Enabler managed to make some big noise for themselves very quickly. after 2 eps and numerous splits the band got snatched up by the newly crust leaning Southern Lord. The question is after making such a big splash with these eps could the band manage to make nearly as big of a splash in the full length medium? The band stretch just a little in opener "F.A.T.H.". starting with a slight clean guitar before slashing through everything with a screaming fit. This song has one of the more memorable vocal hooks in the album. Lead screamer Jeff Lohrber belts out the words "I wanna see this city burn down to the fucking ground" in a way that only a man burned by said town could muster. The thing is that is possibly the most memorable part of the song and arguably of the entire record. The band blasts through their songs with speed and dexterity. Little attention is paid to the idea of hooks or anything truly catchy. That isn't to ignore the gang chants that are especially good and quite pervasive in "Speechless" between that and the winding lead riff it helps pick the song up from being something … Read more
Masters of the Dark Arts marks the return of La Coka Nostra, a rap supergroup who were last heard from … Read more
So, here we have Split Cranium an interesting project band formed by some of the people behind the acclaimed Circle … Read more
With a name like Ace High Cutthroats, it doesn’t take a lot of imagination to determine what the band is … Read more
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No Peace is the debut LP by Charlottesville, NC’s Nö Pöwer. There are subtle elements of garage and psych at play here but it’s primarily raging hardcore punk, with a noticeable emphasis on the noise. It's a primitive and blown-out style of D-beat that’s been injected with a distinctive dose of artiness and then drenched in feedback. Although he’s not stretching the margins of hardcore vocals too far, the singer is still able to effectively convey a variety of emotion; whether it’s depression, anger, anxiety, or often times, inexplicable. The drums and bass step outside the Dis zone for brief periods of erratic improvisation, trying as best as they can to keep up with the lightning fast guitars, which squeal and swirl all over the place; driving the band’s sonic … Read more
I don't really know where to begin with this EP. Its groovy rock sensibilities throw back to 70's glam rock, but without the theatrics and clever satire. I don't think I get it. Part of me thinks it's intentionally a joke, while the other half of me believes it's to be taken seriously. I'm inclined to lean towards the former … Read more
I really wish I had the chance to review more classical music. While I don't consider myself an expert on the genre, I always find that listening to classical gives me musical experiences I truly could not get anywhere else, and when you've been listening to metal all day long, you can find it to be a welcome reprieve. That's … Read more
Joe Jackson’s love of Jazz is no secret; with his new album being a tribute to the Jazz king Edward Kennedy “Duke” Ellington simply titled The Duke. Joe has been on the scene now for over thirty years putting out hits like his early pop work “Is She Really Going Out With Him” and “Sunday Papers” from the album Look … Read more
I remember distinctly the first time I was introduced to Horseback. It was by their 2012 album Half Blood, and I'm told that my experiences were pretty standard. For the uninitiated, your first few seconds of listening to Horseback will inevitably go something like this:"Hm. This is some pretty interesting post-rocky stuff. Oh, hold on, something's messed up with this … Read more
It's not hard to figure that Vision Of Disorder were one of two Long Island Hardcore bands (along with Glassjaw) that have managed to influence a ridiculous number of current bands while remaining relatively dismissed outside of their scene during their original time as a band. The first 2 Vision of Disorder records had a sound all their own at … Read more
Planet Destroyer, the debut EP from Toronto-based post-rock band Inspire Influence, is unhinged in execution, rising and falling like an endless wave of hopeless determination. Creating an atmosphere of desolation from the initial static of introductory track “Repairing,” the 5-song EP reads like a cohesive tale of intergalactic exploration through repetition, slow build-ups, and eventual climatic bursts of distorted frustration. … Read more
You may never suspect it, but listening to the catalogue of Canadian musician Devin Townsend will cause you to run the gamut of extreme metal, new age, arena rock, ambient, and somehow even more. His last four albums, released under the Devin Townsend Project moniker, were supposed to be an exploration of the vastness of his artistic abilities, and they … Read more
Mr. Ellis has already accomplished a great deal in his musical “career” (I say it this way because somehow I doubt Nathan Ellis is rolling deep in the dough from his various musical endeavors) that has carved a unique and impressive path amongst his myriad of projects which have included being one of the bassists in the ground breaking hardcore … Read more
Australia’s Lunaire first released a well-received demo in 2010 which was followed up by a lauded split with the American cross-coast project Airs. Now Lunaire offer their first EP, With the Same Smile as Those Days, which continues the quartet’s dreamy post-rock from earlier releases and steps forward as a band to watch out for. The four track EP combines … Read more
Hub City Hardcore may not be on par with Greek mythology in terms of their incestuous relations, but with the debut of Plastic Cross, the New Brunswick, NJ brings yet another band of familiar faces playing a wholly new sound. The band is comprised of familiar Hub City Hardcore faces, with ex-members of The Scarlet Letter, Doc Hopper, Down in … Read more
Half of The Keystone Kids is half of Slingshot Dakota, while the other half is Ryan O'Donnell of Yo Man Go, and that was enough to hook and reel me in. While both share Carly Comando's soothing vocals and keys, each one is on the opposite side of the indie spectrum. The Keystone Kids verges more on the electro-pop side … Read more
Russian rocker Senmuth is known for his very overt fetish for all things Near Eastern. All you have to do is look at his website, and you'll see it's filled to the brim with pictures of him in Egypt, as well as the vast quantities of music and artwork that interest has inspired. But then, amongst all of that, there … Read more
Jonathan Bates, aka Big Black Delta, made me entirely rethink what pop music could be last year with the release of his incredible debut, BBDLP1. He took the standard pop music formula and twisted it so far on its head that I'm pretty sure it exited from its own ass, and I mean that as a true compliment. It was … Read more
Rehashed out of Saskatoon are working at carrying the crossover torch into the next decade. While there are a few bands doing this a smaller few truly make it work in the recorded format. Rehashed have everything it takes to be up on top it's only up to the Power It Up Records debut to prove to the world that … Read more
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