It's genuinely hard for me to get excited about supergroups in general--they're almost never as good as the sum of their parts. And unfortunately, despite the calibre of the musicians involved, that seems to be exactly what has happened to post-everything supergroup Ensemble Pearl on their eponymous 2013 debut.Anchoring this band of notably crazy musicians is Stephen O'Malley, known best for his work with Sunn O))) and a metric fuckton of other bands. Lending their talents as well are Atsuo of Boris, Bill Herzog, and Michio Kurihara of Ghost (the Japanese experimental rock band, not the anonymous Swedish gothic/heavy metal one). Most of you have already picked up on how incestuous a group this is--Atsuo's and O'Malley's main bands have a long history of collaboration, Herzog was one of the many guest musciains on Sunn O)))'s most recent album Monoliths & Dimensions as well as their collaboration with Boris Altar, and Kurihara has been playing live with Boris for a long time now. I suppose a collaboration on this scale was only inevitable.As you can probably imagine, the album draws heavily from drone, post-, and stoner metals, all fusing together to create a sound that is huge and expansive. Slow … Read more
Beautiful Death Machine is the eighth studio album by the Vancouver, British Columbia rap group, Swollen Members. I must admit, … Read more
Upon initial listen, this came across as the kind of sloppy folk punk that I’d likely be annoyed by if … Read more
I unfairly judged Nai Harvest at first glance. Band name: wacky. Album title: hip self-awareness masquerading an average sounding record. … Read more
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Let's get the formalities and the predictabilities out the way right off the bat. Wives are a straight up rock band from Los Angeles whose main claim to fame is that their singer's car got hit by a reckless driving Backstreet Boy - the blonde one, if memory serves. The money from the resulting settlement allowed him to set up his own record label, Post-Present Medium, which has in turn released the bulk of Wives records thus far. That's the blatant copying from the Press Kit out of the way then. The band has been around for a few years now releasing a handful of 7"s and splits; Erect the Youth Problem is their first full-0length which was originally released stateside on Cold Sweat a year ago and has just … Read more
In the intervening years between her debut Own Side Now and this sophomore record, there has been very little sign of Caitlin Rose apart from a great cover of Alex Turner’s “Piledriver Waltz.” So as she returns, it is immediately apparent that this interval has been used for growing up: gone is the indie aesthetic in favour of cover art … Read more
Kenosha, Wisonsin's Jungle Rot have been peddling their form of death metal since 1994. The band have managed to release a nearly insane amount of records in that time and create a fanbase that allowed them to get signed by Victory records. The band have remained committed to their original thought process, to be brutal and heavy. Where as most … Read more
Though they all claim lineage to the great acts of the 1970s, no modern progressive band can claim that they sound even remotely similar to them. Bands in the modern progressive rock genre (see Transatlantic, Spock's Beard, Coheed and Cambria) tend to sound closer akin to brightly-polished half-metal than the rock of the 70s, with a loudness and clarity that … Read more
Dirty, spacey punk rawk—in a nutshell, that’s what The Spits are bringing. We could talk costumes, we could talks subgenres, and we could talk recording quality (and we will), but The Spits are a concept best described in those few words. Sound-wise, it’s largely Ramonescore run through a fuzzy filter, so much so that it sounds like half of the … Read more
I first became aware of Maynard James Keenan's solo work through his latest studio album, Conditions of My Parole, which immediately sold me with its incredibly pleasant meanderings through light-rock post-industrial soundscapes (with a fair amount of his trademarked humour mixed in). So, of course, I scooped up his new EP, Donkey Punch the Night, as soon as I saw … Read more
Protestant have around since 2007, yet it feels like longer. Mind you this isn't a put down as much as it is a reflection upon their multitude of releases. In the last 6 years the band has managed to cobble together a discography that reaches into the double digits. Throughout said discography the band has managed to broaden their original … Read more
So this is what happens when you gather up some of the best musicians around the Boston scene and then front the band with one of the top saxophone players going these days. Deric Dyer has played saxophone for the likes of Tina Turner and Joe Cocker even guesting on the Ric Ocasek - Beatitude album. Deric has been carefully … Read more
Nashville based Sol Cat independently released their first full length album on bandcamp in mid February. The indie and rock scene in Nashville is a well kept secret thanks to the city’s reputation for country music and being home of so many major labels, but you won’t find any country influences here. The nine track self-titled release is all chilled … Read more
As a critic there are certain things I’m supposed to keep up with. Fact of the matter is that’s not always possible and, once you get behind, just where do you catch up? Thee Oh Sees are a band I’ve heard peripherally for the past couple of years but never got jumping in on a full-length. Compound that with their … Read more
Despite their age and influence, Shai Hulud have rarely been the focal point of underground music. Sure, they've toured internationally, had some notable members during their time and have been released by some well-regarded labels; they've also had a permanently fluctuating lineup, periods of inactivity and a troubled relationship with the genre their guitarist, Matt Fox, coined- metalcore. However, they've … Read more
I truly think that the word “progressive” has lost its actual meaning for quite some time now. Instead of meaning something new, innovative, and daring it is reserved for bands that are being just technical. Well Azure Emote is a true progressive death metal band, doing something quite new in the extreme side of metal. Keeping a death metal base, … Read more
Is classic rock punk now a genre? I don’t have a whole lot of background with Restorations, other than catching half a set at Fest 11 last year. The energy in the room was powerful and vocalist Jon Loudon had a distinct and memorable voice, of the raspy variety. What I get in LP2, my first recorded introduction to the … Read more
Have you ever gone to a show for one artist or band that you look forward to seeing so much and, instead, walk away talking about one of the openers so much more because of the impression that they left (and that is not a knock on the band or artist that you originally went to see in any way)? … Read more
This EP runs all of 4:59, featuring two new cuts from Low Culture. The band just released a full-length earlier this year on Dirtnap Records, Screens, and it’s making waves—at least in this writer’s household. With that aside, this 7” jumps right into the heart of melodic garage-punk, very in tune with the Dirtnap sound (though this comes courtesy of … Read more
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