It’s a dramatic understatement to say that music has changed since I first discovered DIY in the 1990s. But in many ways, one of the first things I discovered about real people making music, is that contacting a label you like usually leads to good things. While you can sample music online nowadays and there are ample bot-driven “recommended if you like” autoplay options, I still find that many of the new bands I discover in 2019 are discovered simply by checking out the catalog of a reliable label.That’s what tuned me to Evening Standards, and their second release, World’s End. I honestly don’t know much more about the band than what I learned putting together SPB’s premiere of “Forever.” That’s somewhat intentional because I think the best way to review a record is talk about the music instead of reading what other people have said.In many ways this record is about dealing with and overcoming adversity, be it a death of a loved, a failed relationship or something else. It’s about pain, but it’s alternately peppy and positive, looking forward instead of looking back in sorrow. It’s really defined by its harmonies, especially the dual vocal harmonies that bring … Read more
Some albums just hit you right away. I was vaguely aware of Black Dots – some friends saw them at … Read more
Aaron Rice deftly wades through the debris of a break-up on his debut solo LP Neverfade/For Dusk, where his songs … Read more
Vånna Inget is a band I almost forgot about. That’s what six year of absence can do. Things have not … Read more
With the music world transferring more and more to a digital world I sometimes feel that the artwork that acompanies … Read more
Rotterdam, Netherlands-based supergroup The Dead Cult has release their debut EP The Cataclyst on PRSPCT records. This looks to be … Read more
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Now, I don't like New Found Glory, but I bet these guys do. Read more
Last year around this time I was reviewing the debut album of Orphanage Named Earth. It was an album I enjoyed but had some remarks on as well. My two main remarks on the album were that the vocals tended to be a bit monotonous and secondly that the songwriting became a little formulaic. Not in a way it hindered … Read more
While the title of Howardian’s fourth LP, The Silly Shit You Say, imparts a whimsical, spontaneous first impression, the record itself feels complete. This isn’t some spur-of-the-moment side project from Ian Vanek (Japanther), it’s the real deal.Overall I’d say the influence of this record is 1980s new wave mixed with new millennium DIY punk and a dose of lo-fi. Keyboards … Read more
Stuffed & Ready is the third album released by LA band Cherry Glazerr. It’s surprising this is their third album and it’s taken me this long to notice them, but regardless, my timing feels perfect. With an album name like Stuffed & Ready, it’s hard to ignore the boldness of the band. Lead vocalist Clementine Creevy has a dream-like quality … Read more
The Pirate Ship Quintet begun investigating the deep waters of post-rock during the genre’s peak in the ‘00s. Founded in 2007 the band prefers a sparse release output, which provides them the necessary time to properly prepare and mould each album they put out. Minimalist notions, longform narratives, moving soundscapes and a hint of neoclassical and jazz elements comprised the … Read more
The passage of time signals many changes; life, death, birth – the cycle continues unabatingly, waiting for the next movement and giving no room for change. For Pelican, the six years since their last record, Forever Becoming, has seen many instances of life, death and birth and the passing of former Tusk member (a project also featuring members of Pelican) … Read more
I didn’t even realize how much I’ve stigmatized horrorcore until Batshit Crazy showed up in my mailbox and made me question my way of thinking. The band embraces the term so I will for the context of this review. To me, the cover art, font and subgenre name make me think of Misfits-meets-rockabilly or, shudder, psychobilly.But Batshit Crazy sets a … Read more
Dead Bars are one of those bands that’s somehow both fun and super depressing. The lyricism is what you’ll normally read about with this band – and for good reason – but it’s all around fun-yet-meaningful punk that fits different moods and brings out different emotions depending on when you listen to it.The band released a few 7”s before 2017’s … Read more
Mork encapsulate the sound of True Norwegian Black Metal from the opening strains of “Mørkeleggelse” to the closing punches of “Det Svarte Juv” and this one-person band from the homeland of cold, harsh black metal is paying homage with their music yet dragging it screaming into the modern era of blackened music. The raw elements are swirling chaos, raw vocals, … Read more
Pandemix are new to me, and they’re difficult to sum up in just a few words. That’s a complement. It’s punk by genre, but a few subgenre adjectives aren’t going to capture the band. In Condemnation isn’t exactly complex (we’re talking punk rock here), but it’s diverse in subtle ways that keep the energy level high and fresh as it … Read more
Every now and then I come home from the supermarket and think to myself, while unpacking: I should not have gone there while being hungry. It is empirically proven that sending me out to get some food while being hungry is not a tried and tested, best in class inventory management solution. I think this should be recognisable for you … Read more
Spirit Adrift may have only been a band for five years or so, yet their output has been consistent (Divided by Darkness is their third full length since 2016) and it’s been excellent with it. Founded by Nate Garrett as a solo project before bringing in musicians to perform live and in turn contribute to recordings, Spirit Adrift is the … Read more
In the past I’ve described Big Eyes as half-punk, half-classic rock in a Cheap Trick vein. It’s concise and punchy like punk, but the energy relies on more traditional rock hooks. It’s great, but a part of me fears for the band’s growth because most other band’s I’ve enjoyed that get compared to classic rock eventually end up writing self-indulgent … Read more
Encompassing all of the most salient aspects of 80s synth pop, with clear nods to Talking Heads and New Order, LA trio ASHRR's debut album is a nostalgic but not particularly convincing first step for the band. The synth rock collective is made up of experienced musicians, with singer Steven Davis, producer Ethan Allen (Black Rebel Motorcycle Club, Sheryl Crow) … Read more
I came to this book through it’s author. Ian Lawrence Campbell Swordy aka Pony. His involvement in Bent Outta Shape, Behavior and the New York art scene makes him a fascinating character in my mind’s eye. So naturally, reading his first book was an easy ask when given the opportunity. “The book is about a series of performances that started … Read more
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