Here we go, something horribly maniacal approaches. An out of focus haunt looking like a Goya sketch funnels all the screaming souls from hell at the threat of a Gatling gun and an itchy trigger finger. In their place we as Listener fall into the gap. Each song features a compendium of heavy drum beats, variations of style and groove, all revolving around a dirty guitar-bass combo, and truly wicked vocals.The descent to Hell is infinitely deep in all directions and often such aggressively unpredictable music falls in all directions simultaneously. Instead of losing track of time and gripping with our ears the infinite, something akin to intimations of immortality, we become too aware of each complexity that seems not complex enough, not fast enough, not meaningful enough. But a nail through the finger is pretty meaningful to the nihilist! And the inevitable consequence of such manically aggressive music is rapid-fire changes between parts, no time to breathe, blood pumping anxiety, short songs, shorter records, and a feeling of wanting more in the emptiest way. Just listen to Agoraphobic Nosebleed’s Altered States of America for an extreme example. This misleading effect is experienced something like when a short song sounds … Read more
Feed The Cat is skatepunk band from Toulouse, France. Never Press Rewind, Except… is their second release after the EP … Read more
Chicago natives Maps & Atlases first new release in six years shows them down a member and finding that their … Read more
Loads of bands that I follow or followed start out pretty heavy and during their career start to get (a … Read more
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Massed In Black Shadow is a fifty minute swirling vortex of harsh sound and painful noise imbued with a seething wretchedness that creeps and boils with a deeply unsettling pace. The duo that comprise this project are often found contributing to a multitude of other dirty and rotten bands, most notably Welter In Thy Blood, but also The Slaughtered Lamb and Pro-Death, and how they find the time for DEATHSTENCH is anyone's guess. But find the time they do (whether that's by magic or some other much more devious means), and Darea Plantin and John Paul Whetzel use a certain grossness to filter into their work with DEATHSTENCH, which is truly horrific to experience and quite difficult to handle all at once. Massed In Black Shadow is a slow burning … Read more
Let’s get it out of the way: Believe the hype. All of Kacey Musgraves’s records are the real deal – slices of contemporary country that don’t sound like shit and hint at something greater and more progressive. Hint no more. Golden Hour is Musgraves best and most fully realized record, one that transcends country, or any genre really, with the … Read more
Hendrix takes the stage with his band—right-handed guitar upside down, LSD stashed in his headband, visions of blue baize fields and purple skies are immanent. The experience is underway. "Voodoo Child" ends, bongos rip, drums roll, Jimi feedbacks and chaos continues behind him. “Oh say can you see, by the dawn’s early light” Jimi’s acid wash jeans match his acid … Read more
Every once and a while there will be an album that pretty much levels the musical plane, one that becomes an earworm in the most serious of ways, rendering everything else kind of secondary. For me, right now, that is Cocoa Sugar by Young Fathers.It’s hard to classify exactly what genre the Edinburgh, Scotland-based group are, because they encompass so … Read more
Hop Along have been on a tear since the release of their 2012 debut, Get Disowned and came to proper prominence with 2015’s Painted Shut, a showcase of a young band coming into their own, and placing the extraordinary voice of singer/guitarist Frances Quinlan center stage. It’s a low-key classic in it’s own right, so the release of Bark Off … Read more
Canadian hardcore is a weirdly veiled style. Like Canadian politics, it is highly deferential, often distinctly so. This means it both blends in with previous hardcore styles at the same time it writes original sounding songs, and it sounds highly derivative and mediocre despite the musician’s individual skill. Split in so many contradictory directions, Baptists newest release, Beacon of Faith, … Read more
For Dimmu Borgir, who haven’t released a full length album in over seven years, Eonian marks a shift for a band that have kind of been the butt of many black metal jokes for the best part of a decade. Dimmu Borgir make no apologies for their bombastic sound and on Eonian they fully embrace their theatrical side. Still, the … Read more
The excitement of We Are the Champions of the Word (Retrospectus) is supposed to be the five new songs at the end of the 29-song collection. It probably is, but given how bands often release a Best Of before they breakup, this record feels more worrisome than celebratory. That’s just a personal feeling that views this as some kind of … Read more
This what pop-punk used to mean. On the record it’s clean and melodic, while the live show feels more aggressive and forceful. Think of those Ramones studio records and compare them to the live experience. Then throw in the pedigree of the band members here, splitting time in The Dopamines, The Slow Death, and The Queers. Two of those three … Read more
Geld’s Perfect Texture is 11 tracks, 23 minutes, 41 seconds: walloping wallaby! I feel like I’m back in my initial stomping grounds of Lethbridge, Alberta, a place that must exist in Geld's stomping grounds of Melbourne, Australia. Back in Canada’s Loyal Order of the Moose community hall, standing in an awkward half circle, ceiling too high, among their powerful nasty … Read more
Do you like to be challenged every now and then? Just so that you are forced out of your comfort zone? Some say the best things in life happen just there: outside of your comfort zone. Although there is reason I like to stay inside that zone (it is quite comfortable there, after all) I enjoy the musical challenge of … Read more
Some bands need a couple of albums to find their sound, their niche if you like. Other bands seem to have stumbled upon their sound from their very first rehearsal. Their career is not defined by a grand steps from album to album, but rather by refining their craft on each album. Small changes to better their music a little … Read more
Whimsical/ˈhwɪm·zɪ·kəl, ˈwɪm-/adjectiveUnusual and alluring. Using imagination in a playful manner.This is admittedly, not a word that would typically be used to describe an album written around final moments before death, but somehow, in the hands of John Erik Kaada, it becomes more apropos with each listen. Closing Statements is about those final words, breaths and thoughts but remarkably eschews the … Read more
What gathered my eyes about Exitmusic’s newest album The Recognitions was not any previous knowledge about the group, but a shared name of a favorite book by William Gaddis. Gaddis’s book borrows heavily from religious text, poetry, opera; even the name borrows from the Clementine Recognitions: a religiously gnostic narrative featuring the Apostle Peter told through one Clement.In the Clementine … Read more
I like this Making the Worry Worth It record. That should be all a review needs, right? I say that in part because this 9-minute EP is all over the place, style-wise. Marriage Material is a new group with members of Summer Vacation, Spokenest, Pinned in Place, and God Equals Genocide. It has some similarities to those bands, but each … Read more
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