Sometimes when you take a test drive, you know right away that it’s the car for you.Quaker Wedding, if they were a car (sorry, but I’m going to drive this metaphor as far as I can), would be the 150,000+ mile American economy vehicle I drove for a decade in the ‘90s. It’s unique and agile, but with rust spots, dents and sun damage. It’s worn at the edges, but it’s comfortable, familiar and gives a memorable journey. And that’s enough about my 1987 Pontiac Sunbird. Besides, the real metaphor on In Transit isn’t Midwestern highways, it’s the NYC subway system.Quaker Wedding plays gruff pop-punk. Take heartfelt, hoarse vocals and add singalong verse-chorus-verse structures that combine influence from Midwestern pop-punk, Jawbreaker, and memories of The Broadways. I also hear some sunny San Diego melodies and central Florida hardship. It has a lot of familiar genre stamps but it pulls from enough different sources that it’s still fresh and true. Wrap it all up with an omnipresent sense of vulnerability. That sense of finding one’s place is the definitive inspiration for the album title too, with relocation as a driving force.On “Jilted Lover,” the band turns the ‘90s emo convention on … Read more
Writing about music is a bit like being an anthropologist. The kind who immerses themselves in a culture to better … Read more
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Following an impressive debut album is never an easy undertaking, and Gaza did deliver an impressive debut with I Don't Care Where I Go When I Die. So with that in mind we find their sophomore effort from the four-piece hailing from Utah in the United States. He is Never Coming Back is a definite product of the environment from which Gaza bases themselves; the subtle religious oppression found in their home base gives the band a focus which to hurl their vitriol and ire. My question hovers around whether or not this album is anywhere near as vicious as its predecessor because I certainly hope that it is. Incorporating some nasty discordance along with more measured tempos at times, Gaza seem to have pushed their sound to another level … Read more
Gran Pantalla is the third LP from Spain’s Biznaga. It’s predecessor, Sentido Del Espectáculo, was quite successful in Spain and numero tres comes with the lofty promise in the press material as “If Joe Strummer were actually from Granada, The Clash would have sounded something like this.” It’s also the band’s first record featuring collaborative songwriting, instead of each writer … Read more
Back in the 1980s there were some intriguing new sounds developing. Post-punk was always arty and a bit noisier, but always so serious. New Wave was danceable and synthetic, but sometimes not serious enough. The commonality between the two, tonally, was an exploration of new soundscapes with inhuman tones: finding a balance between a detached dystopian environment and the nuance … Read more
You have to appreciate a concept that’s primarily focused on making you uncomfortable; where’s the fun without a healthy dose of shock and awe? Young Philadelphia-based label Wet Cassettes is built on those foundations, describing themselves as torchbearers of “weird dirty music for weird dirty people,” a concept that deserves to be saluted from where I’m sitting. Their latest project … Read more
Back when I was listening to everything with the stamp Horrorpunk on it I discovered a band called The Dead Next Door. I liked them, but never got round to buying a record of them. They have risen from the grave under the name Left Hand Black. So even if this self titled album is the debut album for this … Read more
Sad in the City doesn’t mince words. Opening with the lines of “If my country collapses/ can I crash on your couch…” in “Never Take Us Alive.” The band play super melodic pop-punk that focuses more on singalong harmonies than kick, punch and bite, but the lyrics give a little more attitude than you might guess just listening to the … Read more
It’s really tough for me to review this full-length. Why? Because I loved the band’s demo tape and it’s really hard to separate the two releases. The self-titled official debut here has several of the same songs and, probably due to familiarity, they jump out as favorites from the get-go.But I’ll do what I can to go all tabula rasa … Read more
Hyborian is balls to the wall raw sludge metal hailing from Kansas City, Missouri. Volume II is their third album and what feels like a overall continuation from their previous record, Volume I. From the very beginning of the 8 song, 40 minute masterpiece is the song Driven by Hunger which gives you a perfect taste of what the rest … Read more
When a band is releasing its third new record since 2006, you’d expect some inconsistency. The Lawrence Arms seem to be timeless though. With Skeleton Coast they pick right up where they left off Metropole (2014). Take the opening stanza of “Dead Man’s Coat” as an example. Beginning with Chris McCaughan’s soft and wanting melodies, it’s unmistakably The Lawrence Arms. … Read more
Simon and Garfunkel.Seals and Crofts.Hall and Oates.Captain and Tennille.Some artists just go together. Sure, they might make music on their own. But once they find their “other”, their “person” - you never want to hear them with anyone else.Such is the case the case with Buzz Osbourne and Trevor Dunn. So long Melvins and Fantômas. So long Mr. Bungle and … Read more
This is the kind of hardcore that makes my throat hurt just listening. It’s also the kind of hardcore where I can’t sit still while listening, even when tethered to headphones at work. It’s high energy, relentless and, somehow, it just never lets up. To keep coining silly phrases, this is sweaty, gasp-for-air hardcore. As each of the songs fade … Read more
These last few weeks I've started to notice that the creases in my forehead are deepening. It's a subtle change to my face, but it's progressively becoming more noticeable. My pores are becoming more visible as well, and my skin doesn't have the same spongey, moist quality to it that I remember it having in my early twenties. And of … Read more
Inject the Light is a time capsule, a one-person project from Chris Mason that’s about living in the moment of the COVID-19 lockdowns. Mason, who has also plays with Low Culture and Macho Boys, among others, takes a new approach here. This five-song digital release is a little on the lo-fi side, with elements of New Wave, No Wave, synth … Read more
Boy do The Raging Nathans know how to start a record on a down note. The band plays melodic DIY pop-punk that’s of the verse-chorus-verse variety with driving rhythm to give it that extra oomph. While I tend to think of this kind of music as a little more light-hearted, the band cuts through that veneer instantly with “Tragedy Ghouls: … Read more
Two years ago I reviewed Local Warming, the debut EP by Sun-0-Bathers. Two years have passed, but not much has changed for Sun-0-Bathers. I am not going to blame them for it. If you have a winning formula, why change it, right?That winning formula for Sun-0-Bathers is straightforward 90’s skatepunk. Summer is the best time for releases of this type … Read more
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