Swallow the Sun may have gotten into the death-doom metal craze a good decade after its peak, but even thirteen years on, they are still going strong, evidenced by their latest release, 2012's Emerald Forest and the Blackbird.At the core of the album are its meandering trips through doom metal, with hints of gothic metal and melodeath supplied liberally. The extended, repetitious passages also suggest some influences from post-metal, though without the tendency towards sludge. The occasional peppering of spoken word and female vocals also adds some variety here and there, but don't expect them to deviate too far from the norm.There's no implication that Swallow the Sun aren't still a strong act, but Emerald Forest does show their age. It drags on a bit, especially towards the second half. This isn't exactly a surprise when you consider that the album consists of ten similarly-styled pieces, all longer than your average metal track, but it still makes for a somewhat sluggish finish to an album that's actually pretty tight otherwise.If you enjoy more pensive metal, then you'll love Emerald Forest. But if you're new to the band, consider their stronger debut, 2003's The Morning Never Came instead. Read more
Sound City Studios was a recording studio located in the industrial heart of the Van Nuys district of Los Angeles … Read more
Massed In Black Shadow is a fifty minute swirling vortex of harsh sound and painful noise imbued with a seething … Read more
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he new Kill Your Idols record, From Companionship to Competition, is the best mediocre record since Shutdown's Against All Odds was released in 1998. I don't know about you, but I listened to that record constantly, I was psyched about the Brooklyn Youth Crew, and I rocked my Shutdown summer tour shirt until I accidentally turned it pink bleaching my friend's hair. Years later, I still enjoy that record, but it is obviously not the best hardcore album ever - Chain of Strength, can you hear me? A classic? A ten? Crucial? Not even close, but that record still gets played in my room because it is fun, honest, and my motivation to sing along has not waned after all these years. From Companionship to Competition is just such a … Read more
New Jersey's Old Wounds come out of the gate bolting for the finish. After a handful of eps and a few choice covers the band finally releases their full length debut on the public. The band play a style of hardcore that combines the demonic, metallic thrust of Disembodied and the barely contained rage and guitar noise torture of Kiss … Read more
Up until now I believed that Menace Ruine would not release anything that I would find mind blowing. Their three previous albums (Cult of Ruins, The Die Is Cast and Union of Irreconcilables), although good releases, could not prepare me at the slightest for what Menace Ruine was able to conjure with Alight In Ashes. The band brings together elements … Read more
Albums from supergroups always make me feel torn. I am excited and worried at the same time whenever great musicians decide to collaborate, excited for obvious reasons but also worried because it would be a major disappointment listening to an album with a “dream come true” line-up that turns out to be mediocre. But with Soen there is no reason … Read more
The Avett Brothers have become bonafide pros at releasing an album. With The Carpenter being their seventh full-length album and second major label release, the Concord, North Carolinians have a method to their folk rock madness, without it being boring. Rick Rubin helps with producing for the second time too. Rubin is the link that ties the band’s songs together … Read more
Low Culture packs a punch. Not an angry punch, but one that, upon hearing it, your foot taps and your head bobs. The band, bringing ex members of Shang-A-Lang and Total Jock together, somewhat combines those sounds, but here they are growing in a cleaner sound that is more rooted in the melody. Oh, and they round out the group … Read more
Though I hadn't heard of Bulgarian math rockers Mental Architects myself, as soon as I heard their 2012 album Celebrations, I knew they weren't your average math rock band. The key feature of Mental Architects' music is the impressive level of technical complexity that abounds in their music. But unlike most tech death or math rock acts, whose technicality can … Read more
I don't listen to folk music that often--not enough 7/8 if you ask me. But when I do make exceptions to that rule, it's usually for a very strong artist, and UK based artist Seabuckthorn (né Andy Cartwright), especially on his new release The Silence Woke Me, is one such musician.His style of music blends folk acoustic guitars with elements … Read more
Upon first hearing fragment. on the split / collaboration with Iroha entitled Bittersweet, I began a search for more to hear from this seemingly enigmatic French solo artist because the contributions to said record piqued my interest; but finding recorded material to listen to proved somewhat problematic, and then Home showed up in my mailbox with no real explanation as … Read more
Some days, I just can never get enough Unsane on my headphones, which is the method to which I listen to music while at work and might be a great explanation of why that a little Unsane is never enough as anyone with just a tinge of workplace angst might be able to empathize with me; and Wreck is one … Read more
A lot has been said about Ancient VVisdom, not all of it positive, and for many just letting the music do the talking isn’t enough. Heck, it should be more than enough, because Ancient VVisdom’s second shot at the full length is a deadly and distressing thing of beauty. Deathlike does exactly what it says on the tin, and this … Read more
Ah the Dum Dum Girls… the Dum Dum Girls are in serious danger of transcending the shtick that the band is partially and maybe unfairly saddled with as the End Of Daze certainly shows pushing back at the boundaries of songwriter Dee Dee’s previous songs for the band without losing any of the charm or panache with which those other … Read more
Druglord from Virginia are taking a slow, lurching crawl into this world. With this, their first proper LP, the three-piece make a case for less being more in many ways. The 6-song record resides on the cough syrup addled side of the metal/hardcore spectrum, relying on drawn out vocals and lengthy guitar passages. This is as good a place as … Read more
Wayne “The Train” Hancock doesn’t play music to pump you up for a Saturday night on the town. Instead, Hancock’s old-school flavored country is more suited for sitting in a dim bar and lamenting your sorrows, putting the past away and, eventually, moving on. I also discovered on my first listen that it’s quite suitable for -10 degrees Fahrenheit.The album … Read more
Sometimes, the best plan can be to have absolutely no plan. Occasionally, a band can inadvertently create something truly unique and enjoyable that defies all categorization. More often, a band will hastily throw something together that is such a mess that the only solution is to slap a fancy description on it in hopes to appeal to the kind of … Read more
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