Every band reaches their peak at some point. Some blow their wads right out of the gate and spend the rest of their careers desperately trying to recreate an inexplicable combination of luck, talent, and inspiration. Some clumsily struggle through multiple albums worth of missteps before finally finding their collective voice. Others allow you to tag along on their journey from a promising beginning through an exciting period of growth, to the creation of their definitive album. Bison b.c. now fit firmly in this final category. Lovelessness is the third Metal Blade release from Bison b.c. and their fourth overall. With each album, they have combined Sludge with elements of Thrash and Classic Metal with increasingly epic results. But, with Lovelessness, it appears that they had simply been barreling up through a narrow passageway and have finally burst through the ceiling, revealing the boundless possibilities of their unique sound. First off, everything about this album is huge. The riffs are huge, the songs are huge (the longest clocks in at 10:45) and, most importantly, the progression of the band’s sound is huge. It has been said that James Farwell (guitar/vocals) had been through a difficult period in his life before … Read more
Title Fight is an intriguing band. While 2009’s The Last Thing You Forget caused many to pigeonhole them as another … Read more
Six Feet Under are certainly not new to this. The band formed by some of death metal's biggest names (at … Read more
For two veteran bands the split may seem like an odd option as it is generally used to introduce new … Read more
In some ways, you have to seriously respect everything that Hot Water Music has accomplished over the course of their … Read more
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After three years of Rob Crow sowing his wild musical oats with namely Goblin Cock and his solo album, he has joined back with Armistead Burwell Smith IV to put out another album under the name Pinback. Autumn of the Seraphs is Pinback's second album for Touch & Go and you can tell right from the first note that the band hasn't changed the formula that has made them one of the most consistently solid indie rock bands of the past decade. While they might not have changed the formula, the band has seemed to find themselves in a bit of a rut. The first half of the album consists of some of the better songs the band has released. The first single, "From Nothing to Nowhere," is a very … Read more
When bands you adore get back together after breaking up or reconvene following a hiatus, there is both a sense of excitement and a feeling of trepidation as the band members become reacquainted with each other (moods, skills, shared synapses, seeming simpatico, etc) behind the scenes, and there is always this standard (whether fair or not) that the band’s previous … Read more
Considering the amount of time it took for Dan Padilla to drop their second full-length, last year’s As the Ox Plows, it’s surprising they’re back already with another full-length in Sports Fans. The DIY San Diego, CA band hasn’t changed up their sound much here, offering a similar blend of pop-punk, gruff vocals, and a strong bent of work-sucks-let’s-get-drunk themes. … Read more
It's not much of a secret that Mike Patton is an odd fellow. Incredibly talented and carrying a relatively large fan base but, odd nonetheless. In the years since the demise of Faith No More and Mr. Bungle along with the extended downtime of his other bands (Tomahawk and Fantomas) he has managed to make a name for himself by … Read more
Lil Fame of M.O.P., going by his producer moniker “Fizzy Womack,” has crafted soundscapes for a for the likes of Kool G Rap, Cam’Ron and the Wu-Tang Clan, as well as a number of songs in M.O.P.’s catalogue. So when Boston emcee Termanology set out to start work on another solo album he linked up with Fame to be his … Read more
Hate me for it, but this release was the one that kind of soured me on Nadja and (in particular) all of their collaborations because, right from the word “go”, Fool, Redeemer was an absolute chore to sit through my first full listening “party” of the album; now, let me be up front and declare that given my obsession with … Read more
The inception of God Seed is a torturous tale and is one of many twists and turns and moments of vengeance. To understand the drive of this band is to go back to circa.2007. Vocalist Gaahl and bassist King ov Hell left Gorgoroth, the band they’d been a part of for quite some time, under acrimonious circumstances and claimed the … Read more
When I speak of a “Kiss of Death” sound, I don’t mean it derisively. What I do mean is poppy song structures with powerfully belted lead vocals and strong guitars. It’s pop-punk, but with a little extra torque under it and maybe a secret passion for melodic hardcore buried somewhere in their basement cd piles from the early 2000s. Arms … Read more
Unless you’ve only just been introduced to Canadian punk music from the past quarter century, you've already come to expect a few things from a new Propagandhi record. There are no pre-release jitters, no faint thoughts tugging at the forefront of your consciousness that maybe this’ll be the one to disappoint. Time and time again, the Winnipeg-based quartet have delivered. … Read more
What better way to start my career at Scene Point Blank and as a published writer than by reviewing one of the most important releases of 2012? Probably any other way, really, but I feel compelled to share my take on Kendrick Lamar’s second studio album Good Kid: M.A.A.D. City because of the impact it has made in the short … Read more
World Narcosis is a relatively new band as this is their debut EP. The band's style relies on a slightly crusty version of grind hearkening back to early Brutal Truth with all the rage and politics intact. That is not to say they are solely raging against the machine as it were but the anger is most certainly palpable and … Read more
Vandalism. You know the feeling you get right before it happens? The moment you grip it in your hand; arm above your head and cocked back? Or the instant just after you shake the can and right before you press down on the tip? How about the feeling you get right after it happens? The moment the brick goes through … Read more
There is definitely an incredibly creeped out vibe coming out of my speakers right now, and I mean that in only the best possible way because the tension building dark ambience of this inspired collaboration is a work of what could be a singular artist as the music is so spot on in its execution and delivery that the idea … Read more
It’s not very often I’ll say a song belongs on the radio and mean that in a good way. With the whispered beginnings to “Garza” on Audacity’s Mellow Cruisers, the song starts with a surf-whisper that builds into an uber-catchy song with rise and fall, singalong choruses and a rhythm section that pulls the listener in and pummels through 3:01 … Read more
It takes approximately 30 seconds to decide whether or not Cheap Girls’ latest album, Giant Orange, is to your liking. The overall, upbeat feel of the album is firmly established within the first few lines of “Gone All Summer,” instantly pulling you into the downtrodden world of bassist/vocalist Ian Graham and co. and not letting up once throughout. Combined with … Read more
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