The lead off track on Crime In Stereo's The Troubled Stateside is titled "Everything Changes/Nothing Is Ever Truly Lost." This title could be used as a fitting description for the band themselves. Crime In Stereo began to receive recognition when they released their Blackout Records debut, Explosives, And The Will To Use Them, in 2004. The record was a raw, intense chunk of melodic hardcore, pretty much beating the tar out of anyone attempting to play this style of music. As the band released more material, they have become a rock solid band, writing much tighter, melodic songs, without compromising the level of aggression. Crime In Stereo may have progressed, but that doesn't mean they're not still pissed. Everything changes, but nothing is ever truly lost. Two of the twelve songs contained on The Troubled Stateside, you've already heard. "Slow Math" opens with a technical lead, and shows the band strongly resembling melodic hardcore titans, Strike Anywhere. The chorus is especially reminiscent of the Fat Wreck Chords band, as it is a very big sounding part, with an anthemic sing-along. The other, "I'm On The Guestlist, Motherfucker" is a song that addresses the marketing tactic of putting a "big black … Read more
According to Playboy.com, Neko Case is the "Sexiest Babe of Indie Rock." Fortunately for the listening public, such a lofty … Read more
Weak. Shallow. Lame. Insipid. All of these words have been used at some point (by me) to describe country music. … Read more
Choose a year to view reviews of albums released in that year.
754 reviews
42 reviews
25 reviews
300 reviews
5029 reviews
19 reviews
It was just six months ago that I reviewed Great Vacation. Sure, I was a few months behind the trolley on that one, but the fact that Sleeping in the Aviary has already kicked out another record, You and Me, Ghost, speaks to their dedication and work ethic. Or maybe Elliott Kozel and company just can’t put down their writing pens. While there’s only so much point to comparing a new release with its predecessor, the short length of time in between makes it a touch more relevant. The primary difference that listeners of You and Me, Ghost will find is a dedication to '60s pop and doo-wop taking over the structures, giving the band a more defined sound and making the indie pop label more accurate than ever, with … Read more
I love unsolicited review materials, especially when it's a band I've never heard before, and even more so when said band turns out to be surprisingly good. Aoria is a four-piece outfit from Sweden that plays rock music with the electro-pop influence of The Cure. The songs of this three-song EP are strongly written and the intricate composition of the … Read more
A lot of bands claim influence from early hardcore favorites like Black Flag and Minor Threat. Nine times out of ten it is complete bullshit and nothing more than a marketing ploy - "We blend the intensity of Minor Threat with the brutality of Slayer and the social awareness of Catharsis." Actually that band sounds kind of sweet, but you … Read more
Lost in Focus is the debut release from a Southern California five-piece know as Apiary. I listen to a lot of music, and have jaded fucking ears that just don't prick up the way they used to. It takes a good shot of aural Viagra to get my attention. My attention was grabbed not long into "Pain Is The Reason" … Read more
Despite featuring ex-members of Combatwoundedveteran and Reversal of Man, Guiltmaker is distinctly less heavy than you might initially assume they would be. In fact the band does a fairly catchy take on the mid 90s emo rock/ post hardcore sound. Reminiscent of both bands like Rival Schools, Jets to Brazil and Jawbreaker, as well as uber popular present day acts … Read more
Initially released late last year on Japanese label Diwphalanx, Pink now finds a worldwide release through Southern Lord. It also see's the band at their scuzzy rock best. Similar in sound in many ways to their 2005 Southern Lord release, Akuma No Uta, but upping the ante considerably with tighter more memorable songs. Tracks like "Regardless it is not Separable" … Read more
Genghis Tron is something of an anomaly in the world of music. On their Myspace site they list themselves as Grind/Electro/Metal, which is a pretty disconcerting declaration to some. It sounds a bit off-putting, like a botched crossbreeding that has yielded mentally handicapped offspring in the form of songs that should have never been written. That's the way it usually … Read more
My initial experience with Casiotone for the Painfully Alone (henceforth referred to as simply 'tones, to save me a fair bit of typing) was not an audio one. Rather, for sometime the only working knowledge that I had of the band was their lyrics which I read through after Soulseek dropped the ball and returned no search results. This, granted, … Read more
Prog-rock is quite an unstable ground to tread upon. One uneven step can send you hurtling into the abyss of ridiculous pretentiousness. As Silence of Another Kind begins, Paatos is already dangerously close to losing their footing. "Shame", while aptly named, does nothing more than give the impression of a rather uninspired band that is simply going through the motions. … Read more
Hate is a tough thing to grasp for many people. They say they hate, but I'm not sure I believe it because the term "hate" is like love. It's thrown about haphazardly and used in offhand comments and that makes it lose it's true, immensely dark and angry feeling. So when a band aims to go for hatred as the … Read more
My buddy Dave said it best: "This shit makes me want to punch a whale." Ridiculous? Perhaps. But Ceremony's first full-length, Violence Violence is completely ridiculous. And I mean that as a compliment in every way. They released their Ruined 7" not too long ago and the hardcore hype train started a-chuggin'. You'd see kids in Ceremony hoodies and tees … Read more
Almost ten years ago the California hardcore band Chain of Strength asked, "Has the edge gone dull?" The edge hasn't lost any of it's sharpness but has transformed from a simple song written by teenagers in Washington D.C. in the early 80's to a positive filled jock rock by the end of the decade. The 90's itself was a scary … Read more
Al Jourgensen doesn't wear his heart on his sleeve; he rips it out of his chest and smothers the bloody, still-beating remains in the face of anyone and everyone he can get his hands on. Since forming the industrial power-house that is Ministry, Jourgensen has been the driving force behind album after album worth of seething, stomping anger. In a … Read more
In hardcore's early '80s halcyon days, the EP became the coin of the realm: a handful of songs, often over before you had a chance to sit down. Many great bands never even recorded full-lengths - a phenomenon that's a lot less common today though by no means extinct. Maybe if Panic hadn't broken up in 2002, they would have … Read more
Islands is the kind of band that has the ability to suck you into their creative vortex and draw from you the emotions that they choose to illicit accordingly, all the while Return to the Sea remains very optimistic and upbeat. How could it not? If you are a follower of Islands leaders Nick Diamond and J'aime Tambeur (who recently … Read more
Looking for the SPB logo? You can download it in a range of styles and colours here:
Click anywhere outside this dialog to close it, or press escape.