At the height of the Northwest music explosion of the early 90s, L7 were among many bands branded with the ubiquitous tag of “grunge”. They weren’t from Seattle, but they had just enough distortion on their guitars to be regarded as such. This put them in a unique situation, as they were really the only all-female band to be inducted into that exclusive boys club. Whether they liked it or not, they were pioneers and they were trailblazers. They didn’t then, and they don’t now, get enough credit for this.And they earned the respect of all by kicking ass. They didn’t rock pretty good “for girls”. They just rocked, period. They toured with the likes of The Melvins, Nirvana and Faith No More and gave them all a run for their money each and every night.So when the band dissolved in 2001, it felt like the end of an era. Some members went on to other bands - Donita Sparks began a solo career and Jennifer Finch went on to form The Shocker and other members went back to school and stayed out of the spotlight all together.So when it was announced in 2014 that the band was reuniting for … Read more
As a record reviewer, sometimes I find it hard to review different works by the same artists. There comes a … Read more
With a name like Wristmeetrazor could assume what you would be getting with this record before heading in and pressing … Read more
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Royal Headache has been gathering some hype lately. Their self-titled record is a twelve track piece of high energy garage-punk, blazing past in twenty-six minutes. It’s clean; it’s crisp; yet, it’s also got a driving rhythm section and more than its share of aggression. While the genredrop isn’t necessarily difficult based on their sound, it feels unfair to pigeonhole them, as the album is peppered with influences ranging from Motown R&B to ’77 punk with it all culminating in a pop song—just played super fast and with boundless passion.The mix here really focuses on vocals and drums, and the one-two punch they deliver is as hyper as a shaken can of Jolt Cola. Singer Shogun’s vocal style drives the record with a tuneful R&B ear and actually singing, not shouting … Read more
In the early ‘10s it felt like the progressive sludge scene had produced all of its great records, and that moving forwards the genre would settle in a plateau state. But in the underground, there was one band that was still not contempt with the confinements of the genre, and they displayed that with their debut record Sundown. Inter Arma’s … Read more
Chicago’s Oozing Wound have been riding the thrash train since their inception in 2011, yet this trio are more than just that label, instead they are a band that incorporates many different aspects of the metal world into their music and in doing so create high energy vibrations that enable them to put their points across in a fun and … Read more
From the start of Collecting Misery it’s clear that Nadir is one of those bands fronted by someone who is usually on a different instrument. Sure, the DIY production also influences the sound, but the vocals are just a bit less fluid than in most bands. It’s not a slight against the band, just that it sounds a little less … Read more
Much of what I listen to on the regular is of the three-chord punk variety. While I want the bands in that field to switch up their sound, to develop and grow, the differences are usually pretty subtle in that world. The Coathangers, though, are something else and for some reason I’m always surprised when I put on each new … Read more
Recently I picked up my longboard from the barn where it was in hibernation for quite some time. I have been cleaning the bearings and other necessary maintenance. All the while looking out the window checking if the weather was adjusting to the meteorological time of the year: spring! Why this urgent need to skate? A long answer short: this … Read more
Nightmarathons are a tough band to pin down. Sure, they fit somewhere under that ever-widening punk umbrella, but it pulls from different areas without fitting neatly into any single substyle. To make a blanket statement, I’d say its heavily influenced by ‘00s punk across the board, with different singers who take the songs in different directions. There’s some first wave … Read more
It had been a long time since I’d listened to The Bananas – and I have to ask myself why. It’s that peppy, poppy, yet underproduced DIY thing that I basically groove on. A few seconds of “La Touraine” is all it takes to get the leg bouncing and a smile on my face. I’m not going to say that … Read more
What’s in a name? Radical Fun Time. Well, it is radical. Just take a look at that artwork. Someone had fun with that! It hurts a bit on the eyes, but someone had fun. And sometimes you can judge a book by it’s cover. This sounds like a bunch of guys having a good time. I picture a couple of … Read more
I’m sure fictitious bands are a fun concept for the musicians writing the material, but I could care less if it's Tim Armstrong behind the mic or “Bagga” – they both sound the same. There are animated videos for this 4-song EP that develop the storyline of a fake 1980s punk band, which is the concept behind Landfill Crew. I’m … Read more
China isn’t the first country you think of when it comes to rock music but over the last two decades, Wang Wen has been placing their home on the musical map and in Invisible City the band brings a range of new emotion to their instrumental work. Wanting to record something warmer than the previous record, Sweet Home, Go!, the … Read more
Los Angeles quartet Dear Boy are firm favourites in their hometown's indie scene, but their new EP suggests that they could go much further. Dear Boy is fronted by Ben Grey, formerly of indie darlings Scarlet Grey, with guitarist Austin Hayman, bassist Lucy Lawrence and drummer Keith Cooper completing the line-up. The band has been together since 2012 and they … Read more
I recently wrote about Future Virgins, stating that the band tempers their anger, choosing more subtle reflection in their songwriting to express that always important human emotion. I guess I know where the band’s members let it out.Basement Benders play a somewhat lo-fi melodic punk with a lot of vocal tradeoffs that pull together with joined melodies. It’s a pop … Read more
When I received the promo for Born To Be Mild the first thing that struck me was the artwork. It matched with the (previously discussed) EP, but not at all with their previous, debut album, Access All Areas. What I like about the artwork of Access All Areas is the dreamy, relaxed atmosphere that oozes from the picture. The artwork … Read more
This is the 30th year of The Bouncing Souls, which seems crazy in many ways – including that I’ve been listening to them for nearly 25 of those years. This year is a milestone for the band: a big international tour, this new EP, even a book of memorabilia for the diehards.I’ve had a bit of a love/indifferent relationship with … Read more
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