I nearly died one night in the kitchen of Mexican restaurant I was cooking at. When it came time to clean up the floors at the end of my closing shift, I erroneously (read: stupidly) mixed ammonia and bleach in a mop bucket full of steaming hot water. One breath of that potent mixture and I was seeing stars and … Read more
Bad Sports want you to turn it up. They play loud rock, rooted in the elements, but not tied to rollicking times or anti-authority volume, but taking that foundation and blending it with a fundamental structure that pulls from The Ramones and draws melodic ideas from the genres forefathers in the 1960s. It’s got that Ramones-y repetition/simplicity (“Let Me In”), … Read more
With Bad Sports, the songs are often about the hooks. The band utilizes traditional rock structures with song titles embedded in the chorus and predictable progressions. It’s largely about where they kick the extra energy into their songs that sets them apart, and it’s usually got a bit of swagger when they do kick.“Gains and Losses” is a really good … Read more
Bad Sports made a smart sequencing decision by opening Kings of the Weekend with “Off Switch.” The punk burner has a lot of garage noise and it rips past in just 1:47. Why is it a smart opener, you ask? Well, from the brick wall band photo to the band’s posture to numerous tracks on the record, this Denton, TX … Read more
Bad Sports are coming into their own. They’ve always been a solid Denton, TX hyphen-rock band but on their new EP, Dirtnap’s Living With Secrets, the nuances are starting to pull together a little more and the “influenced by” is harder to decipher. The first third or so of the record takes the commodified Denton garage-punk sound in a new … Read more
At this point Riverboat Gamblers have enough side projects that there’s almost an expectation of sound before listening, that unifying factor between all the different bands that have spidered from the source band. Introduce Drakulas, who released an EP on Red Scare Industries last year and now come with a full-length Raw Wave debut on Dirtnap Records. Not only does … Read more
It seems fitting that one of the first 2021 releases I’m reviewing is called End Of Man. A look at the news shows a world in crisis and, for deeper meaning, the common parlance is shifting away from gender specific language. So maybe Fox Face is saying men ruined the planet and we’re all gonna die. Maybe they are saying … Read more
Dirtnap is a fascinating label in how they’ve developed a certain sound to their releases, regardless of what part of the world or what particular scene the musicians hail from. Sure, there’s the Marked Men connection with many of their releases, but that’s only a piece of what the label has put out.Good Shade is Shane Natalie, a one-man band … Read more
Namedropping in reviews is an easy thing to do, and I’m not averse to it myself. The obvious ones for High Tension Wires come via the members’ pedigree (Riverboat Gamblers, Marked Men, The Reds, Bad Sports). I usually try to limit it to that—the other projects that members have worked in, and how it compares with said artists’ output. Still, … Read more
Jim and the French Vanilla is the solo moniker for Jim Blaha, guitarist in The Blind Shake, a band with have several of their own releases, as well as collaborations with notables like Michael Yonkers and John Reis. This is his third “French Vanilla” release, but the first with true distribution and also the first to feature a full band.There … Read more
Dirtnap Records picked up Kalamazoo, MI’s Legendary Wings based on an unsolicited demo. Seeing that the label gave them a blind shot, why not try it myself? Well, that and the onesheet calls them “Scared of Chaka if they were from Minneapolis.” It’s hard for that not to grab my attention.Their debut, Making Paper Roses starts out strong with “Nachos,” … Read more
By now it feels like hitting repeat, but for the uninitiated, Lost Balloons has to be introduced through the Marked Men timeline. The beloved Texas garage-punk band went on hiatus sometime back, when member Jeff Burke relocated to Japan. He’s since returned to the US and plays sporadically with Marked Men, as well as Radioactivity and other projects. But, while … Read more
Screens, (2013) was damn near perfect. So what does Low Culture have in store with their second LP? It’s not disappointment, that’s for sure. Places to Hide continues their run of modern garage-punk that’s run through the melody filter and cleaned up of the fuzz and distortion, letting the elemental energy and punk tempo drive the songs while the vocals … Read more
Low Culture packs a punch. Not an angry punch, but one that, upon hearing it, your foot taps and your head bobs. The band, bringing ex members of Shang-A-Lang and Total Jock together, somewhat combines those sounds, but here they are growing in a cleaner sound that is more rooted in the melody. Oh, and they round out the group … Read more
From time to time certain friends of mine will make the same kind of declarations in the month of February that I do. And when statements like, "This might be the best record of the year," spew from their overexcited mouth while trying to tell me about a new album, I do indeed take notice. So, when such declarations of … Read more
Martha has been building a name on the DIY scene for quite some time. I know I saw them, probably close to 10 years ago, opening for Toys That Kill or some related band. But they don’t play scrappy punk. They dabble more in power-pop that’s built around tight songwriting chops and melodies that stick with you. Britpop meets the … Read more
Whoa, is it 1994 again and someone didn't tell me? Much in the way Teenage Bottlerocket appropriated the early to mid-‘90s Lookout bands like Screeching Weasel and the Groovie Ghoulies, which were puréeing the Ramones, Beach Boys and macabre cinema, you can't really credit Portland, OR's Mean Jeans for bringing anything new to the pop punk landscape whatsoever. In fact, … Read more
While I’ve always enjoyed Mind Spiders, they’ve kind of felt like a side project, an idea that hadn’t really grown into a full-fledged band yet. On each of their releases so far, I listen and think, “I like this, but it’s not really my thing.” Then the next album comes along, I give it a spin, and think, “This keeps … Read more
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