Portland’s Dark/Light pronounces their name phonetically, including the punctuation. They’re doubling down on that element by naming this 7”, released this past June, Dark Slash Light. SPB had the pleasure of hosting their earlier LP, Kill Some Time.As for this 4-song, 9-minute release, it keeps going in that tradition of gritty and to-the-point punk that pulls from ‘80s punk roots but has a restrained, pull-it-back and look inward vibe. It’s short and fast with fuzzy DIY-minded production, muddy bass, and that restrained energy. Candy’s vocals often establish the direction of the songs as the percussion delivers an anxious core. To me, “Rotting” is the best example of what they do. It’s only a minute and nine seconds, but it builds at the start, hits with a potent energy, and offers moving progressions that ebb, flow, and pummel quickly. Backing and subtle call-and-response vocals flesh it out even more and fuel that sense of urgency that’s behind the whole short-playing record.While I’m summarizing the band’s sound a bit, this 7-inch shows range, mixing it up nicely within that fundamental style. “We Conjure Ghosts” has a darker vibe to it that’s less melodic and more atmospheric. In the next song, “Night Driving,” … Read more
Hot Snakes first formed in 1999 and ran until 2005. They re-formed in 2011 for some tours and finally bring … Read more
The last couple of years the Macedonian punk scene was a revelation to me. Fonija, Bernays Propaganda and Noviot Pochetok … Read more
What started as a two-piece project after the disbandment of Chumped, Katie Ellen are making a name for themselves in … Read more
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Australia’s Lunaire first released a well-received demo in 2010 which was followed up by a lauded split with the American cross-coast project Airs. Now Lunaire offer their first EP, With the Same Smile as Those Days, which continues the quartet’s dreamy post-rock from earlier releases and steps forward as a band to watch out for. The four track EP combines beautifully sorrowful melodies with huge crescendos of sound and hooks that burrow ever deeper with each listen. The gentle noise of a babbling stream is imbued with the sweet sounds of birds and an echoing and seemingly out of tune, processed guitar strikes whilst the introductory “The Landscape across the River” flows with a peaceful essence that gets right to the heart of Lunaire almost immediately. “Last Days of Summer” … Read more
I’ve always liked Neighborhood Brats, but I don’t remember the band having so much variation in sound. Over 11 songs, this record maintains their melodic and forward-moving punk but with ominous foreboding organ, and even banging piano at times. While this growth stands out, it also doesn’t change who the band is. These details add depth, not a change of … Read more
The Sidekicks are a band that I still pay attention to past my “punk only years”—you know, the years of my youth when only punk music and anything within that sub-genre mattered to me. I know, how naive. But it was also naive of me to brush off The Sidekicks as just another sub-par punk band. Throughout the years I … Read more
Part parody and part homage to guitar music, Dutch four-piece Mozes and the Firstborn have set a new tone with their American-tinged third album Dadcore. The album's name comes from guitar music apparently becoming the preserve of dads, and no longer being popular with teenagers. How true that is is a matter of opinion, but in any case the album … Read more
At SPB, we like to write longer reviews. Reviews that go into depth and give you a reason to read and think about a record instead of just hitting Spotify or Bandcamp. The catch, of course, is that some records are really short. It might take you as long to read this thing as it would to listen to Character … Read more
Philly duo Kississippi released their anticipated debut album Sunset Blush and unlike some records, it lived up to the hype. The album starts off with the song “Once Good,” perfectly blending elements of indie and folk with Zoë Reynolds’ voice beautifully texturing the track. “Cut Yr Teeth” is a sonically dreamy track complete with stellar lyrics. Reynolds is mesmerizing as … Read more
I was going to review this when it came out, but I like my statements to be accurate, so I went to the source and interviewed Todd Congelliere first. As the tweetbots like to say: BREAKING--an interview will publish here soon.Preacher Maker is the first album under the name of Clown Sounds, fronted by Todd Congelliere, though he also has … Read more
Replacing God by ultra-prolific Kansas-based experimental musician Twin Towers at times seems to be an experimental metal album, but there's much more to the work and I think it has a nice sense of progression as it moves forward. By the end, you feel like you've experienced something. The opening track is rather ominous. Starting off with a somewhat ambiguous … Read more
Not many bands can make it eight albums into their career without a single dud. Murder by Death's mainstays, Adam Turla and Sarah Balliet, have spent nearly 2 decades honing their skills as songwriters, and they’ve let their growth lead us out into Space. The Other Shore has Turla returning to more of a long form narrative again. However, it … Read more
The last few years have seen a good amount of great German hip-hop albums, however, now there is Monument. Kollegah’s previous emissions are outstanding, but the way he bookended the rollercoaster ride that the year 2018 proved to be for him is the evolutionary apex of an artist who has honed and refined his craft over the last fourteen years, … Read more
Shook Ones are a nostalgic band for me, they were the most active during my teenage years and I associate them with that time period. I’m sure like most of their fans, I was surprised they released a new full length given that it’s been five years since they’ve released any new music. The band never officially announced they were … Read more
I was excited about this record 3 seconds in. To put it directly, I’m a big fan of everything Future Virgins has done so I was expecting it. Doomsday Raga fits their catalog well, but it also fits in with the gradual progression from coarse DIY to well-rounded, crisp melodies.There’s a lot to like about the band, but for me … Read more
Garage rock is a term that no longer gets a lot of usage - dissipating into the ether after the resurgence and seeming demise of the genre around the mid-00s. The thing is, it never died. We just forgot where to look. And when it comes to unabashed, unapologetic garage rock, you need look no further than Jon Spencer. He … Read more
The fourth in a string of 2018 releases from Denver-based synth duo Neon Cities, the Toulouse single presents a pair of tracks that showcase distinct sides of the group's sound. With warm synth and hazy, barely there vocals placed on top of a relaxed rhythm and buzzing bass groove,the more pop-oriented title track creates a nostalgic 1980s vibe replete with … Read more
Pop comes in many forms. Sometimes you find it on the radio as the nation’s favorite dance hit. Occasionally you’ll hear it pulsating from the walls of your favorite nightclubs. Then, sometimes, it pours out of the anxious head of an artist just looking to create something. Mitski’s fifth studio album, Be the Cowboy, explores different avenues of the genre. … Read more
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