Indie Cindy is the first new Pixies full-length since 1991 (Trompe le Monde). After the band reunited a few years back for the tour circuit the rumors of new material started to flow, the band continued to tour, and nothing came out. Eventually, shortly after the departure of original bassist Kim Deal (The Breeders), the band put out three EPs starting in 2013. Indie Cindy is the first (collected) recording to not include Deal and there is question if it can really be a Pixies disc without her—not to mention the, how shall I put it, often subpar albums that come from reunions. If there’s one thing the Pixies did right here, it was to rekindle the fire of the band for a few years before jumping back into the studio. It shows, as they feel like a band and not just a cash grab.I admittedly didn’t give the EPs much of a chance—I heard a couple streaming songs, thought, “Eh, that sucks,” and forgot about it. When it’s all put together for Indie Cindy, though, it sounds like a record, and a surprisingly cohesive one for a band whose last release came two decades ago. Frank Black has proven … Read more
I still remember when I first listened to the Atlas Moth debut album, A Glorified Piece of Blue Sky. Instantly … Read more
Death Grips have been making a strong and confrontational statement in music since their inception. Zach Hill (Former drummer extraordinaire … Read more
Good things come to those who wait. It's a cliché, yes, but for Clad in Darkness that old adage rings … Read more
It may be an antiquated notion, but there are just some names that you can trust. Names that were built … Read more
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Aeon Zen is one of the more recent progressive bands to work its way up to massive critical acclaim. Grounded by sole permanent member Rich Hinks and a reputation for unorthodox compositions, the quintet released their third studio album in four years this January, 2013's Enigma.Right off the bat, there's no denying that their reputation is well earned--literally no two songs on the album sound like they were cut from the same mold. Though the compositions are all rooted somewhere in progressive metal, the band deviates frequently, pulling influences from neo-classical metal, thrash metal, death metal, power metal, and even electronic music. And that's all not to mention the incredible diversity already inherent in the songwriting; the band seemingly has a phobia of using the same theme more than twice … Read more
Big Action Records doesn’t pump out a ton of releases and, when they do, they run the geographical gamut. The label is based in St. Paul, MN but releases come from across the country. Still, within that, there’s a well defined style that tends to dominate: pop-tinged, melodic garage rock. The debut from Minnesota’s Rabbit Holes fits well within those … Read more
Bands are seemingly judged differently on their sophomore outings: where does it change, does it meet expectation, does it show growth, and the like. Well, writing about a band the second (or third) time is kind of the same thing. With Blood::Muscles::Bones, Street Eaters haven’t changed up their sound drastically or reworked their well-oiled machine. They’ve just written another bundle … Read more
Showing up a few years after the group’s 2009 debut Aloha, Diarrhea Planet’s 2011 three-track EP Yama-Uba is a more consistent release, with a sound that’s similar to that of 1990s pop-punk group The Queers. Infusing singalong vocal harmonies, intricate guitar work, and soaring solo lines into familiar, old-time rock song formulas, opening tracks “Hot Spit” and “Mutt-Feast” show that … Read more
Formed in 2009, Nashville, Tennessee’s Diarrhea Planet initially were known for their goofy name more than anything else, but with the 2014 reissue of their first EP Aloha, it becomes possible to see why their reputation has only grown over the past few years. A full on assault of wicked, snarling guitar licks, punchy rhythms and amusingly vulgar lyrics, this … Read more
When a band or label is as difficult to track down as Olekranon or Inam Records, then you know you're in for an experience. The chap behind Olekranon - Ryan Huber - is also the chap behind the label but getting a hold of them via the magic of the internet has proved to be a fruitless endeavour. There's a … Read more
It has been quite a time since one could easily quantify Ulver and what they do as a unit. Garm has made no secret that he remains generally uninterested in what Ulver began as and remains focussed on following whatever muse may take him. So for the early years when there was an emphasis on Black Metal to the middle … Read more
Taking their name from the universe of Dune, this intriguing band releases its latest record, Litanies. Post metal might be the easiest way of describing Gholas but that would be unfair to their much deeper and more complex nature.The beginning of the album comes in and hits you straight in the face with “…And the Lives Come Flooding,” as the … Read more
With their first full-length album in 14 years (save for an EP of sorts in 2005 and a 7" in 2012), it's almost one's gut instinct to remark that Eyehategod haven't missed a beat in all that time and sound as lethal now as they did on 2000's Confederacy of Ruined Lives. However, to gloss over those nearly 15 years … Read more
Deep Fantasy is pissed off, but it could still use a good angry howl every so often.The record, the third from Vancouver’s White Lung, is their first on Domino Records and was recorded as a trio (though they still tour as a quartet). The band has seen its fair share of comparisons to Pretty Girls Make Graves and this release … Read more
Milwaukee's Northless have long been trudging within their brand a somewhat sprawling sludge. The band have consistently input further measures of post rock textures into their sound to create something a little bit more different from the norm. While still remaining mostly true to sludge on the whole the band seem to create something a little bit more tuneful and … Read more
Andrew Jackson Jihad make a return on their new label home, Side One Dummy, after a long tenure on Asian Man Records. Usually when a band makes a jump after a long run, many find a cause for concern. I assure you, there's nothing to worry about. The lyrics are as offbeat as ever and the compositions are still whimsical … Read more
If you find yourself loving classical or orchestral pieces, but would just enjoy something with a little more electronic funky vibe this is what you’re looking for. I imagine such wide varieties for this music and it can fit with many of my moods. None of these songs have lyrics but the music speaks for itself. I find myself lost … Read more
I generally hate punctuation in a band name, but it’s uncommonly fitting with Off!. Sure, they only included it to keep the pesticide theme going, but every scrap of vitriol that Keith Morris shouts out in the lyrics deserves to be followed with the exclamation point. It’s loud, shocked, and direct as hell. Almost every song uses the first or … Read more
Four years on in a career that’s seen them work on perfecting the brand of quirky 1990s alt rock of bands like the acclaimed Pavement and not-so-fondly-remembered Harvey Danger, Brooklyn’s Parquet Courts return with 2014’s Sunbathing Animal, an album that may be most surprising for the fact that it’s very nearly the equal of the band’s well-received debut, 2012’s Light … Read more
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