Music is a form of expression and therapy and often times the only way an artist can make sense of the events going on around them. It's something Bob Mould makes very clear when he steps up to the mic. After years of dealing with loss and delving deeper into a darkness that surrounded him, he's letting his new album, Sunshine Rock, shine through and light up his life and ours. Mould made an effort to establish some changes in his life. One step he took would be moving from San Francisco to Berlin, where he found himself being more engulfed in live music, as well as attending more clubs. This change sparked the positive light in him that lead to "Sunshine Rock." The album's opening title-track perfectly encapsulates the tone of the rest of the album. It's a fast upbeat love song loaded with catchy riffs that give you the sense of driving through "sunny California." It's kind of strange that it wasn't written there. The following 3 tracks maintain the speedy energetic pace. "What Do You Want Me to Do" and "Sunny Love Song" are much more straight Rock songs, while "Thirty Dozen Roses" gets injected with some … Read more
In the early ‘10s it felt like the progressive sludge scene had produced all of its great records, and that … Read more
Chicago’s Oozing Wound have been riding the thrash train since their inception in 2011, yet this trio are more than … Read more
Much of what I listen to on the regular is of the three-chord punk variety. While I want the bands … Read more
Recently I picked up my longboard from the barn where it was in hibernation for quite some time. I have … Read more
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Every so often you hear a record and it instantaneously floors you. All Teeth's debut full-length I Am Losing is one of those records. The thirteen songs that make up this album are filled with such passion, aggression, and emotion - it is as though anger, frustration, resentment, and bitterness actually fuel the songs. The lyrics and music perfectly match the intensity of each other that words really don't do justice for what has been recorded here. I Am Losing opens with an intro track of hard hitting bass drums; guitars are added to the equation followed by chanting of "Loved, never / Hated, forever." This sets the stage for an impassioned twenty-three minutes of intense, anger-fueled, high-octane hardcore. "Dead Man" lasts only forty seconds but devastates the listener with … Read more
Nightmarathons are a tough band to pin down. Sure, they fit somewhere under that ever-widening punk umbrella, but it pulls from different areas without fitting neatly into any single substyle. To make a blanket statement, I’d say its heavily influenced by ‘00s punk across the board, with different singers who take the songs in different directions. There’s some first wave … Read more
It had been a long time since I’d listened to The Bananas – and I have to ask myself why. It’s that peppy, poppy, yet underproduced DIY thing that I basically groove on. A few seconds of “La Touraine” is all it takes to get the leg bouncing and a smile on my face. I’m not going to say that … Read more
What’s in a name? Radical Fun Time. Well, it is radical. Just take a look at that artwork. Someone had fun with that! It hurts a bit on the eyes, but someone had fun. And sometimes you can judge a book by it’s cover. This sounds like a bunch of guys having a good time. I picture a couple of … Read more
I’m sure fictitious bands are a fun concept for the musicians writing the material, but I could care less if it's Tim Armstrong behind the mic or “Bagga” – they both sound the same. There are animated videos for this 4-song EP that develop the storyline of a fake 1980s punk band, which is the concept behind Landfill Crew. I’m … Read more
China isn’t the first country you think of when it comes to rock music but over the last two decades, Wang Wen has been placing their home on the musical map and in Invisible City the band brings a range of new emotion to their instrumental work. Wanting to record something warmer than the previous record, Sweet Home, Go!, the … Read more
Los Angeles quartet Dear Boy are firm favourites in their hometown's indie scene, but their new EP suggests that they could go much further. Dear Boy is fronted by Ben Grey, formerly of indie darlings Scarlet Grey, with guitarist Austin Hayman, bassist Lucy Lawrence and drummer Keith Cooper completing the line-up. The band has been together since 2012 and they … Read more
I recently wrote about Future Virgins, stating that the band tempers their anger, choosing more subtle reflection in their songwriting to express that always important human emotion. I guess I know where the band’s members let it out.Basement Benders play a somewhat lo-fi melodic punk with a lot of vocal tradeoffs that pull together with joined melodies. It’s a pop … Read more
When I received the promo for Born To Be Mild the first thing that struck me was the artwork. It matched with the (previously discussed) EP, but not at all with their previous, debut album, Access All Areas. What I like about the artwork of Access All Areas is the dreamy, relaxed atmosphere that oozes from the picture. The artwork … Read more
This is the 30th year of The Bouncing Souls, which seems crazy in many ways – including that I’ve been listening to them for nearly 25 of those years. This year is a milestone for the band: a big international tour, this new EP, even a book of memorabilia for the diehards.I’ve had a bit of a love/indifferent relationship with … Read more
Dirtnap is a fascinating label in how they’ve developed a certain sound to their releases, regardless of what part of the world or what particular scene the musicians hail from. Sure, there’s the Marked Men connection with many of their releases, but that’s only a piece of what the label has put out.Good Shade is Shane Natalie, a one-man band … Read more
There’s a lot I want to say about this album, but I’m torn because I try to keep things more positive. I’ve given it a lot of thought and a lot of listens, and I just don’t like it. At its best, it’s a pop-punk version of The Hold Steady – and that’s not in that oversimplified “recommended if you … Read more
Alex Barnett and Faith Coloccia are both distinguished members of the experimental ambient music scene, and have already proved that they are a force to be reckoned with when they collaborate. The duo has previously released two intriguing records of experimental, drone goodness in their debut record Retrieval and their sophomore full-length Weld. What was striking about the collaborations of … Read more
The distance between San Francisco and Manchester is 5,000 miles, but Californian psychedelic trio Cellar Doors are determined to bridge that distance on their self-titled debut album. The band is already making waves across the Atlantic, having caught the attention of ex-Smiths drummer Mike Joyce and enlisting Inspiral Carpets frontman Stephen Holt as their manager, and their album sounds as … Read more
Hexvessel’s pastoral folk has been gradually building momentum since their inception ten years ago and on All Tree, their fifth album, this forward motion comes to a beautifully morose head with songs that live in the undergrowth and call to mind ancient mossy forests and a longing for simpler times. While Hexvessel’s music is charming on the surface, what lies … Read more
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