This synth punk group hails from the headwaters of the Mississippi River. A mighty mass of water that connects Minnesota to Louisiana and sings all the way south. Water seemingly makes music as it flows and this super group (FFO: The Soviettes, Dear Landlord) is actively tapping into that source. Raw emotive vocals give me chills on the first spin. The warm drums, wandering guitar leads and analog synth harmonies add sparkles that complete the tingle from this single. Minneapolis has produced so much good music over the years and Partial Traces fit into that legacy effortlessly, They play a shoegaze/goth style that feels timeless yet new. Thoughtful lyrics and excellent production make this single well worth tellin’ folks about. Read more
Aidan Baker’s experience as a musician encompasses solo work, collaborations, bands, remixes writing books of poetry, and with this release, … Read more
I was tempted to start this review with a “for fans of” reference, but that’s both lazy and mean. Kid … Read more
Supreme Commander is a prototypical, overtly masculine, DC hardcore quartet. Points for extremely proficient galloping drums, and a Slayer-like metal … Read more
Almost three decades after Pearl Jam’s career-changing album Ten catapulted them from an independent act with a knack for channelling … Read more
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Xibalba translates to "Place Of Fear" meaning a place where the evil go when they die in Mayan culture. There is no more fitting name for what Xibalba, the band, do musically. Over the past few years the band has managed to build a relentlessly heavy sound giving nods to Max Cavalera era Sepultura and Disembodied. These influences are readily apparent in the bands heavily down tuned metallic style. This release in itself acts as a catch up to those not familiar. Allowing for a remastering of their prior releases. This Includes the Madre Mia Gracias Por Los Dias full length released in 2009 as well as the more recent three way split with Ruckus and World Of Pain. This allows for the bands output to be taken in by … Read more
Experiencing a band grow and evolve is one of the most rewarding parts of being invested in music and for Enslaved, their fanbase has been given plenty of opportunities to be in awe of just how progressive and inventive the Norwegian's have been since their inception almost thirty years ago. The core of the band - Grutle Kjellson and Ivar … Read more
DFMK formed 10 years ago but didn’t release their first full-length until now. The band has been active –- with five EPs to their name and many, many live shows and tours –- but no long-players. At 15 tracks, DFMK shows they took this release seriously.I’m happy to say that their self-titled debut delivers. When a band has such an … Read more
Sometimes one thinks you got what an artist is about, even if his oeuvre only was only on the periphery of your radar, then upon further inspection and stripping away the superficial mainstream appeal, it becomes apparent that there is much more to it than meets the eye, which prompts one to revisit the respective oeuvre. Case in point: Lenny … Read more
An essay I penned a couple of years ago will help to set the scene to describe the influence Sakevi Yokoyama and G.I.S.M. had on me as a juvenile delinquent.In essence, Sakevi Yokoyama’s artistic creations have always been absolutely brilliant, cryptic, majestic, ahead of its time and transcending the status quo by experimenting with new media and forms of expression. … Read more
Quintron & Miss Pussycat is a project like no other. They call it “Swamp-Tech,” from New Orleans, and it’s dance rock with otherworldly, high energy vibes and puppets. With 16 full-lengths, most of the instrumentation up ‘til now has been on organ and homemade synthesizer.It pretty much has to be heard to be understood, and perhaps seen to reach that … Read more
When Mr. Bungle announced their first shows in nearly 20 years last August, fans worldwide rejoiced that their beloved Bungle had finally awoken after laying dormant for almost 20 years.But just like their 3 full-length albums, nothing is ever predictable, and details soon emerged that this would not be the funhouse Mr. Bungle of the self-titled album. Nor would it … Read more
I love it when music takes me to places. In my mind there’s two ways a record can do that. First is the kind that is linked to certain events in my life. Sometimes as simple as a book I read at the time of listening. There are albums that transport me to the fantasy worlds I read about when … Read more
When William Elliott Whitmore signed to Bloodshot, I thought it was a natural fit. I like Whitmore; I like the label. Win/win. But I also wondered how an artist I think of as more on the folk/bluegrass side fit with a label I think of as Americana/alt-country. Similar, for sure, but not quite there. These are silly semantics to worry … Read more
I’ll admit I haven’t listened to much Atmosphere in recent years. But what I’ve heard of the new stuff, it’s more introspective and chill, as if Slug is content to ride in the passenger seat and look out the window instead of driving the car. It has a little less punch -– which is totally fine -– it’s his art … Read more
"The world's on fire and I don't feel a thing at all." Sung with a breezy nonchalance, Andrew Paley's prescient lyrics on "Caroline", including the admission "I've been raging at headlines", sound like they were written at the exact moment you're hearing them. On his second album Scattered Light, following 2016's Sirens, the Chicago-based musician looks to the future with … Read more
Alien Nosejob is a one-person project by Jake Robertson. On Suddenly Everything Is Twice As Loud, released in January, it was heavily influenced by melodic garage-punk. This time around the word was that Once Again The Present Becomes The Past is a hardcore record.So of course it starts with a short song called “Piano Prelude.” Because even when you know … Read more
From the ashes of the sorely missed, contemporary but old school death merchants Morbus Chron rises an altogether different phoenix. From 80s style Death-and-Entombed death metal we get the same decade as a frame of reference, but this time we’re talking some fist-pumping New Wave of British Heavy Metal infused with speed metal and more than a smidgen of hardcore.This … Read more
When Aussie hardcore troupe Geld held a launch party for their previous album Perfect Textures two years ago they played, among other things, some cover songs from Hawkwind and Sick of it All. According to their label Iron Lung Records the band will have a digital launch of their brand new lp Beyond the Floor and cover songs this time … Read more
Hello 1990s. Pity Party, from Oakland, play fuzzed out drudgy punk. While most press I read about calls the band pop-punk and even emo, I’d put them a less crisp category. DIY indie-punk, maybe? But with some harsher sounds that parlay a little more anger and anguish. Grunge doesn’t feel quite right, but close. I hate to drop the Riot … Read more
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