The Fear is What Keeps Us Here is the umpteenth full-length from this chaotic and erratic off and on metalcore act. The fact that they are still producing albums boggles my mind. I have always considered this band to be a guilty pleasure (in part anyway). That last album The Funeral of God was an awful example of what they were capable of doing. When I watched the long, drawn out Lesser Lights of Heaven DVD, I was horrified to actually learn how dysfunctional (or rather how non-dysfunctional due to the band not living up to the rumors) that they were. Now, this latest record was not unknown to me. I awaited it while cringing at how low they could possibly go. With the complete lack of original members, Zao entered the studio with Steve Albiniââ¬Â¦STEVE ALBINI. Apparently, he asked to record them (he refuses to call it producing), which is dumbfounding. However, two aspects of this record completely took me by surprise. One, obviously the production plays a large part in how The Fear is What Keeps Us Here sounds. By all indications, Albini despises over production and limits the uses of digital enhancement when possible. This is a … Read more
The debut full-length from Set Your Goals has been one of the most anticipated releases for myself and countless others … Read more
For me, The Drama Summer was always one of those bands that I heard the name of every few months, … Read more
United States are back, following up their Fuck It Tapes cassette release with an pseudo-urgent catcall of angular and somewhat … Read more
I have decided that a review for End of a Year's Sincerely should mimic the album's defining characteristics. So this … Read more
A couple months ago I was sitting next to a window at Inn-N-Out, pissed about my cheeseburger (they put nothing … Read more
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The Chinese Zodiac dictates that the dog will come through for me every time. The dog, I'm told, is reliable, empathetic, and intelligent. The dog is the kind of friend everybody can use. For a few years now, Fucked Up has played the dog for me. I resisted at first, after somebody led me to believe they traded in the blurry, retro thrash that was briefly in vogue at some point in the early aughties (and maybe they sort of did, at first, albeit with more sense of song). But I broke down and bought Epics in Minutes from Dr. Strange Records in Alta Loma, CA, and driving back home across the 210 I listened: these songs oozed intensity, and were hung with sparkling, nasty hooks that took me back … Read more
There are few bands that had as much of an impact on my youth as Celtic Frost. Rising from the ashes of Hellhammer, Thomas Gabriel Fischer and Martin Eric Ain released the seminal album Morbid Tales. The year was 1984 and to say this album fascinated me was an understatement. Even though I had been listening to the heavier side … Read more
When no one's chomping at the bit, hardcore can easily turn into comfort food. Sing-alongs, breakdowns and carefully placed "go!"s can become a security blanket. This has its place, but hardcore is often best when bands eschew the easy outs of well-worn forms and stake out fresh ground. Bands like Crime Desire are what keep the wheels turning by breaking … Read more
The cover of Last Minute Fix's debut effort, Revenge of the Syringe, depicts a bald eagle sitting in an alley totally strung out. Sitting next to the eagle is a pile of pills, there are syringes stuck into each wing, a cigar (or possibly a joint) in its beak, and a noose around its neck. If one were to guess … Read more
It's always nice when a band that exhibited incredible promise coming up through indie labels continues to show evolution without distancing themselves from their roots once they've hit major label status. Rise Against continues to prove that a major label doesn't mean shit when it comes to writing their music, which is one of the small reasons I like them … Read more
The opening of My Republic could easily be mistaken for the opening to just about any guitar based album from the past 30 years, with quietly plucked single notes pushing along for a moment or two. It is only as "Out of Mind" explodes into the best Bad Religion song since Mr. Brett left the band for the first time … Read more
My roommate likes to call early 90's hardcore "The Dark Ages of Hardcore" with its metal influences, all the way to the left neo-hippie politics, poetic non-sense, and mosh parts. In many way he's right, but the beginning part of the 90's wasn't all bad and we got some great bands like Undertow, Unbroken, Integrity, Indecision, and others that start … Read more
Honestly, Tragedy has to be considered one of the best punk bands going right now. Their music is super tight and just awesome. Their lyrics are poignant. The vocals are down right devastating to hear (coming from both of the vocalists). A few weeks ago, I was commenting how it had been too long of a gap between their last … Read more
In 2004, Defiance, Ohio released Share What Ya' Got. While I really enjoyed the record, I often found that the production quality was very weak and it definitely hampered the appeal of the record for many more potential fans. Two years later, the bands' latest effort and second full-length, The Great Depression, seems to have erased the slight complaints I … Read more
This is a pleasant surprise. This is a hardcore record, a good hardcore record. The vocals are just the right fit for the music. I heard these guys before on the Generations record that Revelation released semi recently. These guys have a good hardcore sound with dashes of melody that makes Disconnecting so distinct. "Give Up" leads off Disconnecting with … Read more
The Northwest hardcore scene recently lost an undeniable force with the breakup of fan favorite Champion. Fortunately there is a wake of other amazing bands ready to claim their crown as the kings of hardcore from that region. One of the more promising of those bands is Sinking Ships, a five-piece outfit from the Seattle area. And with Disconnecting, their … Read more
Mass Movement of the Moth is a band doing it the right way. Playing together for years and making a name for themselves in the DC hardcore scene and to some extent the whole Northeast, the band's first official release came just last year. Once the releases started, they didn't stop, and the hardcore world as a whole was introduced … Read more
Brett Gurewitz clearly smells money like band mate Greg Graffin smells fat teen pussy from Wisconsin, and it gets him just as hard. By his own admission Gurewitz has never "come across a new group with more potential to be huge" than Escape the Fate. The dollar signs must be spinning in his eyes as the Myspace friend requests grow … Read more
The idea of releasing a "Greatest Hits" package for a band like Men's Recovery Project seems laughable on the surface. Emerging out of the scorched carcass of Born Against, Men's Recovery Project left an embarrassing stain on the face of mid-'90s hardcore, offering messy, aberrant punk fueled by primitive, farting electronics and a defiant sense of weirdness. This isn't the … Read more
If there is one hardcore band in Chicago that truly defines the conventions of "Chicago Hardcore," it is The Killer. The various musical backgrounds of each member leads to an interesting fusion of the heavier metalcore bands as well as Southern Rock, and even a bit of doom metal. Everything about this album is solid from the production to the … Read more
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