Spaceman comes to Earth, fronts rock band!It sounds like it might be a Weekly World News headline or the subplot to a ‘60s-era Godzilla film, yet this is allegedly what happened when, in the late ‘70s and early ‘80s, Von LMO, claiming to have been from the planet Strazar, rose to prominence in NYC’s no wave music scene. Following the release of 1981’s well-regarded Future Language, LMO disappeared from the music scene for more than a decade before returning with 1994’s Cosmic Interception, a more punk-oriented album that contained alternate recordings of tracks from his debut album along with a few new ones (including two with keyboardist and audio engineer Otto von Ruggins). After 1996’s Red Resistor, an album that was at times noisier and more experimental than his earlier work, LMO dropped off the radar again, only to reemerge in 2010 to form Avant Duel in collaboration with von Ruggins.2012’s Beyond Human marked the first release from Avant Duel, and it stands as a worthwhile continuation of LMO’s unique brand of music. Though in the early days (and especially on the several live recordings that are out there, Live Max’s 1979 being my favorite), LMO almost came across as … Read more
While music groups have tried to emulate the sounds of the past in various ways, this is perhaps nowhere more … Read more
Runaround is the third release I’ve heard from Rivers Edge, and besides feeling like a nice metaphoric album title for … Read more
It’s been a long time since the last Rational Anthem record, Emotionally Unavailable in 2014. The band is still similar … Read more
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Japanese based Carthiefschool formed in high school in 2016 and over these last 6 years or so have thrived in the Sapporo city underground scene. The 3 piece comprised of Tomoya Murosaki (guitar/vocals), Genki Tsusaka (bass) and Yudai Takasago (drums) have wasted little time recording as hot on the heels of their self titled debut album Carthiefschool released in February 2021 they have brought out this 6 track EP as a follow up which came out in September of the same year. Their blend of aggressively energetic post punk/screamo/post hardcore even jazz influenced sound really smacks you in the face and demands to be paid attention to. The opening title track "Kenjimiyazawa" is inspired by and named after Japanese author of children's literature and devout Buddhist Kenji Miyazawa. After discovering … Read more
This LP sounds like something that teleported here from my moody early-2000’s CD rack, which they acknowledge with their self-description of “grown-up punk”. The distorted chord progressions recall Sugarcult and Samiam while the grainy country-tinged vocals bring Gaslight Anthem to mind. The lyrical themes of alcohol and heartache nod to their influences as well, but the vocals lose their soul … Read more
This year I was so psyched! I am a big horror punk fan. There are three bands I really, really enjoy. Calabrese is one of those bands. I’ve followed this hard working band since their second album and have enjoyed each and every release so far. I had no problem following them in their development from their campy horror punk … Read more
Brazilian act Rakta were at the forefront of the post-punk revival several years back, and continue to be one of more captivating crews working in what has become a sort of genre-less field. Are they punk? Absolutely. But what punk means today is so much more than what it meant even 10 years ago. I saw them play at Iron … Read more
By now it’s clear that Blood Incantation are the death metal band of the future, a band willing to push the genre and do things with its base elements that others may be scared of or not capable of. The quartet meld progressive qualities with dirty riffs, speak of their love of science fiction and their quest for the ultimate … Read more
Some soft strumming on the guitar draws your attention. Post-hardcorish emo vocals ask you if you ever wondered what it is like to kill someone. Welcome to the wonderful world of The Blackjaw.The Blackjaw is Spanish quartet who recently released their fourth album unto an unsuspecting world. Well, it is either that or I have been living under a rock … Read more
Calling your band “Cunts” and releasing some sort of grindcore or blackened death album wouldn’t really be a big shocker. It wouldn’t take a whole lot of balls or thought to do. But calling your band Cunts and releasing a more-melodic-than-extreme hardcore album complete with a Tom Waits cover takes a little bit more ingenuity.Comprised of Retox twinsies Michael Crain … Read more
Time changes us all. As people we are bound to the rules of time and how it moves regardless of whether we want it to or not. Music changes us. However, the rules surrounding how music moves us is on a different scale to that of time - one piece of music will affect ten people differently. Have a Nice … Read more
Sure, I know of Fleshies but I don’t really know them. I’ve heard the hits over the years, but I’m coming at Introducing The Fleshies from a relatively clean slate. And it’s a rager. It’s got the aggression, a little bit of slop, and lyrics that are both biting and intelligent. It works on both levels: something to shout along … Read more
hype - Informal.nounexaggerated publicity; hoopla.an ingenious or questionable claim, method, etc., used in advertising, promotion, or publicity to intensify the effect.Let’s be real. 13 years is a long goddamn time between albums. Particularly for a band that didn’t even break up. There’s just no way on earth ANY band could hope to return to whatever glory cradled them in their … Read more
It’s been 16 long years since Josh Homme sent out invitations to a group of musicians to join him out in the high desert for a few days.The last time it happened was in 2003 and a whole lot has happened for Homme in that time. Queens of the Stone Age has been the cornerstone, but there’s been time served … Read more
Positive Disintegration is an ideal name for this album, the follow-up to Positive Energy, which DIÄT released in 2015. The record is dreary post-punk with a lot of repetition and monotone vocals that carry a beaten-down-by-the-world-but-the-show-must-go-on vibe. “We,” starts things on this path, but as the record progresses that exasperation turns to a call for action at times.The very next … Read more
There’s a kind of anxious immediacy that bleeds through every song on Anima, Thom Yorke’s latest solo album. Normally this would signal a lack of cohesion or at the very least an uneven listening experience, but somehow Yorke manages to pack all his troubles in his old kit bag and smile, giving us his strongest solo album to date.The whirring, … Read more
Mamiffer was born in a field of darkness, a trajectory between the areas of dark ambient, downtempo and minimal music. The first days of Faith Coloccia and Aaron Turner reveled in a drone aesthetic, vividly apparent in their self-titled debut and Mare Decendrii. But then something changed for Mamiffer. Following a series of fantastic collaborations with the likes of Circle, … Read more
It’s fun to introduce old Ceremony to their new fans and hear comments like, “Wow, that guy must’ve worked out his anger issues”. It’s true that Ross Farrar’s lyrics have recently favored elegant introspection over spiteful threats to fight society with hate-packed fists, or to strangle it, or to curb stomp it, or to watch it burn to the fucking … Read more
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