Burn, the debut full-length from Toronto, Ontario’s Titan, wastes no time in establishing itself as the devastatingly heavy powerhouse that it is. Thunderous drums and relentless guitars introduce the bleak, crushing atmosphere that stands through the entirety of the record on the almost 8-minute long “Feast,” with the chillingly powerful vocals kicking in soon after. With 10 songs spanning almost an hour, the band has little reluctance writing sprawling, lengthy tracks that allow them to create desolate landscapes of audible fury. After forming in 2006, the 5-piece has released a slew of EPs and splits, but Burn is their first attempt at a full-length record and they prove themselves more than capable of rising to the occasion. Their unique blend of metal and hardcore translates into an immense record of grand proportions, rising and falling in a calculated, chaotic mess of distortion and energy. Shifting from slow, sludgy riffs to a blisteringly fast pace, each song chugs along unstoppably and builds into climatic heights. The vocals stand out as one of the album’s highlights, varying from deep, guttural growls to wild howls and anguished screams, adding a terrifying element to the already dark music. The first side sets the mark … Read more
There are a few red flags that make me avoid records or, if you will, to judge a book by … Read more
Few musicians are quite as busy as the Dutch composer and multi-instrumentalist Arjen Anthony Lucassen. Though he's known principally for … Read more
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White Suns, the New York based noise trio, has been slowly descending on the path of deconstruction. Founded in 2006, the band has released a series of albums, presenting an experimental rock perspective and subsequently deconstructing it to its most basic core. The highlight of this process was Totem, a record where at times it felt like the experimental aspect of White Suns was taking over the rock influence.This transformation to the more abstract domain feels complete with Psychic Drift, as White Suns present a more minimal offering. Composing four long form tracks, the band explores the resulting spaces through synthesis, modified samples, beautiful field recordings and abstract rhythms, leaving behind guitar riffs and the rocking form. It is through the noise and industrial elements that this record breathes. Encapsulated … Read more
“A community is democratic only when the humblest and weakest person can enjoy the highest civil, economic, and social rights that the biggest and most powerful possess.” – A. Philip Randolph“No one can do everything, but everyone can do something.” - Gil Scott-HeronA strong foundation was laid with Flobots’ debut album Fight With Tools, and continued on with sophomore effort … Read more
I remember seeing Luther a few months back at a small venue in Pittsburgh where The Menzingers were headlining. I was really stoked to finally see them live and not all that surprised that half the crowd was outside smoking when they played first. Seeing them live left me with almost the exact impression their EP Siblings and Sevens left … Read more
Oathbreaker are a Belgian hardcore (for lack of a better expletive) band with a tendency towards fast-paced metal riffs and an evil, crusty tone. This is their first release for Deathwish Inc. and a fairly solid debut that I’m sure will turn at least a few heads and gain them a few fans. The vocals are the standout performance of … Read more
Leave it to Burning Love to provide an infectiously raucous soundtrack to 2012 (unlike so many of their peers and compatriots) full of the kind of riffs that in a perfect world would incite both vigorous head banging and the kind of massive circle pits that make people gape in awe at the sheer size of said circle pitting, and … Read more
When I first heard that Souvenirs was signed to 6131 I was expecting another straight-up generic hardcore band. However, upon listening to their first release from last year, Sadder Days, I was pleasantly surprised to find a pop-punk/emo crossover band: one taking the lyrical writing style of ‘90s emo bands and the upbeat feel of pop-punk. This was right up … Read more
If there's any one artist who should make you happy to listen to music, it's Ben Sharp, aka Cloudkicker. Though releasing free music on the Internet isn't anything new, it's safe to say that, in terms of quality, Sharp's in a class all his own. He also voluntarily remains unsigned from a label, ensuring that his music will continue to … Read more
Japandroids, a Canadian two-piece rock band from Vancouver, British Columbia, has released their second full length album entitled Celebration Rock. The album begins with drumbeats and the first track, "The Nights of Wine and Roses," which showcases their garage-band sound with the voices of both Brian King and David Prowse. Following up their first album, the duo has maintained the … Read more
I don't have a good history with Periphery. Their debut album, though it had a few good moments, left a very sour taste in my mouth. Given that a lot of the issues I had with it could be chalked up to growing pains of a new band, however, I decided it was only fair to give their second album, … Read more
New Jersey quartet Evoken have consistently produced genre defining funeral doom throughout their twenty year career and Atra Mors is a grand and huge addition to such a flawless output. How they manage to outdo themselves every time is a mystery that only the band hold the key to and it allows Atra Mors to flow with a stately passion … Read more
If there’s anything I love, it’s some fucking metal. And if there’s any band out there that can deliver some fucking metal with astonishing consistency, it’s Finnish power/folk sextet Barren Earth. In that respect, their latest album, 2012’s The Devil’s Resolve, does not disappoint.Like their previous release, there is a clear folk influence at work on their music, but its … Read more
Steven Wilson and Mikael Åkerfeldt are both two musicians I hold in incredibly high esteem. Wilson’s flabbergasting diversity of styles covered with Porcupine Tree or his various solo projects and Åkerfeldt’s amazingly thoughtful and moving compositions with Opeth both continue to astound me no matter how often I listen to them. It should go without saying they are both gifted … Read more
Rolling Stone didn’t do Aaron Freeman any favors in running their interview that announces the end of Ween before I got my hands on this record. Now, besides having to overcome the shadow cast by his band, it also has to overcome being the record that broke up Ween. Anyway, Freeman has been making music since the early 1980s and … Read more
To coincide with their romp across Europe, the split 7” from Brendan Kelly And The Wandering Birds and Dan Andriano in the Emergency Room, European Vacation, doesn’t cover much ground, but packs a hell of a lot in a short span. Those familiar with the two musicians won’t be surprised by either of their respective songs, but both leave their … Read more
While he’s best known as the front man for Long Island pop-punk juggernauts Bayside, Anthony Raneri has been making a name for himself as a solo artist for some time. Participating in the inaugural Where’s The Band tour a few years back, Raneri charmed crowds with acoustic renditions of Bayside songs and select covers of Death Cab For Cutie, Bad … Read more
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