If there is one artist and one album that doesn't need my judgement of their art for validation (well, okay this applies to all artists), it's Fiona Apple and her new album, Fetch the Bolt Cutters. After 8 years, Apple is back with her most expressive and experimental album yet. "Fetch the Bolt Cutters" isn't just the title, it's the entire theme of the record. Often times, you can tell when an artist is at their creative peak. It's rare when an artist appears to be at their peak state of self-expression. Apple uses music as a tool of expression like never before. While her vocals sound like they flow independently from the piano keys or drum beats, in the end, each avenue that each instrument takes end up leading to the same point. It's like a Jackson Pollock painting in musical form. "I Want You to Love Me," is the perfect track to kick off the album. Apple delivers a beautiful and bright melody throughout the verse, but once it hits the chorus, it begins to follow down a darker path that contradicts the tone she's setting you up with the opening keys of her piano. Even the way … Read more
Im Wald begins on the slow, crunching footsteps of "Im Winterwald," while howling winds build a canopy of sound, offering … Read more
2020 is the year of a lot of things -- and a lot of concept records.But not a lot of … Read more
Remind me to kick myself for sleeping on this album, but in my defense, its description as a combination of … Read more
A big part of why I do this is to discover new music. Attic Salt are a new band to … Read more
Spirit World Field Guide is Aesop Rock’s first full-length in a few years. He’s been busy in the meantime, working … Read more
Choose a year to view reviews of albums released in that year.
756 reviews
45 reviews
25 reviews
300 reviews
5074 reviews
19 reviews
Huma Utku is an explorer. From her early days under the R.A.N (Roads at Night) moniker, she displayed a deep appreciation for experimental electronic music. From the outset, Utku wove together dark ambient motifs, industrial themes, and post-club abstraction into a minimalist yet holistic vision. Since adopting her own name, that same sonic excavation has continued, with a sharpened focus and deepening themes. 2019's Gnosis found inspiration in the pursuit of knowledge, and a hidden truth, a journey presented through field recording, drone soundscapes and ambient electronica. In 2022, Utku drew from her own background as a psychologist to journey through the human psyche. The Psychologist saw Utku further unfold her experimental electronic interests, but was packaged with substantial tension and existential angst. Now, Utku returns with her third full-length, … Read more
It’s strange, how the metal scene embraces certain genres as one of its own, enabling said genre to become “metal adjacent” and enjoy a somewhat wider audience in the long-term. Genres such as synthwave, shoegaze or dreampop, post-punk – all have a solid following from fans of much more extreme music and there’s surely an interesting study within that somewhere, … Read more
As most of you non-essential workers I have been working from home for what seems like forever now. What I see as one of the positive sides is that I get to decide what music to listen to (for those moments I am not in an online meeting that is). No discussions about what radio station to tune into. I … Read more
Pallbearer’s evolution from their early days as a dark, funeral doom leaning band into a prog-embracing emotive force is well documented in their back catalogue and as Forgotten Days expands the horizons of their sound, Pallbearer open up their hearts for all the world to see. This record is vulnerable and honest in its humanity and much like their previous … Read more
The Cavemen are a garage band from New Zealand with a ton of releases to their name. You know the style: it’s abrasive, it’s risqué, and full o’ swagger. But it’s also catchy, highly energetic and upbeat -- perversely positive, if you will.This 4-song EP runs at about 10 minutes (to be generous) and delivers a wallop. Fittingly titled Euthanise … Read more
I reviewed Hause’s Paddy EP before this. The two came out the same day and, as name implies, somewhat work together. The concept for each is similar: highlighting the work of some of his favorite songwriters, albeit from different directions.I’m also coming at the Patty EP from a new perspective. With Paddy I was well versed in Dillinger Four. This … Read more
What did I know about Silent Era coming into this review?Nothing.So I’m speaking based on first impressions and a lot of repeated listens instead of preconceived ideas from a previous release or live show. My general description of Rotate the Mirror is that the band plays driving DIY punk. It has influences from the genre’s origins in the ‘70s-early ‘80s … Read more
Uniform’s music is aggressive; it’s harsh, noisy, power electronics with smatterings of industrial, metallic hardcore and rumbling chords and overseeing it all is Michael Berdan’s voice – a voice that has lived through more than most can ever imagine and one that underpins their fourth full-length, Shame, as its narrator.Shame is the study of the in between, the moments that … Read more
There’s a lot to unpack in this new Dave Hause EP, released in conjunction with the Patty EP. While there’s a lot in these five songs, it’s also somewhat on the surface: Hause has released two new covers EP paying tribute to songwriters he admires. Paddy contains five songs written by Patrick Costello aka Paddy of Dillinger Four. To paraphrase, … Read more
This synth punk group hails from the headwaters of the Mississippi River. A mighty mass of water that connects Minnesota to Louisiana and sings all the way south. Water seemingly makes music as it flows and this super group (FFO: The Soviettes, Dear Landlord) is actively tapping into that source. Raw emotive vocals give me chills on the first spin. … Read more
Aidan Baker’s experience as a musician encompasses solo work, collaborations, bands, remixes writing books of poetry, and with this release, composing pieces to be performed by orchestras. His career is defined by experimentation and a willingness to explore new and diverse avenues for his sounds and while he may be best known for his work with Nadja, he is also … Read more
I was tempted to start this review with a “for fans of” reference, but that’s both lazy and mean. Kid You Not aren’t reinventing the punk rock wheel here but, c’mon -- if you’re listening to punk that’s not what you should expect in the first place. It’s a derivative style that’s more about energy, emotion and community than art.Based … Read more
Supreme Commander is a prototypical, overtly masculine, DC hardcore quartet. Points for extremely proficient galloping drums, and a Slayer-like metal break on “…Jonestown.” The singer mimics Dave Smalley of Dag Nasty, a 1980s DC hardcore group, past the point of remaining original. I love Dag Nasty’s 1986 album Can I Say as well, so all is soon forgiven. This well … Read more
Almost three decades after Pearl Jam’s career-changing album Ten catapulted them from an independent act with a knack for channelling their alchemy in fusing their angst and alienation with a love for hard rock of the seventies, British independent music and punk rock to a veritable mainstream act. While some of their contemporaries have famously imploded or their careers taking … Read more
Brujas, Cholas e Inventadas is a fast-paced 7” with 7 songs in maybe 10 minutes. It’s concise but probably the right dose for this style of lo-fi punk by Huraña, a four-piece from Chiapas, Mexico.With Spanish lyrics and muddy production, the EP is all heart and energy. It’s fierce without being aggressive. It’s melodic without being singalong. It’s potent without … Read more
Looking for the SPB logo? You can download it in a range of styles and colours here:
Click anywhere outside this dialog to close it, or press escape.