I haven't been following Architecture in Helsinki too much since the underwhelming, Places Like This. In 2011 they released, Moment Bends, which almost completely flew under my radar. I once again almost missed another album cycle with their new record, Now + 4EVA. Following their sophomore output, In Case We Die, the group began to lean more towards synth-pop and by Moment Bends, had nearly abandoned what made them so distinctive. It was slower, stale, and lacked much of what made the band so fun. Now + 4EVA does a better job of regaining that unique Architecture in Helsinki sound while continuing to delve into the synth-pop form. Is it enough to keep our attention?Now + 4EVA gets started with, "In the Future." As someone who still listens to In Case We Die regularly, this sounded like the Architecture in Helsinki I know and love but more mature. It's followed up with a catchy, swirling cover of Jackie DeShannon's, "When You Walk in The Room." The band does a great job of adding their own dance twist to the original acoustic track. Another good combination of older and current Helsinki comes out of, "I Might Survive." It's probably the most … Read more
Often when a critic writes of a band not changing its sound it’s meant in the negative light: art should … Read more
Five years removed from a self-titled debut released on the legendary Slumberland Records label that to many, signaled the return … Read more
Self-released in November of 2013, Roaming Herds of Buffalo’s Alien Canyons is the band’s second release to date. The Seattle-based … Read more
I hate to simplify the role of the split 7”—they’re about way more than this, in truth—but one of the … Read more
It’s 11 o’clock on a Saturday night. You’re lying in your bed, craving some late night music. You want something … Read more
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Luckily for fans of Earth, Dylan Carlson and company are very productive of late with Hex: Or Printing in the Infernal Method, Hibernaculum, and a host of smaller releases all being released within the last three or so years. This is a tremendous increase in recorded activity for the band considering how long they have been active. The Bees Made Honey in the Lion's Skull is Earth's sixth or seventh full-length, depending on what one considers Hibernaculum, and it is a further refinement of the style and sound that Carlson has been exploring and showcasing on their last two significant studio records. The album also features guest guitar work courtesy of Bill Frisell, a Grammy award winning jazz guitarist that has worked with a multitude and wide variety of musicians … Read more
Though many have tried to position singer/songwriter Meg Myers as the latest in the line of angsty female singers that includes the likes of Fiona Apple, the alarming level of bitterness and near hostility found in the lyrics of theMake a Shadow EP, the second release from the ferocious former Jehovah’s Witness, almost puts her in a different league entirely. … Read more
All good stories need an emphatic storyteller to bring the characters to life. Beyond one dimensional storyboards where all film ideas begin and draft-upon-draft of song lyrics harbouring a vision, the most important part of any creative endeavour is when these ideas are brought out of their enshrouded beginnings, and the storyteller tells us why these characters should matter to … Read more
Southern Californias' Bl'ast are certainly not new by any stretch but possibly forgotten by most to the annals of time. Hardcore is a scene that attempts to treasure the past while forgetting certain standard bearers and originators as suits the times. Southern Lord has managed to unearth a forgotten chapter of hardcore history with this record of forgotten and remastered … Read more
La Dispute’s 2011 post-hardcore masterpiece Wildlife was not only the highlight release of that year, but one of the finest records that I myself have humbly observed. Personal accolades aside, this opinion is one shared by many others, and not without due reason. Wildlife represented at the time of it's release not only an extended display of unbridled emotionality, but … Read more
Oh, to be a fly on the wall during one of Toronto-based The Bare Miniumum's practices. It's generally an added bonus to discover that a band has a sense of humor about themselves, but with these guys it's seemingly the only thing they're concerned with. In interviews, the band presents themselves as lots of things. At times, they're an unconcerned … Read more
In the darkest recesses of some of our minds lies an unspeakable and unknowable terror, and some artists have brushed against that darkness throughout time (some recent examples might be H.P. Lovecraft, Francis Bacon, and a select few others) and Cacophony is a perfect illustration for the madness induced by such brushes with our inner demons; although nowhere near as … Read more
I’ve sat on this review for a while, waiting for that easy-to-describe-it moment to hit me. With Signals Midwest, I don’t know if that’s going to happen. The Cleveland band uses their Midwestern sensibility in their sound—it’s gritty, honest, and non-showy—but it’s also too distinct to tie to a geographic area. The band uses a punk influence throughout while playing … Read more
Though he’s primarily known for being the former, on-again, off-again guitarist for Red Hot Chili Peppers, John Frusciante has long pursued a solo career that’s been full of peaks and valleys. After releasing a pair of somewhat fascinating, but difficult-to-listen-to albums in the 1990s, Frusciante hit his stride as a solo artist in the early 2000s, at one point releasing … Read more
Electronic musician Skrillex’s 2014 debut full length album Recess (released on the Atlantic label) starts with a track called “All’s Fair in Love and Brostep.” That says almost everything one needs to know about the album, prompting a WTF reaction from all except those people already firmly in the pro-Skrillex camp. The song title also hints at the juvenile mentality … Read more
The Philadelphia rock scene is famous for producing indie bands heavily dosed on vintage, classic rock. Folker Kurt Vile recalls Bob Dylan and neo-psychedelia band Dr.Dog draws upon Big Star. You probably know Vile from when he packed all the “Best Of” lists last year with his critically-acclaimed masterpiece Wakin’ On A Pretty Daze, and you've probably heard Dr.Dog’s rootsy … Read more
Tiny Empires seek to build something new; something powerful, significant, and memorable, just as the name suggests. With their debut record Weird Headspace they’re doing just that. It’s big, grasping, and expansive work.It’s also out of the ordinary for the scene in which it originates.Lead by Eric Solomon (O Pioneers!!!) and Bryon Lippincott (New Bruises), it plays off the two … Read more
As a full on Nadja addict, Queller was immediately on my radar when I heard of its upcoming release; but as a “music critic” (that is what we do here right), Queller may just be one of the finest not quite hour of their impressive discography / existence to this point, which is an impressive feat considering how large and … Read more
I don't get too excited about new bands anymore. However, Seagulls recently swooped into my radar and have me pumped for sing-a-longs. If you're a fan of the guttural vocals of Fucked Up and the melodic pop-punk riffs of Latterman, then this is right up your alley. The band's new EP, The Royal We, will have you fist pumping through … Read more
Here’s some D-beaten hardcore out of New Haven, Connecticut. Seven songs that average two and a half minutes, which is the goddamn perfect length for this type of thing. Much like fellow CT statesmen Oiltanker, Iron Hand dives deep into the Scandinavian and Portland “epic crust” end of the pool; at least in their instrumentation. The vocals lend it a … Read more
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