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200 Words Or Less

Ensemble Pearl

Self Titled
Drag City (2013)

There's soundtracks to the apocalypse and then there's soundtracks to everything afterward. Ensemble Pearl provides the latter. The din and drone as your mind takes in the ruins of its surroundings, the dissonant fear of realization and finally the despair of acceptance. Stephen O'Malley has provided many a piss shiver in his work with Sunn O))) - a deliberate, almost … Read more

Multiple Authors

Ensemble Pearl

Self Titled
Drag City (2013)

It's genuinely hard for me to get excited about supergroups in general--they're almost never as good as the sum of their parts. And unfortunately, despite the calibre of the musicians involved, that seems to be exactly what has happened to post-everything supergroup Ensemble Pearl on their eponymous 2013 debut.Anchoring this band of notably crazy musicians is Stephen O'Malley, known best … Read more

Batillus

Concrete Sustain
Seventh Rule (2013)

The issue that I had with Furnace, the 2011 debut album from Brooklyn's doom metal band Batillus was that it kept losing my interest after the first two songs. Don't get me wrong, I love those first couple tracks and the overall chilling atmosphere of that album, but I just found myself getting sidetracked every time I tried to listen … Read more

Swollen Members

Beautiful Death Machine
Suburban Noize (2013)

Beautiful Death Machine is the eighth studio album by the Vancouver, British Columbia rap group, Swollen Members. I must admit, up until recently I hadn’t paid much attention to the group since their 1999 debut, Balance. It was one of my favorite underground hip-hop albums from that year, but in the 14-year interim I’ve missed a lot of material. Needless … Read more

A Sense Of Porpoise

Self Titled
Independent (2012)

Upon initial listen, this came across as the kind of sloppy folk punk that I’d likely be annoyed by if there was a male singer. Call me sexist if you will but the fact that a female is doing the vocals makes this totally pleasurable, whereas I’d normally dismiss such stuff after one listen as gimmicky coffee shop music that … Read more

Woe

Withdrawal
Candlelight (2013)

Having began life as a one-man project borne from the mind of Chris Grigg, Woe’s motive was one of total aggression and pure hate and signified a time when American black metal was only just starting to find its feet within the darker realms of the musical sphere. With A Spell for the Death of Man Grigg stepped forward and … Read more

Nai Harvest

Whatever
Pinky Swear (2013)

I unfairly judged Nai Harvest at first glance. Band name: wacky. Album title: hip self-awareness masquerading an average sounding record. Genre: Emo. Oh emo, we meet again old foe. A style birthed by ex-punks, killed by its own apathy, briefly reanimated by fringed goths, then killed and mounted by Tumblr. Why me? Can't Lew go back to Grazes and we … Read more

Caitlin Rose

The Stand In
ATO (2013)

In the intervening years between her debut Own Side Now and this sophomore record, there has been very little sign of Caitlin Rose apart from a great cover of Alex Turner’s “Piledriver Waltz.” So as she returns, it is immediately apparent that this interval has been used for growing up: gone is the indie aesthetic in favour of cover art … Read more

Jungle Rot

Terror Regime
Victory (2013)

Kenosha, Wisonsin's Jungle Rot have been peddling their form of death metal since 1994. The band have managed to release a nearly insane amount of records in that time and create a fanbase that allowed them to get signed by Victory records. The band have remained committed to their original thought process, to be brutal and heavy. Where as most … Read more

Steven Wilson

The Raven that Refused to Sing (And Other Stories)
Kscope (2013)

Though they all claim lineage to the great acts of the 1970s, no modern progressive band can claim that they sound even remotely similar to them. Bands in the modern progressive rock genre (see Transatlantic, Spock's Beard, Coheed and Cambria) tend to sound closer akin to brightly-polished half-metal than the rock of the 70s, with a loudness and clarity that … Read more

The Spits

V
In The Red (2011)

Dirty, spacey punk rawk—in a nutshell, that’s what The Spits are bringing. We could talk costumes, we could talks subgenres, and we could talk recording quality (and we will), but The Spits are a concept best described in those few words. Sound-wise, it’s largely Ramonescore run through a fuzzy filter, so much so that it sounds like half of the … Read more

Puscifer

Donkey Punch The Night
Puscifer Entertainment (2013)

I first became aware of Maynard James Keenan's solo work through his latest studio album, Conditions of My Parole, which immediately sold me with its incredibly pleasant meanderings through light-rock post-industrial soundscapes (with a fair amount of his trademarked humour mixed in). So, of course, I scooped up his new EP, Donkey Punch the Night, as soon as I saw … Read more

200 Words Or Less

Protestant

Reclamation
Halo of Flies (2012)

Protestant have around since 2007, yet it feels like longer. Mind you this isn't a put down as much as it is a reflection upon their multitude of releases. In the last 6 years the band has managed to cobble together a discography that reaches into the double digits. Throughout said discography the band has managed to broaden their original … Read more

200 Words Or Less

Deric Dyer

Renaissance Man
Dellboy Records (2012)

So this is what happens when you gather up some of the best musicians around the Boston scene and then front the band with one of the top saxophone players going these days. Deric Dyer has played saxophone for the likes of Tina Turner and Joe Cocker even guesting on the Ric Ocasek - Beatitude album. Deric has been carefully … Read more

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