You may never suspect it, but listening to the catalogue of Canadian musician Devin Townsend will cause you to run the gamut of extreme metal, new age, arena rock, ambient, and somehow even more. His last four albums, released under the Devin Townsend Project moniker, were supposed to be an exploration of the vastness of his artistic abilities, and they certainly lived up to that billing, covering hard rock, pop dance, progressive metal, and soft ambient. Of course, throughout all of this stylistic experimentation, there was just one thing missing: the huge heavy metal that put Townsend on the map in the first place. As if to fill that void, a fifth album, Epicloud, was appended to the tetralogy, and though it was originally conceived as a quick collection of song ideas to get out of the way while working on Z2, it turned out much bigger than anyone expected it to be.If you've listened any of Townsend's big and heavy albums, like Ocean Machine: Biomech or Addicted, you know he has a propensity for writing music that pulls at the most guttural of musical instincts we posses, reaching the listener and becoming enjoyable on a level that's almost physical … Read more
Mr. Ellis has already accomplished a great deal in his musical “career” (I say it this way because somehow I … Read more
Hub City Hardcore may not be on par with Greek mythology in terms of their incestuous relations, but with the … Read more
Half of The Keystone Kids is half of Slingshot Dakota, while the other half is Ryan O'Donnell of Yo Man … Read more
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It wasn't that long ago that I was greeted with the news that hardcore act Turmoil had decided to call it quits. After a tumultuous grieving period, I was finally able to take The Process Of... out of my CD player and reluctantly move on. Then one day out of the blew I heard a rumor of band featuring members of the now defunct Turmoil. Needless to say my interest was peaked. But unlike their previous endeavors, the members of The Kiss of Death aimed away from the hardcore world, taking aim at making a name for themselves playing metal. For some of you this is going to be difficult, for others unnecessary. I want you to forget what you know about Turmoil. It isn't relevant that vocalist Jon Gula … Read more
Jonathan Bates, aka Big Black Delta, made me entirely rethink what pop music could be last year with the release of his incredible debut, BBDLP1. He took the standard pop music formula and twisted it so far on its head that I'm pretty sure it exited from its own ass, and I mean that as a true compliment. It was … Read more
Rehashed out of Saskatoon are working at carrying the crossover torch into the next decade. While there are a few bands doing this a smaller few truly make it work in the recorded format. Rehashed have everything it takes to be up on top it's only up to the Power It Up Records debut to prove to the world that … Read more
2012 sees Two Gallants coming back from a 5-year hiatus with their new release The Bloom and the Blight. How have the ensuing years treated the San Francisco blues-folk duo? Well, the press sheet calls it a record of catharsis, so one can only assume there were some personal events that transpired since 2007’s self-titled release. The major item that … Read more
Ohio's Homewrecker have only been a band for a relatively short time, but in that time they have bridged the gap between clevo-style hardcore, powerviolence, and straight-up grind. Within their brief recorded history the band has managed to do this pretty well. Their A389 debut proves to be a different challenge as, now, many more are familiar with their general … Read more
Whether it is rap music, hardcore or pop punk, it seems the ‘90s are forcing their way back into our unsuspecting eardrums thanks to a handful of well-versed history-appreciating up ‘n’ comers. And with that sentiment arrives Sundowning, the second album by Vancouver, BC’s Nü Sensae, a band leading the small charge of current alt-core revivalists. Now a three piece—with … Read more
Sweden’s Katatonia have been a constant presence in the realm of blackened doom/death metal since the bands inception way back in the very early 90s, and whilst a modicum of that era is still present in the group’s sound of today, Katatonia are now a fully fledged depressive rock entity. Whilst this depressive tendency ebbs and flows throughout much of … Read more
Depending on your perspective, The Gaslight Anthem are either a Bruce Springsteen cover band or one of the more exciting mainstream bands still producing music. On their fourth album, the New Jersey punks have found themselves in a curious position: whilst they have continued to grow in popularity, the critical acclaim that moved them into the public’s general awareness, has … Read more
T.O.M.B. or Total Occultic Mechanical Blasphemy has managed to up the stakes of what can qualify as black noise for over 10 years. The group sounds like distorted occultist activities that are taking place within a tomb. So now that we know how truly appropriate their name is one may question how well this record carries said reputation. The record … Read more
Young Guv, aka Ben Cook, has been keeping himself busy. Besides his full-time gig with the mammoth hardcore band Fucked Up, he’s released 11 singles and 2 previous EPs as Young Guv. Along comes EP#2 in the form of Young Guv & The Scuzz’s A Love Too Strong. This time along, he’s entered a proper studio and gathered a backing … Read more
The Riverboat Gamblers are an established band. So much so that it surprised me to see that The Wolf You Feed is just their fifth full-length, following last year’s Smash/Grab EP. With that history, they’ve jumped styles and labels, going unfettered rock to slick anthems, and successfully straddling the lines between punk, hard rock, and garage. The Wolf You Feed … Read more
TesseracT made quite a splash in the djent scene with their debut last year, the aptly titled One. Though the album itself wasn't particularly impressive, it still struck a chord with a lot of listeners and garnered the band quite a following. It's no surprise they've rushed to produce something to follow it up, and that follow up is 2012's … Read more
Jeph Jacques may be primarily a cartoonist, but he's somehow managed to turn that profession into an outlet for his musical passions as well, crafting a virtual band from his own fictional characters and recording real music for them. The result is his one-man post-metal project, the flippantly named Deathmøle, which has turned out a steady stream of albums since … Read more
This is the third review of this that I am writing and the first two were these rather objective and staid ruminations on the music that The Seer contains, but both of those were completely false and void of any possible feeling, making the words empty and worthless to anyone who would read either one in anyway; I threw them … Read more
Approaching Swans, and in particular attempting to “review” a Swans record is much like approaching a rock face you know is almost unscaleable. There is a way up and over, but it seems so very far away that at the beginning you spend at least an hour staring at a blank page willing something to happen – and other people … Read more
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