God bless Matthew William Kohnle. Kohnle is The Swede. While I'm not sure if the name is a reference to his nationality (or if he is in fact a root vegetable), this project is solely his. With the exception of some bass clarinet by Todd Knapp and some vocals by Mrs. Kohnle, all songs are written, performed, and even recorded by Matthew. Kicking off with "The First Song on This Record" we get a six-minute slice of acoustic-led balladry. Don't mistake this album for a 'singer/songwriter' vanity project: while Kohnle runs the ship, it's certainly not limited to one genre. We hear Pink Floyd synths, elegant keys, and laid back vocals that know just when to drop out and let the music take over. It's a nice balance. Indeed, part of the appeal of And the Swede is the use of silence. Long pauses between the opening chords of "They Hate This Where I'm From" give it depth and sustain that make the eventual transition into a free-jazz jamfest all the more rewarding, discordant brass section and all. As Kohnle notes on his website, much of the recording was just done with a relaxed vibe where the listener can feel … Read more
The Colour and the Shape was the Foo Fighters second full-length release, though it was the first album in which … Read more
As our global society is brought closer and closer as a result of the Internet and other lightning fast communicative … Read more
This review is dedicated to Anthony H. Wilson. Fuck Keith and Mick, Fuck the Toxic Twins of Aerosmith, and fuck … Read more
Oh J Church how I love you and your noisy simple pop-punk brilliance. And thank-you for doing a good cover … Read more
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It's almost a little sad when drugs influence a lot of what musicians do (The Mars Volta?). It is equally sad and almost doubly disappointing when musicians ruin their reputations with shallow releases. Pegasuses XL is Make Dale (Disband), Jeff Tobias (We Versus the Shark), Joel Hatstat (Cinemechanica) and the renowned Jeff Rosenstock (Arrogant Sons of Bitches, Bomb The Music Industry). The Antiphone, the bands first release after a trio of EP's, follows their release pattern: it's just becoming worse. This release is a result of far too many evenings smoking pot in the basement. Everything is drawing board material with no substance or depth. The lyrics are scrapped together. The songs are misguided by a heavy distortion which makes the album totally unlistenable. It's surprising to know that the … Read more
This split 7" features two of the most exciting hardcore bands that have been hitting the fest circuit this Summer. Soul Control sounds like 108 mixed with Quicksand and it's all awesome. "Focus" is one of my favorite songs of 2007. This song just fucking jams in all its noisy post-hardcore brilliance. I Rise also play melodic post hardcore with … Read more
More of The Ergs for you. More pop-punk. More songs about girls and this time a rather decent cover of the 90's rock staple "Hey Jealousy." Lemuria are on the poppy side but a tad inclined to the indie rock thing with male and female vocals. Both bands give that "Aw shucks" feeling when you listen to them and that's … Read more
When I think of Iceland I don't think of hardcore bands. Actually, I don't think I ever thought about Iceland for anything musically besides Björk and The Sugarcubes. I Adapt sounds nothing like that schizophrenic ageless midget but they do sound like The Hope Conspiracy and other Deathwish Inc. type hardcore bands. It's an emotional outpouring over pounding rhythms and … Read more
Turn into Stone is a new three-song platter from the upstate New York hardcore band. "Turn into Stone" has decent Supertouch type intro that busts into a manic throbbing piece of melodic hardcore gristle to gnaw on for a couple of minutes. "Somebody Up There Likes Me" is a rocking little tune with a huge skate rock riff, which seems … Read more
Seasick play fast pissed off political hardcore with plenty of twists and turns to keep me interested. There are some nice little breakdowns and some Integrity-like guitar solos. It reminds me a little bit of the stuff that Ebullition was hawking in the mid 90's but a lot more fun and catchy. I could see kids that use their dogs … Read more
"Peger" is transliterated Hebrew for "corpse" or "carcass," so you know what you're getting into here. But Barbara, a bass/drum duo, compares themselves to everybody from Lightning Bolt to Today is the Day, and I'll confess that the idea of an Israeli Today is the Day had me curious. Peger is a bizarre record, alternating between blizzards of distortion and … Read more
I got interested in Fast Metabolism after seeing it billed as "fast, loud and weird" punk rock from Detroit - three adjectives close to my own heart. Oddly enough, Tyvek isn't all that fast, loud, or weird, but they kick up a surprisingly enjoyable and inspired racket nonetheless. Tyvek play a simple, unaffected kind of garage punk, drawing comparisons to … Read more
Chicago's Reptoids, signed to RRRecords, play a female brand of grunge/punk rock. This six-track EP, clocking in at sixteen minutes, shows a fairly wide-ranging sound, taking in early Nirvana, through to a more rock and roll/punk sound reminiscent of 70s acts mixed with grunge vocals. Singer Kay Oh often reminds me of Courtney Love, but musically the band provides a … Read more
If I told you that Skyscraper Frontier was another band out of L.A. playing an 'eclectic' mixture of songs, you'd probably get that glazed look in your eyes and change the subject. You've heard it all before. But what if I told you that this six-track EP really was eclectic? Beginning with "I Just Need You," we get ambient 80's … Read more
South Carolina trio The Last Car in Alaska play a sort of melodic emo-core that must be pretty popular with the Warped Tour audience they've played to. Some of it sounds pretty amateur in parts (mixing on the first track, "I Like You Man... You're Crazy", features some strange contrasts in vocal volume, and the whole EP has vocals that … Read more
Ryan Groat should be presented with some sort of award for the riffs he came up with on The Most, Down to Nothing's third full-length and first for Revelation Records. Seriously, not only are the riffs thundering and inventive, they get stuck in your head for weeks, even months on end. Mr. Groat I award with this Riffy for Most … Read more
There was a time when I thought that Prepare to be Let Down was never going to be released. The album was slated to come out via 1917 Records before the band and label amicably agreed to go their separate ways. Well, after a brief stint without a label, Ruiner have finally brought Prepare to be Let Down to the … Read more
Aesop Rock could be considered the resident Dadaist of the hip-hop community. Many consider him a hyper literate linguist (despite the fact he admits that he doesn't read much), blending modern pop culture phrasings with slang of the last ten years to create complex rhymes that actively reflective on the modern world. Others argue just the opposite; despite his ability … Read more
It's been three years since Brooklyn's Dear Tonight released their debut EP These are Wires. Since then the band has toured regularly, went to Europe with Boy Sets Fire, and honed their sound in order to release We're Not Men, the bands first full-length and only their second release as a band. While These are Wires was much grittier and … Read more
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