence, is unhinged in execution, rising and falling like an endless wave of hopeless determination. Creating an atmosphere of desolation from the initial static of introductory track “Repairing,” the 5-song EP reads like a cohesive tale of intergalactic exploration through repetition, slow build-ups, and eventual climatic bursts of distorted frustration. … Read more
You may never suspect it, but listening to the catalogue of Canadian musician Devin Townsend will cause you to run the gamut of extreme metal, new age, arena rock, ambient, and somehow even more. His last four albums, released under the Devin Townsend Project moniker, were supposed to be an exploration of the vastness of his artistic abilities, and they … Read more
Mr. Ellis has already accomplished a great deal in his musical “career” (I say it this way because somehow I doubt Nathan Ellis is rolling deep in the dough from his various musical endeavors) that has carved a unique and impressive path amongst his myriad of projects which have included being one of the bassists in the ground breaking hardcore … Read more
Australia’s Lunaire first released a well-received demo in 2010 which was followed up by a lauded split with the American cross-coast project Airs. Now Lunaire offer their first EP, With the Same Smile as Those Days, which continues the quartet’s dreamy post-rock from earlier releases and steps forward as a band to watch out for. The four track EP combines … Read more
Hub City Hardcore may not be on par with Greek mythology in terms of their incestuous relations, but with the debut of Plastic Cross, the New Brunswick, NJ brings yet another band of familiar faces playing a wholly new sound. The band is comprised of familiar Hub City Hardcore faces, with ex-members of The Scarlet Letter, Doc Hopper, Down in … Read more
Half of The Keystone Kids is half of Slingshot Dakota, while the other half is Ryan O'Donnell of Yo Man Go, and that was enough to hook and reel me in. While both share Carly Comando's soothing vocals and keys, each one is on the opposite side of the indie spectrum. The Keystone Kids verges more on the electro-pop side … Read more
Russian rocker Senmuth is known for his very overt fetish for all things Near Eastern. All you have to do is look at his website, and you'll see it's filled to the brim with pictures of him in Egypt, as well as the vast quantities of music and artwork that interest has inspired. But then, amongst all of that, there … Read more
Jonathan Bates, aka Big Black Delta, made me entirely rethink what pop music could be last year with the release of his incredible debut, BBDLP1. He took the standard pop music formula and twisted it so far on its head that I'm pretty sure it exited from its own ass, and I mean that as a true compliment. It was … Read more
Rehashed out of Saskatoon are working at carrying the crossover torch into the next decade. While there are a few bands doing this a smaller few truly make it work in the recorded format. Rehashed have everything it takes to be up on top it's only up to the Power It Up Records debut to prove to the world that … Read more
2012 sees Two Gallants coming back from a 5-year hiatus with their new release The Bloom and the Blight. How have the ensuing years treated the San Francisco blues-folk duo? Well, the press sheet calls it a record of catharsis, so one can only assume there were some personal events that transpired since 2007’s self-titled release. The major item that … Read more
Ohio's Homewrecker have only been a band for a relatively short time, but in that time they have bridged the gap between clevo-style hardcore, powerviolence, and straight-up grind. Within their brief recorded history the band has managed to do this pretty well. Their A389 debut proves to be a different challenge as, now, many more are familiar with their general … Read more
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