Path to Misery is a musical-collective from Pittsburgh, PA. The group of individuals involved focuses their attention of raising awareness of government actions, social issues, and other forward-thinking ideas through music. Musically, they set things to a soundtrack of abrasive hardcore with dashes of metal, d-beat, and grind thrown in for good measure. Their latest demo is comprised of three songs. The first is "The Gauntlet." Musically the song is a nice mixture of metallic hardcore and thrashy metalcore. Vocally, I am reminded of Himsa/Undertow vocalist John Pettibone. "Relentless Persistence" is just as punishing, the riffs really drive the song. Overall, these two songs remind me a bit of Another Victim and Racetraitor, with the latter containing hints of Neurosis. The demo concludes with "Third World War." The song is from a different recording session and features a different vocalist. The song is preceded by a long-running sample by John Stockwell about what actions the CIA conduct on a daily basis. Unfortunately, "Third World War" is a bit weaker than the previous recordings. The vocal delivery is a bit forced and the song comes off as a bit simplistic in structure. This demo is a nice snapshot of the band … Read more
I love Set Your Goals, but the popularity of the band's amalgamation of pop-punk and melodic hardcore has brought forth … Read more
Division Day are a fairly new band from Los Angeles and they are going to turn some heads with their … Read more
Scream and Light Up the Sky has been a long long time coming. Three years have gone by since their … Read more
If you're like me, the state of Minnesota is automatically associated with one of two things: 1) Mall of America … Read more
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Remember the mid 1990's and the vegan straightedge hardcore scene with its horribly over-sized clothes (big pants, basketball jerseys), staunch politics (hardline anyone?), and some of its more notable bands (Earth Crisis, One King Down, Morning Again, Culture, Birthright, Unconquered, and tons more)? I ask this question because not only do I, but because Kingdom is like a huge nostalgic kick in the ass for that era of "hardcore history." And their record, The Rage That Guides, feels like it may be a throwback to that era in more than one way. Maybe it is unfair on my part to already have a preconceived notion about what Kingdom's album may sound like, but at least it is that possibility that makes me interested in hearing the music that they make. … Read more
Badmouth is the latest in the seemingly never-ending line of pissed off hardcore bands from Southern California. Strikes Again is their debut effort, which is actually their demo but in refurbished form via Ghosthunt Records. Over the course of these nine songs, Badmouth deliver fast-paced hardcore-punk with serious guitar whaling and bitter as hell lyrics. Musically, they remind me quite … Read more
A cassette tape release? This is the third one I've received in the mail recently. I don't even know where you get these pressed anymore. Regardless, Every Day is a cool trip down memory lane to a time when Myspace didn't exist and band's relied on word of mouth to promote themselves. Failing Myself is a one-man musical project from … Read more
The terms "stripped-down," "raw," and "black metal" are certainly no strangers to each other. Musically speaking, some of the best known bands and albums feature less-than-lackluster production and songwriting, a standard set by older bands such as Darkthrone and Burzum, even if unintentionally. Visually and characteristically though, most black metal bands are infamous for being over-the-top, what with all the … Read more
Is a band just as good if they don't have the hype? In today's hardcore scene, I feel like a lot of bands get passed over for lack of glorification and message board fame. Now, it's hard to tell if Bracewar is really one of those bands; I would say they are on the lower end of the fame spectrum, … Read more
How does one measure the influence and impact of a band on music? Sure, you could look at album sales, which in the case of The Beatles is a corollary that works, but then you could see how many albums a band like Godsmack or someone like Kenny Chesney has sold and just throw that idea out the window. Truly, … Read more
Staying certain to an unspoken pattern of two years between releases, Oceansize has returned to us with their third full-length album. Including the bonus track, "Voorhees," Frames clocks in at over a monstrous hour and fifteen minutes, a feat that similar, non-established progressive artists have little courage for testing on the streams of today's steadily decreasing attention spans. Brave you … Read more
Having heard Grizzly Bear's Horn of Plenty when it was first released and liking it quite a lot, I was taken back a bit when I heard Yellow House for the first time and to tell you the truth, I didn't really like it. That was until I saw the entity that is Grizzly Bear live during their tour with … Read more
For those who find Evanescence's Amy Lee too goth and Sarah Brightman not quite goth enough, we have Norway's Andrea Haugen a.k.a. Nebelhexë. Now, "Neb," as we'll call her, is, according to her bio, "a warrior with never-fading energy and she fights with passion for individual and spiritual freedom; animal rights, awareness for ecological food, recognition for ancient goddess worship … Read more
Deathwish Inc. is definitely an interesting label. Their releases span the clearly generic (Damage's Final) to the very progressive (along with Converge's own releases on the label I'll cite The Power and The Glory's Call Me Armageddon). However, their more forward thinking releases tend to fall under the same category of super abrasive, showing a lot of noise rock/crust influence, … Read more
Eleven years! It has been roughly eleven years since 108 last released a studio effort discounting last year's one-oh-eight demo. That is a long time between albums; the really scary aspect of that factoid for me is that I remember purchasing that last record when I was in high school. So much has changed in the landscape of underground music … Read more
Last February, I went to the Blind Pig in Ann Arbor, MI to catch a set by Grizzly Bear, Brooklyn neo-folk indie band. The opener, The Dirty Projectors, I had never heard of and they opened up with a swirling guitar driven jam. Two minutes into the song, the singer/guitarist started belting out the beginning lyrics to Black Flag's "Six … Read more
Applying the finishing touches to a viola-and-recorder composition evocatively recreating the world of Sloppy Joe Riggs-Lattimer (a red-headed scientologist Jew known only to the residents of 1980's Pennsylvania) Sufjan Stevens decides to take a midnight stroll through the brisk fall air. Stopping to gaze lovingly at the moon, he is brutally murdered by a passing hobo who mistakes him for … Read more
a) "Neglected Rejection" b) "Benign Reabsorption" c) "Predicated Malformations" d) "Embryological Teratomas" Okay, here's how it works - you guess which ones are actual titles of songs by the band Malignancy, and which songs were created by me, inebriated after a night of Jäger-bombs using a thesaurus opened randomly to two different pages. Give up? All the titles are songs … Read more
Cobalt is a two-piece black metal band hailing from the United States. They have a surprisingly full and "polished" sound that sets them apart from other black metal bands that I have been privy to hear. Eater of Birds is the band's (from what I have gathered) second full-length and showcases a marked improvement from their first full-length (War Metal … Read more
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