Do You Know Who You Are? is one of the best selling albums that Revelation ever released, and Texas Is The Reason flirted with major label courtship (almost signing to Capitol before splitting up instead) on the strength of their what would ultimately prove to be this their sole album; I remember two things about the band when they were active: one, everyone seemed to love Texas Is The Reason and Do You Know Who You Are?, and two, I could not for the life of me figure out just what the hype was all about in the first place. While the passage of time and some exposure to a plethora of music has given me a great deal of perspective, I now see some great qualities that are imbued in Do You Know Who You Are?; the members of Texas Is The Reason have an excellent sense of dynamic songwriting (I do love the quiet break in “Johnny On The Spot” and the transitions in and out of the part and the build up in the beginning of “There’s No Way I Can Talk Myself Out Of This One Tonight” is aces and just the whole of “Back and … Read more
You know that there was never a genre of music that was named something along the lines of sarcastic bastard … Read more
The mighty COC have returned. In the past few years the band returned to the musical landscape by reforming their … Read more
When you anticipate things, do you find that you build up these lofty expectations that are virtually impossible to reach; … Read more
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Summarizing The Smith Street Band is a bit difficult. While I want to lump them in with folk-punk, that’s only true in song structure. There’s far too much electric guitar to drop that name on them—and maybe too much to just label it “punk.” Think Against Me! without the shouting. The roots are in a louder version of folk-punk, but the songs are more expansive, the volume is cranked up, and the influence is far reaching. At times the big guitars remind of classic rock and at others it feels like the aforementioned Against Me!: personal, honest, and direct. It’s a folk underbelly with a loud rock base, delivered via punk honesty.What dominates that sound is the blend of personal lyricism and big, loud guitars. The opening to “Surrey Drive” … Read more
It may have been six years since Toys That Kill put out a full-length, but Fambly 42 sounds like it could have been released immediately after Shanked. The melodies are seamless and the precision between band members sounds like they haven’t missed a beat—maybe that’s because the band plays sporadic shows and the pieces of their line-up comprise a number … Read more
Let's face it: a lot of the music we listen to is just plain ol' forgettable. Of course, every once in a while, an album will come along that sticks in your mind solely because it makes you wonder just what godforsaken orifice the band pulled it out of. Even more rarely will come the occasion when you make the … Read more
Sweden’s Martyrdöd are whole heap of metallic vitriol interspersed with a frenetic melody and more spiky riffs than you can shake a stick at. Furious and without mercy, latest record Paranoia is a crust-laden festival of punk-infused spite. Blackened hardcore at it’s very finest, Martyrdöd are here to rip your world apart with their insanely tight package of darkness and … Read more
Drivin’ N Cryin’ formed in Atlanta back in 1985 have announced their plans to release four EPs over the next year. The first in the series showcases their Southern Rock style, each of the following EPs will focus on a different genre of the Drivin' N Cryin' sound. The EP Songs From The Laundromat opens with the gritty rocker “Dirty” … Read more
Seeing how I feel about Youth Of Today (i.e. I do not really care for them at all), it may come as a surprise that I do enjoy Just One from Better Than A Thousand (probably considered a blasphemous notion amongst many “Youth Crew” aficionados), particularly considering that the band was a “Youth Crew” –esque project from Ray Cappo (Youth … Read more
Please allow me to drop this little disclaimer here before we delve any further; I am not nor was ever a fan of Youth Of Today (outside of maybe one or two songs), and with that said, I still recognize their impact on what became the hardcore and punk scene and straight edge focused music as they were and continue … Read more
Waiting for a follow up record from Kiss It Goodbye felt like an eternity, and rumors were rampant regarding a single recorded for Seattle based record label Sub Pop; when the band decided to call it quits (prematurely I might add), that single was scrapped by Sub Pop and left unheard until it was released by Revelation (who released the … Read more
Now a days, seeing a bunch of dudes with weird looking tufts of hair sticking out of the back of their otherwise bald heads jumping around on stage making a weird version of punk rock while yelling about the Krishna (the focus deity from the sect of Hinduism called Hare Krishna) probably would not be met with much controversy or … Read more
Who has never seen the iconic (OK, iconic in the hardcore punk scene) crossed hammers logo (that shaped an “X” ) of the band Judge? Judge ultimately proved to be a short lived musical unit that produced just one album Bringin’ It Down (discounting the very limited release of Chung King Can Suck It which in it of itself has … Read more
Texan duo Pinkish Black employ synthesised loops of terrifying, droning pulses and a deliciously dangerous swagger filters through this debut. Daron Beck’s clouded voice dips in and out of throbbing electronic beats whilst currents of perilous doom cut through the loaded atmosphere, Beck’s voice often hidden in the murky depths of the all consuming sounds layered by cohort Jon Teague … Read more
Touche Amore have made a name for themselves in the hardcore scene with the release of their past record To The Beat Of A Dead Horse and a slough of 7inches and splits. While some Internet drama has led to a backlash against the band, this new full length Parting the Sea Between Brightness and Me can be held as … Read more
Struck By Lightning came out the gate hard and fast about 3 years ago with their first LP "Serpents". That record truly set them apart from the ex-members of... tag that they could've carried. Instead of playing the post metal of past projects they built a sound that was more indebted to Discharge than Isis. This worked well for them … Read more
Imagine, if you will, that doom rock band Om and a still-young drone metal band Boris got together in a hallucinogen-induced haze one night. Their inevitable pothead lovechild would undoubtedly be doom/stoner outfit Sleep, as evidenced by their final album, Dopesmoker.Having been released at least four different times (with four different running times, not to mention two different names), this … Read more
I really hate being heavily reliant on comparisons to past work in order to form a judgement, but in the case of Paul D'Amour (aka Feersum Ennjin), it's hard not to. As the former bassist for Tool, one of most prolific and undeniably best progressive bands today, it's difficult to take him on his own terms and out from under … Read more
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