The profound influence of punk on the grunge movement should not be understated. By the time it had reached national recognition, that lineage wasn't as obvious as it was in the beginning. But my point is that when stripped down to its bare essentials, grunge is, much like 80s hardcore, loud, fast, angry, and an embodiment of youth. This brings … Read more
I have to wonder what rock critics would've done without L7 and Babes in Toyland, as it seems every writer feels compelled to make comparisons to these bands whenever a female-fronted group is being discussed. That said, Minneapolis' Baby Guts show a bit of the ol' influence themselves. This is no sludgy L7 stuff and there's no pitch-shifting Bjelland on … Read more
Baby Teeth made For The Heathers on a dare, with each of the three members of the band working in isolation from home. Sequestered with only imagination as a barrier, the dramatic differences between each member's effort is both a shock and a pleasant surprise to the listener that can only be understood as separate entities with only the name … Read more
Pete Doherty has spent the last year in and out of tabloid magazines for many different things: drugs, Kate Moss, fighting, Kate Moss on drugs, causing everyone that is involved in the music industry (it seems) to comment on him, 'crazy' live sets and more drugs. All this comes off the back of two just above average albums with his … Read more
Escaping cliches can be difficult. In 2005 the instrumental metal band has become its own cliche, along with their album's reviews. Being referred to as a Neurosis-rip off or an Isis-wannabe has become a formality for these bands, and sometimes it isn't even the bands fault. Reviewers are often guilty of only looking towards the genre defining or benchmark bands/albums … Read more
This EP is fairly similar to another recent 6131 release from Bad Seed. This isn't a bad thing. This is a renaissance of sorts for heavy NYHC. Where Bad Seed seems to fail for most is that they don't exploit the grooves they can get into. On the other hand, Backtrack has yet to find a groove they don't like … Read more
Before the release of Twelve Small Steps, One Giant Disappointment, frontman Joey Cape willingly admitted that the record does not measure up to what it should have been, and not many bands would ever publicly admit something like that, but not many bands have experienced the tragedy that befell Bad Astronaut. The band's co-creator, drummer, and one of Cape's best … Read more
Intimate little records and intimate settings will stick with people for a while if they are struck in such a way where the performance just hits them the right way when and where they need it to mark the moment as memorable; quiet whispers and frantic yelps may spark the memory later or some ghost sound that speaks the necessary … Read more
These reunions need to stop. Gorilla Biscuits? Cool. Bold? Okay. Bad Brains? No. Honestly, what was Beastie Boy Adam Yauch thinking when he was producing this pile of garbage known as Build a Nation? Truth be told, I'm relatively new to the Bad Brains catalog. Having listened to them for only a year or so, I'll admit they are a … Read more
With the billion or so punk subgenres and comeback cycles, it’s interesting to me that more bands aren’t playing this style of Crimpshrine-inspired East Bay punk. Popstar by Bad Idols is crunchy yet melodic. It’s generally pop-structured but with gruff and deeply personal lyrics. Let’s just say the word “I” is prevalent throughout this 12-song record. I’ll also add that … Read more
Bate Kush, the second short release from a side-project of drone and ambient musician Foie Gras known as Bad Kisser, presents the listener with a conundrum. The EP has eight extremely noisy and lo-fi tracks, only two of which last more than ninety seconds. Honestly, the brevity of the songs here isn’t really an issue nor is the very rough … Read more
Bad Lovers is a new project from members of Restrained. This Los Angeles-based punk outfit offers four songs on their demo recording. Musically, I am reminded of The Jesus Lizard, Sonic Youth, late Black Flag, and other noise-punk outfits. You've got that down and dirty approach to punk with droney riffs and the little flairs of grunge and metal inserted … Read more
Bad Mask are a fairly new band hailing from New Jersey. The band deals in semi technical Metal. While not being as technical as some bands they tend to carry the torch of early Dillinger Escape Plan. Meaning that they go through more than a few time changes within their songs. There is a heavy focus on dissonant riffing and … Read more
Had it Coming is my first exposure to Los Angeles' Bad Reaction, but apparently this recording is a CD version of their previously released 7"s Dare to be Dull and Plastic World, plus a choice cover. Bad Reaction play fast punk influenced hardcore. All but one of the songs here end up under two minutes. As expected, that means the … Read more
Bad Religion may not need any introduction due to their notoriety in punk, hardcore, and various independent and even some mainstream circles, but there are several impressive facts that New Maps of Hell bring to light with its release to the public. One, Bad Religion is, minus a few break ups in the eighties, closing in on thirty years of … Read more
Considering the make up of this musical project, my interest is rather high with several questions bubbling to the surface, mainly concerning what Bad Secrets sounds like. In any event, being made up of Evan Patterson (Young Widows, Breather Resist, Black Cross, and The National Acrobat) and Dan Davis (of Kodan Armada) will certainly turn some heads when Bad Secrets … Read more
Members of Title Fight do a hardcore band, neat. The four songs on this platter remind me of early Merauder crossed with Cold World for a knockdown drag out testosterone fueled mosh fest. The songs themselves aren't bad as who ever writes the riffs is either brilliant or just knows what songs to rip off. If you enjoy NYHC played … Read more
Bad Sports want you to turn it up. They play loud rock, rooted in the elements, but not tied to rollicking times or anti-authority volume, but taking that foundation and blending it with a fundamental structure that pulls from The Ramones and draws melodic ideas from the genres forefathers in the 1960s. It’s got that Ramones-y repetition/simplicity (“Let Me In”), … Read more
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