The opening of My Republic could easily be mistaken for the opening to just about any guitar based album from the past 30 years, with quietly plucked single notes pushing along for a moment or two. It is only as "Out of Mind" explodes into the best Bad Religion song since Mr. Brett left the band for the first time that the true tones of California punk surface and we are reminded just why Good Riddance do what they do so well. As the simple melodies, easy backup vocals in all the right places, and predictable chord changes of "Texas" surface out the back end, however, there is a momentary hint that Good Riddance could be just about to become just another Fat Wreck band. Thankfully it doesn't happen and it soon becomes obvious that it is the nadir - a song to sell the album to pop punk kids looking for their first taste of something slightly better and nothing more. An anomaly that is redeemed by coming so early in album that it's long forgotten by the time the last chords of the tenacious "Uniform" fade away. My Republic is a classic Good Riddance album. All acerbic political … Read more
In 2004, Defiance, Ohio released Share What Ya' Got. While I really enjoyed the record, I often found that the … Read more
This is a pleasant surprise. This is a hardcore record, a good hardcore record. The vocals are just the right … Read more
The Northwest hardcore scene recently lost an undeniable force with the breakup of fan favorite Champion. Fortunately there is a … Read more
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I'm from Arizona and I can attest that our local music scene sucks. There are occasionally a few decent bands but they never go anywhere. The exception to this would be Suicide Nation releasing 2 LPs and a split with Yaphet Kotto (who now play in the slaytanic Saviours). Unruh comes ahead with 2 LPs and a few more splits. So what's the point of this history lesson on one of the worst states for hardcore? Landmine Marathon consists of ex-Suicide Nation dudes and has a sound sort of reminiscent of Unruh. And they have a new album out on Level Plane Records? While definitively the home of emo-violence, I guess they are branching out with the recent signings of Landmine Marathon and Graf Orlock. So I definitely wouldn't complain … Read more
Mass Movement of the Moth is a band doing it the right way. Playing together for years and making a name for themselves in the DC hardcore scene and to some extent the whole Northeast, the band's first official release came just last year. Once the releases started, they didn't stop, and the hardcore world as a whole was introduced … Read more
Brett Gurewitz clearly smells money like band mate Greg Graffin smells fat teen pussy from Wisconsin, and it gets him just as hard. By his own admission Gurewitz has never "come across a new group with more potential to be huge" than Escape the Fate. The dollar signs must be spinning in his eyes as the Myspace friend requests grow … Read more
The idea of releasing a "Greatest Hits" package for a band like Men's Recovery Project seems laughable on the surface. Emerging out of the scorched carcass of Born Against, Men's Recovery Project left an embarrassing stain on the face of mid-'90s hardcore, offering messy, aberrant punk fueled by primitive, farting electronics and a defiant sense of weirdness. This isn't the … Read more
If there is one hardcore band in Chicago that truly defines the conventions of "Chicago Hardcore," it is The Killer. The various musical backgrounds of each member leads to an interesting fusion of the heavier metalcore bands as well as Southern Rock, and even a bit of doom metal. Everything about this album is solid from the production to the … Read more
If Myspace, YouTube, and various messegeboards have shown me anything in 2006, it is that kids love to mosh. From videos of kids moshing in their bedroom, living rooms, classrooms, and even in the middle of the street, kids across America love throwing the fuck down. The problem is that the soundtrack they are wind-milling and spin-kicking to is complete … Read more
In late 2004, The Futureheads punctured the mope-heavy indie rock bubble with the delivery of their hyperactive post-punk debut album. The harmony laden, adrenaline fueled romp immediately caught my attention and remained in my CD player well into the next year. Now, it appears that the cycle has started anew with the release of the bands sophomore effort, News and … Read more
The lead off track on Crime In Stereo's The Troubled Stateside is titled "Everything Changes/Nothing Is Ever Truly Lost." This title could be used as a fitting description for the band themselves. Crime In Stereo began to receive recognition when they released their Blackout Records debut, Explosives, And The Will To Use Them, in 2004. The record was a raw, … Read more
I had been listening to this record for almost three weeks trying to place the sounds and get some kind of footing for writing about Crucifire. After completing some minor bit of research, I was shocked to learn that this album is the product of members of Yaphet Kotto, Bread and Circuits, and others. Saviours do not sound anything like … Read more
The preamble about Hard-Fi is something about DIY, self-financing, self-promotion and the dole. There's something about the middle-English wastelands in which the band live. Something else about inner city tower blocks adds weight to the working class credentials about which, no doubt, Virginia Woolf would have something or other to say. Some quasi-pretentious blurb about wanting to sell records in … Read more
According to Playboy.com, Neko Case is the "Sexiest Babe of Indie Rock." Fortunately for the listening public, such a lofty title hasn't gone to Miss Case's head. "I'm not out to become Faith Hill," she says. "I never want to play an arena, and I never want to be on the MTV Video Music Awards, much less make a video … Read more
Weak. Shallow. Lame. Insipid. All of these words have been used at some point (by me) to describe country music. I fucking hate what passes for country music today and thankfully, so does Hank Williams III. He knows that the crossover into pop music in the late eighties/early nineties signaled the death of whatever creativity or credibility was left in … Read more
It's been a quite wait for Slayer fans, who are as rabid as music fans come. We last heard new music from the metal masters on 2001's God Hates Us All. Well here in 2006 we have been graced - an ironic choice of words I know - with Eternal Pyre featuring a brand new Slayer song, "Cult." On "Cult" … Read more
I love unsolicited review materials, especially when it's a band I've never heard before, and even more so when said band turns out to be surprisingly good. Aoria is a four-piece outfit from Sweden that plays rock music with the electro-pop influence of The Cure. The songs of this three-song EP are strongly written and the intricate composition of the … Read more
A lot of bands claim influence from early hardcore favorites like Black Flag and Minor Threat. Nine times out of ten it is complete bullshit and nothing more than a marketing ploy - "We blend the intensity of Minor Threat with the brutality of Slayer and the social awareness of Catharsis." Actually that band sounds kind of sweet, but you … Read more
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