Brazilian act Rakta were at the forefront of the post-punk revival several years back, and continue to be one of more captivating crews working in what has become a sort of genre-less field. Are they punk? Absolutely. But what punk means today is so much more than what it meant even 10 years ago. I saw them play at Iron Lung Records’ What We Like Fest in Seattle in 2017 where they stood out in stark contrast to a weekend of mostly hardcore and noisy crust acts – a mood inducing set comprised of otherworldly sounds, rhythmic chanting, fog machines, and deep red lighting. Even if their LP from earlier this year, Falha Comum, felt like a slight step back in progression, I have yet to pick up a Rakta record that isn’t pretty goddamn good. (Their III LP from 2018 is one of the best albums of this decade.) Even more intriguing are their collaborations with other acts. First, the 2015 release with fellow Brazilians Cadaver Em Transe, Rakta Em Transe, and now alongside another Brazilian experimental outfit, Deafkids. The latter who themselves are coming off a killer LP, Metaprogramação, are masters of experimental weirdness in their own right. … Read more
By now it’s clear that Blood Incantation are the death metal band of the future, a band willing to push … Read more
Some soft strumming on the guitar draws your attention. Post-hardcorish emo vocals ask you if you ever wondered what it … Read more
Time changes us all. As people we are bound to the rules of time and how it moves regardless of … Read more
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It’s no secret that Ulver have long since moved on from their black metal past and while the Norwegians have firmly left the harsh, cold winters behind, their music still moves in less than positive circles – at least when it comes to the subject matter. The Ulver of 2020 plays in the pantheon of synth-driven pop, however, the lyrical approach is decidedly less upbeat than the music would suggest. As their official history book professes, Wolves Evolve, although it seems that some traits are hard to forget.Flowers of Evil is a diatribe on corruption and could be seen as a literary follow-up to 2017s The Assassination of Julius Caesar - which spoke of the downfall of Rome in grand metaphors and modern comparisons – and as such the foundations … Read more
hype - Informal.nounexaggerated publicity; hoopla.an ingenious or questionable claim, method, etc., used in advertising, promotion, or publicity to intensify the effect.Let’s be real. 13 years is a long goddamn time between albums. Particularly for a band that didn’t even break up. There’s just no way on earth ANY band could hope to return to whatever glory cradled them in their … Read more
It’s been 16 long years since Josh Homme sent out invitations to a group of musicians to join him out in the high desert for a few days.The last time it happened was in 2003 and a whole lot has happened for Homme in that time. Queens of the Stone Age has been the cornerstone, but there’s been time served … Read more
Positive Disintegration is an ideal name for this album, the follow-up to Positive Energy, which DIÄT released in 2015. The record is dreary post-punk with a lot of repetition and monotone vocals that carry a beaten-down-by-the-world-but-the-show-must-go-on vibe. “We,” starts things on this path, but as the record progresses that exasperation turns to a call for action at times.The very next … Read more
There’s a kind of anxious immediacy that bleeds through every song on Anima, Thom Yorke’s latest solo album. Normally this would signal a lack of cohesion or at the very least an uneven listening experience, but somehow Yorke manages to pack all his troubles in his old kit bag and smile, giving us his strongest solo album to date.The whirring, … Read more
Mamiffer was born in a field of darkness, a trajectory between the areas of dark ambient, downtempo and minimal music. The first days of Faith Coloccia and Aaron Turner reveled in a drone aesthetic, vividly apparent in their self-titled debut and Mare Decendrii. But then something changed for Mamiffer. Following a series of fantastic collaborations with the likes of Circle, … Read more
It’s fun to introduce old Ceremony to their new fans and hear comments like, “Wow, that guy must’ve worked out his anger issues”. It’s true that Ross Farrar’s lyrics have recently favored elegant introspection over spiteful threats to fight society with hate-packed fists, or to strangle it, or to curb stomp it, or to watch it burn to the fucking … Read more
Loud Love is a Belgian five piece that released their debut EP on White Russian Records. Everyone in this record has past experience in other bands and you can hear that. If only because this sounds really tight and professional. Loud Love plays the kind of hardcore that reminds me of the melodic hardcore that Reflections Records released in the … Read more
Spirituality is one of the more personal topics that an artist can speak about within their music and it’s something that is coloured by experiences and by life as it happens around them. Where many find comfort, some find fear and where some find fear, many find comfort. For Alcest’s Neige (Stéphane Paut), that comfort comes from childhood experiences that … Read more
The best part of a super group is hearing talented musicians working in a comfortable space. A diligent review of Foxhall Stacks is obliged to mention Jawbox, Government Issue, Velocity Girl and Minor Threat, with whom this band shares members. I hear similarities to many of these groups because of the unmistakable players participating. The powerpop formula on this record … Read more
There are certain musical styles where I struggle as a reviewer to offer you my deep thoughts beyond yay or nay. Power-pop is definitely one of those areas, and that’s the label I’d slap on Full Sun. Thinkin’ About It is a 10-song blast of high energy, upbeat jams.Over the course of the record, every band member shines. The bass … Read more
There’s nothing more personal than grief. It affects us all in different ways, but the one commonality often tends to be the insular. We retreat into ourselves, finding little comfort in the company of others. It’s selfish, in a way. But it’s also a necessary part of the grieving process.It’s this truism that makes Ghosteen such a remarkable and selfless … Read more
A few years removed from 2015's ¡Piratas!, a record I found singularly outstanding, Portland, Oregon band Dark Oz returned with a second EP entitled Alligators. Unsurprisingly given circumstances affecting the Dark Oz project around the time of Piratas' release, namely, the death of drummer Lorien Bourne (a.k.a. Styx) while on tour, Alligators has quite a different sound from that heard … Read more
In the 13 years that William DuVall has fronted Alice In Chains, sharing vocal duties with Jerry Cantrell he has left an indelible mark on the band’s music making AIC a band to still be reckoned with, even 35 years after their inception. Their newest album Rainier Fog being proof positive of the strength of that legacy.Throughout his career in … Read more
Every once in a while I enjoy reviewing something that is out of my comfort zone. Uma Galera is one of those bands. I selected their album for review based on the band photo (just look at them looking happy!) and the first fifteen seconds of “Wai Wai”.Uma Galera plays ska and reggae heavily infused with funk. And that’s where … Read more
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