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Our latest album reviews, featuring the records we've most enjoyed (or not) over the past few weeks.

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Browse our album reviews according to score: Highest (9.5/10 or more) or Lowest (2/10 or less)

ESC Life

Born To Be Mild
PDV Records/Last Exit Music/Ill In The Head Records/Bartolini Records (2019)

When I received the promo for Born To Be Mild the first thing that struck me was the artwork. It matched with the (previously discussed) EP, but not at all with their previous, debut album, Access All Areas. What I like about the artwork of Access All Areas is the dreamy, relaxed atmosphere that oozes from the picture. The artwork of Born To Be Mild has a different vibe. I wondered if that would mean anything for the music presented to the world on this new album. Before we go into that, let’s properly introduce the band. ESC Life is a Croatian four-piece with one album and one split under their belts. All members brought experience from previous bands to the table, but these are all bands you probably don’t know. Music-wise they are heavily influenced by Hüsker Dü. On the recent split, I detected some Thin Lizzy influences seeping through in the guitar work. A development I thoroughly enjoyed. On Born To Be Mild that development is continued. ESC Life did not change too much in their formula. You’ll find a couple of the best Hüsker Dü songs Husker Dü never wrote. And, good for me, a couple of … Read more

The Bouncing Souls

Crucial Moments EP
Rise (2019)

This is the 30th year of The Bouncing Souls, which seems crazy in many ways – including that I’ve been … Read more

Good Shade

Way Out
Dirtnap (2019)

Dirtnap is a fascinating label in how they’ve developed a certain sound to their releases, regardless of what part of … Read more

Pkew Pkew Pkew

Optimal Lifestyles
Dine Alone (2019)

There’s a lot I want to say about this album, but I’m torn because I try to keep things more … Read more

Barnett + Coloccia

VLF
Sige (2019)

Alex Barnett and Faith Coloccia are both distinguished members of the experimental ambient music scene, and have already proved that … Read more

Cellar Doors

Cellar Doors
Hear Here (2019)

The distance between San Francisco and Manchester is 5,000 miles, but Californian psychedelic trio Cellar Doors are determined to bridge … Read more

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One from the archives

Black Moth Super Rainbow

Cobra Juicy
Rad Cult (2012)

Black Moth Super Rainbow are a great group of musicians led by one person mysteriously known as Tobacco that pump out some of the most psychedelically delicious sounding records that I have ever heard in my life, and they are the type of musicians that do whatever the hell they want while still making ass shakingly fun records. With the release of the Kickstarter financed and self released Cobra Juicy, the beautifully crazy cats in Black Moth Super Rainbow turn their music upside down to create some insane hyper sexed psychedelic disco sound that is jaw droppingly gorgeous sounding complete with an inexplicably exquisite pop sheen. Take the lead off track for example; “Windshield Smasher” is a dance beat bulwarked blast of infectious synth grooves that might remind you of … Read more

More album reviews

Hexvessel

All Tree
Secret Trees (2019)

Hexvessel’s pastoral folk has been gradually building momentum since their inception ten years ago and on All Tree, their fifth album, this forward motion comes to a beautifully morose head with songs that live in the undergrowth and call to mind ancient mossy forests and a longing for simpler times. While Hexvessel’s music is charming on the surface, what lies … Read more

Vandoliers

Forever
Bloodshot (2019)

There’s a lot to like on Forever, the third album from Vandoliers. They play a hybrid country-punk that’s a bit too upbeat for No Depression and too gritty for traditional country, while pulling influence from a number of Texas musical styles along the way. It’s a six-piece group, complete with guitar, drum, and bass, but also fiddle, brass, and more. … Read more

The Ejector Seats

Blueprint For A Miserable Existence
Collision Course Records (2018)

The Ejector Seats is a bit of a mystery band to me; it’s pretty hard to find anything about them online. I've learned about two other bands with this name, and a lot about ejector seats in general, but not a lot about the band in question. Discogs tells me the band members have adopted names like Fluffy, Ty Lennol, … Read more

American Steel

State of Grace
Fat Wreck Chords (2018)

American Steel always felt a bit under the radar, despite releasing albums on Lookout and Fat Wreck. While they’ve been on well-known labels, they don’t get the same accolades as some of their peers. It feels fitting, in that way, that the band just released a new 7” seemingly out of nowhere. The band hadn’t even played together in five … Read more

Beaten To Death

Agronomicon
Mas-Kina Records (2018)

Does fun belong in music? Or more specifically: does fun belong in grindcore? And I don’t mean the porn or gore variant (I admit, some of those guys make me smile occasionally), just your regular meat and taters grindcore. The crazy heavy metallers of Beaten To Death seem to think so. How else to explain this album title of song … Read more

Rome

Le Ceneri Di Heliodoro
Trisol Music Group (2019)

Rome’s musical output has been incredibly prolific over the last decade and a half of the project’s existence. Releasing albums at the rate of practically one every year, Rome has much to say and the band is Jerome Reuter’s way of expressing many emotions and opinions on revolution, love and the way forward, all within the neofolk genre in one … Read more

Dark/Light

Dark Slash Light
Dirt Cult (2018)

Portland’s Dark/Light pronounces their name phonetically, including the punctuation. They’re doubling down on that element by naming this 7”, released this past June, Dark Slash Light. SPB had the pleasure of hosting their earlier LP, Kill Some Time.As for this 4-song, 9-minute release, it keeps going in that tradition of gritty and to-the-point punk that pulls from ‘80s punk roots … Read more

Terror

Total Retaliation
Pure Noise (2018)

I first saw Terror live in a garage with about 30 other people on New Year's Eve in 2002. I remember the day because I was blown away by the band's passion, intensity and musicianship, flowing seamlessly from fast verses to chorus breakdowns, peppered with perfectly-timed two-steps and singalongs. I still distinctly remember drummer Nick Jett's blistering snare fills cutting … Read more

Madball

For The Cause
Century Media (2018)

30 years is a long fucking time. Those of us fortunate enough to break into our 30s know the wisdom and fragility that comes with clicking into that next decade of life. Things hurt more, from hangovers to inexplicable body aches. That said, we are also wiser, having learned from many of the mistakes we made in our early days, … Read more

Hot Snakes

Jericho Sirens
Sub Pop (2018)

Hot Snakes first formed in 1999 and ran until 2005. They re-formed in 2011 for some tours and finally bring the rock in the new album Jericho Sirens, released in early 2018. For those unfamiliar with the group, members also play in Rocket From the Crypt, Drive Like Jehu, Obits, The Night Marchers, and more. There’s a familiar overlap in … Read more

The Beginnings

I Am Dirt
Sixtynine Records (2018)

The last couple of years the Macedonian punk scene was a revelation to me. Fonija, Bernays Propaganda and Noviot Pochetok became personal favourites while other bands like Xaxaxa have had their regular time on my turntable as well. What these bands have in common is a sense of melody that is rather melancholic, the courage to develop their sound in … Read more

Katie Ellen

Still Life
Lauren Records (2018)

What started as a two-piece project after the disbandment of Chumped, Katie Ellen are making a name for themselves in their own right. Since seeing the band live this year on tour with Lemuria, I’ve been obsessed with their latest release Still Life. From the record’s hauntingly beautiful lo-fi appeal to the openness of the lyrics to the beauty in … Read more

Neighborhood Brats

Claw Marks
Dirt Cult (2018)

I’ve always liked Neighborhood Brats, but I don’t remember the band having so much variation in sound. Over 11 songs, this record maintains their melodic and forward-moving punk but with ominous foreboding organ, and even banging piano at times. While this growth stands out, it also doesn’t change who the band is. These details add depth, not a change of … Read more

The Sidekicks

Happiness Hours
Epitaph (2018)

The Sidekicks are a band that I still pay attention to past my “punk only years”—you know, the years of my youth when only punk music and anything within that sub-genre mattered to me. I know, how naive. But it was also naive of me to brush off The Sidekicks as just another sub-par punk band. Throughout the years I … Read more

Reviews by score
Browse our album reviews according to score: Highest (9.5/10 or more) or Lowest (2/10 or less)