One of the many reasons historians will condemn the early 21st century is the rise of glametalcore. Purveyed by groups such as Steel Panther and Asking Alexandria, this sound blends the abrasive vocals and breakdowns of metalcore with the flamboyance and catchiness of glam metal. Escape The Fate have been torchbearers of the sub-genre ever since they ditched Ronnie Radke in 2008; on their fourth album- which has been three years in the making- the band show a desire to progress held back by their stylistic limits.On thrashing guitars and the spiteful vocals of Craig Mabbitt, the opener begins with all the malice calling an album Ungrateful suggests. It's strange to hear Mabbitt convey any sense of anger or despondency considering the ongoing success of Escape The Fate, in spite of a fluctuating lineup and a messy split from Interscope. However, Mabbitt's vocals are a merely a part of an atmosphere of drudgery punctuated by self-help hooks; 'stand up and scream while the rest of the world won't make a sound,' before launching into another breakdown. The glam/metal binary is tampered with over the course of the album and is departed from at limited points. Following track "Until We Die" … Read more
Emma Louise described the cover art for her debut album Vs Head Vs Heart as expressing "the beauty that can … Read more
Nick Cave is an uncaring bastard.He doesn't care if you buy his new album Push The Sky Away, nor does … Read more
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Ever heard of Crypt of Kerberos? No? Well get ready to be schooled in one of the greatest forgotten relics of the early tech death scene: their lone release, World of Myths.Originally released in 1993, this album has every hallmark for tech death bands of the day: tons of frantic riffing, unnecessarily complicated compositions, tempos and time signatures changing on a dime... The list goes on. But instead of relying entirely on growls and technical masturbation at the expense of aural pleasure, Crypt of Kerberos were also taking hints from the burgeoning progressive metal scene à la Fates Warning and later Death--heavily melodic passages feature heavily amongst the grinding.The fact that they mix the melodic with the techy makes World of Myths an ideal entry point for the genre for … Read more
Feral Kings' self-titled EP comes from a couple of guys that know how to do what they're doing and do it pretty damn well, and it is not necessarily anything new. If you're familiar with the band members’ previous efforts what they do on this record should come as little shock. Containing members of Spitfire and The Takeover (among others), … Read more
Maybe it’s because I caught Off With Their Heads live recently and maybe it’s because on Home, their third official full-length, the theme is something that songwriter Ryan Young has been hinting at all along. Either way, the songs here are familiar and powerful and they continue to deliver in a similar vein as to the rest of their output, … Read more
After enjoying the light, acoustic stylings of Seabuckthorn, I started checking out Bookmaker records for some similarly oriented artists. That's how I found myself stumbling upon the French musician Valentin Féron (aka Henryspenncer, hopefully not as a reference to Eraserhead). And while Féron is of course true to Bookmaker's heavily folk-influenced sound, he brings in so much more, all of … Read more
OK let the namedropping begin: Agalloch, Worm Ouroboros, Hammers of Misfortune, Amber Asylum, YOB, and more. That was probably enough to get your attention, right? So Vhol first came into this world by the twisted ideas of John Cobbett and Aesop Dekker and their aim was to create a band in the vein of the unbelievable Ludicra after they ceased … Read more
It makes sense that this is Paramore’s self-titled album, even though it’s their fourth full-length. Everything you know or have heard about Paramore, put all of those pre-conceived notions in your time capsule for 2009, because that’s not them anymore. This is the two remaining original members’ (Taylor York joined the band after the Farro departure) time to show everyone … Read more
Old school hardcore punk has really found its feet in the last few years. Bands like Creem, Raw Nerve and Violent Reaction have brought innovation to the scene by utilising lesser heard influences ranging from street punk to crust, whilst reducing the songs to their bare bones; short, pissed-off and raw. With its vibrant artwork and blistering intensity (11 tracks … Read more
My Dying Bride is over 20 years old. While most bands that would exist for this amount of time would notably mature in sound and style, it may be hard to convince people of that in regards to MDB. I say this because, stylistically, the band have always trudged through murky, doomy waters. This, in turn, did more to make … Read more
Although Wolves At Bay have recently released a sparkly-fresh record, this review will cover their 2011 full-length debut on Animal Style Records, Only a Mirror. The band seems to have changed names and lineups during the course of their evolution, but here presents as a four-piece post-hardcore outfit, proud to hail from a suburb of New Haven, CT. The paper … Read more
The beauty in acoustic albums usually comes from hearing a song you know and love take on a different resonance when it’s stripped back and unpolished. This is definitely the case for the songs on husband&wife’s Acoustic Recordings. All of the songs were recorded in the band members’ homes, which makes the songs sound quite homely and personal, as though … Read more
Aosoth is another example of how great the current black metal scene in France actually is. With their latest full length, they definitely claim their place next to great bands like Deathspell Omega and Blut Aus Nord. Formed by members of black metal titans Antaeus you get an idea of the quality of the music here.The cold, eerie atmosphere kicks … Read more
Aeon Zen is one of the more recent progressive bands to work its way up to massive critical acclaim. Grounded by sole permanent member Rich Hinks and a reputation for unorthodox compositions, the quintet released their third studio album in four years this January, 2013's Enigma.Right off the bat, there's no denying that their reputation is well earned--literally no two … Read more
Worthwhile Way play positive punk. No bones about it, the title Love Is All isn’t some ironic statement, the band brings an upbeat, happy sound that’s typically devoid from almost any subgenre of music. Mayu’s lead vocals convey a pep that meets the bouncy rhythms of Chege with some powerful ’77-style guitars to bring it all home.For a basic sound, … Read more
Riverside is one of those surprise acts, emerging out of Poland to somehow join the ranks of Dream Theater and Porcupine Tree as one of the biggest progressive bands of the 00s. And with critically acclaimed albums like Second Life Syndrome and Rapid Eye Movement under their belt, they've proven time and time again that they can deliver powerful, complex … Read more
Lair of the Minotaur is a band that managed to get their sound right and have stick with it since they first formed. With their doom/sludge/thrash hybrid they have managed to release four great albums: Carnage, The Ultimate Destroyer, my personal favorite War Metal Battle Master and their latest full length Evil Power. And now they are back with their … Read more
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