I was tempted to start this review with a “for fans of” reference, but that’s both lazy and mean. Kid You Not aren’t reinventing the punk rock wheel here but, c’mon -- if you’re listening to punk that’s not what you should expect in the first place. It’s a derivative style that’s more about energy, emotion and community than art.Based in St. Augustine, FL, Kid You Not delivers verse-chorus-verse pop-structured songs that culminate in a singalong chorus, often a group chorus with harmony. The vocals are rough around the edges and the production matches that: clean but never crisp, using real grit to convey additional emotion. Most of the time it’s cathartic in nature, and this record shows a lot of Iron Chic influence. While I cite Iron Chic for the emotional pull, musically it’s more direct and less dramatic.A lot of Thanks, I Hate It is mid-tempo in nature, with first person lyrics and a constant struggle or longing. The tempos shift, using dynamic changes and crescendos to bring the emotional punch (at the chorus). “And Those Who Don’t Can Go To Hell” showcases Kid You Not’s overall template well. The song rises and falls in tandem with the … Read more
Supreme Commander is a prototypical, overtly masculine, DC hardcore quartet. Points for extremely proficient galloping drums, and a Slayer-like metal … Read more
Almost three decades after Pearl Jam’s career-changing album Ten catapulted them from an independent act with a knack for channelling … Read more
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I had the privilege of seeing Hope and Anchor on the final show of their tour in D.C.. It was a very personal and emotional set, with most of the crowd sitting down and listening intently as the band played without microphones and switched instruments and duties from song to song. Their set gave me a sense of calm, comfort, and warmth, feelings I had not felt in a long time from seeing a band live. Listening to The Wait and Wonder, those feelings come flooding back to me as if I am back in that small, sweaty room, listening to three sweet people sing songs about love, despair, and above all, as their name states, hope. Hope and Anchor is a three-piece from North Carolina that plays a very … Read more
Sometimes one thinks you got what an artist is about, even if his oeuvre only was only on the periphery of your radar, then upon further inspection and stripping away the superficial mainstream appeal, it becomes apparent that there is much more to it than meets the eye, which prompts one to revisit the respective oeuvre. Case in point: Lenny … Read more
An essay I penned a couple of years ago will help to set the scene to describe the influence Sakevi Yokoyama and G.I.S.M. had on me as a juvenile delinquent.In essence, Sakevi Yokoyama’s artistic creations have always been absolutely brilliant, cryptic, majestic, ahead of its time and transcending the status quo by experimenting with new media and forms of expression. … Read more
Quintron & Miss Pussycat is a project like no other. They call it “Swamp-Tech,” from New Orleans, and it’s dance rock with otherworldly, high energy vibes and puppets. With 16 full-lengths, most of the instrumentation up ‘til now has been on organ and homemade synthesizer.It pretty much has to be heard to be understood, and perhaps seen to reach that … Read more
When Mr. Bungle announced their first shows in nearly 20 years last August, fans worldwide rejoiced that their beloved Bungle had finally awoken after laying dormant for almost 20 years.But just like their 3 full-length albums, nothing is ever predictable, and details soon emerged that this would not be the funhouse Mr. Bungle of the self-titled album. Nor would it … Read more
I love it when music takes me to places. In my mind there’s two ways a record can do that. First is the kind that is linked to certain events in my life. Sometimes as simple as a book I read at the time of listening. There are albums that transport me to the fantasy worlds I read about when … Read more
When William Elliott Whitmore signed to Bloodshot, I thought it was a natural fit. I like Whitmore; I like the label. Win/win. But I also wondered how an artist I think of as more on the folk/bluegrass side fit with a label I think of as Americana/alt-country. Similar, for sure, but not quite there. These are silly semantics to worry … Read more
I’ll admit I haven’t listened to much Atmosphere in recent years. But what I’ve heard of the new stuff, it’s more introspective and chill, as if Slug is content to ride in the passenger seat and look out the window instead of driving the car. It has a little less punch -– which is totally fine -– it’s his art … Read more
"The world's on fire and I don't feel a thing at all." Sung with a breezy nonchalance, Andrew Paley's prescient lyrics on "Caroline", including the admission "I've been raging at headlines", sound like they were written at the exact moment you're hearing them. On his second album Scattered Light, following 2016's Sirens, the Chicago-based musician looks to the future with … Read more
Alien Nosejob is a one-person project by Jake Robertson. On Suddenly Everything Is Twice As Loud, released in January, it was heavily influenced by melodic garage-punk. This time around the word was that Once Again The Present Becomes The Past is a hardcore record.So of course it starts with a short song called “Piano Prelude.” Because even when you know … Read more
From the ashes of the sorely missed, contemporary but old school death merchants Morbus Chron rises an altogether different phoenix. From 80s style Death-and-Entombed death metal we get the same decade as a frame of reference, but this time we’re talking some fist-pumping New Wave of British Heavy Metal infused with speed metal and more than a smidgen of hardcore.This … Read more
When Aussie hardcore troupe Geld held a launch party for their previous album Perfect Textures two years ago they played, among other things, some cover songs from Hawkwind and Sick of it All. According to their label Iron Lung Records the band will have a digital launch of their brand new lp Beyond the Floor and cover songs this time … Read more
Hello 1990s. Pity Party, from Oakland, play fuzzed out drudgy punk. While most press I read about calls the band pop-punk and even emo, I’d put them a less crisp category. DIY indie-punk, maybe? But with some harsher sounds that parlay a little more anger and anguish. Grunge doesn’t feel quite right, but close. I hate to drop the Riot … Read more
People tell me all the time that they don't "get" politics. That they don't really understand them and try to avoid them whenever they come up. CNN contributors usually pan these types of people as "undecided voters," usually implying that lack of decisiveness in choosing a political candidate ahead of an election is due to them being too dumb, misinformed, … Read more
2018 is the first time I heard from The Carvels NYC. The cover artwork was what drew me in that time. The music convinced me to ask for more of the same recipe. The band delivered not long after my review by releasing a second EP. I was happy with it. 2020 saw another EP. Again I was happy with … Read more
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