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Our latest album reviews, featuring the records we've most enjoyed (or not) over the past few weeks.

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Browse our album reviews according to score: Highest (9.5/10 or more) or Lowest (2/10 or less)

Reunions

Aching Waits
La Escalera Records / Def Cow Records (2018)

You know how once you get an idea in your head, you can’t shake it no matter what else comes up? That’s happened to me in reviewing Aching Waits, an EP released at the start of the year by San Francisco’s Reunions.This 4-song 12” EP has nice variation across the board, yet I keep coming back to Hot Water Music, even though the connection is mostly there in the title track (and in the voice of one of the band’s two singers). One has a real Chuck Ragan thing going on—the old, shouty Chuck Ragan of HWM days: hoarse, yet bursting with emotion. It’s not just his voice, though. The whole title track has that magical balance driven by vocal tradeoffs that capturing deeper introspection tainted with frustration and regret. Even the lyrics go this way, pulling together in a fraught chorus highlighted by lines like “There’s dignity in shame/ knowing demons by their name.” The whole chorus is pretty masterful lyricism. While it matches the tone of some of my favorite Hot Water Music of years gone by, it’s similar but different. Instead of that backing wall of sound and dual guitar interplay, Reunions push for a climatic rise … Read more

Starcrawler

Starcrawler
Rough Trade (2018)

Starcrawler vocalist Arrow De Wilde is one of the most arresting vocalists I’ve had the pleasure of witnessing in the … Read more

Night Birds

Roll Credits
Fat Wreck Chords (2018)

Roll Credits is an 8-song “mini-album” homage to the classics. Night Birds--the now veteran band of 10 years--says it was … Read more

A Perfect Circle

Eat the Elephant
BMG (2018)

Regardless of which band Maynard James Keenan is recording, promoting or touring with - he is usually the one unfairly … Read more

Street Sects

The Kicking Mule
Flenser (2018)

This deviant punk/industrial hybrid sprout onto the scene in 2014 with their EP Gentrification I: The Morning After the Night … Read more

Dödsrit

Spirit Crusher
Prosthetic (2018)

2017 saw the release of Dödsrits' self titled debut album. I was impressed by the quality that I discovered on … Read more

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One from the archives

Idle Hands

Mana
Eisenwald (2019)

The metal scene is one that moves in cycles, with sub-genres becoming the flavour of the month before the hot new thing moves in to take over the masses for a short time. Goth rock, however, always seems to stay the course. There’s something about the sounds, the feelings, the time period it evokes, and for those reasons the style never seems to go out of fashion. From bands such as Sisters of Mercy, to The Cure to Fields of the Nephilim in the 80s right up to HIM in the early 00s or Tribulation, In Solitude or Grave Pleasures now - the gothic scene is one that constantly attracts musicians and fans alike and to hear young and new bands embracing the classic sound is a pleasure that knows … Read more

More album reviews

Behemoth

I Loved You at Your Darkest
Nuclear Blast (2018)

The fanfare that surrounded 2014s The Satanist was not an unwarranted reaction and for Behemoth it marked a significant turning point. Hailed as a modern classic almost immediately and allowing the Polish band to reach the upper echelons of the extreme metal scene with huge tours both in Europe and America, headlining festival appearances where they played the record in … Read more

Fórn

Rites of Despair
Gilead Media (2018)

Boston’s Fórn have been making slow, emotional music that rips your heart to pieces since 2012 and in that time the band have progressed into an entity that can make a simple guitar phrase induce introspection on a massive scale. “Manifestations of the Divine Root,” the first track after album intro “涂地,” places gorgeously fluid guitar lines alongside Chris P’s … Read more

Maniac

Dead Dance Club
Dirt Cult (2018)

Across the board Maniac reminds me of several bands. The vocal timbre of lead vocalist Zache Davis recalls Mark Ryan (Marked Men) and so does the rhythm section, though it’s not nearly as hyper. Justin Maurer, who also picks up the mic at times, has a darker tinge to his songs. The tempo is fast, I guess you’d say in … Read more

Four Fists

6666
Doomtree (2018)

Four sixes, four fists, two rappers and some punchy production that’s equally space age and heavy hitting. It’s my own interpretation here, but the group name is more a reference to solidarity and kinship between rappers P.O.S and Astronautalis than it’s a statement of anger or frustration. The group is built on the fluid, and often laid-back raps of Astronautalis … Read more

Editors

Violence
PIAS (2018)

Editors first appeared as part of the British indie music scene in 2003, when there was a swell of guitar bands dominating the charts. They released their Mercury-nominated debut album The Back Room in 2005, which has endured over the years thanks to its anthemic songs and dark lyrics, and since then their albums have traversed genres and attracted an … Read more

Author & Punisher

Beastland
Relapse (2018)

Tristan Shore, the man behind the Author & Punisher project, has been on a warpath since the release of his debut, self-released record The Painted Army. By drawing inspiration from his background as a mechanical engineer Shore has created his own range of instruments for Author & Punisher, his infamous Drone Machines. As a result, these machines have allowed him … Read more

I Against I

Small Waves
White Russian Records (2018)

Last year White Russian Records made me very happy by releasing Travoltas’ comeback album Until We Hit The Shore, which ended up being my favourite record of last year. Next to a couple of interesting up and coming bands White Russian Records is now releasing another comeback album of another Dutch punk legend: I Against I. Legendary in part because … Read more

Nordra

Pylon II
Sige (2018)

Monika Khot has been exploring the realm of experimental music both as one half of the avant noise/prog duo Zen Mother, but also with her solo project Nordra. Just last year, Khot released her self-titled record through SIGE, displaying her adventurous ethic towards electronic music. Now SIGE turns back the clock and presents Nordra's first work in Pylon II, originally … Read more

Chain Whip

Chain Whip
Dirt Cult (2018)

There’s angry music that’s angry in tone, and there’s angry by trope. Chain Whip is just plum angry. When Josh shouts, the first instinct is to take a step back and watch for spit. It’s blunt, brutal and literally in your face. This EP rips through 5 songs in 6 minutes. While it’s all short, fast, and loud, it’s also … Read more

Astpai

True Capacity
Jump Start (2018)

Austrian touring machine Astpai are ready to release their sixth full length album unto the world. Astpai has held a low profile recently. Their previous album Burden Calls is from 2014. Ok, there was 7” somewhere between these albums, but still. Astpai once started out as a punk band in the Strike Anywhere camp. Over the time this band has … Read more

La Armada

Anti-Colonial Vol. 1
Creep Records (2018)

I usually lean more melodic than heavy in my daily listening. But there’s a time and place for everything, and La Armada definitely hit that craving for pure vitriolic aggression. The Chicago by way of Dominican Republic band play metal-tinged hardcore that’s blunt, brutal and angry. While there are metallic influences in the guitar, the songs are always under 3-minutes … Read more

Alice In Chains

Rainier Fog
BMG (2018)

It’s been 12 years since Alice In Chains reactivated with vocalist William DuVall - making his time in the band roughly twice that of Layne Staley, but the shadow left by Staley was cast dark and long across the band’s last two albums Black Gives Way To Blue and The Devil Put Dinosaurs Here. Both competent albums that for better … Read more

Benjamin Shaw

Megadead
Audio Antihero Records (2018)

Goodbye, Cagoule World was a melancholy trip into the heart of someone who was trying to find their place in the world. On his previous record, Benjamin Shaw tread the path of experimentation, hoping to discover the place he belonged as well as that people aren’t really terrible deep down. On Megadead that experimentation really comes to the fore with … Read more

Bosse-de-Nage

Further Still
Flenser (2018)

The San Fransisco based band, Bosse-de-Nage, was one of the acts to popularize the post-black metal style in its current form. It all begun with their release of their debut, self-titled record in 2010, with the band showcasing not only a way of combining the nihilistic black metal tone with the haze of shoegaze, but rather a more holistic approach … Read more

Reviews by score
Browse our album reviews according to score: Highest (9.5/10 or more) or Lowest (2/10 or less)